Broccoli & Wilson give an interview to Variety

Barbara Broccoli, boss of Eon Productions

Barbara Broccoli and Michael G. Wilson of Eon Productions gave an interview to Variety that’s the cover story in the entertainment outlet’s print edition. Much of it consists of new variations of previous comments. Some highlights:

–Broccoli on No Time to Die being Daniel Craig’s final James Bond film: “I’m in total denial. I’ve accepted what Daniel has said, but I’m still in denial. It’s too traumatic for me.”

–Broccoli on why Craig is such a good Bond actor: “Bond in the novel is a silhouette. Daniel has given him depth and an inner life. We were looking for a 21st-century hero, and that’s what he delivered. He bleeds; he cries; he’s very contemporary.”

–Broccoli on how No Time to Die wraps up Craig’s five Bond films: “We have come to an emotionally satisfying conclusion.”

–The duo on possible future Bond actors: Wilson told Variety, “You think of him as being from Britain or the Commonwealth, but Britain is a very diverse place. Broccoli’s comment:  “He can be of any color, but he is male.”

–Broccoli and Wilson rejected “a ‘Smallville’-like television series that would have followed a teenage Bond at Eton.” Variety provided no details when this proposal was made.

–Broccoli on original No Time to Die director Danny Boyle’s departure from the project. “It was hard on both sides because we had mutual respect and admiration, but better to know [the differences] before you embark on a project. We worked together well for a number of months, but there came a point when we were discussing the kind of film that we wanted to make, and we both came to the conclusion we were not aligned.”

–Broccoli on the job replacement director Cary Fukunaga has done. “He’s brought a fresh new approach. He’s made an emotionally engaging film. It’s epic both in the emotional scale and on the landscape scale.”

–Variety says once Boyle departed, Neal Purvis and Robert Wade started on “an entirely new script with Fukunaga.” If true, that means all the work they did in 2017 got thrown out entirely. The 2017 work was put off to the side because Danny Boyle and John Hodge proposed a different, supposedly great, idea.

Bond 25 questions: The script edition

Phoebe Waller-Bridge

Bond 25 filming is underway. Work has wrapped up in Jamaica. Things should be moving along nicely, right?

Not according to tabloid newspapers, specifically The Sun and Daily Mail in the U.K. and the New York Post in the U.S. And a lot of the hubbub has to do with the film’s script.

Naturally, the blog has a few questions.

Is there really “no script”?

From the time the first draft is submitted, there’s a script. The question is whether there’s a script everyone is happy with.

Still, at any time, there’s a document that exceeds 100 pages and says “The End” at the end. The first draft is replaced by a second draft and so on and so forth.

Nevertheless, the tabloids say differently. The Post in an April 25 story quotes a person it didn’t identify as saying, “They don’t have a script.”

The Sun in an April 26 story said “there is no script.”

Not to be outdone, the Daily Mail began a May 9 story thusly: “The joke on the Bond 25 set is the script’s under wraps. And the response is: ‘What script?’” The story said the story is being rewritten “endlessly.”

So what’s really going on?

Clearly, a number of writers have worked on the project at one time or another. Among them: the team of Neal Purvis and Robert Wade; John Hodge when Danny Boyle was attached as director; and Scott Z. Burns and Phoebe Waller-Bridge since Cary Fukunaga (who also writes scripts) replaced Boyle.

In the past week, Waller-Bridge has gotten a lot of attention. She’s both a performer and writer and worked on various high-profile projects.

Waller-Bridge was interviewed on The Hollywood Reporter’s Awards Chatter podcast. That mostly concerned her career generally but included a few minutes about Bond 25 at the end. She was also the subject of a separate Daily Mail feature story.

In both instances, Waller-Bridge made it sound as if Bond 25’s scripting is under control.

“We have a script and we’re continuing to work on it, all of us floating ideas around and creating characters together,” she said in the Daily Mail story.

Anything else catch your eye?

The Daily Mail’s May 9 story about the “endless” rewriting of Bond 25’s script said it was being revised by Waller-Bridge, director Fukunaga and star Daniel Craig.

Back in 2011, Craig said how he and director Marc Forster supposedly rewrote Quantum of Solace on the set. “A writer I am not,” Craig said then.

If the Daily Mail is correct (something I am not assuming), did Craig change his mind?

Is there context we should keep in mind?

At various times in the 57-year history of the 007 film franchise, there’s been frantic rewriting: From Russia With Love, The Spy Who Loved Me and Tomorrow Never Dies come to mind. Things turned out well at the end.

Still, past performance isn’t a guarantee of future success. You can’t take success for granted.

That’s something to keep in mind. But not something to lose sleep over, at least not at this stage in the proceedings.

UPDATE: A Japanese outlet, Cinema Today, posted a story dated May 12 but is based on an April interview with Eon’s Barbara Broccoli and Michael G. Wilson. According to a translation, the duo say that director Cary Fukunaga recruited Scott Z. Burns as a writer while they brought in Phoebe Waller-Bridge. Wilson said work on the script “struggled for a while” but they have a story “with a lot of twists and surprises.”

Bond 25 script rewritten by committee, Baz says

“We can’t go yet, dear. I have to help out on the script rewrite.”

Bond 25’s script is being “endlessly” rewritten by a committee, the Daily Mail’s Baz Bamigboye wrote in a story published Thursday night.

The committee consists of “director Cary Joji Fukunaga, Phoebe Waller-Bridge and 007 himself, Daniel Craig,” Bamigboye reported.

Bamigboye quoted a source he didn’t identify as saying Waller-Bridge is “writing a re-write of a re-write…‘They have an outline of plot, but dialogue is all last-minute. It’s not the way to make a movie.”

Efforts to devise a Bond 25 script began in 2017 when 007 film veterans Neal Purvis and Robert Wade were hired. For a time, the production shifted to screenwriter John Hodge when Danny Boyle was hired as director in 2018.

A few months later, Boyle exited and Hodge followed him out the door. Fukunaga, who often writes his own scripts, was hired to replace Boyle. Scott Z. Burns and Waller-Bridge subsequently were hired to work on the Bond 25 story.

Bamigboye has a record of coming up with 007 film scoops that were later proven correct. Among them was the fact that Purvis and Wade were brought back to begin Bond 25’s scripting.

A Bond 25 sequence was filmed in Norway in March. Principal photography began late last month.

Mail on Sunday delivers newest B25 writing rumor


Possible spoiler below.

The Mail on Sunday (the Sunday edition of the U.K. tabloid Daily Mail) just came up with a Bond 25 curve ball.

The publication says Phoebe Waller-Bridge, creator and star of the BBC series Fleabag, is the latest writer to tackle Bond 25’s script.

Here’s an excerpt:

One plot being considered involves (Daniel) Craig’s ageing Bond retired and now living in Jamaica – the island where 007 author Ian Fleming had his Goldeneye retreat. The 007 number has been taken up by a new agent – a woman – who embarks on a mission which forces Bond to come out of retirement.

Despite Bond’s legendary reputation as a womaniser, the new 007 manages to resist his charms.

A source said last night: ‘Phoebe is the hottest young writer in the UK and Hollywood at the moment.

The story also says Bond 25 is scheduled to begin filming in Jamaica “within weeks.” Last month, a unit shot a sequence in Norway.

If the story is correct, Waller-Bridge joins a growing roster of Bond 25 scribes, including Neal Purvis, Robert Wade, John Hodge, Paul Haggis and Scott Z. Burns.

Also, if Waller-Bridge joins the Bond 25 writing brigade, she’ll join a select group of women screenwriters who’ve worked on 007 films. Others include Johanna Harwood (Dr. No and From Russia With Love) and Dana Stevens (The World Is Not Enough, uncredited).

Here is an appearance Waller-Bridge made on NBC’s Late Night With Seth Myers.

Scott Z. Burns completes Bond 25 work, The Playlist says

Bond 25 writing update.

Screenwriter Scott Z. Burns has completed his work on a Bond 25 rewrite, The Playlist said.

The story was part of a broader Bond 25 piece. But, toward the end, there was this passage:

More soon, but the latest I’ve heard is Scott Z. Burns handed in his draft and but then had to leave to direct an episode of “The Loudest Voice,” the Roger Aisles mini-series starring Russell Crowe as the former Fox mogul. What’s next for the spy film? I’m told there’s more work to be done still, but Burns is booked and had a tight deadline to begin with.

The article was penned by Rodrigo Perez, who broke the news in February that Burns had been hired to revamp the script. Perez’s original story cast the Burns rewrite as a major overhaul and not just tweaking dialogue.

What’s next? Nobody really knows. Perez’s new story is a slightly broader look at the film but doesn’t have a lot of hard details.

So far, multiple scribes — including Neal Purvis, Robert Wade, John Hodge and others — have had a turn on Bond 25.

Boyle-Eon: The lack of due diligence

Danny Boyle

Last August, the blog asked whether Danny Boyle and Eon Productions did proper due diligence before Eon decided to hire Boyle to direct Bond 25.

Boyle, seemingly, has confirmed the answer was no.

Empire magazine has a feature story about Boyle in its May issue. The story isn’t online, but Boyle comments about Bond 25 have been summarized, including a story at the MI6 James Bond website.

There’s a passage where Boyle says he left Bond 25 after Eon wanted to bring in other writers to rework what John Hodge had done. (Cary Fukunaga would be hired to replace Boyle.)

“We were working very, very well, but they didn’t want to go down that route,” Empire quotes Boyle as saying. “What John Hodge and I were doing, I thought, was really good. It wasn’t finished, but it could have been really good.

“You have to believe in your process and part of that is the partnership I have with a writer. It’s like saying ‘Hey, we are going to give you a different editor…’ Those fundamental partnerships are vital.”

It sounds like Boyle learned his lesson the hard way. If he had done a little research, maybe a half-hour using Google, he’d have discovered Eon often brings in multiple writers to work on Bond films. In some cases, the more the merrier. 

To be fair, Boyle would not be the first auteur director to have difficulties working in a blockbuster film environment. The 2015 Marvel Studios film Ant-Man originated with Edgar Wright. But, in the end, Wright bowed out while retaining a screenplay credit.

Nevertheless, Eon had plenty of chances to check Boyle out. Boyle and Hodge reportedly pitched their idea. How did they think Boyle would react after telling him Hodge’s work needed to be reworked by other scribes?

“Oh sure, Barbara. Whatever you say.” Not likely. They call it auteur for a reason.

This whole affair likely is more complicated. Regardless, neither side did their proper due diligence. And both sides are to blame. That’s as obvious as how the sun rises in the East.

UPDATE (March 21, 2019): Empire has posted an online excerpt of its Danny Boyle story that contains his comments about Bond 25.

About those Bond 25 script stories: The Rashomon Effect?

Can’t keep all these writing scenarios straight? Relax with a drink.

In the space of days, we’ve gotten two wildly different scenarios about the progress of Bond 25’s script.

The Playlist, in a Feb. 16 story, said noted script doctor Scott Z. Burns was doing an “overhaul” of Bond 25’s screenplay. “Burns, like Tony Gilroy and Christopher McQuarrie, is known as one of the top emergency rescue script doctors in Hollywood. If your script is hemorrhaging, he’s one of the first people you call.”

Later, on Feb. 27, Variety did an imitation of Kevin Bacon in Animal house and reassured everyone all is well.

Bond 25 director Cary “Fukunaga turned in his recent draft at the beginning of the year, and while reports surfaced that major rewrite work was done to the script, sources say no significant changes were made,” according to Variety, “and the producers and (star Daniel) Craig were excited with what Fukunaga had delivered.”

This might be an example of what’s known as The Rashomon Effect. That’s defined as “a phenomenon where different people have contradictory accounts of the same event.”

Rashomon was a 1950 movie directed by Akira Kurosawa where the characters have wildly different memories and impressions of the same story. The film was quite influential. In the 1960s, a plot on some television situation comedies in the U.S. was to depict the very different recollections of characters of the same occurrence.

Maybe, just maybe, The Playlist and Variety have different sources with different outlooks on the progress of the Bond 25 story. Both sources cited “sources” they didn’t identify.

The Playlist played up Burns’ record as a script doctor. “It’s an overhaul and I won’t be surprised if Burns is ultimately given first screenplay credit,” wrote The Playlist’s Rodrigo Perez.

Variety’s Justin Kroll specifically said Fukunaga had a turn writing the script himself. Fukunaga often writes his own scripts. There’s been plenty of fan speculation this would take place with Bond 25. Variety was the first place I saw that said that had happened. The Variety story doesn’t mention Burns by name.

Scripting efforts on Bond 25 began when 007 veterans Neal Purvis and Robert Wade were hired in 2017. There was a detour last year when Danny Boyle was hired to direct the movie, bringing along his writer, John Hodge. Boyle and Hodge departed.

So now we’re where we’re at — where ever that is. Maybe it’s time for a drink to relax after trying to evaluate the different scenarios.