Why 2018 will be an eventful 007 film year

Steady as she goes scenario: Eon boss Barbara Broccoli and Daniel Craig make another movie together without major changes.

No matter what happens, 2018 is shaping up an eventful year for the James Bond film franchise.

Steady as she goes scenario: Eon Productions gears up its 25th 007 film, aiming for a fall 2019 release.

Eon (and studio Metro-Goldwyn-Mayer) on July 24 announced a November 2019 release date for the United States, with an earlier release in the U.K.

Under “steady as she goes,” a director gets announced (presumably early in 2018). Pre-production commences. Casting announcements take place. Principal photography begins before the end of 2018. In most years, that’d be plenty for fans to absorb. (Think Skyfall between January and November 2011.)

Apple logo

Disruption scenario: This is not the most stable time in the movie business.

For example, Walt Disney Co. is reported to be negotiating to buy most of 21st Century Fox’s assets (including the 20th Century Fox studio). The movie industry isn’t the most stable in general.

Could this affect the Bond film franchise? Back in September, The Hollywood Reporter reported that tech companies Apple and Amazon were sniffing around the Bond film rights. That’d be a huge change. Since then? No word at all. THR hasn’t followed up. Other news outlets that follow tech companies closely haven’t followed up.

Disruption may happen for Agent 007 in 2018. Then again, you can’t bet on it.

Logo of Syncopy, Christopher Nolan’s production company

Middle ground scenario: Every so often, the notion arises that director Christopher Nolan, a Bond fan, might get involved with the 007 films.

Most recently, the Archivo 007 Spanish fan website said Dec. 2,  citing two people it didn’t identify, that Nolan “is already working” on Bond 25.

In the 21st century, Eon has employed “auteur” directors such as Marc Forster and Sam Mendes. But Nolan is a special case. He has his own production company (Snycopy). His wife, Emma Thomas, works as producer on Nolan films.

To call this unconfirmed is an understatement. “He wasn’t doing it when I spoke to him on Friday!” Baz Bamigboye, a Daily Mail writer who has had a number of Bond scoops proven correct, wrote on Twitter on Dec. 3, after interviewing Nolan.

Nevertheless, there are has been a fascination among Bond fans with Nolan. Also, in 2015’s SPECTRE, Eon employed Nolan regulars editor Lee Smith and director of photography Hoyte van Hoytema.

Whatever scenario you favor, something’s got to happen in 2018. It’s a few weeks early, but Happy New Year.

About that Christopher Nolan directing 007 film thing

Christopher Nolan

Christopher Nolan

There’s been another breakout of “Christopher Nolan directing James Bond fever.”

The subject comes up every so often. It’s well known the London-born Nolan likes James Bond movies. His Batman trilogy (2005-2008) contains references to Bond films. So does 2010’s Inception.

In May 2013, Nolan’s name was briefly mentioned as a possibility for directing Bond 24 (eventually titled SPECTRE) by Baz Bamigboye of the Daily Mail. Nolan’s representatives were supposed to have been approached. But, two months later, the return of Sam Mendes, the director of Skyfall, was announced.

The newest outbreak of Nolan fever occurred Jan. 15 after actor Tom Hardy told the Daily Beast website that it “would be so cool” to play Bond with Nolan directing. Hardy has been in several Nolan-directed movies, including the upcoming Dunkirk.

With all that in mind, here are some observations and a question.

Skyfall was Nolan-lite:  Mendes, during Skyfall’s production, acknowledged The Dark Knight (the second of Nolan’s trilogy) was an inspiration for Skyfall. As a result, there are a number of similarities.

There are two ways to look at this. One, you already have an idea what a Nolan-directed Bond film would be like. Or two, why not have the real thing?

Nolan would work with some familiar faces: For SPECTRE, Eon Productions hired a Nolan director of photography (Hoyte Van Hoytema) and film editor (Lee Smith). Both worked with the director on Dunkirk.

What’s more, veteran Eon special effects man Chris Courbould also was a crew member on Nolan’s Batman films and Inception.

Nolan still would make changes: The director likes to write his own movies. No Bond director has also had a writing credit on the 007 film he helmed. It also seems likely Nolan would want to bring Hans Zimmer aboard as composer. They’ve worked together a number of times, also including Dunkirk.

Logo of Syncopy, Christopher Nolan's production company

Logo of Syncopy, Christopher Nolan’s production company

Does Eon bring Syncopy into the Bond mix? With Nolan, you typically also get the involvement of his production company, Syncopy. Nolan gets a producer’s credit. So does his wife, Emma Thomas.

Bond films traditionally were a producer-driven operation. Since the late 2000s. Eon boss Barbara Broccoli has been more enthused by “auteur” directors (Mendes and Quantum of Solace’s Marc Forster). But would Eon accommodate Nolan’s production company in a Bond film?

Many 007 fans reply something like, “Nolan loves James Bond so of course he will!”

This blog is a little more skeptical of that. At this point, though, there’s not much point in speculation. Bond 25 doesn’t have a director or a confirmed leading man. So we’ll see.

Forbes raises idea of a Nolan-directed 007 film

Christopher Nolan

Christopher Nolan

In the absence of any actual James Bond news, Forbes.com made the case for how Christoper Nolan could enter the world of 007.

The post by Forbes contributor Mark Hughes says Warner Bros. is the studio best situated to strike a new 007 film distribution deal with Metro-Goldwyn-Mayer, Bond’s home studio. If that happens, according to Hughes, it could be the catalyst for Nolan to enter the picture.

Mr. Warner (this blog’s nickname for Warners, based on the studio’s cartoons who addressed the unseen Jack L. Warner) “is pursuing the rights full steam and has much to offer — enough, in fact, that I think it makes them the most likely studio to secure the Bond rights,” Hughes wrote. “Warner could use another solid, reliable franchise right now. I also believe Warner is in a strong position to put forward a better deal than other contenders.”

Mr. Warner, meanwhile enjoys a good relationship with Nolan. The director helmed a Batman trilogy for the studio from 2005 to 2012. As a reward, Warner Bros. financed Nolan’s 2010 Inception movie. Nolan, 45, is currently directing a World War II film, Dunkirk, for Warners.

“Warner seems the most likely to bring Christopher Nolan aboard the franchise, and that’s a big chip in the studio’s favor,” Hughes wrote for Forbes.

Nolan has said he likes Bond and 2008’s The Dark Knight includes Bond-inspired bits. Also, Inception included an homage to On Her Majesty’s Secret Service.

Some fans are intrigued by the idea of a Nolan-helmed Bond film and Nolan’s influences were seen in the Sam Mendes-directed Skyfall and SPECTRE.

In May 2013, Baz Bamigboye of the Daily Mail, who had a history of being correct about his 007 scoops, reported Nolan had been approached about directing what would become SPECTRE. But it became a moot issue when Mendes agreed to a second turn in Bondage.

However, there is a potential barrier to Nolan taking on 007 which would have to be addressed.

Nolan also produces movies, via his production company Syncopy. His wife, Emma Thomas, works as producer on those films. Would Eon Production co-bosses Barbara Broccoli and Michael G. Wilson agree to such an arrangement on a Bond film?

Eon, in the 21st century, has given directors more freedom than the early years of the franchise. Still, it seems unlikely Broccoli and Wilson simply would yield to Thomas. Could they work out a deal where they’d work together, similar to the way Kevin McClory worked with Albert R. Broccoli and Harry Saltzman on Thunderball?

Some fans figure Nolan loves Bond so much, he’d simply come aboard without his Syncopy associates. As Tracy said in On Her Majesty’s Secret Service, “I wouldn’t go banco on that.”

Again, there’s no actual news here. It’s just the speculation about Bond 25 is now branching out from potential successors to Daniel Craig (who has not actually publicly said he’s quitting the Bond role) to other matters.

REVIEW: Interstellar (2014)

Interstellar poster

Interstellar poster

Normally, this blog wouldn’t review a science fiction movie. But some James Bond fans fancy the notion of Christopher Nolan directing a 007 film (while others despise it). And Interstellar’s director of photography Hoyte van Hoytema has been tapped to photograph Bond 24, to be directed by Sam Mendes.

A number of reviews have discussed at length Interstellar being inspired by the Stanley Kubrick-directed 2001: A Space Odyssey. That influence is undeniable. But Nolan appears to have done other homages.

One is based a 1979 movie by journeyman director Gary Nelson, which more than once referenced Dante’s Inferno (Google it and the answer should be evident. Additional clue: it had a John Barry score). Another, of two small figures fighting amid a barren landscape, seems to be composed similarly to a famous shot in director William Wyler’s 1958 Western film, The Big Country.

What’s more, books also play an important role in Nolan’s film. For example, the camera lets you see a Charles Lindbergh biography, reinforcing the movie’s notion of exploration and adventure. Actually, the importance of books goes beyond that, but we won’t mention more to avoid spoilers.

All of this may be coincidence, but we’re reminded of a comment by the director Stanley Donen in a documentary that nothing in a movie is by chance. He was talking about a famous scene in the musical Singing In The Rain (and how a street stage was made to ensure puddles would form when a rainstorm was simulated). But Donen’s comment is applicable to almost any movie.

Anyway, Nolan likes a big canvas for his films. Interstellar — which takes place on Earth, the solar system and beyond (just like 2001) — is as big as you could want. The story concerns a dying Earth sometime in the future and a last, desperate attempt to ensure mankind can survive, even if it’s not on its home planet.

And yet….

Somewhere in the last third of the movie, Nolan’s story seems to get away from him. Stanley Kubrick, in 2001, made no attempt to explain the movie’s final act. You either went on the ride or you didn’t. Nolan provides striking images but some of his explanations are hard to follow even if the viewer is paying rapt attention.

Interstellar certainly is an emotional film, with a major theme of a father’s relationship to his daughter (and a woman’s relationship to her father). It’s also, technically, a well-made film. Still, there are too many twists in the 169-minute film. Interstellar is by no means a failure, but it seems as if, at some stage, a fresh eye was needed.

Which brings us to one of the reasons for this review.

At first glance, it seems unlikely Nolan will ever get his chance at directing a Bond movie. With Nolan, you have to hire his posse, including his producer-wife Emma Thomas and his screenwriting brother Jonathan Nolan. Christopher Nolan has tremendous control over his projects and it seems unlikely Eon Productions co-bosses Barbara Broccoli and Michael G. Wilson would yield the complete control Nolan yields. But who knows for sure?

As for van Hoytema, he delivers interesting images. So he’ll likely do fine on Bond 24. Van Hoytema has confirmed his involvement with Bond 24, according to a STORY on the MI6 James Bond website.

Interstellar, try as it might, is not the second coming of 2001. It’s an interesting attempt to be different than usual fare studios churn out. But, this being the movie business in the 21st century, it still leaves itself open for a sequel. So it’s not that different. GRADE: B-Minus.

Questions about a (possible) Nolan-directed 007 film

Logo of Syncopy, Christopher Nolan's production company

Logo of Syncopy, Christopher Nolan’s production company

WARNING: This is very much putting the cart before the horse. Nobody has said Christopher Nolan *will* direct Bond 24. The U.K. Daily Mail has reported only that the director has been *approached* about the job. Bear all that in mind before reading the following.

This week, the Daily Mail newspaper in the U.K. reported that Christopher Nolan, director of three Batman movies from 2005 through 2012, had been “approached” about directing Bond 24.

The writer, Baz Bagimboye, had a number of scoops about Skyfall, the most recent 007 movie, that proved to be correct. So, it got the attention of a lot of fans. If Nolan eventually signs on the dotted line, it raises a number of questions about Bond 24. Among them:

1. What happens to writer John Logan? Logan was brought in by director Sam Mendes to rewrite Skyfall. Eon Productions originally announced that Peter Morgan would collaborate with scribes Neal Purvis and Robert Wade. Eventually, Morgan left without getting a screen credit. But Logan evidently impressed somebody because he was hired to write Bond 24 and Bond 25 while Purvis and Wade departed the series.

But things can change, as Morgan can attest. Christopher Nolan is fond of writing his own movies, either by himself (Inception) or collaborating with his brother Jonathan Nolan and David S. Goyer (the three Batman movies or the upcoming Man of Steel, which was produced by Nolan). If Nolan comes aboard, will Logan stay or go?

2. Do other members of Nolan’s posse also participate? Nolan has a production company, Syncopy. That logo ended up being featured at the start of the third Batman film, The Dark Knight Rises, along with the logos of Warner Bros. and Legendary Pictures. Ditto for Man of Steel. The Syncopy group includes Emma Thomas, a producer who’s married to Nolan, and Charles Roven, another producer. Also, Nolan frequently collaborates with Wally Pfister as director of photography. Pfister is directing Transcendence a movie scheduled for a 2014 release.

While Eon may be interested in Nolan’s services as a director, would it also hire Nolan-affiliated producers such as Thomas and Roven? Eon, led by Barbara Broccoli and Michael G. Wilson, has its own group of supporting producers, including Gregg Wilson, the son of Michael. On the other hand, Eon has probably would be open to hiring Pfister. That would be similar to Skyfall, where Roger Deakins was brought on as director of photography because Mendes wanted him.

3. Would Hans Zimmer be the newest 007 composer? Zimmer also works frequently with Nolan. Again, that’s a situation similar to Skyfall, where Thomas Newman was hired as composer because of his relationship with Mendes. A Zimmer-scored Bond 24 might be similar to Skyfall in other ways. Mendes said that Nolan’s The Dark Knight from 2008 influenced the 2012 007 movie. Some tracks of Newman’s score (particularly the Shanghai sequences and the action sequences at the Macao casino) sounded similar to Zimmer’s music for Nolan’s Batman films.

4. What would the running time of a Nolan-directed Bond 24 be? Probably not short. Batman Begins was 140 minutes, The Dark Knight was 152 minutes, Inception was 148 minutes and The Dark Knight Rises was a whopping 165 minutes.

UPDATE (May 22): The Latinos Post Web site has a short article about actresses Nolan has cast in various movies and whether they could become part of the cast of a Nolan-directed Bond 24.