Jonny Quest score available from La-La Land Records

Race Bannon about to rescue Jonny Quest

Race Bannon about to rescue Jonny Quest

The score to the original 1964-65 Jonny Quest cartoon series is now AVAILABLE FROM LA-LA LAND RECORDS.

The series, created by cartoonist Doug Wildey, originally ran on prime-time on ABC. It was Hanna-Barbera’s first attempt at a realistic-looking presentation (well, except for Jonny’s pet dog, Bandit).

There were later revivals but for some fans, nothing tops the original.

Here’s an excerpt from the announcement:

La-La Land Records and Warner Bros. present the world premiere release of the original television score to the 1964-65 classic animated Hanna-Barbera adventure series JONNY QUEST, with music by William Hanna, Joseph Barbera and Hoyt Curtin and musical direction by Hoyt Curtin and Ted Nichols. Requested by fans for decades, the thrilling and groundbreaking original music from one of the most beloved 60’s animated shows of all time finally makes its official debut with this deluxe, knockout 2-CD presentation.

Only 3,000 of the soundtrack sets will be sold and the price is $24.98. The set includes liner notes by Jon Burlingame and Jeff Bond. Burlingame has produced soundtracks to The Man From U.N.C.L.E. and Mission: Impossible series.

Below is an excerpt from an online documentary about Jonny Quest that highlights Hoyt Curtin’s work.

Morton Stevens: Obscure composer, famous tune

Morton Stevens (1929-1991)

Morton Stevens (1929-1991)

Another in a series about unsung figures of television.

The name Morton Stevens is barely known by the general public. Yet his signature piece of work — the theme to Hawaii Five-O (or Five-0 as it’s spelled for the revival series that began in 2010) — is almost universally recognized.

In the 1950s, Stevens worked for Sammy Davis Jr. as his music arranger. Then, in 1960, Davis had the chance to perform a dramatic role in The Patsy, an episode of The General Electric Theater, an anthology series.

According to television and film music historian Jon Burlingame (in an audio commentary for the DVD set for the Thriller anthology show hosted by Boris Karloff), Davis wanted Stevens to score the episode. Stevens got the assignment and made a career switch.

Stevens quickly began scoring a variety of genres, including Westerns, crime dramas and horror (the aforementioned Thriller series). And then there were his espionage-show efforts.

Stevens was the first composer to follow Jerry Goldsmith with The Man From U.N.C.L.E. In fact, the very first piece of U.N.C.L.E. music — a few seconds accompanying the U.N.C.L.E. global logo at the start of The Vulcan Affair, first broadcast on Sept. 22, 1964 — was composed by Stevens.

When Goldsmith did the pilot, the show was to be titled Solo. When the show began production of series episodes, the name was changed to The Man From U.N.C.L.E. With that change, the globe logo was devised and it would be shown at the very start of each episode.

Stevens’ “insignia” U.N.C.L.E. music (as it’s known) led off the first 14 episodes of the show. Stevens also did the first new arrangement of Goldsmith’s theme, which first appeared with the 15th episode, The Deadly Decoy Affair. It would be used for almost all of the second half of the second season.

In all, Stevens did four original U.N.C.L.E. scores but his music was frequently re-used in first-season U.N.C.L.E. episodes without an original score. Often, these “stock scores” paired Goldsmith music (composed for three episodes) with that of Stevens. Their styles melded well.

In April of 1965, Stevens became the head of CBS’ West Coast music operation involved with the network’s in-house productions. As a result, he assigned other composers on CBS productions while taking on some jobs himself.

In that capacity, he scored the 1968 pilot for Hawaii Five-O. In that production, Steve McGarrett (Jack Lord) locked horns with Chinese spy Wo Fat (Khigh Dheigh), giving the crime drama a spy twist from the start.

In the first season of the show, Stevens was only credited for an episode’s score (“Music by”) or, on some episodes for “music supervision.”

However, if another composer was credited for an episode, Stevens didn’t get a mention. That was consistent with CBS policy at the time, which denied theme credits for many series, including Gunsmoke, which ran on the the network for 20 years.

A Morton Stevens title card for a first-season episode of Hawaii Five-O

A Morton Stevens title card for a first-season episode of Hawaii Five-O

Early in the show’s second season, Stevens did get a “theme by” credit for episodes where he didn’t provide the score. (When Stevens did provide an original score, he still got a “music by” credit.).

Eventually, the theme had to be turned into a song. Appropriately, Sammy Davis Jr. performed it.

Still, despite how famous the theme became — decades later, it’s regularly performed by marching bands — fame eluded Stevens.

Stevens never moved in a major way into scoring movies unlike contemporaries of his such as John Williams (who, ironically, received the job of scoring the 1969 Steve McQueen film The Reivers from Stevens when CBS was releasing films, according to the Burlingame Thriller commentary track) and Lalo Schifrin.

Stevens died in 1991. His Five-O theme outlived him, however. When the 2010 version of the show debuted, its pilot originally had a “rock music” arrangement that made the rounds on social media before the new show’s debut.

It wasn’t received well. The new series quickly commissioned a more traditional sounding version, which debuted at the 2010 San Diego Comic Book Con. Some of the musicians who performed the theme had worked on the original 1968-80 series.

While Stevens gets a credit on the current series, unfortunately it’s during the end titles. Stevens’ credit flashes by so quickly, you can’t really see it. Regardless, his legacy continues.


Jon Burlingame starts a YouTube channel

Film and television music expert Jon Burlingame has started a YouTube channel called Reel Music. First up: a look at Burlingame’s picks for top 10 spy movie scores.

Burlingame has written books on television composers and James Bond music. In the initial video, launched on Aug. 11, his selections comprise a number of different composers.

Burlingame’s list is presented in chronological order and doesn’t attempt to rank the 10 selections. It begins with Bernard Herrmann’s score for 1959’s North by Northwest and ends with John Powell’s score for 2002’s The Bourne Identity.

Along the way, there are two John Barry scores (Goldfinger and The Ipcress File), three Bond films (including one not made by Eon Productions) as well as efforts by Lalo Schifrin, Quincy Jones and Dave Grusin.

You can take a look for yourself. While individual viewers might quibble with selections or argue for others, there’s no dispute that Burlingame knows the music territory.

Note: the image below shows posters for Mission: Impossible Rogue Nation and The Man From U.N.C.L.E. movie. Neither shows up on the list, but they present a “news peg” in journalism-speak.

Movie draws attention to U.N.C.L.E.’s origins

The original U.N.C.L.E.s, Robert Vaughn and David McCallum

The original U.N.C.L.E.s, Robert Vaughn and David McCallum

The Man From U.N.C.L.E. movie comes out this week, prompting the Los Angeles Times to examine the origins of the 1964-68 series it’s based on.

The story looks at a number of angles, including how 007 author Ian Fleming was involved in the first few months of the show’s development.

Susan King of the Times talked to the likes of Dean Hargrove, one of the main writers on the show; Steven Jay Rubin, author of books about James Bond; film and TV music expert Jon Burlingame, who produced a series of U.N.C.L.E. soundtrack recordings in the 2000s; and Ron Simon, curator of television and radio at the Paley Center for Media in New York.

Here’s an excerpt:

Young moviegoers checking out the feature film version Aug. 14 starring Henry Cavill as Solo and Armie Hammer as Kuryakin probably don’t realize the original TV series existed — let alone know of the show’s impact on baby boomers.

“Man From U.N.C.L.E.” hit at the right time. Noted Ron Simon, curator of television and radio at the Paley Center for Media in New York, “The same excitement seeing the Beatles live on television which happened a few months before, I think the same thing happened when ‘Man from U.N.C.L.E.’ debuted in fall 1964.

“There was something cool about it. It created an emotional resonance for TV. It became the most popular show on campus in 1964, ’65 and ’66 — the first two seasons. It was a cultural phenomenon.”

Separately, The Hollywood Reporter talk about how U.N.C.L.E. MAY HERALD THE RETURN OF SPY ACRONYMS.

U.N.C.L.E. helped popularize such acronyms, although Marvel Studios has beaten the U.N.C.L.E. movie to the punch by including SHIELD (which didn’t debut until a year after U.N.C.L.E.) in its films.

Meanwhile, if you’re interested in knowing more about the show, CLICK HERE for The Man From U.N.C.L.E. episode guide, produced by The Spy Command.

Mission: Impossible TV scores coming next month


Original scores from the 1966-73 television series Mission: Impossible are coming out next month from La-La Land Records, according to an announcement on the FILM SCORE MONTHLY MESSAGE BOARDS.

An excerpt:

La-La Land Records and CBS proudly announce the release of MISSION: IMPOSSIBLE – THE TELEVISION SCORES, a limited edition 6-CD box set, showcasing the restored and remastered original music scores from the classic 1966-1973 television series MISSION: IMPOSSIBLE, starring Peter Graves, Barbara Bain, Greg Morris and Martin Landau.

The set was produced by music journalist Jon Burlingame, who also produced four CD sets of soundtracks from The Man From U.N.C.L.E. and The Girl From U.N.C.L.E. in the 2000s.

The retail price is $99.98 and is limited to 1,500 units. The M:I set will be available for order at starting at 3 p.m. ET on July 28 and be shipped starting Aug. 10.

The set includes music by Lalo Schifrin, who also composed the iconic M:I theme, Gerald Fried, Robert Drasnin, Jerry Fielding and others.

Mission: Impossible was the first of three series where Schifrin collaborated with producer Bruce Geller. Mannix (another hit) and Bronk (not so much) were the others.

La-La Land Records also is releasing the MISSION: IMPOSSIBLE ROGUE NATION SOUNDTRACK.

Some U.N.C.L.E. soundtrack titles of note

Daniel Pemberton's Twitter icon

Daniel Pemberton’s Twitter icon

Film Score Reporter published details about The Man From U.N.C.L.E. movie’s soundtrack IN A JULY 14 POST. Included was a list of tracks that caught our eye.

The soundtrack, which is due out Aug. 7, a week before the movie, contains both Daniel Pemberton’s score and some vintage 1960s songs. The Spy Commander’s attention was drawn to some of the track titles from the composer’s work. What follows are those tracks, including where they appear on the album.

3. His Name Is Napoleon Solo: When Pemberton was recording the score last year, he tweeted a picture of the sheet music, including this title.

4. Escape From East Berlin: The guess here is part of this track appears on the five-minute trailer for the movie shown at the San Diego Comic Con.

6. Mission: Rome: Pemberton is a fan of Lalo Schifrin. This title suggests an homage to Schifrin’s best-known television theme, Mission: Impossible.

Schifrin also composed the scores for two episodes of The Man From U.N.C.L.E. series as well as doing the second-season arrangement for Jerry Goldsmith’s U.N.C.L.E. theme.

7. The Vinciguerra Affair: This refers to the lead villain (Elizabeth Debicki). But it also appears to be an homage to the original 1964-68 series, where each episode’s title had “Affair” as part of the title.

13. Breaking Out (The Cowboy Escapes): It’s known from the trailers that Illya Kuryakin (Armie Hammer) calls Napoleon Solo (Henry Cavill) “cowboy.” Presumably, this track title is referring to Solo.

The television series didn’t have a true soundtrack album while it was in production. Instead, Hugo Montenegro did new arrangements of music from the series in two albums. A true U.N.C.L.E. soundtrack didn’t occur until music journalist Jon Burlingame produced special edition soundtracks in the 2000s.

Now, if someone, ANYONE, can tell us if the Jerry Goldsmith U.N.C.L.E. theme appears in the movie (even if it’s just int he end titles), the Spy Commander would appreciate it.

New U.N.C.L.E. book coming out in 2015

The original U.N.C.L.E.s

The original U.N.C.L.E.s

A new book about The Man From U.N.C.L.E. television series is due out next year.

“Solo and Illya: The Secret History of The Man From U.N.C.L.E.” by Craig Henderson is to be published by Bear Manor Publishers, according to the Facebook page of THE GOLDEN ANNIVERSARY AFFAIR, the two-day event held in the Los Angeles area last month in connection with the show’s 50th anniversary.

Henderson created the File Forty fanzine in 1970, according to a Jon Burlingame response to the post. Henderson also assisted Burlingame when the latter produced a series of U.N.C.L.E. soundtracks in the 2000s.

“He’s uncovered a lot of information about the show no one else has,” Burlingame wrote.

Finally, Henderson produced A CENTURY OF U.N.C.L.E., which details how the worlds of U.N.C.L.E. and James Bond intersected for more than a century, beginning with the birth of Ian Fleming in 1908 until the death of U.N.C.L.E. executive producer Norman Felton in 2012. It’s a resource this blog has cited numerous times.