About those Bond film series gaps

Image for the official James Bond feed on Twitter

Last week saw another delay announced for No Time to Die. That has prompted some entertainment news websites to look back at how the gap between SPECTRE and No Time to Die ranks among Bond films.

With that in mind, here’s the blog’s own list.

You Only Live Twice (1967) to On Her Majesty’s Secret Service (1969): This isn’t getting the attention as the others.

But You Only Live Twice came out in June of 1967 while On Her Majesty’s Secret Service debuted in December 1969. That was about two-and-a-half years. Today? No big deal. But at the time, the Bond series delivered entries in one- or two-year intervals.

This period included the first re-casting of the Bond role, with George Lazenby taking over from Sean Connery. Also, Majesty’s was an epic shoot.

The Man With the Golden Gun (1974) to The Spy Who Loved Me (1977): This period often is written up as the first big delay in the series made by Eon Productions.

It’s easy to understand why. The partnership between Eon founders Albert R. Broccoli and Harry Saltzman broke up. There were delays in beginning a new Bond film. Guy Hamilton originally was signed to direct but exited, with Lewis Gilbert eventually taking over. Many scripts were written. And Eon and United Arists were coming off with a financial disappointment with Golden Gun.

Still, Golden Gun premiered in December 1974 while Spy came along in July 1977. That’s not much longer than the Twice-Majesty’s gap. For all the turmoil that occurred in the pre-production of Spy, it’s amazing the gap wasn’t longer.

Licence to Kill (1989) to GoldenEye (1995): This is the big one. Licence came out in June 1989 (it didn’t make it to the U.S. until July) while GoldenEye didn’t make it to theater screens until November 1995.

In the interim, there was a legal battle between Danjaq (Eon’s parent company) and Metro-Goldwyn-Mayer, Bond’s home studio, which had acquired UA in 1981. MGM had been sold, went into financial trouble, and was taken over by a French bank. The legal issues were sorted out in 1993 and efforts to start a new Bond film could begin in earnest.

This period also saw the Bond role recast, with Pierce Brosnan coming in while Timothy Dalton exited. In all, almost six-and-a-half years passed between Bond film adventures.

Die Another Day (2002) to Casino Royale (2006): After the release of Die Another Day, a large, bombastic Bond adventure, Eon did a major reappraisal of the series.

Eventually, Eon’s Barbara Broccoli and Michael G. Wilson decided on major changes. Eon now had the rights to Casino Royale, Ian Fleming’s first Bond novel. So the duo opted to start the series over with a new actor, Daniel Craig and a more down-to-earth approach.

Quantum of Solace (2008) to Skyfall (2012): MGM had another financial setback with a 2010 bankruptcy. That delayed development of a new Bond film. Sam Mendes initially was a “consultant” because MGM’s approval was needed before he officially was named director.

Still, the gap was only four years (which today seems like nothing) from Quantum’s debt in late October 2008 to Skyfall’s debut in October 2012.

SPECTRE (2015) to No Time to Die (?): Recent delays are due to the COVID-19 pandemic. But pre-production got off to a slow start below that.

MGM spent much of 2016 trying to sell itself to Chinese investors but a deal fell through. Daniel Craig wanted a break from Bond. So did Eon’s Barbara Broccoli, pursuing small independent-style movies such as Film Stars Don’t Die in Liverpool and Nancy, as well as a medium-sized spy movie The Rhythm Section.

Reportedly, a script for a Bond movie didn’t start until around March 2017 with the hiring (yet again) of Neal Purvis and Robert Wade. The hiring was confirmed in summer 2017. Craig later in summer of 2017 said he was coming back.

Of course, one director (Danny Boyle) was hired only to depart later. Cary Fukunaga was hired to replace him. More writers (Phoebe Waller-Bridge and Scott Z. Burns) arrived. The movie finally was shot in 2019.

Then, when 2020 arrived, the pandemic hit. No Time to Die currently has an October 2021 release date. We’ll see how that goes.

Halle Berry provides a Jinx footnote

Die Another Day poster

Variety is out with an interview with Halle Berry where she describes her efforts to become a director. Her debut as a director, in a film titled Bruised, is being shown at the Toronto Film Festival.

The story also provides a kind of footnote to the proposed spinoff based on her Jinx character from Die Another Day.

Here’s the key excerpt:

After the success of “Die Another Day,” “Bond” producers Barbara Broccoli and Michael G. Wilson lobbied for Jinx to get her own spinoff, an idea that thrilled Berry. But MGM balked at the $80 million price tag. “It was very disappointing,” Berry says. “It was ahead of its time. Nobody was ready to sink that kind of money into a Black female action star. They just weren’t sure of its value. That’s where we were then.”

At the time, Berry had appeared in X-Men (2000), a 20th Century Fox adaptation of the Marvel comic book. But that was an ensemble project and it was dominated by the debut of Hugh Jackman as Wolverine.

Jinx, on the other hand, would have highlighted Berry. According to Variety, when the Jinx spinoff didn’t happen, that spurred Berry to star in Catwoman (2004), a movie that didn’t work out so well.

Meanwhile, this was an odd period for Eon Productions as well.

Dana Broccoli, the widow of Eon-co-founder Albert R. Broccoli and the mother of Barbara Broccoli and Michael Wilson, died in 2004. Eventually, “the kids” decided to start the James Bond film series over with 2006’s Casino Royale. Barbara Broccoli was the force behind the casting of Daniel Craig in the series reboot.

The canard that haunts the Bond franchise

The prototype for the “reveal” of SPECTRE (2015)

Last week, a website called The Ringer became the latest outlet to repeat the canard that the James Bond films were forced to change in tone to be more serious.

The article was called “Austin Powers Still Haunts the James Bond Franchise.” Here’s an excerpt:

But as excellent as some of (Daniel Craig’s) Bond films have been, fun probably isn’t the first adjective that comes to mind when describing Craig’s take on the character; that was a point unto itself. “Mike Myers fucked us,” Craig told the Bond fan site MI6 Confidential Magazine in 2014. “I am a huge Mike Myers fan, so don’t get me wrong—but he kind of fucked us.”

He’s referring to—what else?—the Austin Powers franchise, Myers’s iconic spoof of Bond and the larger spy genre.

The problem with this often-repeated trope is Austin Powers was hardly the first to poke fun at Bond’s expense.

As early as 1964, future Bond Roger Moore played 007 in a variety show skit.

In 1965, The Beverly Hillbillies (1962-71), a wildly successful, if improbable, situation comedy, featured man-child Jethro Bodine returning from the theater after seeing Goldfinger. Jethro recites the plot to his rich uncle Jed Clampett, who has lost none of his common sense despite his sudden wealth.

After listening to Jethro, Jed has one question: “Why didn’t he just shoot him?” Jethro, who had been smiling moments before, is crestfallen.

Despite that, Jethro decides that being a “double-naught spy” is his life’s calling because double naughts engage in a lot of “fightin’ and lovin’.” Jethro takes the Clampett family truck and adds a bulletproof shield (a meta tub), defensive weapons (two rifles that can be fired when Jetro pulls on strings tied to the rifles) and an ejector seat. Naturally, the latter figures into the episode’s final gag.

In fact, Jethro’s quest to be a “double naught” became a running gag for multiple episodes. There was a follow-up story the next season as Thunderball was coming out.

The Beverly Hillbillies wasn’t the only show to poke fun at 007. It happened all the time during the 1960s. Another example: A 1966 episode of The Dick Van Dyke Show titled “The Man From My Uncle,” in which Godfrey Cambridge played a character named Harry Bond. (“Yeah. Please no jokes. I’m not 007.”)

And, of course, there was Get Smart, a parody of Bond and the spy craze that ran for five seasons (four on NBC, one on CBS).

So, the Austin Powers series, consisting of three movies, was hardly plowing new ground in making light of Bond. Indeed, the Austin Powers series ended (for now) with Austin Powers in Goldmember in 2002, the same year as Die Another Day.

The first new serious, Daniel Craig film, Casino Royale didn’t come out until 2006. Casino Royale had been influenced (in terms of a more serious tone) by the Jason Bourne films starring Matt Damon. With 2008’s Quantum of Solace, the Bond series went full Bourne, bringing in Dan Bradley as second unit director, who had the same job on the Bourne films.

By Casino Royale, and certainly by Quantum of Solace, Austin Powers was receding into memory.

Meanwhile, with 2015’s SPECTRE, the Bond series embraced one of the Austin Powers tropes. It had been revealed that Austin Powers and his arch-enemy Dr. Evil were really brothers. In SPECTRE, it was revealed that Craig/Bond and Blofeld were foster brothers. And SPECTRE came out more than a decade after Austin Powers in Goldmember.

In the words of Daniel Craig, if Austin Powers “fucked us,” it was self-inflicted.

Eon’s non-Bond spy film to get a box office test

A poster for The Rhythm Section

In the next week, a non-James Bond spy film made by Eon Productions will be tested by the global box office.

The Rhythm Section, starring Blake Lively, will be released by Paramount (Jan. 31 in the U.S.)

Since the early 1980s, the James Bond film series has been part of Metro-Goldwyn-Mayer’s film portfolio. MGM acquired United Artists, Bond’s original studio home, and has been involved in the Bond film franchise ever since.

Eon has been diversifying from Bond for a number of years. It has made small, indie-style movies such as The Silent Storm (2014), Film Stars Don’t Die in Liverpool (2017) and Nancy (2018).

The Rhythm Section represents a more commercial project. Once upon a time, Eon wanted to do a movie featuring Halle Berry’s Jinx character from Die Another Day (2002). But that never took place.

The Rhythm Section has had some bad luck. Blake Lively suffered a hand injury, which caused production delays. The movie originally was to have been released in early 2019. It was pushed back to the fall of 2019 and now to the end of January 2020.

Eon’s Barbara Broccoli gave an interview to the Daily Mail’s Baz Bamigboye. While Eon is preparing to release the 25th Bond movie in April, Broccoli indicated she’s still thinking a lot about The Rhythm Section.

‘Why should women have to play men’s roles?’ Broccoli asked when I met her and Morano for tea at the Piccadilly mansion that’s the headquarters of the Eon Productions empire she runs with stepbrother Michael G. Wilson.

For the record, Broccoli and Michael G. Wilson are half-siblings (same mother, Dana Broccoli, different fathers).

Regardless, we’ll soon see how The Rhythm Section performs with audiences. I have seen a number of ads for the movie on new outlets such as ads on YouTube and Twitter. We’ll see.

Broccoli says Eon resisting doing Bond spinoffs

Barbara Broccoli, boss of Eon Productions

Eon Productions chief Barbara Broccoli says in a recent magazine story that the production company has been pressured to make James Bond spinoffs but is resisting such a move.

“We’ve been under a lot of pressure to make spinoffs,” Broccoli told Total Film, whose 2020 movie preview issue went on sale this month.

“Bond is Bond, she added. “We want to make these theatrical films. We want to make them one at a time, and create an anticipation for them, and deliver films of a very high standard.”

Broccoli didn’t specify where the pressure was coming from. Metro-Goldwyn-Mayer and Danjaq (Eon’s parent company) share custody of Bond.

Marvel Studios, which has produced more than 20 inter-connected movies since 2008 is branching into TV series for the Disney + streaming service.

The entire Total Film article is not online but scans of it are showing up on internet bulletin boards. There is a preview of the story online.

Eon has avoided planning long story arcs. Quantum of Solace was always intended to be a “direct” sequel to Casino Royale. But Skyfall director Sam Mendes said at a 2011 news conference that his movie wasn’t tied to the two earlier Daniel Craig films.

Then, with SPECTRE, the filmmakers did a “retcon,” making Skyfall connected to Casino and Quantum after all. Skyfall villain Silva became part of SPECTRE/Quantum after the fact. Now, all four are connected to the upcoming No Time to Die.

In the 2000s, Eon developed a proposed Bond spinoff movie featuring Jinx, the character played by Halle Berry in Die Another Day. Nothing came of the project.

Meanwhile, Eon has stepped up its production of non-Bond movies, including the upcoming The Rhythm Section being released by Paramount in January.

THR features Lynch, de Armas and evolving Bond women

Lashana Lynch publicity still released during April “reveal” event in Jamaica

The Hollywood Reporter is out with a feature story about Lashana Lynch and Ana de Armas and how they’re part of efforts “about bringing James Bond into the #MeToo age” in No Time to Die.

Lynch and de Armas have worked with director Cary Fukunaga and producer Barbara Broccoli “to create a new type of female Bond character who is much more fully realized than the ‘Bond girls’ of films past,” writes Rebecca Ford of THR.

“It’s pretty obvious that there is an evolution in the fact that Lashana is one of the main characters in the film and wears the pants — literally,” de Armas told the entertainment news outlet.

Referring to her character, Nomi, Lynch told THR: “Everyone was really responsive to having her be what I wanted. You’re given a fresh perspective on a brand-new black woman in the Bond world.”

Lynch confirmed Nomi is a British agent. She did not comment whether that character has the 007 code number after Bond departed MI6. Ford wrote that “sources close to the film tell THR that it’s accurate.”

The Lynch character joins a series of women agents in the Bond film series, including Soviet Agent Triple-X in The Spy Who Loved Me; CIA agent and astronaut Holly Goodhead in Moonraker; Chinese operative Wai Lin in Tomorrow Never Dies; and NSA agent Jinx in Die Another Day.

De Armas, meanwhile, provided a bit of detail about her character, Paloma.

Paloma “is a character that is very irresponsible,” the actress told THR. “She’s got this bubbliness of someone who is excited to be on a mission, but she plays with this ambiguity — you don’t really know if she’s like a really trained, prepared partner for Bond.”

This is not the first time the franchise has said it’s improving the way women are treated in Bond films. In 2012, Broccoli told the Evening Standard: “Fortunately, the days of Bond girls standing around with a clipboard are over.”

However, No Time to Die is the first Bond film since the #MeToo movement against sexual assault and sexual harassment.

In 2018, The New York Times and The New Yorker magazine shared a Pulitizer Prize “for their revelations of sexual harassment and abuse that had gone on, unheeded and unpunished, in the spheres of Hollywood, politics, the media and Silicon Valley,” The Times said in its account of the awards.

Other highlights from the article:

–THR says the movie’s budget is $250 million. This is the first estimate I’ve seen. That is probably after tax breaks, incentives and product placement deals have been factored in.

–Both actresses compliment screenwriter Phoebe Waller-Bridge. “I very literally squealed when I first heard her name,” Lynch said to THR. “I thought, ‘Oh my gosh, British girl just like me. She’s going to know how to actually take care of women onscreen.’ ”

–De Armas told THR that reports that an “intimacy coach” being hired for her scenes with Daniel Craig were false.

To view the entire article, CLICK HERE.

Expanded TWINE soundtrack coming Nov. 27

Cover to the original soundtrack release of The World Is Not Enough

An expanded two-disc soundtrack to 1999’s The World Is Not Enough will be available Nov. 27, La-La Land Records announced on Twitter and Facebook.

La-La Land’s Facebook post has a track list. The first disc has almost 74 minutes of material, while the second dis has more than 67 minutes.

The World Is Not Enough was the second of five 007 scores composed by David Arnold. La-La Land previously released an expanded soundtrack for 2002’s Die Another Day, also featuring an Arnold score.

The company also has released limited-edition soundtracks for the Mission: Impossible television series, Jonny Quest and The Wild Wild West.

‘Hunt’ for Bond Revisited: More M:I Connections to 007

Mission: Impossible-Fallout poster

By the by, there are spoilers if you haven’t seen Mission: Impossible-Fallout. For that matter, there are spoilers if you’ve never seen the 007 films cited.

By Nicolas Suszczyk, Guest Writer

Tom Cruise’s Ethan Hunt has returned in Mission: Impossible – Fallout while 007’s next film is scheduled for a 2019 release.

Taking advantage of  Bond’s absence in theaters, many reviewers said Hunt has taken the place of Bond and criticized 2015’s SPECTRE.

Mission: Impossible – Rogue Nation adapted Bond-like settings and scenes in the story. But  Mission: Impossible – Fallout is even more Bond inspired. It has, the escapist tone of the days of Pierce Brosnan, just with a little more grit.

Tom Cruise and director-screenwriter Christopher MacQuarrie redoubled their efforts and made a more spectacular film than its predecessors. The last two M:I films are similar to how Thunderball and You Only Live Twice compared with the three first Eon 007 movies, Dr. No, From Russia With Love and Goldfinger.

In M:I-Fallout, Hunt again faces off against Solomon Lane (Sean Harris), who — like Blofeld’s SPECTRE — is the author of his pain. Lane was the main antagonist of M:I – Rogue Nation.

‘The Girl or the Mission’

The film’s starts in Berlin, where Hunt and Benji (Simon Pegg) pose as buyers of three atomic warheads. Their cover is blown and Luther (Ving Rhames) is captured. Hunt makes a risky decision: to save his friend. That leaves the case with the plutonium unattended and stolen.

This is similar to GoldenEye, where Alec Trevelyan (Sean Bean) asks Bond to choose between “the girl or the mission” while General Ourumov (Gottfried John) held Natalya (Izabella Scorupco) at gunpoint. Finally, Bond saved Natalya by gunning the Russian general down.

It’s also similar to Skyfall. M orders Moneypenny (Naomie Harris) to shoot Patrice (who stole a hard drive with data of infiltrated agents). Hunt makes a “judgment call” by shooting Luther to distract the man holding him at gunpoint and save his life. The “fallout” of M’s and Hunt’s action determines the principal threat of both films.

Also in the Berlin scene. we have another familiar Bond meme: a remote controlled car, a function available in the cars driven by Pierce Brosnan in Tomorrow Never Dies, The World Is Not Enough and Die Another Day.

HALO Jump

Coming next a HALO jump as featured in Tomorrow Never Dies. Although this time, it’s a much riskier scene when Hunt and his teammate August Walker (Henry Cavill) face a storm during the operation and Walker is hit by lightning, losing consciousness.

In a similar situation to Moonraker and Quantum of Solace, Hunt has to do a little skydiving to reach Walker, reconnect his oxygen and deploy Walker’s parachute, as well as his own.

Ilsa Faust (Rebecca Ferguson, from Mission: Impossible – Rogue Nation) returns and saves Hunt’s life after a cruel bathroom fight with one John Lark, the man he had to impersonate, warning him not to complete his mission of meeting the “White Widow” (Vanessa Kirby) to exchange the missing plutonium.

They walk across a mirrored and red-lighted room that reminds us to Die Another Day’s Álvarez Clinic in Cuba. Ilsa tells him that he’ll be a dead man if he meets the woman because Lark has a contract on him. It’s known he’s meeting the White Widow that night, so they’ll kill him on sight. In a similar context in which Bond met Severine in Skyfall, both heroes manage to beat all the assailants and escape alive.

In exchange of the plutonium spheres, the White Widow and her accomplices want Solomon Lane, who’s been transferred to a prison to another in France. Hunt forgoes the originally conceived plan (which dealt with killing every witness) and pushes the prison van into the Seine, having Luther and Benji extract Lane trough the water, the same method in which Franz Sánchez escaped in 1989’s Licence to Kill.

The breakout of Lane pits the French police against Hunt and a chase ensues through the streets of Paris, on motorbike and then on a small BMW, as he is chased by Ilsa who has been given orders from MI6 to terminate Lane.

Not only there’s a particular shot as the BMW makes a backwards spin above some steps which is very reminiscent to A View to A Kill, where Bond (Roger Moore) chased a parachuting May Day (Grace Jones) in a Renault 14, but we have Ilsa trying to do the job of any 00 agent: terminate someone who is a threat for national security.

Mole Revealed

Hunt and his team –- and the captive Lane — reunite with IMF Secretary Alan Hunley (Alec Baldwin) in a safe house, much as Bond did at the beginning of Quantum of Solace with Mr. White (Jesper Christensen) in Siena.

Stunt teased by Tom Cruise on Instagram earlier this year.

Walker is revealed as a mole and a shootout ensues, breaking Lane free again. As a result of this confrontation, Hunley is badly hurt by Walker and dies showing his trust to Hunt, much like M at the end of Skyfall.

Just like in the 23rd Bond movie, in pursuit of Walker, Hunt also holds from a scaffold in the bottom of the elevator his enemy is taking, as Bond did in Shanghai when chasing Patrice.

The film’s climax takes place in Kashmir, where Lane and Walker attempt to detonate a nuclear bomb using the plutonium spheres that have fallen into their hands. Ilsa and Benji fight Lane, Hunt goes for Walker.

A long helicopter chase ensues and that includes a few references to SPECTRE’s helicopter fight in Mexico, with Bond fighting Marco Sciarra and the pilot, pushing them away and taking control of the vehicle.

Just like Blofeld at the end of the same film, Hunt and Walker both survive the helicopter crash.

Showdown

This takes us to the final showdown between Hunt and Walker atop the cliff of a mountain, as the remains of the one of the helicopter’s cockpit hang loosely of a wire.

A shot of ice caps falling close to both men looks greatly inspired by Die Another Day, in the scene where a clinging Bond faced the power of the Icarus satellite beam in Iceland.

While this scene overall may be reminiscent of the confrontation between Hunt and rogue IMF agent Sean Ambrose (Dougray Scott) in Mission: Impossible II, but there are some links to the antenna fight between 007 and Trevelyan in GoldenEye.

In the beginning of 1995 film, Trevelyan gets half of his face burned by a chemical explosion in Arkhangelsk. In a similar way, Walker gets an acid fluid from the helicopter straight into his face, leaving him badly scarred side. At the end of GoldenEye, Bond and his former friend fight in a small platform at high altitude as both attempt to make each other fall to the vacuum.

A clapperboard from Mission: Impossible-Fallout

Finally, Bond lets Trevelyan fall and the villain, agonizing, is finally terminated when the whole antenna structure crushes him. In Walker’s case, as he’s about to get Hunt, the IMF agent forces the wire over him and the hook gets impaled into his face, making him fall to his death.

Mission: Impossible – Fallout is, of all the M:I movies, the closest to a James Bond film. While some people may feel offended for the way they ripped the Bond archive in more than a way this time, I’ll recognize the great taste Mr. Cruise has and the respect he had for 007’s legacy during his interviews promoting the movie.

Ford cars, RIP

“Have you not heard? Ford is getting out of the car business!”

This week, Ford Motor Co. said it was virtually exiting the car business in North America, its home (and most profitable) market. By 2020, Ford announced, it will just have two cars in its lineup: the Mustang sports car and the Ford Active crossover due out next year. Ford will concentrate on trucks, SUVs and “crossovers.”

For people of a certain age this seems almost unthinkable. Ford always was aggressive with product placement. Ford cars have been in generations of films and U.S. television shows.

Here’s a look at some prominent examples.

James Bond films: The Bond Cars website provides a list, which says Ford shows up early in the 007 film series produced by Eon Productions. For example, it’s a Ford that serves as the hearse used by Dr. No’s assassins when they kill MI6 operative Strangways.

Ford’s relationship geared up in Goldfinger. A Lincoln Continental is crushed. Felix Leiter rides around in a Ford Thunderbird. Auric Goldfinger uses Ford trucks to transport his larger laser gun to Fort Knox.

And, of course, the movie marked the film debut of Mustang. The sports car was introduced in the spring of 1964 while filming was underway on Goldfinger. Mustangs would also show up in Thunderball and Diamonds Are Forever.

Thunderball also featured a lot of Ford cars, including the Continental, Count Lippe’s Ford Fairlane and a station wagon among other vehicles. Emilo Largo drives a Ford Thunderbird on his way to SPECTRE headquarters immediately after the film’s main titles.

The automaker had an on-and-off relationship with the series. Teresa Bond (Diana Rigg) favored a red Mercury Cougar in On Her Majesty’s Secret Service. A number of Ford cars are crashed in the moon buggy chase in Diamonds Are Forever.

Ford also owned Aston Martin from 1987 until 2007. For Die Another Day, Ford had a huge product placement deal, mostly to promote European brands it owned at that time, including Aston, Land Rover and Jaguar. However, a Ford Thunderbird (driven by Halle Berry’s Jinx) also showed up.

The company’s ties to the film series ended with 2008’s Quantum of Solace. Land Rover would return in the 2010s, but after Ford had sold it off.

Matt Helm and Gail Hendricks (Dean Martin and Stella Stevens) in Matt’s Mercury station wagon equipped with a bar.

Matt Helm film series: For four 1960s Matt Helm movies with Dean Martin, Ford provided the vehicles.

Perhaps the most offbeat car was a Mercury station wagon, which was Matt Helm’s personal car in The Silencers (1966). It was equipped with a bar (!) in the back seat. Matt encourages Gail Hendricks (Stella Stevens) to have a drink or two to loosen up. She ends up consuming too much and passing out.

Other Ford-made cars in the series included a Thunderbird Matt drove around Monte Carlo in Murderers’ Row. It had some extras, including a device where words dictated into a microphone are spelled out on the car’s tail lights. (“If you can read this, you’re too close…”)

Hawaii Five-O (original series): Steve McGarrett’s signature car was a Mercury (a two-door model in the pilot, a four-door version thereafter). Lots of other Ford-made cars showed up during the 1968-1980 series.

Ford even supplied cars for an 11th season episode filmed in Singapore. The cast of that two-hour installment, The Year of the Horse, included George Lazenby, who received “special guest star” billing.

Erskine in a Mercury made by Ford Motor Co. in a sixth-season end titles of The FBI.

The FBI: Ford supplied cars for a number of Quinn Martin-produced shows. But the tightest relationship between the company and QM Productions was this 1965-1974 series.

Ford cut a deal to sponsor the show, which was broadcast on ABC. The automaker agreed to kick in extra money to ensure the series would be filmed in color. Executives felt a color series would show off Ford cars better. When The FBI debuted in fall 1965, most of ABC’s lineup was still produced in black and white.

Ford also vetoed the broadcast of one first-season episode, The Hiding Place, because there had been talk of a boycott being organized. The episode finally saw the light of day in 2011 when Warner Archive began releasing the show.

Symbolic of the ties between Ford and show came in the end titles. Inspector Lewis Erkine (Efrem Zimbalist Jr.) came out of the FBI Building (now the Department of Justice Building) and drove a Ford product home. It was a Mustang for the first four seasons. Subsequent seasons had different Ford-made cars.

The end titles were productions in and of themselves. Zimbalist traveled to Washington for annual meetings with then-Bureau Director J. Edgar Hoover. Ford would transport a car for him to drive in Washington for the following season’s end titles. Some of the cars were prototypes and weren’t the most sturdy.

This post merely scratches the surface. There have been many series over the years featuring Ford cars. It won’t be quite the same with Ford cars going away.

007: News mostly about the past

Image for the official James Bond feed on Twitter

As 2017 enters its final month, James Bond is mostly looking backward, rather than forward.

News item: There’s an expanded soundtrack now available for Die Another Day, a movie that originally came out in 2002 — 15 years ago.

News item: Roger Moore’s diary written during the filming of Live And Let Die is to get a new printing next year. The original was published in 1973 — 44 years ago. The new version will be printed in hardback. It will also feature a forward by David Hedison, a long-time friend of Moore’s who played Felix Leiter in Live And Let Die.

But wait! Isn’t there a new 007 product coming out in 2018? True. That will be the second 007 continuation novel by Anthony Horowitz. It is scheduled to be published sometime in the spring.

However, the literary Bond, in the 21st century, is almost like a distant satellite of the larger 007 entity, the film series.

Which leads us to….

Bond 25’s status: As of this writing, the film officially has a leading man (Daniel Craig), a pair of producers (Eon’s Barbara Broccoli and Michael G. Wilson), a pair of writers (Neal Purvis and Robert Wade) and a release date (Nov. 8, 2019 in the United States).

And not much else. At least not now.

Around this time a year ago, the blog asked if 2016 was 007’s lost year.

2017 has been more eventful, but not by much. While Bond 25 has a release date, nobody knows — for sure — how it will get to theaters.

The Deadline: Hollywood website reported Nov. 12 that a new joint venture between Metro-Goldwyn-Mayer and Annapurna Pictures was close to striking a deal to distribute Bond 25 in the U.S. But there’s been no announcement. And the Deadline report said international distribution hadn’t been decided.

Since then, no news. For most franchises, the distributor isn’t a big deal. The studio involved controls that. MGM, seven years after exiting bankruptcy, is trying to become a “big boy” studio again. But MGM, which controls half the Bond franchise, isn’t there yet.

And for Bond 25, an international distributor (assuming the MGM-Annapurna deal comes to be) is probably going to kick in a large piece of the production budget.

Obviously, there are things happening behind the scenes. Purvis and Wade have had enough time to complete a first-draft script. Whether they have or not is anybody’s guess.

James Bond can look back to a glorious past with certainty. The expanded Die Another Day soundtrack and new printing of Roger Moore’s Live And Let diary are just two of many examples.

An even bigger example: The death of Roger Moore in May naturally spurred a look back at his seven 007 films. He was the first of six screen Bonds in the Eon Productions series to pass away.

The future? That’s still a little fuzzy as 2017 nears its end. We’ll see if that status changes in the year’s final month.

Meanwhile, here’s a bit of perspective: General Motors Co. said Nov. 30 it expects to launch a “ride-hailing service” of self-driving cars in the United States by 2019. Self-driving cars are supposed to be the next big thing in autos. If GM is correct, that service could be in business before 007’s next screen adventure.