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…this James Bond-ish adventure was an actual film, not just a “movie within a movie” as in 1978’s Hooper. And, in that alternate universe, you could be sure that egotist director Roger Deal would seek enhanced billing.
“Make me look good, Sonny.”
Warner Bros. Presents
A film by ROGER DEAL A Max Berns production
ADAM WEST in THE SPY WHO LAUGHED AT DANGER
Screenplay by Cordwainer Bird and Roger Deal Story by Cordwainer Bird
Produced by Max Berns
Directed by ROGER DEAL
(c) MCMLXVIII Warner Bros. A Warner Communications Company
Burt Reynolds and the cast of Hooper in the film’s final scene
On occasion, movies actually predict the future. One such example is 1978’s Hooper.
The film concerns an aging stunt man, Sonny Hooper (Burt Reynolds) working on a James Bond-like movie being directed by a pompous, “auteur” director, Roger Deal (Robert Klein).
The star of the fictional film is Adam, played by Adam West. Apparently West is playing himself. At one point, he is also referred to as “Mr. West.”
Flash forward a couple of decades or so, and James Bond films are being directed by “auteur” style directors such as Marc Forster (Quantum of Solace) and Sam Mendes (Skyfall and SPECTRE).
Now, if you’ve ever read the credits of any movie or TV show, there’s boilerplate how any resemblance between the characters and real people living or dead is strictly coincidental. That language is intended to avoid lawsuits.
Coincidence or not, some of Hooper’s principals (Reynolds, co-star Brian Keith and director Hal Needham) worked on Nickelodeon, a 1976 film directed and co-written by “auteur” director Peter Bogdanovich, concerning the early years of the movie business.
As the story in Hooper unfolds, Sonny — who is one stunt gone wrong from being paralyzed — comes up with one last, great stunt for the Bond-like film.
Roger Deal (Robert Klein) being a jerk while Sonny Hooper (Burt Reynolds) and Max Berns (John Marley) are on the sidelines.
Roger Deal is interested and sends out his lackey assistant director (Alfie Wise) to talk down Sonny’s asking price. After Sonny takes the assistant director on a hair-raising drive around the studio, the stuntman gets his asking price.
A subplot in the movie is how veteran producer Max Berns (John Marley) is really powerless. The “auteur” director, once production has started, holds all the cards.
In the end, despite the risks, Sonny pulls off the stunt, capping his stuntman career. Sonny also punches out Roger Deal just before the end titles.
Life rarely is as tidy as movies. Nevertheless, Hooper provided a preview of what would happen in real life.
The actor died Friday after a short battle with leukeimia, the Reporter said, citing a family spokesperson.
Batman debuted Jan. 12, 1966. The show originally was to have come out in the fall of 1966. However, ABC’s fall 1965 schedule produced low ratings and Batman’s development was accelerated. The half-hour show aired twice a week.
Executive producer William Dozier opted for a “camp” approach, having trouble taking the original comic book source material seriously.
Semple delivered a story in which West’s Bruce Wayne/Batman took everything very, very seriously amid the writer’s jokes. Batman, though, didn’t have a laugh track.
Batman didn’t test well ahead of its premiere. “It was a disaster,” William Self, then the head of 20th Century Fox Television, said in an interview for the Archive of American Television. The test did not include the comic book-style effects (POW! ZAP!) nor the narration that Dozier himself would provide.
Self said that on the night of Batman’s debut he got a call on his unlisted home telephone number. “Is it supposed to be funny?” Self quoted the caller as saying. When Self said yes, the caller replied, “Then we loved it.”
Batman was a hit. West and Burt Ward, who played Dick Grayson/Robin, were suddenly big stars. A feature film with West and Ward was put into production and its came out in the summer of 1966.
The show’s impact was so powerful that other adventure shows, such as The Man From U.N.C.L.E. and the science fiction shows of Irwin Allen, adopted a much lighter tone.
Batman, though, flamed out. By the fall of 1967, it was cut back to one night a week. The show was done by the spring of 1968.
Adam West, in the meantime, had difficulty finding work having been typecast. He declined to appear as Batman in a 1974 public service announcement promoting equal pay for women. Dick Gautier took West’s place, mimicking West’s delivery as Batman.
Also, sometime after Batman, West received some consideration to play James Bond, according to the documentary Inside Diamonds Are Forever.
The closest West would get to that came in 1978 movie Hooper. He plays the star, apparently himself, of a James Bond-style movie. His character is named Adam and he even is referred to as “Mr. West” at one point.
The story concerned Sonny Hooper (Burt Reynolds), an aging stuntman dealing with pompous “auteur” director Roger Deal (Robert Klein).
Eventually, West’s career did pick back up in character roles. He also did voice over working, including playing Batman in some cartoons.
West discussed that aspect of his career in an interview for the Archive of American Television.
Feb. 11 was the 80th birthday of Burt Reynolds. For a time, in the very early 1970s, some (such as director Guy Hamilton) thought he could have been a good James Bond.
That wasn’t meant to be, but the actor’s milestone birthday is worthy of a pause for reflection.
Reynolds was a better actor than a lot of his critics gave him credit for. At the same time, for a long time, Reynolds was quoted as acknowledging that he accepted some roles because it would be fun, rather than stretching his acting chops.
Regardless, Reynolds worked his way up. For a time in the early 1960s, he was a supporting player on Gunsmoke as Quint Asper, a half-Indian blacksmith in Dodge City. Reynolds also had a memorable guest appearance on The Twilight Zone, where he played a pompous actor, doing a spot-on impersonation of Marlon Brando.
Reynolds later became the lead actor in police dramas such as Hawk and Dan August.
The latter, which aired during the 1970-71 season on ABC, was a turning point. Not because it was successful, but because Reynolds took a copy of the show’s “blooper reel” with him on talk shows. (See the book Quinn Martin, Producer for more details.) For the first time, audiences could see what his colleagues already knew — Reynolds had a sense of humor.
Reynolds could be serious when he wanted to, such as the 1971 movie Deliverance. But, for some (such as the Spy Commander), one of his best performances — where drama and comedy were required — was 1978’s Hooper.
In that Hal Needham-directed film, Reynolds played the lead stunt man on a James Bond-like movie being directed by an “A” list movie director (Robert Klein). The latter character was based on Peter Bogdanovich, who directed 1976’s Nickelodeon, a film where Reynolds worked as an actor and Needham as stunt coordinator.
In 1978, it was inconceivable that an “A” list director would ever do a Bond movie. So, in some ways, Hooper was a sort-of preview of the Sam Mendes-directed 007 films of the 21st century.
Anyway, here’s a hearty happy birthday for Burt Reynolds.
Burt Reynolds and the cast of Hooper in the film’s final scene
Hal Needham, a veteran Hollywood stuntman and director of action comedies such as 1978’s Hooper, has died at the age of 82 according to AN OBITUARY IN THE LOS ANGELES TIMES.
As a director, Hooper, starring Burt Reynolds as an aging stuntman, is arguably Needham’s best work. The movie looks at the stunt work being done on a James Bond-like film by an A-list Hollywood director.
The movie has its origins in an earlier film, 1976’s Nickelodeon. It was directed by Peter Bogdanovich, with Reynolds as one of the stars and Needham as stunt coordinator.
When Hooper came out two years later, there were reviews posing the question whether Needham and Reynolds were getting a little payback. Whether that’s true or not, Hooper wasn’t just played for jokes.
The title character played by Reynolds is getting old for to be a stuntman and knows it; his next major injury could paralyze or kill him. What’s more, Hooper is being pushed by a younger rival stuntman (Jan-Michael Vincent). All of this is happening on a movie directed by egotistic director Roger Deal (Robert Klein) that resembles a James Bond film (starring, as it turns out, Adam West).
Needham also directed 1981’s The Cannonball Run, another Reynolds comedy, with a cast including Roger Moore, playing somebody who thinks he’s Roger Moore.
Here’s part of the climatic sequence of Hooper (as long as it doesn’t get yanked by YouTube):
The Spy Command 