By Nicolas Suszczyk, Guest Writer
The new James Bond film SPECTRE has given the fans many nods to On Her Majesty’s Secret Service throughout the promotions, either by the bars of John Barry’s instrumental theme on the trailer and by the snow scenes. Some people even suggested that the 2015 film could be a remake of the 1969 Bond adventure.
One of the most faithful adaptations of an Ian Fleming novel, the sixth 007 film made by Eon Productions is distinctive in many ways: it was the first film to feature a new Bond actor, George Lazenby, and it establishes some kind of continuity with the previous adventures, by having the secret agent looking up at some personal effects from his old missions on one scene.
It also showed, for the first time, a more emotional Bond. “This one is different. This one has heart”, the trailer narration claimed.
Just like in Dr. No, From Russia with Love, Thunderball and You Only Live Twice, the enemy is once again SPECTRE and its leader, Ernst Stavro Blofeld.
After his reveal in the 1967 film, the organization per se is overshadowed by its Number One figure. Previously played by Anthony Dawson and Donald Pleasance, Blofeld is now portrayed by the charismatic Telly Savalas, who would be later known as TV’s popular detective Kojak.
Unlike the 1963 novel by Fleming, where Bond considers resigning from the Service tired of following Blofeld’s lead, in this 1969 adaptation 007 is completely obsessed to find his nemesis and to kill any trace of SPECTRE, even resigning (he finally doesn’t, thanks to Moneypenny) when M relieves him from the mentioned assignment.
SPECTRE’s Number One, this time, is calling himself Balthazar, Count de Beauchamp. His intentions seem quite less lethal in comparison to his previous demands: to get his title validated by the College of Arms and amnesty for his crimes.
Blofeld turned himself from a criminal mastermind to a snobbist blue-blooded aristocrat. Yet, nobody should be fooled by his image: if his demands are not met, he’ll unleash the virus omega providing total infertility to the world’s livestock. How? By hypnotizing the (young, female) patients of his clinic atop Piz Gloria in Switzerland and, once on their homes via radio transmission, order them to unleash the virus, as “part of the cure.”
Blofeld is certainly not less lethal this time, as he can fistfight 007 himself towards the film’s climax and engage on a shootout with him. He also has a taste for beautiful women, as he tries to seduce the imprisoned Tracy, Bond’s girlfriend and future wife.
In a way, he is more of an equal to Bond and not an authority figure. It could be assumed that, from From Russia with Love to You Only Live Twice, Blofeld was M’s M’s evil counterpart: seated on his throne and giving orders. In OHMSS, Number One has turned into Bond’s counterpart.
As for the SPECTRE organization per se, not much of it remains. Blofeld still has a bunch of troops capable of firing machine guns while skiing at high speed as well as a female agent Irma Bunt.
This time, tough, she’s not a young sexy lady in the scale of Fiona or Helga, but an old and authoritarian woman in the style of Rosa Klebb. Even when in the novels we learn Bunt has married Blofeld, not even a glance of a romantic interaction between the two is given in the 1969 film.
On Her Majesty’s Secret Service has Blofeld as the main villain, his leadership overshadowing the SPECTRE organization. His character will always be remembered for one thing: he had James Bond’s wife, Tracy (Diana Rigg), killed minutes after the wedding, leaving the secret agent for the tears.
Many years before Casino Royale showed us Daniel Craig’s Bond crying over the female lead’s dead body, it was George Lazenby in his short time as 007 who brought drama to the very last second of the film, bringing up a Bond who hasn’t fully triumphed this time.
Next up, in 1971, James Bond takes revenge on Ernst Stavro Blofeld: a different Blofeld, in terms of personality, looks and ambitions.