007 Magazine out with issue, calendars in December


007 Magazine is bringing out an issue and two 2018 Bond-themed calendars this month.

The issue concerns exhibitor pressbooks released in the United States to promote the first decade of James Bond films. Such pressbooks were mostly “supplied to cinema managers” but at times to the press, according to the Graham Rye publication. The format eventually fell out of favor in studio promotions.

The issue is 76 pages. 007 Magazine has been taking pre-orders and will be shipping out the issue in December. The price is 19.99 British pounds, $30.99 or 26.99 euros.

The two calendars feature the You Only Live Twice 50th anniversary and Bond Girls of the 1960s.  The price for each is 9.99 British pounds, $15.99 or 11.99 euros.

Earlier this year, 007 Magazine also came out with a 126-page issue about Twice’s 50th anniversary. It’s still in stock. The price is 24.99 British pounds, $34.99 or 29.99 euros.

007 Magazine posts conclusion to ‘Search for Bond’

"I'm finally getting my own series, James."

Jack Lord and Sean Connery in Dr. No

The website for Graham Rye’s 007 magazine has posted the conclusion to a new article by Robert Sellers about “The Search for Bond.”

In August, the website posted the first two parts of the three-part article. The third part is now online behind a paywall.

Sellers previously wrote The Battle for Bond, which detailed the history of Thunderball.

A free preview on the 007 Magazine website has excerpts of all three parts of the Sellers article

To read the entire story, you have to subscribe to 007 Magazine, which costs 9.99 British pounds ($12.19 at current exchange rates) for a year or 4.99 pounds ($6.09) for a month.

007 Magazine features Robert Sellers on ‘Search for Bond’

Sean Connery in a 007 publicity still

Sean Connery in a 007 publicity still

The website for Graham Rye’s 007 Magazine has a new article by Robert Sellers titled “The Search for Bond.”

The website bills the article as the “exclusive never-before-told story behind the actors who won, and the many who lost, the most coveted role in cinema history!”

Sellers previous wrote the book The Battle for Bond, a book about the history of Thunderball.

A free preview on the website includes information on how Ian Fleming met in 1959 with screenwriter Paul Dehn (who’d eventually craft the later drafts of Goldfinger) to discuss translating Fleming’s novels to the screen.

The duo discussed how a “pre-Cleopatra/pre-Elizabeth Richard Burton would be an ideal James Bond, according to the preview. Of course, the role of Bond at this point was far from a coveted role.

Parts one and two of three parts are on a pay-to-view portion of the website. CLICK HERE for more information. The yearly subscription is 9.99 British pounds ($12.90) and a monthly subscription 4.99 British pounds ($6.44).

Should Daniel Craig stay or should he go?

Daniel Craig in 2012 during filming of Skyfall.

Daniel Craig in 2012 during filming of Skyfall.

By Nicolás Suszczyk, Guest Writer

Should he stay or should he go?

It seems like yesterday when Pierce Brosnan was dismissed from the role of James Bond, Martin Campbell announced as the director of Bond 21 aka (the official version of) Casino Royale and the thousands of candidates tipped by the press to replace him: Heath Ledger, Ewan McGregor, Henry Cavill and Daniel Craig.

It also seems like yesterday when Daniel Craig was finally announced to the doubtful worldwide press as “The New James Bond.”

I was 15 then. I can even recall a newsflash in Argentina reading, “Doubts, many doubts” when showing the footage of the Chester-born actor, posing next to producers Michael G Wilson and Barbara Broccoli for a photo call that seemed to say it all without a single caption describing it.

In 10 years that passed as 10 seconds, Craig seems to be leaving the role.

I don’t know if he will and I don’t believe in the gossip British and American tabloids, whose headlines are almost copied-pasted throughout the rest of the world, where the James Bond phenomenon has expanded since 1962. But, I have to admit, when people such as Graham Rye, the 007 Magazine editor, provides information on the subject, I may actually think about it.

So, without saying if he stays or if he goes (because I clearly don’t have that information, and maybe very few people do) or the real reasons on why he’s leaving or has been ditched, according to the sources we’ve heard, I want to offer my opinion on his future. And it’s going to be a very heartfelt opinion, because Craig was the Bond of my teens and adult life.

I want him to come back, but I think he should leave.

I’m not too much convinced on the tipped “replacements” and, of course, Craig can do one more Bond film at 48.

He still looks the part and showed a cool side of Ian Fleming’s spy: tough and brutal, but still fresh and humorous. But I honestly think he gave us all he had to give and “his” Bond found what he was looking for.

CinemaSins jokingly said that none of Craig’s Bond films can get over Casino Royale in their “sin count” of SPECTRE, and beyond the puns intended, that is indeed true. Because the 2006 film presents us the main conflict of the character: his emotions shattered after the induced suicide of the girl he loved, his purpose to avenge her (yes, to go behind the man “who held the whip” but with a slight desire of settling the score) and the need of getting over her and run away from that world of violence he belongs to because, apparently, it was “better than the priesthood.”

In Casino Royale, Craig/Bond loses Vesper; in Quantum of Solace, he finds a way to make justice; in Skyfall, an apparently “unrelated” story arc movie, he fails to protect Judi Dench’s M, who dies in his arms; and in SPECTRE we learn everything was connected to his foster brother Ernst Stavro Blofeld who operated from the shadows to make him lose the ones he loved.

007 defeats the villain, but instead of shooting him at point blank he decides to leave him to MI6 and sign off for a better life next to his new love, Madeleine Swann.

The end of the movie is a bit reminiscent to On Her Majesty’s Secret Service, where Bond and his new wife Tracy left on an Aston Martin and then she was shot dead by a machine gun attack led by Blofeld and his henchwoman Irma Bunt. Even the last sentence of the 1969 film was, at one point, in SPECTRE’s script: “We have all the time in the world.”

In the finished film, the line was dropped and a smiling James Bond drove the DB5 next to Madeleine right through the London streets as Monty Norman’s trademark theme sounded.

I was incredibly happy when I saw that scene and I immediately thought it’s the best farewell Craig’s Bond could have.

Incredibly enough, after my first watching, a friend told me: “Hey, but she’s going to die in the next one,” connecting that scene to the tragic climax of the only 007 movie starring George Lazenby.

I wouldn’t like that again for two reasons: one, it would be way too repetitive that Bond loses two women close to his heart in four movies. It would be expected. It would be repeating a past, an exclusive past that is not compared to have many villains plotting WWIII or extravagant liars.

SPECTRE poster

SPECTRE poster

Two, Craig’s portrayal of the role has been so special, unique and different to the other five actors (the whole creative process for this era was different and continuity, in a way or another, mattered) that I feel he deserves this happy ending.

It’s a far cry for Connery/Bond next to a hussy Tiffany Case asking for the diamond-made satellite in the sky, Moore/Bond taking a shower with the clingy Stacey Sutton, a tuxedo-clad Dalton/Bond kissing the self-reliant Pam Bouvier in a swimming pool or Brosnan/Bond throwing diamonds on NSA agent Jinx’s belly during lovemaking.

Only George Lazenby’s final scene as Bond had the tragic ending of the hero crying over the dead body of his bride.

And SPECTRE’s ending is the perfect “revenge” to that scene: James Bond finally gets to be happy with the girl he loves and not with a fling, and they can have a happy future: a future that will not be known to us.

How could Bond and Madeleine fell for each other so quickly is still a subject of debate and I agree the relationship needed more development. Yet Léa Seydoux’s character can make a judgment call on 007 and make him throw the gun away right before he shoots Blofeld dead.

Minutes before, the villain lured Bond into the soon-to-be-demolished ruined MI6 building, now decorated with photos of Vesper and M. “This is what left of your world, everything you stood for, everything you believed in, are in ruins.”

When 007 opts not to kill his “brother,” he embraces Madeleine. They kiss and walk away of the crowded Westminster street where a wounded Blofeld lies before being arrested. Bond walks out of that world of violence and destruction the mastermind wanted for him.

The film’s proper ending is a Bondian epitaph for the Daniel Craig era. He is now the James Bond we all know and love, he’s there again, but keep “being Bond” would mean the end of his happy life: another Vesper. So, he says goodbye.

In 1615, Miguel de Cervantes Saavedra decided to kill of Don Quixote so that no other author could continue writing about him, because he wanted to “own” him. The same should happen to this version of James Bond, because Daniel Craig “owned” the character, from that brutal black and white bathroom fight (at the start of Casino Royale) to the stylish Aston Martin ride with a girl.

So, to summarize this article – or extensive dilemma– should Daniel Craig’s James Bond stay or go? I want him to stay, I would love him to stay.

But he should go.

UPDATE (June 23): “Versión en español en Bond en Argentina” (to read a version in Spanish on the website Bond en Argentina), CLICK HERE.

 

007 Magazine says Craig out, Hiddleston has offer

Daniel Craig in SPECTRE's main titles

Daniel Craig in SPECTRE’s main titles

Graham Rye’s 007 Magazine in a POST ON FACEBOOK said Daniel Craig “has walked away from the Bond role” and that Tom Hiddleston has received an offer from Eon Productions co-boss Barbara Broccoli.

007 Magazine initially didn’t specify in the June 17 post how it obtained the information. In a June 18 response in another thread on its Facebook page, it said it had a source that provided the information.

We tried to imbed the post but our software wouldn’t cooperate. So here’s an image via the message board of the MI6 James Bond website.

Graham Rye Craig

In a separate thread on the Facebook page, in response to skeptics, 007 Magazine said, “As it stands at present, what 007 MAGAZINE has reported is FACT!” Also, “Like any good journalist, we never reveal our sources.” Finally there was this comment:

“If 007 MAGAZINE didn’t have total confidence in our source we wouldn’t have published our comment…(snip) Eon Productions denied claims? Is that the same Eon Productions that denied that Pierce Brosnan had been signed to play James Bond in 1986? ;O)

 

Last month, 007 Magazine went to Twitter to criticize media reports that Craig had left the role. Here’s that tweet:

Craig’s future (or lackthereof) as Bond flared up on May 18 when the U.K. Daily Mail tabloid reported the actor turned down a 68 million pound ($99 million) offer to return for two more 007 films. The BBC, in a small post on May 19, said it had been told by “authoritative Bond sources” that Craig hadn’t made a decision.

Hiddleston earlier this month talked down the chances he’d get the Bond role in stories IN THE DAILY MAIL and THE GUARDIAN.

Eon hasn’t put out a press release yet about any of this.

 

007 Magazine examines SPECTRE’s script issues

SPECTRE LOGO

No spoilers in this post. You’re on your own if you click on the links.

Graham Rye’s 007 Magazine has posted A LENGTHY STORY about SPECTRE, including A PORTION about script issues involving the 24th James Bond film.

The story by Luke G. Williams is split into two parts. The first sums up production developments involved with SPECTRE. The second part delves into the hacking at Sony Pictures, which caused at least some SPECTRE script drafts and numerous executive memos about the film to become available.

Some of the information about the scripts has been written about by other outlets, but 007 Magazine goes into further details.

The movie’s initial writer was John Logan, who was brought in to rewrite the efforts of Neal Purvis and Robert Wade on Skyfall. With SPECTRE, Purvis and Wade were brought in to revamp Logan’s efforts.

To read the entire article, CLICK HERE for part one, and CLICK HERE for part two. Spoilers are in part two.

007 Magazine says SPECTRE script in ‘good shape’

SPECTRE LOGO

007 Magazine, published by Graham Rye, said in a one-sentence message that the script for SPECTRE, the 24th James Bond film, “is in good shape and is a stirring story!”

007 Magazine only says it has the information “on good authority.” No other details were disclosed by the fan publication.

The Gawker website IN A DEC. 12 POST quoted hacked Sony emails as saying filmmakers were struggling to come up with an ending for the 007 adventure. Gawker also cited a copy of the script that hackers obtained.

Eon Productions IN A DEC. 13 STATEMENT said “an early version” of the script had been taken by the Sony hackers. Eon said it would protect its rights to the SPECTRE script.

In late 2012, MGM announced John Logan was hired to write both the then-unnamed Bond 24 as well as Bond 25. The Daily Mail reported over the summer that scribes Neal Purvis and Robert Wade were brought back to revise Logan’s draft. Purvis and Wade’s participation was confirmed in early December just ahead of the start of principal photography.