Mission: Impossible 7 trailer officially released

Paramount released the trailer for Mission: Impossible Dead Reckoning Part One today after it had leaked out over the weekend.

The trailer for the seventh film in the M:I series starring Tom Cruise contains some homages to James Bond films such as:

–Tom Cruise’s Ethan Hunt driving a car with its doors knocked off, similar to Daniel Craig’s Bond in Quantum of Solace.

–Cruise/Hunt driving a small yellow car in a chase, similar to Roger Moore’s Bond driving an extremely small car in a chase in For Your Eyes Only.

–A fight on top of a train, with the participants having to duck when approaching tunnels, a la Octopussy.

–Cruise/Hunt riding a motorcycle off a cliff similar to Pierce Brosnan’s Bond in GoldenEye.

The trailer has some striking images, including an Osprey aircraft in flight and a train locomotive going off a cliff.

Mission: Impossible Dead Reckoning Part One is scheduled for release next year, with the following installment coming out in 2024. Originally, the two movies were to have been filmed back-to-back. That was before delays related to the COVID-19 pandemic. The trailer is below.

Michael G. Wilson turns 80

Michael G. Wilson

Michael G. Wilson, during publicity for 2015’s SPECTRE

Michael G. Wilson, a producer and writer who worked longer on James Bond films than anyone else, celebrated his 80th birthday today.

Wilson, who has been involved with Bond for 50 years on a full-time basis, is the stepson of Eon Productions co-founder Albert R. Broccoli and the half-brother of 007 producer Barbara Broccoli.

Wilson and Barbara Broccoli took command of Eon in 1994 as GoldenEye was in pre-production and Cubby Broccoli suffered from ill health. The Wilson-Barbara Broccoli combination has produced every Bond film starting with GoldenEye.

Albert R. “Cubby” Broccoli died in 1996, ending 35 years with the franchise.

Wilson’s mother, Dana, married Cubby Broccoli in 1959. She had earlier been married to actor Lewis Wilson, who had played Batman in a 1943 serial. The actor was the father of Michael Wilson.

Michael Wilson’s first involvement in the 007 series was as an extra on 1964’s Goldfinger, but that was a one-off. Starting in 1972, he joined Eon and its parent company, Danjaq.

Michael G. Wilson’s first 007 on-screen credit in The Spy Who Loved Me

In those early years, Wilson, a lawyer who also had training in engineering, was involved in the separation between Eon founders Cubby Broccoli and Harry Saltzman, the latter facing financial troubles. Eventually, United Artists bought out Saltzman’s interest in the 007 franchise.

Wilson’s first on-screen credit was as “special assistant to producer” on 1977’s The Spy Who Loved Me. Wilson got a small title card, sharing the screen with other crew members. But that belied how Wilson’s influence on the series was growing following Saltzman’s departure.

A Poster Changes

CLIP TO EMBIGGIN

A preliminary version of the poster for The Spy Who Loved Me, with a credit for “Mike Wilson.”

An early poster for Spy had the credit “Assistant to the Producer Mike Wilson.” It didn’t mention other notables such as production designer Ken Adam or associate producer William P. Cartlidge. Later versions didn’t include Wilson’s credits but Adam and Cartlidge still didn’t make the final poster.

For 1979’s Moonraker, Wilson was elevated to executive producer, a title which can be a little confusing. On television series, an executive producer is supposed to be the top producer or producers. For movies, it’s a secondary title to producer. This time, Wilson was included on the posters as were Adam and Cartlidge.

With 1981’s For Your Eyes Only, Wilson doubled as a screenwriter, working in conjunction with Bond veteran Richard Maibaum. Wilson received a screenwriting credit on every 007 film made by Eon in the 1980s. Starting with 1985’s A View to a Kill, he was joint producer along with Cubby Broccoli.

While adding to his production resume, Wilson also began making cameo appearances in the Bond movies themselves. A 2015 story in the Daily Mail provided images of a few examples. The cameos varied from a quick glance (The World Is Not Enough) to getting several lines of dialogue (Tomorrow Never Dies, as a member of the board of directors working with the villain).

‘Particularly Hard’

After Cubby Broccoli’s death, Wilson in interviews began complaining about the work load of making Bond films. “It just seems that this one’s been particularly hard,” Wilson said in an interview with Richard Ashton on the former Her Majesty’s Secret Service website concerning The World Is Not Enough that’s archived at the Internet Archive Wayback Machine.

In an earlier Ashton interview, after production of 1997’s Tomorrow Never Dies, Wilson described the pressure he felt.

“There are a myriad of things every day,” Wilson told Ashton. “From the producer’s point of view they want to know the schedule, does the set need to be this big? Are we gonna shoot all this stuff in the action sequence? How much of it is going to end up on the cutting room floor? You’re putting the director under pressure to make decisions all the time – and he has a point of view he wants to put across.”

‘Desperately Afraid’

Dana Broccoli was an uncredited adviser on the Bond films during Cubby Broccoli’s reign. She became “the custodian of the James Bond franchise” after his death in 1996, according to a 2004 obituary of Dana Broccoli in The Telegraph.

With her passing, Wilson and Barbara Broccoli were truly on their own. One of their first decisions was to move on from Pierce Brosnan, the last 007 actor selected by Albert R. Broccoli, and go in a new direction with Daniel Craig.

In an October 2005 story in The New York Times, Wilson described the process.

“I was desperately afraid, and Barbara was desperately afraid, we would go downhill,” said Michael G. Wilson, the producer of the new Bond film, “Casino Royale,” with Ms. Broccoli. He even told that to Pierce Brosnan, the suave James Bond who had a successful run of four films, he said.

“We are running out of energy, mental energy,” Mr. Wilson recalled saying. “We need to generate something new, for ourselves.”

Wilson and Barbara Broccoli also began pursuing other interests, including plays as well as movies such as the drama The Silent Storm, where they were among 12 executive producers.

Wilson as P.T. Barnum

Wilson, to a degree, also was the Bond franchise’s equivalent of P.T. Barnum. In separate interviews and public appearances he said he hoped Daniel Craig would do more 007 films than Roger Moore even as the time between Bond films lengthened while later saying Bond actors shouldn’t be kept on too long.

Legal fights between Eon and Metro-Goldwyn-Mayer (which acquired United Artists in 1981) caused a six-year hiatus in Bond films between 1989 and 1995. When production resumed with GoldenEye, Wilson no longer was a credited screenwriter.

Cubby Broccoli had benefited from a long relationship with Richard Maibaum (1909-1991), who ended up contributing to 13 of the first 16 Bond movies. Wilson and Barbara Broccoli seemed to search for their own Maibaum.

At first, screenwriter Bruce Feirstein seemed to fit the bill. He received a writing credit on three movies, starting with GoldenEye and ending with The World Is Not Enough.

Barbara Broccoli and Michael G. Wilson in November 2011 Productions

Barbara Broccoli and Michael G. Wilson in November 2011.

Later, the producing duo seemed to settle on scribes Neal Purvis and Robert Wade, who received credits on six consecutive 007 epics. They ran began with 1999’s The World Is Not Enough and ran through 2015’s SPECTRE. They were hired in 2017 to work on a 007th film, No Time to Die, released in 2021. Director Cary Fukunaga and scribe Phoebe Waller-Bridge were among the other writers on the script.

Still, it wasn’t the same. After 2012’s Skyfall, Purvis and Wade weren’t supposed to return, with writer John Logan (who’d done Skyfall’s later drafts) set to script two movies in a row.

It didn’t work out that way. With SPECTRE, the followup to Skyfall, Logan did the earlier drafts but Purvis and Wade were summoned back. Eventually, Logan, Purvis, Wade and Jez Butterworth would get a credit.

Changing Role?

Cubby Broccoli seemed to live to make James Bond movies. Wilson  not as much, as he pursued other interests, including photography. By the 2010s, it appeared to outsiders that Barbara Broccoli had become the primary force at Eon.

In December, 2014, at the announcement of the title for SPECTRE, Wilson was absent. Director Sam Mendes acted as master of ceremonies with Barbara Broccoli at his side. Wilson showed up in later months for SPECTRE-related publicity events.

Nevertheless, Wilson devoted the majority of his life to the film series.

Making movies is never easy. Wilson’s greatest accomplishment is helping — in a major way — to keeping the 007 series in production. He was not a founding father of the Bond film series. But he was one of the most important behind-the-scenes figures for the film Bond beginning in the 1970s.

“When you go around the world you see how many people are so anxious, in every country, ‘Oh, when’s the next Bond film coming out?'” Wilson told Ashton after production of Tomorrow Never Dies. “You realize that there’s a huge audience and I guess you don’t want to come out with a film that’s going to somehow disappoint them.”

GoldenEye screenwriter talks about the 1995 movie

GoldenEye’s poster

The SpyHards podcast conducted an interview with Jeffrey Caine, one of the screenwriters on GoldenEye.

Caine was one of three writers who received some form of credit for the 1995 James Bond film that marked the return of James Bond to the big screen after a six-year hiatus. The other credited screenwriters were Michael France and Bruce Feirstein. Kevin Wade did uncredited work on the script.

Here are some of the highlights from the interview:.

Caine discusses the differences between Michael G. Wilson and Barbara Broccoli

Caine says Wilson wanted to work in stunts first and write a story around them. Caine felt you should write a story and insert stunts.

How it turned out:

“I sort of got my way because Barbara (Broccoli) took my side.”

The scribe’s view of the cinematic Bonds actors:

Caine says Daniel Craig has the toughness but not the suaveness while Roger Moore has the suaveness but not the toughness. Caine liked Sean Connery and Pierce Brosnan better

About the change with M in GoldenEye:

Caine says he drafts didn’t have a woman M (who would be played by Judi Dench). That took place after writer Bruce Feirstein took over.

To listen to the entire interview on the SpyHards podcast, CLICK HERE.

Reminder of a major Bond transition

Earlier today, the Eon Productions official James Bond feed on Twitter posted a reminder of a major transition in the long-running film series.

The tweet had a photo from 1988 of the start of production of Eon’s 16th Bond film. In the photo, Eon co-founder, Albert R. Broccoli, is holding a clapperboard. At the time the film was to have been called License Revoked:

Richard Maibaum, a screenwriter who went back to the earliest days of the Eon series, had worked on the plot. But the Writers Guild of America went on strike.

Michael G. Wilson, who collaborated on the Eon Bond films of the 1980s, took over as lead screenwriter. In those days, the weekly print edition of Variety carried a chart of major movies in production. That listed only Wilson as the movie’s screenwriter. Eventually, after the WGA went back to work, the final credit, when the movie was released in 1989, was “Written by Michael G. Wilson and Richard Maibaum.”

The title later was changed to Licence (the English, rather than American, spelling) to Kill.

The movie would be the final Bond credits for Maibaum, director John Glen (who, in addition to his five directing credits had worked as editor and second unit director on three others) and title designer Maurice Binder.

Albert R. Broccoli chose Pierce Brosnan to play Bond in the 1990s, but passed on producing duties to Wilson and Barbara Broccoli. The Eon co-founder got a “presents” credit in GoldenEye.

About those Bond film series gaps

Image for the official James Bond feed on Twitter

Last week saw another delay announced for No Time to Die. That has prompted some entertainment news websites to look back at how the gap between SPECTRE and No Time to Die ranks among Bond films.

With that in mind, here’s the blog’s own list.

You Only Live Twice (1967) to On Her Majesty’s Secret Service (1969): This isn’t getting the attention as the others.

But You Only Live Twice came out in June of 1967 while On Her Majesty’s Secret Service debuted in December 1969. That was about two-and-a-half years. Today? No big deal. But at the time, the Bond series delivered entries in one- or two-year intervals.

This period included the first re-casting of the Bond role, with George Lazenby taking over from Sean Connery. Also, Majesty’s was an epic shoot.

The Man With the Golden Gun (1974) to The Spy Who Loved Me (1977): This period often is written up as the first big delay in the series made by Eon Productions.

It’s easy to understand why. The partnership between Eon founders Albert R. Broccoli and Harry Saltzman broke up. There were delays in beginning a new Bond film. Guy Hamilton originally was signed to direct but exited, with Lewis Gilbert eventually taking over. Many scripts were written. And Eon and United Arists were coming off with a financial disappointment with Golden Gun.

Still, Golden Gun premiered in December 1974 while Spy came along in July 1977. That’s not much longer than the Twice-Majesty’s gap. For all the turmoil that occurred in the pre-production of Spy, it’s amazing the gap wasn’t longer.

Licence to Kill (1989) to GoldenEye (1995): This is the big one. Licence came out in June 1989 (it didn’t make it to the U.S. until July) while GoldenEye didn’t make it to theater screens until November 1995.

In the interim, there was a legal battle between Danjaq (Eon’s parent company) and Metro-Goldwyn-Mayer, Bond’s home studio, which had acquired UA in 1981. MGM had been sold, went into financial trouble, and was taken over by a French bank. The legal issues were sorted out in 1993 and efforts to start a new Bond film could begin in earnest.

This period also saw the Bond role recast, with Pierce Brosnan coming in while Timothy Dalton exited. In all, almost six-and-a-half years passed between Bond film adventures.

Die Another Day (2002) to Casino Royale (2006): After the release of Die Another Day, a large, bombastic Bond adventure, Eon did a major reappraisal of the series.

Eventually, Eon’s Barbara Broccoli and Michael G. Wilson decided on major changes. Eon now had the rights to Casino Royale, Ian Fleming’s first Bond novel. So the duo opted to start the series over with a new actor, Daniel Craig and a more down-to-earth approach.

Quantum of Solace (2008) to Skyfall (2012): MGM had another financial setback with a 2010 bankruptcy. That delayed development of a new Bond film. Sam Mendes initially was a “consultant” because MGM’s approval was needed before he officially was named director.

Still, the gap was only four years (which today seems like nothing) from Quantum’s debt in late October 2008 to Skyfall’s debut in October 2012.

SPECTRE (2015) to No Time to Die (?): Recent delays are due to the COVID-19 pandemic. But pre-production got off to a slow start below that.

MGM spent much of 2016 trying to sell itself to Chinese investors but a deal fell through. Daniel Craig wanted a break from Bond. So did Eon’s Barbara Broccoli, pursuing small independent-style movies such as Film Stars Don’t Die in Liverpool and Nancy, as well as a medium-sized spy movie The Rhythm Section.

Reportedly, a script for a Bond movie didn’t start until around March 2017 with the hiring (yet again) of Neal Purvis and Robert Wade. The hiring was confirmed in summer 2017. Craig later in summer of 2017 said he was coming back.

Of course, one director (Danny Boyle) was hired only to depart later. Cary Fukunaga was hired to replace him. More writers (Phoebe Waller-Bridge and Scott Z. Burns) arrived. The movie finally was shot in 2019.

Then, when 2020 arrived, the pandemic hit. No Time to Die currently has an October 2021 release date. We’ll see how that goes.

Unlikely Bond streaming spinoff series

Image for the official James Bond feed on Twitter

There has been a lot of speculation whether the streaming era will lead to new James Bond-related series for streaming.

In late 2019, Eon’s Barbara Broccoli told Total Film magazine that her company was resisting the idea of such spinoffs. “We’ve been under a lot of pressure to make spinoffs,” she told the publication. She didn’t specify where the pressure was coming from but a reasonable guess might be Metro-Goldwyn-Mayer, Bond’s home studio.

Broccoli may be able to head off such pressure. Or perhaps not. Regardless, this list of potential spinoffs is unlikely to see the light of day.

The Adventures of Bill Tanner: In Ian Fleming’s novels, Bill Tanner, chief of staff to M, was the closest thing to a friend that James Bond had in the British secret service.

In the films made by Eon, Tanner hasn’t had that much of a presence.

In GoldenEye, Tanner (Michael Kitchen) criticizes the new M (Judi Dench), unaware she’s right behind him. In For Your Eyes Only, Tanner (James Villiers) comes across as a stuffy bureaucrat and not a pal of James Bond (Roger Moore). In more recent films, Tanner (Rory Kinnear) is there, gets a few lines with Daniel Craig but not much else.

Trying to build a streaming series, even if it were only six to eight episodes, might be a bit of a challenge.

Cooking With May: May, Bond’s housekeeper, is a character from Fleming’s novels who hasn’t been included in the films.

One possibility would be to hire someone who can cook playing May as she prepares meals for Bond. Expect many of her dishes to involve scrambled eggs.

Leolia!: Leolia Ponsonby was the secretary to the 00-section in Fleming’s novels. There were three 00-agents. Others were referenced, but readers only witnessed Ponsonby interacting with Bond. The character was phased out and replaced by Mary Goodnight.

A streaming series would have the inevitable origin story. That would answer such pressing questions such as how she came to work for the British Secret Service in the first place.

Golfing With Hawker: This would be a show about how to improve your golf game. A real golfer would play Hawker, Bond’s caddy in both the novel and film Goldfinger. Viewers would learn the secrets of hitting out of sand traps, straightening out their drives and hitting around trees.

After watching Golfing With Hawker, you, too, can learn to hit out of a bunker like this one.

About a possible ‘in memoriam’ title card for NTTD

No Time to Die poster

For a long time, James Bond fans have debated whether No Time to Die should have some kind of “in memoriam” title card for Roger Moore (1927-2017), the first film Bond in the Eon series to pass away.

In the past year, Father Time has caught up with the 007 film series. Sean Connery, the first film Bond, died in October. Before that, actresses who played the lead female characters in the Eon series (Claudine Auger, Honor Blackman and Diana Rigg) all passed away.

And this week, news came of the death of a major contributor, art department stalwart Peter Lamont, who worked on 18 Eon-made Bond films, at age 91.

That’s just for openers. Ken Adam, whose set designs on 007 Bond films established the look of 007 movies, died in 2016 at the age of 95.

So should No Time to Die have some kind of major “in memoriam” title card?

The Bond film series doesn’t do this very often. The end titles of GoldenEye noted the passing of special effects wizard Derek Meddings, who had worked on that film. But it didn’t note the deaths of Richard Maibaum (a 13-time Bond screenwriter) or Maurice Binder, who designed many Bond main titles.

1997’s Tomorrow Never Dies noted the death of Albert R. Broccoli, who co-founded Eon.

What would a big “in memoriam” title card look like?

Here in the U.S., there was a long-running Western series titled Gunsmoke (1955-75). In 1987, there was a reunion TV movie called Gunsmoke: Return to Dodge. In the end titles, there was a mammoth “in memoriam” title card noting key crew and cast members who had died in the intervening years.

Would such a thing even be a possibility for No Time to Die? Hard to say. It hasn’t been that much of an issue until now.

Peter Lamont, 007 art department mainstay, dies

Peter Lamont

Peter Lamont, who worked in the art department of 18 James Bond films, has died. He was 91.

Reuben Wakeman, a Bond collector, in response to an inquiry by me, said on Twitter he had been informed directly by Gareth Owen of Bondstars LLP, who was also a friend of Lamont’s. Owen also assisted Roger Moore on his memoirs.

Lamont began on the Bond series as a draftsman on 1964’s Goldfinger.

One of his first assignments was to make blueprints for the Ken Adam-designed replica of the exterior of Fort Knox’s depository building.

“There were no measurements, just odd bits of information from the little bits of paperwork that Fort Knox” provided to Adam, Lamont said in the home video documentary Designing Bond: Peter Lamont.

He rose through the ranks to become a set decorator, art director and, beginning with 1981’s For Your Eyes Only as production designer.

“I never got bored of the Bond films,” Lamont said in a special issue of MI6 Confidential magazine in 2019.

“They’re fun, action-packaged adventures, they’ll offer challenges for even the most experienced filmmakers and they never take themselves too seriously.” The issue provided Lamont commentary about working on the last film in his career, 2006’s Casino Royale.

Octopussy set

A Peter Lamont-designed set in Octopussy

Working on Bond films also provided Lamont with other surprises.

“I was sitting in the office one day and the phone went,” Lamont said for the 1995 home video documentary The Thunderball Phenomenon. “A voice said he was Captain So-and-So from the Royal Engineers and did I know anything about Thunderball.”

The inquiry concerned a supposed miniature underwater breathing device used by Sean Connery in the 1965 film. The caller wanted to know how much of an air supply it had.

“‘I can tell you exactly,'” Lamont said, recalling the conversation. “‘As long as you can hold your breath.’ I can imagine this poor fellow going white.”

Lamont was nominated for four Academy Awards, winning for 1998’s Titantic, directed by James Cameron. That movie caused him to step aside as production designer for the 1997 Bond film Tomorrow Never Dies. Lamont also was nominated for another three BAFTA awards.

Martin Campbell, director of GoldenEye and Casino Royale, praised Lamont in a forward to the 2019 MI6 Confidential issue.

“Peter designed both my Bond films and made my life so simple,” Campbell wrote. “I loved his concepts and, apart from maybe a few technical adjustments, I left him alone.”

The art department of the Bond series was a family affair for Lamont. His younger brother, Michael (who died in 2007), also worked on the series as did his son, Neil.

Peter Lamont’s IMDB.COM ENTRY lists credits going back to 1950.

UPDATE (11:47 a.m., New York time): Eon Productions put out a statement on social media.

UPDATE II ( 4:40 p.m. New York time): The Academy of Motion Picture Arts and Sciences put out a tribute to Peter Lamont:

GoldenEye’s 25th: Bond’s revival

GoldenEye's poster

GoldenEye’s poster

Expanded and revised from a 2015 post.

GoldenEye, the 17th James Bond film, had a lot riding on it, not the least of which was the future of the 007 franchise.

It had been six years since the previous Bond film, Licence to Kill. A legal fight between Eon Productions and Metro-Goldwyn-Mayer had kept 007 out of movie theaters. In 1990, Danjaq, the holding company for Eon, was put up for sale, although it never changed hands.

After the dispute was settled came the business of resuming production of the James Bond film series.

Timothy Dalton ended up exiting the Bond role so a search for a replacement began. Eon boss Albert R. Broccoli selected Pierce Brosnan — originally chosen for The Living Daylights but who lost the part when NBC ordered additional episodes of the Remington Steele series the network had canceled.

Brosnan’s selection would be one of Broccoli’s last major moves. The producer, well into his 80s, underwent heart surgery in the summer of 1994 and turned over the producing duties to his daughter and stepson, Barbara Broccoli and Michael G. Wilson. Broccoli himself would only take a presenting credit in the final film.

Various writers were considered. The production team opted to begin pre-production on a story devised by Michael France.

His 1994 first draft was considerably different than the final film. France’s villain was Augustus Trevelyan, former head of MI6 who had defected to the Soviet Union years earlier. Bond also had a personal grudge against Trevelyan.

Other writers — Jeffrey Caine, Kevin Wade, and Bruce Feirstein — were called in to rework the story.  The villain became Alec Trevelyan, formerly 006, and now head of the Janus crime syndicate in the post-Cold War Russia. In addition, the final script included a new M (Judi Dench), giving Bond a woman superior. Caine and Feirstein would get the screenplay credit while France only received a “story by” credit.

In the 21st century, many Bond fans assume 007 will always be a financial success. In the mid-1990s, those working behind the scenes didn’t take success for granted.

“Wilson and (Barbara) Broccoli already knew that GoldenEye was a one-shot chance to reintroduce Bond,” John Cork and Bruce Scivally wrote in the 2002 book James Bond: The Legacy. “After Cubby’s operation, they also knew the fate of the film — and James Bond — rested on their shoulders.”

GoldenEye’s crew had new faces to the 007 series. Martin Campbell assumed duties as the movie’s director. Daniel Kleinman became the new title designer. His predecessor, Maurice Binder, had died in 1991. Eric Serra was brought on as composer, delivering a score unlike the John Barry style.

One familiar face, special effects and miniatures expert Derek Meddings, returned. He hadn’t worked on a Bond since 1981’s For Your Eyes Only. GoldenEye would be his last 007 contribution. He died in September 1995, before the film’s release.

In the end, GoldenEye came through, delivering worldwide box office of $352.2 million. Bruce Feirstein, who had done the final rewrites of the script, was hired to write the next installment. Bond was back.

GoldenEye would inspire a video game still well remembered today. A few days before the U.S. premiere was the second, and final, official James Bond fan convention, held in New York City.

For some Bond fans, GoldenEye is one of the best of the 007 films. For others, not so much.

Regardless, GoldenEye was a major event in the history of the Bond film series. Bond had survived a major behind-the-scenes drama. The gentleman agent was ready to take on a new century.

Barbara Broccoli now No. 2 in 007 film tenure

Barbara Broccoli, boss of Eon Productions

The milestone took place a few years ago, but it should be noted that Barbara Broccoli is now No. 2 in 007 film tenure at 38 years.

Broccoli, 60, has worked in the franchise full-time since 1982. She graduated from college that year and soon was working on Octopussy, which began filming that summer. She received an on-screen credit of executive assistant.

Earlier, she worked part-time as a teenager, writing captions for publicity stills on The Spy Who Loved Me.

At 38 years, she trails only her half-brother, Michael G. Wilson, 78, who joined Eon Productions in 1972. Wilson and Broccoli have shared the producer title on Bond films since 1995’s GoldenEye.

Albert R. Broccoli, co-founder of Eon and its parent company Danjaq, had a tenure of 35 years, from 1961 until his death in 1996.

UPDATE (July 11): To be clear, this post only concerns total tenure time on a full-time basis. Albert R. Broccoli was either co-decision maker (when Harry Saltzman was his partner) or primary decision-maker (after Saltzman departed) for almost all of his 35 years. He only yielded toward the end of that time because of health issues.

Michael G. Wilson and Barbara Broccoli have spent more years involved in the franchise. But it took them some years to achieve the same decision-maker status.