1978: QM tries its version of The Avengers

In the late 1970s, things were changing at QM Productions. Founder Quinn Martin sold his company to Taft Broadcasting and those he left behind tried to carry on.

One project after Martin’s departure was Escapade, a QM version of The Avengers. It starred Granville Van Dusen and Morgan Fairchild. QM brought aboard Brian Clemens as writer-producer. Clemens was was of the major creative forces behind The Avengers and its 1970s revival, The New Avengers.

Escapade included a mammoth computer to assist its heroes. QM held onto the general notion. In 1979, QM launched A Man Called Sloane, which also had a chattering computer.

By this time, many of the QM behind-the-camera veterans had also departed. One who was still around was John Conwell, QM’s long-time casting director. So was John Elizalde, the music supervisor who hired composers for QM productions.

Here is the video. H/T @LeeGoldberg who got our attention about this.

The man who assembled the ‘QM Players’

John Conwell's title card in a second-season episode of 12 O'Clock High.

John Conwell’s title card in a second-season episode of 12 O’Clock High.

One of an occasional series about unsung figures of television.

In the 1960s and ’70s, shows produced at QM Productions had the feel of a repertory theater as many of the same guest stars appeared on various Quinn Martin shows.

As noted in the book Quinn Martin, Producer, there was an even nick name for this: the “QM Players.” The informal group consisted of performers such as Leslie Nielsen (star of the first QM series, The New Breed), Peter Mark Richman, Louise Latham, Jessica Walter, J.D. Cannon, Lynda Day George, Bradford Dillman and many others.

The QM executive responsible for this was John Conwell, who headed the company’s casting operation. He was a former actor, appearing in such productions as The Twilight Zone pilot, Where Is Everybody? and as a guest star in a Ray Milland series, Markham.

Conwell moved from in front of the camera to behind it, including the fourth season of The Twilight Zone, when the show aired in a one-hour format. He became part of QM Productions with that company’s second series, The Fugitive.

For most of his time at QM, however, Conwell’s titles in QM show credits didn’t really give the audience an idea of what he did.

Conwell was initially credited as “assistant to producer,” then “assistant to the executive producer.” Finally, by 1977, he was credited as “in charge of talent.”

In any case, Conwell became one of producer Quinn Martin’s key lieutenants. Martin paid more for guest stars ($5,000 for a one-hour episode compared with a going rate of $2,500). So that helped raise the interest of performers to be on QM shows.

Still, it was Conwell who ran the QM casting operation, which also had casting directors for individual series. That may help to explain why actors kept coming back.

Conwell even stayed at the company after Martin’s departure following the sale of QM Productions to Taft Broadcasting. He died in 1994 at the age of 72.