Ritchie may direct live-action Aladdin, THR says

Armie Hammer with U.N.C.L.E. movie director Guy Ritchie in 2013

Armie Hammer with U.N.C.L.E. movie director Guy Ritchie in 2013

Guy Ritchie, mentioned as a possible 007 director, is in talks to direct a live-action version of Aladdin, THE HOLLYWOOD REPORTER said.

The film would be an adaptation of the 1992 animated movie and “will keep many of the musical elements of the original,” according to the entertainment publication/website.

Normally, this wouldn’t be fodder for this blog. However, THE TABLOID MIRROR said last month that Ritchie was “the front runner” to direct Bond 25.

None of this has been officially announced, The Hollywood Reporter has more “street cred” than the Mirror. At the very least, the notion of a Ritchie-directed 007 film is in doubt.

Ritchie was the director and co-screenwriter of 2015’s movie version of The Man From U.N.C.L.E.

As far as Bond 25 is concerned, there is no director, script or confirmed leading man. Daniel Craig, the current 007, said in New York on Friday that not much is happening on Bond 25 because “genuinely everybody is just a bit tired.”

Caveat Emptor: Tabloid says Ritchie may direct Bond 25

Armie Hammer with U.N.C.L.E. movie director Guy Ritchie in 2013

Armie Hammer with U.N.C.L.E. movie director Guy Ritchie in 2013

Guy Ritchie is in talks to direct Bond 25, the tabloid Mirror said in a story this weekend.

The director purportedly had meetings with Michael G. Wilson, co-boss of Eon Productions, according to the tabloid.

As you might expect, the only person quoted isn’t identified.

“Guy has moved up the shortlist and is now the front runner,” the Mirror quoted an unidentified source as saying. “He’s meeting Michael (Wilson) this week to try to do a deal and see if they can agree on a shared vision for the film.”

The Mirror first raised the notion of Ritchie directing Bond 25 in a December story.

Reasons for the Caveat Emptor label concerning this newest story:

–The Mirror says, “Following on from the success of last year’s The Man From U.N.C.L.E, Guy caught the attention of the Bond team.”

What success? The $75 million production had worldwide box office of less than $110 million. Does Eon check out directors of flops as future Bond directors?

This blog had a positive review of the U.N.C.L.E. movie. But it was still a flop at the box office.

–The story depicts Michael G. Wilson as being actively involved. Given his status at Eon, that should be expected. However, over the past year, Barbara Broccoli has been depicted (by Sam Mendes, among others) as the driving force at Eon. Wilson hardly gets mentioned any more.

The Mirror story is a deviation from a story line that has taken hold for some time now. Wilson is concerned with the vision of Bond 25? Again, that shouldn’t be a surprise. However, supposedly, Barbara Broccoli deals with vision and is the only one who selects Bond actors.

UPDATED: The Man From U.N.C.L.E. curse

The cast of The Man From U.N.C.L.E. television show.

The cast of The Man From U.N.C.L.E. television show.

Almost five years ago we published a post about The Man From U.N.C.L.E. curse.

Since the end of the 1964-68 series, a lot of things just seemed to go wrong. Well, after taking a look at the original, we decided to dress it up with events of the past few years. The more things change, the more, etc.

So you be the judge whether there’s a curse.

1970s: Veteran James Bond screenwriter Richard Maibaum is hired to develop a new version of U.N.C.L.E. Nothing comes of it, despite Maibaum’s track record.

1976-77: Writer-producers Ivan Goff and Ben Roberts hire Sam Rolfe, the original developer of the show, to do a script for a made-for-televison movie that could be the springboard for a new show. “The Malthusian Affair” has some interesting concepts (including having a dwarf occupy an armored exo-skeleton) but it doesn’t get past the script stage. Had it become reality, Robert Vaughn and David McCallum would have reprised their roles as Napoleon Solo and Illya Kuryakin.

Early 1980s: Would-be producers Danny Biederman and Robert Short cobble together a theatrical movie project. Their script had Thrush, the villainous organization of the original series, take over the world without anyone realizing it. Vaughn and McCallum had expressed interest, as had former 007 production designer Ken Adam. Alas, nothing happened.

1983: The made-for-television series movie The Return of The Man From U.N.C.L.E. airs on CBS. No series, or even a sequel made-for-TV movie, develops.

Early 1990s: Sam Rolfe attempts to do a made-for-cable-television movie that would have been an U.N.C.L.E. “next generation” story. Rolfe drops dead of a heart attack in 1993, ending any such prospect.

Circa 2004-2005: Norman Felton, executive producer of the orignal show, cuts a deal with a small production company for some sort of cable-televison project. Nothing concrete occurs.

2010-2011: Warner Bros. entices director Steven Soderbergh to direct an U.N.C.L.E. movie after a number of false starts. However, the director and studio can’t agree on budget and casting. Ironically, one of Soderbergh’s choices, Michael Fassbender as Napoleon Solo, later emerges as a star. Soderbergh gives up in late 2011.

Spring 2013: Guy Ritchie is now the director on the project. For a time, there are negotiations with Tom Cruise to play Solo. He’d be paired with Armie Hammer as Illya Kuryakin. In May, Cruise breaks off talks to concentrate on a new Mission Impossible movie.

June 2013: The Solo slot doesn’t stay vacant long. Henry Cavill, currently doing publicity for Warner Bros.’s Man of Steel emerges as the new choice.

September 2013: Filming actually starts on an U.N.C.L.E. movie. Is the curse abut to lift?

August 2015: The answer turns out to be no. The Man From U.N.C.L.E. is trounced at the box office. One of the movies doing the trouncing: Mission: Impossible Rogue Nation starring none other than Tom Cruise. Meanwhile, some fans of the original show complain Rolfe was denied a credit and Jerry Goldsmith’s theme went almost entirely unused.

August 2016: A year after the flop, some salt gets rubbed in the wound. Matthew Bradford, in a post on the Facebook group The Man From U.N.C.L.E. Inner Circle notes the following: A commentary track for a Blu Ray release for Modesty Blaise dismisses U.N.C.L.E. as “unwatchable” today.

It turns out the commenter, film historian David Del Valle, based his comment on an episode of The Girl From U.N.C.L.E., where Robert Vaughn appeared as Solo. That episode was titled The Mother Muffin Affair and features Boris Karloff as an elderly woman.

U.N.C.L.E. movie, we hardly knew ye

U.N.C.L.E. movie poster

U.N.C.L.E. movie poster

This month marks the year anniversary of the release of The Man From U.N.C.L.E. movie.

For a film that seemed to disappear from theaters almost without a trace, it occasionally showed up on lists of underrated movies.

Also, we heard anecdotes from people who convinced friends to see it in the theater (while they could). These friends, the way these anecdotes were told, would then say they were surprised (pleasantly) by the movie.

Still, numbers are hard things. The 2015 Guy Ritchie-directed movie had a global box office of only $109.8 million, and only $45.4 million in the U.S. and Canada, according to Box Office Mojo.

To put that in perspective, this year’s remake of Ghostbusters, had worldwide box office as of Aug. 3 of $161.3 million, with $109.6 million coming from the U.S. and Canada. And it’s not even seen as a hit.

Last year, was, as this blog called it, “The Year of the Spy.” U.N.C.L.E., which last saw a new production with a TV movie in 1983, was the runt of that litter. About the only place the movie was a hit was Russia, presumably thanks to the presence of Illya Kuryakin (Armie Hammer).

Still, numbers aren’t everything. The U.N.C.L.E. movie was not a James Bond wannabe. Instead, it tried to be its own thing.

Some fans of the original 1964-68 series felt the movie tried too much to be its own thing, with no cameos by original stars Robert Vaughn and David McCallum, and the original Jerry Goldsmith theme barely being present.

Yet, it seems unlikely cameos or a longer version of the theme would have substantially boosted the box office. Some times, a movie simply fails to find an audience.

The movie’s biggest change was an edgier version of Illya Kuryakin. The film’s Napoleon Solo (Henry Cavill) was similar to that of the series, albeit with changes to the character’s back story, primarily a history of being a thief blackmailed into working for the CIA.

For the Spy Commander, this month is one of nostalgia for the movie. For a brief time, there was a new version of U.N.C.L.E. Even with debates among first-generation fans, at least there was *something new* to discuss after decades.

By contrast, 2016 has a new Bourne movie — and one not so much different than most Bourne films — and not much else. U.N.C.L.E. and “The Year of The Spy” isn’t happening again soon.

 

The Spy Command’s final thoughts on ‘Year of the Spy’

BridgeOfSpies
Almost a year ago, this blog christened 2015 as the “Year of the Spy.” As the year draws to a close, this post looks back on that year with some final thoughts.

The blog didn’t write about all the movies discussed here. But the blog editor did see them all. The films listed are in order from best to worst. Actually, none of them was a stinker, so “worst” here is relative. Regardless, here we go.

Bridge of Spies: This wasn’t so much a spy movie as a film about the aftermath of espionage.

The Steven Spielberg-directed “biopic” starred Tom Hanks as James B. Donovan (1913-1970), the American lawyer who negotiated the release of U.S. U2 spy plane pilot Francis Gary Powers from the Soviets.

With any “based on true events” film, one should never view it as history. Regardless, it was very engrossing. Here, CGI is used to recreate Powers’ capture when his plane was shot down.

Hanks is an accomplished actor and, as usual, delivers a strong performance. This movie also is a milestone of a different sort. Spielberg had to rely upon a composer other than mostly retired John Williams. For this film, that was Thomas Newman.

Bridge of Spies is mostly a low-key drama. The stakes are large, but it doesn’t have the pyrotechnics of the typical action film. This is exactly what Newman excels at. His score is perfect for the movie — and also points out his weakness at another prominent movie on this list.

U.N.C.L.E. movie poster

U.N.C.L.E. movie poster

The Man From U.N.C.L.E.: The return of Napoleon Solo and Illya Kuryakin after a 32-year absence was a financial failure, despite a modest $75 million production budget.

The Guy Ritchie-movie took liberties with the source material. Henry Cavill’s Solo was, more or less, the same character that Robert Vaughn played in the 1964-68 series but his back story was quite different. Ritchie took more liberties with Armie Hammer’s Kuryakin, who had a far darker side than David McCallum’s original.

Still, it mostly worked, even if it relied on an “origin” story line. It had a strong opening, downshifted to a decent middle section, then went into high gear in its second half. Once main villain Victoria (Elizabeth Debecki) calls Cavill by “Mr. Solo,” the proceedings accelerated until the end.

One of the strengths of the movie is Daniel Pemberton’s score. The composer was instructed by Ritchie NOT to emulate John Barry’s 007 movie style and that advice pays off.

The chances of a sequel are remote. That’s show biz. But the movie wasn’t camp (a fear of long-time U.N.C.L.E. fans). Perhaps, in coming years, this movie might attain the status of a “cult classic.”

SPECTRE poster

SPECTRE poster

SPECTRE:  The 24th James Bond film started out strong as it sought to mix “traditional” 007 movie elements with Daniel Craig’s 21st century grittier take. For the first two-thirds, it succeeded.

Yet, in its desire to top 2012’s Skyfall, some things went awry. The same writers of Skyfall (John Logan, Neal Purvis and Robert Wade) worked on this year’s Bond film. Their roles, however, were reversed.

Until now, Purvis and Wade — who are very familiar with Ian Fleming’s original novels and short stories — would do the early drafts while another writer (Logan in the case of Skyfall) would come in and polish things up.

In this case, Logan did the early drafts. Purvis and Wade weren’t even supposed to participate. However, Logan’s efforts were found lacking — something that likely wouldn’t have been known had it not been for computer hacking at Sony Pictures, which exposed behind-the-scenes details of many movies, including SPECTRE. Also, playwright Jez Butterworth (who did uncredited polishes on Skyfall) apparently did more on SPECTRE because he got a credit with the other scribes.

Thomas Newman, who did such a splendid job on Bridge of Spies, is only serviceable here, even recycling some of his Skyfall score in some scenes. Clearly, doing a Bond film is NOT in the talented composer’s wheelhouse.

Regardless of the soap opera, SPECTRE ran out of gas. Its final third wasn’t a total loss but it didn’t sustain the momentum of the first two-thirds. As a result, this blog puts SPECTRE behind U.N.C.L.E., which finished much stronger.

Mission: Impossible Rogue Nation's teaser poster

Mission: Impossible Rogue Nation’s teaser poster

Mission: Impossible Rogue Nation: The fifth Tom Cruise Mission: Impossible film had its own behind-the-scenes soap opera.

The movie was originally scheduled to debut Dec. 25. But Paramount abruptly moved up the release date to July 31, presumably to get it out of harm’s way from Star Wars: The Force Awakens.

Presumably, that had to add extra stress to screenwriter-director Christopher McQuarrie. Directors almost always want more time to tinker with a movie in editing, not less.

Regardless, from a box office standpoint, it was an astute move. It definitely hurt the U.N.C.L.E. movie (which came out two weeks later). And the movie was well received, encouraging Paramount to order up another film.

Technically, the movie was very exciting. Star (and producer) Cruise probably scares studio bosses by insisting on doing his own stunts. This blog drops the movie down a step because it’s not as much of a Mission: Impossible movie as its predecessor, the Brad Bird-directed Mission: Impossible Ghost Protocol.

The original M:I series (1966-73) was very much about team work. Ghost Protocol very much followed that path (even reworking some bits from the show, albeit in a bigger and more spectacular fashion). Rogue Nation was a step backward. It was another example of turning M:I into The Tom Cruise Show.

Kingsman: The Secret Service: If this movie had sustained its first half for the rest of the film, it probably would have been the best spy movie of the year.

It didn’t. In the first half of the movie, one of the best scenes in the first half is where Kingsman Harry Hart (Colin Firth) says, “Manners maketh man,” before he clobbers some British thugs. But director Matthew Vaughn conveniently forgets that advice. Once Harry is killed midway throught he film, the movie dies a bit with him.

There’s still a decent amount worth watching (and the movie was a hit, especially with international audiences). Still, whatever class was present disappears into the mist.

Taken 3: The final (we hope) of Liam Neeson’s adventures as a former spy does everything it’s supposed to do — but no more. In this installment, the wife of Neeson’s Bryan Mills has been killed and he’s been framed. Of course, he’ll get out it. The question is how.

Caveat Emptor: Ritchie floated as Bond 25 director

Armie Hammer with U.N.C.L.E. movie director Guy Ritchie in 2013

Guy Ritchie with Armie Hammer during filming of The Man From U.N.C.L.E. in 2013

The British press is floating the idea that Guy Ritchie could be the director of Bond 25.

It began with a story A STORY IN THE MIRROR and then THE STAR JUMPED IN, essentially rewriting the Mirror.

The Mirror story says Ritchie got on the radar screen for Bond 25 following The Man From U.N.C.L.E. movie. he directed and co-wrote.

“Insiders say ­execs loved U.N.C.L.E, starring Henry Cavill and based on the TV series created by Bond writer Ian ­Fleming.

“Guy and Bond actor Daniel Craig are believed to be friends too, which could work very much in Guy’s favour .”

A couple of issues with that passage: 1) Ian Fleming didn’t create the television series, though he contributed to the character of Napoleon Solo. 2) Ritchie and Craig “are believed” to be friends? You don’t know? Who believes this anyway?

Also, there’s this quote from the Mirror’s source that suggests none of this is exactly nailed down. “The (U.N.C.L.E.) film had many of the elements associated with 007. Guy created a world of espionage and action with a bit of comedy. He’s the frontrunner for the next Bond movie – for now.”

The magic words, “for now,” indicate no decision is imminent. Meanwhile, the Star’s story waits until the fourth paragraph to indicate the information is from the Mirror.

U.N.C.L.E. lost money despite its modest $75 million production budget. IF Ritchie really is in the running for Bond 25, he wouldn’t necessarily have the strongest bargaining position. He currently has a movie in post-production, Knights of the Round Table: King Arthur, due out in summer 2016.

A few thoughts about the U.N.C.L.E. Blu Ray

U.N.C.L.E. movie poster

U.N.C.L.E. movie poster

The blog made an preliminary examination of The Man From U.N.C.L.E. Blu Ray disc which went on sale today. Some random observations:

Some interesting content in the extras: For example, one of the extras shows how some of the stunts were performed. In an early sequence, Gaby (Alicia Vikander) and Solo (Henry Cavill) are in a car which Gaby appears to be driving. For much of the sequence, there was a stunt driver in a cage atop the car. There was also judicious use of “green screen” CGI.

Technology: In the original series, Sam Rolfe, who scripted the U.N.C.L.E. pilot, said he wanted the tech to be about 15 year ahead of what was available at the time. During the original show, the tech went beyond that, including vaporizers and mind-reading machines. Meanwhile, in one of the extras, co-scripter and co-producer Lionel Wigram said the idea in the movie was to keep the tech as close to the early 1960s as possible.

A bittersweet line: Also in the extras, Armie Hammer says he hopes the movie will lead to more U.N.C.L.E. film adventures. Given how the movie flopped, that’s not likely to happen.

Lens flares: Director Guy Ritchie appeared to adopt a visual signature of fellow director J.J. Abrams, particularly in the opening sequence in East Berlin and later when Solo is tortured by a former Nazi. But there’s even more of the visual technique through much of the movie.

Oops: At the 38:44 mark, you can see very faint shadow of a boom microphone on the door to Illya’s hotel room in Rome when Solo comes calling. To be honest, the Spy Commander missed this detail the five times he saw the movie in the theater. But it’s the kind of thing you can catch up with when you can pause and rewind.

“Have the chair warmed up”: This line was used twice, albeit in subtitles, and foreshadows a sequence when Solo is tortured by the former Nazi. Again, the kind of thing that’s easier to catch when you can pause and rewind.

Daniel Pemberton’s score: Still one of the best things about the movie. Director Ritchie didn’t want to mimic a John Barry James Bond score and it was one of the best decisions he made.

The Jerry Goldsmith U.N.C.L.E. theme: Ritchie really, really didn’t want it in the movie and Pemberton barely placed a few notes in it. In the end, it really wouldn’t have mattered to throw the original U.N.C.L.E. fans a bone and include it in the end titles.

It’s still one of the best entries in 2015’s “Year of the Spy.” Yes, it changed the back stories of Solo and Illya. Still, the movie got the most of its relatively modest $75 million production budget.