1994: Bond convention held in LA to revive 007 interest

Advertisement for 1994 James Bond convention

Advertisement for 1994 James Bond convention

In the fall of 1994, James Bond hadn’t been on movie screens for more than five years. A new 007, Pierce Brosnan, had been cast. But production on GoldenEye, the new Bond film, wouldn’t begin until early 1995.

So, in October 1994, a James Bond convention was held in the Los Angeles area to help revive interest in Ian Fleming’s gentleman agent with a license to kill. Creation Entertainment, which produced Star Trek conventions, was hired to put on the show.

The blog was reminded about all this in an exchange of posts with @Stringray on Twitter. An advertisement for the event was produced saying that former screen 007s Roger Moore and George Lazenby would be present.

Before the show, Roger Moore canceled. As it turned out, he had planned to go to present the first GoldenEye Award to Eon Productions co-founder Albert R. Broccoli. The veteran showman, however, had health issues and would not attend.

Still, Lazenby, and other actors who had appeared in Bond films, were present. So did two stalwarts of the early 007 films: special effects man John Stars and editor Peter Hunt, who also directed On Her Majesty’s Secret Service. There was also a showing of Goldfinger at the Academy of Motions Pictures Arts and Sciences.

Some of the highlights:

— Peter Hunt showed a clip from Dr. No and then asked the audience to name the flaws. Hunt said something to the effect that the editor knows the mistakes of a movie better than anyone. The editor’s job, he said, is to speed the audience through this without noticing.

In this case, the clip was early in the movie when Bond is picked up at the Kingston airport by “Mr. Jones,” really an operative for Dr. No. The mistake? the color of the car’s dashboard changes in the sequence.

–George Lazenby admitted he made a mistake by not doing any Bond films after Majesty’s. His comments, as I recall them, were pretty brief. But he didn’t try to rationalize his actions.

–Two of James Brolin’s Octopussy screen tests were shown.

One was from the Octopussy script when Bond comes into the office of Penelope Smallbone on his way to see M. We’re told in the scene that Miss Moneypenny had retired and Smallbone was the new secretary.

The other was from the script of From Russia With Love that takes place in Bond’s hotel room in Istanbul. Maud Adams played Tatiana opposite Brolin’s Bond.

I had recalled reading accounts in the early 1980s that Brolin supposedly was in running to play Bond for the movie. I was skeptical. Then, Roger Moore was cast for his sixth turn in the role and I dismissed all that. The screen test footage showed there was something to it after all.

— A short video was shown about what to expect in GoldenEye. A new Aston Martin was supposed to be in the movie (it wasn’t, a BMW ended up being substituted in a product placement deal). Also supposed to be in the movie would be saws attached to helicopters (these would show up in The World Is Not Enough).

Creation Entertainment would do another Bond convention a little more than a year later, the Sunday before the U.S. premiere of GoldenEye.

UPDATE (7:25 p.m. ET): Reader Steve Oxenrider provided THIS IMAGE (or see below) of the convention schedule. Bruce Glover of Diamonds Are Forever also made an appearance as did Richard Kiel, Lynn-Holly Johnson and Gloria Hendry. Various authors about Bond, including Raymond Benson (he had not yet written his first 007 continuation story), also were there.


Schedule for 1994 James Bond convention


Should Daniel Craig stay or should he go?

Daniel Craig in 2012 during filming of Skyfall.

Daniel Craig in 2012 during filming of Skyfall.

By Nicolás Suszczyk, Guest Writer

Should he stay or should he go?

It seems like yesterday when Pierce Brosnan was dismissed from the role of James Bond, Martin Campbell announced as the director of Bond 21 aka (the official version of) Casino Royale and the thousands of candidates tipped by the press to replace him: Heath Ledger, Ewan McGregor, Henry Cavill and Daniel Craig.

It also seems like yesterday when Daniel Craig was finally announced to the doubtful worldwide press as “The New James Bond.”

I was 15 then. I can even recall a newsflash in Argentina reading, “Doubts, many doubts” when showing the footage of the Chester-born actor, posing next to producers Michael G Wilson and Barbara Broccoli for a photo call that seemed to say it all without a single caption describing it.

In 10 years that passed as 10 seconds, Craig seems to be leaving the role.

I don’t know if he will and I don’t believe in the gossip British and American tabloids, whose headlines are almost copied-pasted throughout the rest of the world, where the James Bond phenomenon has expanded since 1962. But, I have to admit, when people such as Graham Rye, the 007 Magazine editor, provides information on the subject, I may actually think about it.

So, without saying if he stays or if he goes (because I clearly don’t have that information, and maybe very few people do) or the real reasons on why he’s leaving or has been ditched, according to the sources we’ve heard, I want to offer my opinion on his future. And it’s going to be a very heartfelt opinion, because Craig was the Bond of my teens and adult life.

I want him to come back, but I think he should leave.

I’m not too much convinced on the tipped “replacements” and, of course, Craig can do one more Bond film at 48.

He still looks the part and showed a cool side of Ian Fleming’s spy: tough and brutal, but still fresh and humorous. But I honestly think he gave us all he had to give and “his” Bond found what he was looking for.

CinemaSins jokingly said that none of Craig’s Bond films can get over Casino Royale in their “sin count” of SPECTRE, and beyond the puns intended, that is indeed true. Because the 2006 film presents us the main conflict of the character: his emotions shattered after the induced suicide of the girl he loved, his purpose to avenge her (yes, to go behind the man “who held the whip” but with a slight desire of settling the score) and the need of getting over her and run away from that world of violence he belongs to because, apparently, it was “better than the priesthood.”

In Casino Royale, Craig/Bond loses Vesper; in Quantum of Solace, he finds a way to make justice; in Skyfall, an apparently “unrelated” story arc movie, he fails to protect Judi Dench’s M, who dies in his arms; and in SPECTRE we learn everything was connected to his foster brother Ernst Stavro Blofeld who operated from the shadows to make him lose the ones he loved.

007 defeats the villain, but instead of shooting him at point blank he decides to leave him to MI6 and sign off for a better life next to his new love, Madeleine Swann.

The end of the movie is a bit reminiscent to On Her Majesty’s Secret Service, where Bond and his new wife Tracy left on an Aston Martin and then she was shot dead by a machine gun attack led by Blofeld and his henchwoman Irma Bunt. Even the last sentence of the 1969 film was, at one point, in SPECTRE’s script: “We have all the time in the world.”

In the finished film, the line was dropped and a smiling James Bond drove the DB5 next to Madeleine right through the London streets as Monty Norman’s trademark theme sounded.

I was incredibly happy when I saw that scene and I immediately thought it’s the best farewell Craig’s Bond could have.

Incredibly enough, after my first watching, a friend told me: “Hey, but she’s going to die in the next one,” connecting that scene to the tragic climax of the only 007 movie starring George Lazenby.

I wouldn’t like that again for two reasons: one, it would be way too repetitive that Bond loses two women close to his heart in four movies. It would be expected. It would be repeating a past, an exclusive past that is not compared to have many villains plotting WWIII or extravagant liars.

SPECTRE poster

SPECTRE poster

Two, Craig’s portrayal of the role has been so special, unique and different to the other five actors (the whole creative process for this era was different and continuity, in a way or another, mattered) that I feel he deserves this happy ending.

It’s a far cry for Connery/Bond next to a hussy Tiffany Case asking for the diamond-made satellite in the sky, Moore/Bond taking a shower with the clingy Stacey Sutton, a tuxedo-clad Dalton/Bond kissing the self-reliant Pam Bouvier in a swimming pool or Brosnan/Bond throwing diamonds on NSA agent Jinx’s belly during lovemaking.

Only George Lazenby’s final scene as Bond had the tragic ending of the hero crying over the dead body of his bride.

And SPECTRE’s ending is the perfect “revenge” to that scene: James Bond finally gets to be happy with the girl he loves and not with a fling, and they can have a happy future: a future that will not be known to us.

How could Bond and Madeleine fell for each other so quickly is still a subject of debate and I agree the relationship needed more development. Yet Léa Seydoux’s character can make a judgment call on 007 and make him throw the gun away right before he shoots Blofeld dead.

Minutes before, the villain lured Bond into the soon-to-be-demolished ruined MI6 building, now decorated with photos of Vesper and M. “This is what left of your world, everything you stood for, everything you believed in, are in ruins.”

When 007 opts not to kill his “brother,” he embraces Madeleine. They kiss and walk away of the crowded Westminster street where a wounded Blofeld lies before being arrested. Bond walks out of that world of violence and destruction the mastermind wanted for him.

The film’s proper ending is a Bondian epitaph for the Daniel Craig era. He is now the James Bond we all know and love, he’s there again, but keep “being Bond” would mean the end of his happy life: another Vesper. So, he says goodbye.

In 1615, Miguel de Cervantes Saavedra decided to kill of Don Quixote so that no other author could continue writing about him, because he wanted to “own” him. The same should happen to this version of James Bond, because Daniel Craig “owned” the character, from that brutal black and white bathroom fight (at the start of Casino Royale) to the stylish Aston Martin ride with a girl.

So, to summarize this article – or extensive dilemma– should Daniel Craig’s James Bond stay or go? I want him to stay, I would love him to stay.

But he should go.

UPDATE (June 23): “Versión en español en Bond en Argentina” (to read a version in Spanish on the website Bond en Argentina), CLICK HERE.


Theater features 007 triple feature for Father’s Day

Promotional art for Father's Day 007 triple feature

Promotional art for Father’s Day 007 triple feature

A theater in eastern Pennsylvania has come up with an interesting way to spend Father’s Day — a James Bond triple feature, each with a different actor playing James Bond.

The Colonial Theatre in Phoenixville, Pennsylvania, is having its Bonding With Dad Marathon on Sunday. The lineup consists of 1963’s From Russia With Love with Sean Connery, 1969’s On Her Majesty’s Secret Service with George Lazenby and 2006’s Casino Royale with Daniel Craig.

For older Bond fans in the area, it’s a one-day chance to relive the past when 007 double (and even triple) features were released between Bond film releases. That fell by the wayside for the most part after Bond films first appeared on television and then went to home video. Today, such double features occur as special events.

The Colonial Theatre first opened in 1903. “Real movie buffs know that the Colonial was featured in the 1958 science fiction classic, The Blob, starring Steve McQueen and filmed in and around Phoenixville,” according to the Colonial’s website.

The Bond three movies run from 12 noon until 7 p.m. Prices are $21 for adults, $16 for seniors and students and $11 for children under 13. Phoenixville is near Valley Forge, Pennsylvania.


Daily Mail says Daniel Craig is out as 007

Daniel Craig in SPECTRE's main titles

Daniel Craig in SPECTRE’s main titles

UPDATE (May 19): The BBC reports that “authoritative Bond sources” say Daniel Craig hasn’t made up his mind and no decision is expected soon. CLICK HERE and see the item with a time stamp of 07:56.

ORIGINAL POST: The U.K. tabloid newspaper and website the DAILY MAIL said turned down a 68 million pound ($99 million) to do two more 007 films.

In the past, the Daily Mail had a number of scoops about 2012’s Skyfall and 2015’s SPECTRE that were proven to be true. The bulk of those stories were written by Baz Bamigboye, but he been writing about other entertainment subjects since late 2014.

Here’s an excerpt from the new story by Rehema Figueiredo:

Insiders said Craig turned down a £68million offer from MGM studio to return as Bond for two more films following last year’s hit Spectre. The sum included endorsements, profit shares, and a role for him working as a co-producer.

One LA film source said: ‘Daniel is done – pure and simple – he told top brass at MGM after Spectre. They threw huge amounts of money at him, but it just wasn’t what he wanted.’

There has been a lot of speculation that Craig, 48, was quitting Bondage and even more about possible replacements. Almost all of those stories cited how Craig some in some interviews shortly after SPECTRE finished filming that he would rather slit his wrists than do another Bond film.

However, the Daily Mail is the first outlet to go out on a limb and state definitively that Craig was out. Craig has done the last four films, starting with 2006’s Casino Royale. Craig also was a co-producer of SPECTRE.

What follows is in the for what it’s worth category (and not an endorsement of the Daily Mail story):

SPECTRE ended with Bond driving off in the Aston Martin DB5 with Madeleine Swann (Lea Seydoux).

Just before filming began, the script had Bond saying, “We have all the time in the world,” a line originally from On Her Majesty’s Secret Service, spoken by George Lazenby’s Bond, just before (and after) his wife Tracy (Diana Rigg) is killed. The finished version of SPECTRE didn’t have the line.

To read the entire Daily Mail story, CLICK HERE.


40th anniversary of Hawaii Five-O’s Nine Dragons

Wo Fat triumphs (for a while) over McGarrett in Nine Dragons

Wo Fat triumphs (for a while) over McGarrett in Nine Dragons

This year marks the 40th anniversary of one of the best episodes of the original Hawaii Five-O series, the two-hour Nine Dragons.

The first episode of the 1976-77 season was one of the best encounters between the original Steve McGarrett (Jack Lord) and the original Wo Fat (Khigh Dhiegh).

The episode also featured the most James Bond-like plot of the original 1968-80 series. Wo Fat intends to lead a coup of China, then launch a preemptive nuclear attack on the United States.

To ensure no other nations retaliate, Wo Fat abducts McGarrett. The lawman, under torture, is recorded as saying the U.S. was responsible for the deaths of Chinese leadership (that Wo Fat plans to accomplish). The film will be broadcast as the attack against the U.S. takes place, causing other countries to not attack China.

All of this, of course, is rather fantastic. Nevertheless, it features one of the best performances by Khigh Diegh as Wo Fat. The actor (1910-1991) essentially gets a chance to meld his two best-known characters: Wo Fat and the Chinese brain washing expert in the 1962 version of The Manchurian Candidate.

What’s more, Jack Lord’s McGarrett, for once in the series, is utterly defeated, at least for a time. Despite McGarrett’s resistance, he eventually gives in. McGarrett, naturally, rallies and escapes. McGarrett has no memory of the defeat until he gets a chance to view the film shortly before Wo Fat intends to use it.

Nine Dragons included contributions from one of Five-O’s best writers (Jerome Coopersmith, his next-to-last script) and directors (Michael O’Herlihy, his final effort for the series). Above all, it features one of the best scores for the show by Morton Stevens, who composed the classic Five-O theme.

Finally, the episode includes on-location filming in Hong Kong, a first for the show. To defray the cost, CBS struck a deal with Air Siam (everybody in the epiosde who takes a flight flies on Air Siam).

Five-O would not have such on-location filming until the end of the 11th season, where a two-hour episode was filmed in Singapore (The Year of the Horse), that included one-time 007 George Lazenby.

Our modest proposals for Bond 25

Image for the official James Bond feed on Twitter

Image for the official James Bond feed on Twitter

Since the British tabloids are stirring the pot, what better time for this blog to weigh in with some Bond 25 ideas? So here goes.

Consider adapting one of the better continuation novels: For years, Eon Productions has resisted this path. Michael G. Wilson, Eon’s co-boss, has bad mouthed the John Gardner novels.

However, Eon itself opened the door with SPECTRE. The 24th James Bond film includes a torture scene based on the one in 1968’s Colonel Sun novel. So much so, there’s a “special thanks” credit for “The Estate of Kingsley Amis” in the end credits.

Generally speaking, it’s easier to use a novel as a starting point. The movie You Only Live Twice didn’t have much in common with its namesake novel, but characters, names, situations, etc. did figure into the movie. Given the soap opera of SPECTRE’s scripting process, any step to simplify the process would be a help.

At this point, there are plenty of continuation novels to choose from.

Worry about the script first, actor second: Various “making of” documentaries about 007 films discuss how scripts are tailored to their lead actor.

How about this? Write a James Bond story first, tweak it later after your actor has been cast. James Bond is the star. The series has seen six different actors play Bond. Some day, there will be a seventh.

Albert R. Broccoli, co-founder of Eon, always felt 007 was the star, the rest came later. Words to live by.

Or, put another way: story, story, story.

If you have a good story but it conflicts with continuity, go with the story: Let’s be honest. Continuity isn’t a strong point for the Bond film series. Michael G. Wilson said Quantum of Solace took place “literally an hour” after Casino Royale.

Yet, Quantum couldn’t be bothered with the slightest effort to tie together with Casino. Casino took place in 2006. Quantum in 2008. Did it really take Bond *two years* to track down Mr. White? Only if Bond and Mr. White are idiots.

Continuity isn’t in Eon’s wheelhouse. If you have a great Bond story but it doesn’t match up with earlier films? Go with the story. If fans exit the theater thinking, “That was one of the best Bond movies I’ve ever seen,” nobody will really care about the continuity.

Have a great Bond 25 idea that doesn’t immediately tie in with SPECTRE? Go with the great idea. You can always bring Blofeld back later, even if he’s not played by Christoph Waltz.

But what about the “Blofeld Trilogy”?: That ship has sailed. It was a lost opportunity. Meanwhile, you might find the part of the You Only Live Twice novel that Albert R. Broccoli, Harry Saltzman and their cohorts didn’t use might make for difficult filming. Don’t twist yourself into a pretzel trying to recapture the past.

Put yet another way: How many people leaving the theater after seeing SPECTRE really thought Daniel Craig’s Bond loved Lea Seydoux’s Madeleine as much as George Lazenby’s Bond loved Diana Rigg’s Tracy in On Her Majesty’s Secret Service? This blog’s guess: Not many.

Merry Christmas from The Spy Command

This has been the blog’s annual holiday greeting since 2011, going back to when the blog was affiliated with the now-inactive Her Majesty’s Secret Servant site.

The graphic was designed by Paul Baack, who had the idea for the blog. It’s such a great image and it’s presented here once more.

Merry Christmas and Happy Holidays, everyone.