Ken Adam to be honored by American Film Institute

Ken Adam

Ken Adam

Ken Adam, the long-time film production designer who died in March, is being honored by the American Film Institute with a film series that runs starting July 9 and into September.

AFI is showing a range of films reflecting Adam’s work, including all seven James Bond films he designed for producers Albert R. Broccoli and Harry Saltzman.

In addition, the series includes The Ipcress File, the first Harry Palmer film that was produced by Saltzman, and Chitty Chitty Bang Bang, the children’s movie based on an Ian Fleming novel that Broccoli produced.

The movies are being shown at the AFI Silver Theatre and Cultural Center in Silver Spring, Maryland.

The dates are as follows. The movies are shown at different times of day and for full details, CLICK HERE.

July 9, 11, 13: Dr. No (1962), the first James Bond film, where Adam’s sets made the movie look more expensive than it really was.

July 10, 12, 14: Goldfinger (1964). Adam, with no access to the interior of Fort Knox, created one from his imagination.

July 16, 20: Thunderball (1965). The Biggest Bond of All and Adam’s work was one of the reasons.

July 17: You Only Live Twice (1967), the first Bond film to toss out an Ian Fleming plot and substitute its own. Adam’s SPECTRE volcano headquarters set was a major highlight.

July 23, 26: Diamonds Are Forever (1971).

July 25: The Seven-Per-Cent Solution

July 31: Around the World in 80 Days (1956), Michael Todd-produced film version of the Jules Verne novel starring David Niven, with various stars making cameo appearances.  Adam is credited as an art director and his name is spelled Adams. The movie’s associate producer was William Cameron Menzies, who helped pioneer the concept of a production designer responsible for the overall look of a film.

Aug. 6, 10: The Spy Who Loved Me (1977), Adam returned after a two-picture absence from the Bond series. His work included the interior of what’s supposed to be a tanker that swallows nuclear submarines.

Aug. 7, 9: Moonraker (1979), Adam’s farewell to the 007 series, where his contributions included a space station.

Aug. 13, 16: The Ipcress File (1965), Adam demonstrated he could handle a more realistic spy film.

Aug. 20, 24: Barry Lyndon (1975), Stanley Kubrick-directed film where Adam won an Academy Award.

Aug. 26, 30, Sept. 1: Night of the Demon (1957)

Aug. 27, 28, 30, Sept. 1: Gideon of Scotland Yard (1958)

Sept. 2, 3, 5: Chitty Chitty Bang Bang (1968). Who better to design a flying car than Ken Adam?

Sept. 3, 6, 8: The Last of Shiela (1973)

Ken Adam's "war room" set from Dr. Strangelove

Ken Adam’s “war room” set from Dr. Strangelove

Sept. 9, 10, 12, 13, 14: Dr. Strangelove (1964): Adam passed on the second Bond film, From Russia With Love, to work with Kubrick on the nuclear war satire. Adam’s biggest contribution was the War Room set, which has inspired production designers and art directors ever since.

Sept. 10: The Madness of King George, which resulted in Adam’s second Academy Award.

 

Ken Adam, who created 007’s film world, dies

Ken Adam

Ken Adam (1921-2016)

Ken Adam, who helped create the film world of James Bond, has died at 95, ACCORDING TO AN OBITUARY BY THE BBC.

Adam’s official title was production designer, a duty he held on seven 007 films, starting with Dr. No in 1962 and concluding with Moonraker in 1979.

Part of Ken Adam's handiwork on Dr. No

Part of Ken Adam’s handiwork on Dr. No

With Dr. No, a modestly budgeted film, Adam’s set designs made the movie look more expensive than it really was. An example was a large room where Professor Dent (Anthony Dawson) converses with an unseen Dr. No (Joseph Wiseman).

In a John Cork-directed documentary, Adam described the style as “slightly ahead of its time.” Dr. No’s lair looked fantastic, yet had antiques.

Dr. No was no fluke. The Adam-designed interior of Fort Knox in Goldfinger was attention grabbing. Ian Fleming’s novel never made it inside the U.S. gold depository. Adam made it almost dream like. You could understand why Auric Goldfinger lusted after gold.

Sean Connery may have breathed film life into Fleming’s creation. Ken Adam gave the film Bond a world to inhabit.

Also, over time, Adam altered his style. His early Bond films had rectangle-shaped sets. With The Spy Who Loved Me, he introduced more curved shapes.

Finally, as the Bond films expanded in scope and budget, Adam’s job took on aspects of a construction boss.

The SPECTRE volcano base in You Only Live Twice cost as much or more than all of Dr. No. Its construction at Pinewood Studios caused “hardened” film professionals to give up their lunch hours to watch it being built, sound man Norman Wanstall said in one of the Cork-directed documentaries.

Even more ambitious was The Spy Who Loved Me, featuring the inside of a tanker that swallowed nuclear submarines. Spy got Adam an Oscar nomination. He probably would have won if the movie had come out in 1976. Instead, it came out in 1977 and was up against the first Star Wars film, which got the Oscar in the category.

Adam’s style had a huge impact, not only with other spy films of the 1960s, but well into the 21st century. 2013’s Star Trek Into Darkness had an homage to Adam’s “War Room” set from 1964’s Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb.

A giant in his field has left us. But Adam leaves behind an enormous legacy, not only with the Bond series but many other films.

UPDATE: Here’s the tweet Roger Moore sent out about Ken Adam’s passing.

UPDATE (March 13): It took a few days but The New York Times has come out with A VERY DETAILED OBITUARY for Ken Adam.

Also, here’s the tweet from the official 007 account that announced Adam’s death.

Star Trek’s homage to Ken Adam

Ken Adam's "war room" set from Dr. Strangelove

Ken Adam’s “war room” set from Dr. Strangelove

This weekend, the No. 1 in the U.S. is Star Trek Into Darkness. The movie references the original 1966-69 television series and one of the movies in the franchise. We’ll avoid specifics. But it also has an homage to veteran production designer Ken Adam, one of the major contributors to the early James Bond films.

Early in the new Star Trek film, there’s an emergency meeting of Starfleet captains and their first officers. The meeting room is clearly influenced by Adam’s “war room” set from the 1964 film Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb.

Do you suppose Ken Adam will get a royalty for this scene?

Do you suppose Ken Adam will get a royalty for this scene?

For the uninitiated, Ken Adam designed the sets for the modestly budgeted first James Bond film Dr. No. Producer-cirector Stanley Kubrick, upon watching the 1962 007 film, offered Adam the job to design the sets for Dr. Strangelove. The “war room” set is among the most memorable for that 1964 film.

Adam designed the sets for seven James Bond films in all, starting with Dr. No and ending with 1979’s Moonraker. He won TWO OSCARS and was nominated for another for 1977’s The Spy Who Loved Me. Kubrick did some uncredited consulting work for Adam for the 1977 007 movie, according to the documentary Inside The Spy Who Loved Me.

Dr. No’s 50th anniversary part V: Ken Adam’s magic

Professor Dent (Anthony Dawson) gets his instructions from Dr. No on a Ken Adam-designed set.

Dr. No, the first James Bond film, had a modest $1 million budget. Ken Adam, the movie’s production designer, performed some magic that disguised that fact, making the film look more expensive than it really was. In doing so, the designer helped make James Bond’s world a special one.

Adam’s work on the initial 007 film included Dr. No’s living quarters, a mix of modern and antique; a mostly empty room with a large circular grille in the roof where an unseen Dr. No (Joseph Wiseman) provides instructions to his lackey Professor Dent (Anthony Dawson); and Dr. No’s control room, complete with nuclear reactor, perfect for any ambitious villain.

Adam’s work had an immediate effect: director Stanley Kubrick snatched Adam up to work on Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. In that capacity, Adam’s sets included the Pentagon “war room.” That image has been said to prompt Ronald Reagan, upon becoming U.S. president in 1981, to inquire about seeing the place (CLICK HERE to see a 2001 story in the The Guardian that references this or CLICK HERE for a 2009 review of the movie that also makes mention of it.)

Ken Adam


In any case, 007 producers Albert R. Broccoli and Harry Saltzman, after having to forgo Adam’s services for From Russia With Love, made sure the designer was on board for Goldfinger. Adam’s sets got more elaborate. Some had moving sections, such as the room Goldfinger describes his plans to raid Fort Knox. Of course, there was the interior of Fort Knox itself.

Adam’s work influenced other ’60s spy movies. Films such as Kiss the Girls and Make Them Die and The Ambushers had scenes where a villain has quarters with moving sections. Adam, though, got more money to play with than his rivals, coming up with the Disco Volante (where a lead hydrofoil could separate from the rear section of the craft) in Thunderball and Blofeld’s volcano headquarters in You Only Live Twice.

Adam (b. 1921) was already a veteran designer when Dr. No came along. He helped make Bond movies special. Adam has worked on less than one-third of the Eon Productions-produced Bond movies and his last 007 credit was 1979’s Moonraker. But his work still stands out and remains the standard others are judged by.

NEXT: Legacy

R.I.P., 007 art department veteran Peter Murton

The Cinema Retro Web site reports that Peter Murton, a veteran of the art department of early James Bond movies died in December.

Murton was art director, working with production designer Ken Adam, on Goldfinger and Thunderball. He assumed the production designer role for The Man With the Golden Gun. His profile on imdb.com lists other signifcant credits, including art director (again working for Adam) on Dr. Strangelove.

Some of his sets from The Man With the Golden Gun can be seen here:

Watchmen’s nod to Ken Adam

The new movie Watchmen, based on the 12-issue series DC Comics series by Alan Moore and Dave Gibbons, opened today. What’s this got to do with a James Bond/spy entertainment weblog? Well, there’s a definite tip of the cap to Ken Adam, production designer on seven 007 films.

Adam, designed the sets for Dr. No, the first Bond film. Adam’s work caught the eye of director Stanley Kurbrick, who tapped Adam to design his then-upcoming film, Dr. Strangelove: Or How I Stopped Worrying And Learned to Love the Bomb.

Anyway, in Watchmen, there are some scenes of Richard Nixon consulting with his generals in a Pentagon war room, complete with circular lights suspended from the ceiling, just like Dr. Strangelove.

It just goes to show that the 88-year-old, German-born Adam can still inspire filmmakers today.