Dr. No script Part V: Meeting the villain, Bond woman

Not what Dr. No’s screenwriters had in mind.

Adapted from a 2014 post. Concluding the blog’s look at an early 1962 version of Dr. No’s script provided by Bond collector Gary Firuta.

The first James Bond movie required a top-notch James Bond villain. The screenwriters of Dr. No envisioned an entrance for the title character that was different than what audiences would eventually see.

The January script by Richard Maibaum, Wolf Mankowitz and Johanna Harwood specifies the scene is “POV” (point of view) of Dr. No.

According to the stage directions, “All we see of DR. NO is the edge of his desk, and a slight shadow cast from a reading lamp as he makes a slight movement. In short, we see this scene entirely from his eyeline.”

This, of course, is the scene in the finished film where Dr. No’s lackey, Professor Dent, rushes out to the villain’s headquarters in broad daylight to tell his superior how Agent 007 refuses to be killed. After Dr. No says, “Good afternoon….Professor,” the stage directions add this detail.

“He makes ‘Professor’ sound like an insult.”

From here on out, the dialogue is similar to the finished movie, until this stage direction:

“DR. NO learns forward, extending one hand, still in silhouette, toward a nearby table, from which he picks up small glass cage. As he holds it out towards DENT we see something black and furry moving inside it. DENT recoils involuntarily.”

At this point, Dr. No says, “Since your attempts at assassination have been so ineffectual….let’s try ‘natural causes’ this time.”

In real life, production designer Ken Adam came up with a set, that maximized his minimal resources. The striking set created a strong visual. Dr. No’s voice is heard, but the audience doesn’t even see a shadow. The tarantula Dr. No provides Dent seems to materialize out of nowhere.

Meanwhile, the writing team also was faced with adapting one of Ian Fleming’s most memorable passages, where Bond meets Honey(chile) Ryder.

Ursula Andress as part of her entrance in Dr. No.

The sun beats down on BOND as he sleeps. In the distance, as if in his dreams, he can hear a WOMAN SINGING.

(snip)
146. BOND’S EYELINE. DAY

What he sees: HONEY, standing at the water’s edge, her back to him. She is naked except for a wisp os (sic) home-made bikini and a broad leather belt with an undersea knife in a sheath….Her skin is deep honey cooured (sic)….She stretches contentedly like a cat in the warm sun.

147. EXT. BOND’S EYELINE. DAY

BOND – appreciates what he see (sic), in a moment he takes up the calypso refrain.

At the end of the script, as in the finished film, Bond is in a boat with Honey that’s out of fuel. But before the pair can make out very much “we hear the throbbing of an approaching motor launch.” It’s Felix Leiter, of course, spoiling their fun.

LEITER
I’ve brought the Marines….

BOND
(with a sly grin, as he helps HONEY up to her feet)
You picked a helluva time to come to the rescue.

THE END
James Bond will return….

Dr. No’s 60th-anniversary conclusion: Legacy

Adapted from a 2012 post.

In evaluating the legacy of Dr. No as it approaches its 60th anniversary, start with the obvious: There’s still a 007 film series to talk about.

James Bond isn’t the biggest entertainment property in the world the way it was in 1965. But its longevity is unique.

The time that has passed includes more than a decade of enforced hiatus (a troublesome 1975 financial split between Eon co-founders Albert R. Broccoli and Harry Saltzman; a legal fight in the early 1990s between Broccoli and MGM; and MGM’s 2010 bankruptcy) disrupting production of the Bond movies.

Still, the Bond films soldier on. The 25th entry, No Time to Die, debuted in the fall of 2021.

The series turned actor Sean Connery into a major star. It made Roger Moore, known mostly as a television star, into a movie star. The same applies to Pierce Brosnan. It made Daniel Craig a star. Even George Lazenby (one movie) and Timothy Dalton (two) who had limited runs as 007 are identified with the series.

The films generated new fans of Ian Fleming’s hero to the point that the movie 007 long ago outsized the influence of his literary counterpart. Finally, the film 007 helped form an untold number of friendships among Bond fans who would have never met otherwise.

All of that began with a modestly budgeted film, without a big-name star, led by a director for hire, Terence Young, who’d be instrumental in developing the cinema version of Agent 007. Dr. No, filmed in Jamaica and at Pinewood Studios, made all that followed possible.

Fans may fuss and feud about which Bond they like best. This 007 film or that may be disparaged by some fans, praised by others. The series may get rebooted. Bond may get recast. The tone of the entries may vary greatly.

In the end, Bond continues. The Man From U.N.C.L.E. can’t say that; The Avengers, the John Steed variety which debuted the year before Dr. No, can’t say that; Matt Helm can’t say that. Jason Bourne, which influenced recent 007 movies, hasn’t been heard from since a 2016 film.

Many of those responsible for Dr. No aren’t around to take the bows.

They include:

–Producers Broccoli and Saltzman

–Director Young

–Screenwriter Richard Maibaum

–Editor Peter Hunt

–Production designer Ken Adam

–United Artists studio executive Arthur Krim, who greenlighted the project

–David V. Picker, another key UA executive, who was a Bond booster

–Joseph Wiseman, who played the title charater, the first film Bond villain

–Jack Lord, the first, and some fans say still the best, screen Felix Leiter, who’d become a major television star on Hawaii Five-O

–Art director Syd Cain

–Composer John Barry who orchestrated Monty Norman’s James Bond Theme and who would later define 007 film music.

–Nikki van der Zyl, who dubbed Ursula Andress in Dr. No and would work on other Bond films.

–Finally, Sean Connery, who brought the film Bond to life, passed away in 2020 at the age of 90.

That’s too bad but that’s what happens with the passage of time. The final product, though remains. It’s all summed up with these words:

James Bond will return. (Even with the ending of No Time to Die.)

Dr. No’s 60th anniversary Part V: Ken Adam’s magic

Professor Dent (Anthony Dawson) gets his instructions from Dr. No on a Ken Adam-designed set.

Adapted from a 2012 post

Dr. No, the first James Bond film, had a modest $1 million budget. Ken Adam, the movie’s production designer, performed some magic that disguised that fact, making the film look more expensive than it really was. In doing so, the designer helped make James Bond’s world a special one.

Adam’s work on the initial 007 film included Dr. No’s living quarters, a mix of modern and antique; a mostly empty room with a large circular grille in the roof where an unseen Dr. No (Joseph Wiseman) provides instructions to his lackey Professor Dent (Anthony Dawson); and Dr. No’s control room, complete with nuclear reactor, perfect for any ambitious villain.

Adam’s work had an immediate effect: director Stanley Kubrick snatched Adam up to work on Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. In that capacity, Adam’s sets included the Pentagon “war room.” That image has been said to prompt Ronald Reagan, upon becoming U.S. president in 1981, to inquire about seeing the place (CLICK HERE to see a 2001 story in the The Guardian that references this or CLICK HERE for a 2009 review of the movie that also makes mention of it.)

Ken Adam

In any case, 007 producers Albert R. Broccoli and Harry Saltzman, after having to forgo Adam’s services for From Russia With Love, made sure the designer was on board for Goldfinger. Adam’s sets got more elaborate. Some had moving sections, such as the room Goldfinger describes his plans to raid Fort Knox. Of course, there was the interior of Fort Knox itself.

Adam’s work influenced other ’60s spy movies. Films such as Kiss the Girls and Make Them Die and The Ambushers had scenes where a villain has quarters with moving sections. Adam, though, got more money to play with than his rivals, coming up with the Disco Volante (where a lead hydrofoil could separate from the rear section of the craft) in Thunderball and Blofeld’s volcano headquarters in You Only Live Twice.

Adam (1921-2016) was already a veteran designer when Dr. No came along. He helped make Bond movies special. Adam has worked on less than one-third of the Eon Productions-produced Bond movies and his last 007 credit was 1979’s Moonraker. But his work still stands out and remains the standard others are judged by.

Audiences received yet another reminder of that with 2021’s No Time to Die. Mark Tildesley, the production designer, did an homage to Adam’s circular grille. It was part of the lair of the movie’s villain, Safin played by Rami Malek.

Rami Malek on a No Time to Die set designed by Mark Tildesley certainly appears inspired by a Ken Adam set from Dr. No.

NEXT: Legacy

Idris Elba: The 2018 007 wave

Idris Elba

UPDATE (4:50 p.m., New York time): The Hollywood Reporter quotes a representative for Fuqua as saying the supposed conversation with Barbara Broccoli never happened and the Daily Star story was “all made up stuff.”

Justin Kroll, a writer for Variety, had the following:

Real BOND Update: Barbara Broccoli and EON currently meeting with actresses and actors for Bond Female lead and Villain for BOND 25, what they are not doing is thinking about who would replace Craig when Craig hasn’t even started filming this film yet

— Justin Kroll (@krolljvar) August 10, 2018

https://platform.twitter.com/widgets.js

ORIGINAL POST (tweaked to incorporate Fuqua’s denial): Three years ago, the blog said the Idris Elba/James Bond “debate doesn’t appear to be going away soon.” Talk about an understatement.

It’s 2018 and this week the idea of Elba playing 007 was trending all over social media. It began a story in the Daily Star. The tabloid’s article said director Antoine Fuqua “chatted to Barbara (Brocccoli) about who will take over from Daniel Craig, 50, if he hangs up his gun after the next Bond film, due next year.”

Antoine, 52, revealed Barbara feels “it is time” for an ethnic minority actor to star as 007 and she is certain “it will happen eventually”.

He added: “Idris could do it if he was in shape. You need a guy with physically strong presence. Idris has that.”

There was no indication the Daily Star reached out to Eon for comment (and now we know why).

Back in December, Broccoli said the following in a Hollywood Reporter podcast.

Question: Would you ever hire a person of color or a woman to play James Bond one day?

Broccoli: Anything is possible. Right now, it’s Daniel Craig and I’m very happy with Daniel Craig.

Meanwhile, the Fuqua quote got cited in summaries produced by CNN.com (which asked Eon for comment), People, and Esquire. Almost immediately there after (but before Fuqua’s denial), fans debates ensued. Temperatures up in a thread on The Spy Command’s Facebook page.

Like the movie groundhog day, many of the same comments uttered before were stated again.

–Bond is white/it’s political correctness run amok/it’d be like casting a white guy as John Shaft. Of course, people of color have seen the opposite (“whitewashing”) occur for many decades. White guys (Olivier Welles) playing Othello, white guys playing Asians (like Mickey Rooney’s less-than-subtle performance in 1961’s Breakfast at Tiffany’s) or Dr. No (Joseph Wiseman in the title role, who was half Chinese, half German.

–Read the books! Where Bond has a scar down his cheek and Felix Leiter (played by two different black actors in a combined three movies, including two made by Eon) was a Texan with straw-colored hair.

–Elba is too old to play James Bond. Elba turns 46 on Sept. 6. Of course, last month saw the debut of Mission: Impossible-Fallout starring 56-year-old, age-defying, skydiving Tom Cruise.

–Elba is too old to spend a decade playing 007. The traditional expectation is a new Bond actor will be at it for about a decade. However, the hiatus between 007 films is growing. Eon will barely make three 007 movies in the 2010s, assuming Bond 25 meets its scheduled fall 2019 release date.

Assuming Eon doesn’t sell itself, will it mount, say, only two Bond films in the 2020s? Is the “Bond actor spends a decade in the role” model up for reappraisal? Could future Bond actors do one-offs?

Not that any of this is going to change minds. But it looks like this latest wave — goofy tabloid stories and all — is as strong as previous ones.

The Chronicles of SPECTRE Part II: From Russia With Love

From Russia With Love’s poster

By Nicolas Suszczyk, Guest Writer
The second James Bond film, From Russia With Love, excelled over the first 007 movie, Dr. No, in many areas.

Featuring solid source material from Ian Fleming’s 1957 novel, which pitted the Russian organization SMERSH against James Bond, the film version brought a more realistic approach to the then-emerging film series: a classic Cold War spy thriller compared with Dr. No’s escapism.

The 1963 film, again starring Sean Connery as 007 and directed by Terence Young, provides the viewer a proper introduction to SPECTRE, the criminal organization of which the late Dr. Julius No (Joseph Wiseman) was a member.

“Let his death be a particularly unpleasant and humiliating one,” SPECTRE’s Number One instructs his operatives Col. Rosa Klebb (Number Three, played by Lotte Lenya) and Kronsteen (Number Five, played by Vladek Sheybal).

The leader of SPECTRE is, of course, referring to James Bond and the possibility of avenging the doctor’s death, as part of Kronsteen’s plan to lure the British agent into a trap with the Russian decoding machine Lektor, and a young female Russian clerk, as bait.

To avoid political conflicts, From Russia with Love’s script replaced the Soviet Union for the apolitical SPECTRE for the villains. This was less than a year after the Cuban Missile Crisis, a major event of the Cold War.

Here, the criminal organization would pit the Russians and the British against each other and the patriotic Tatiana Romanova (Daniela Bianchi) aka the bait, would follow Klebb’s orders, without knowing she’s not working for Russia but for SPECTRE.

The SPECTRE leader, known as Ernst Stavro Blofeld and played by “?”, according to the end titles (actually Anthony Dawson, voiced by Eric Pohlman) is introduced in the shadows. We only see his hands stroking the white cat that is now part of popular culture and a cliché in every spy spoof around. He is located on a vessel and has a meeting with Klebb and Kronsteen.

Klebb defected from the Russians to join SPECTRE. Kronsteen is a stone-faced chess champion. Also employed by SPECTRE is Morzeny (Walter Gottel), who executes those who fail, and henchman Donald “Red” Grant (Robert Shaw), a convicted murderer trained to terminate any obstacle with the group’s plans.

The second Bond film shows the audience how the organization usually works: a leader, a planner, an executioner and an assassin.

There is much debate whether Cristoph Waltz’s character Oberhauser in the upcoming Bond film will be (or eventually “become”) Blofeld or if he is someone close to Blofeld. Two months before the film’s release, he appears to be the shadowy leader of the new (rebooted) SPECTRE and has a personal vendetta with Bond –- even more personal now than the 1963 Blofeld.

In From Russia With Love, the leader of SPECTRE appears to us as a mysterious and threatening man. In the upcoming film titled after the organization, there’s still the possibility he has a high rank à la Dr. No.

In the 1963 film, there’s planner Kronsteen, whose apparently “foolproof” plan fails when Tatiana really falls for Bond. That’s where executioner Morenzy comes in and eliminates him. The assassin in From Russia With Love is a physical imposing challenge for Bond or anyone: Red Grant, who stalks 007 throughout the mission to “heat up” the Cold War.

We are meant to think Mr. Hinx (Dave Bautista) will play both an “executioner” and an “assassin” as in the trailers we can see him terminating a SPECTRE subordinate and battling Bond aboard a train, very much like the memorable Bond vs Grant fight in From Russia With Love.

If Dr. No introduced us to the name of SPECTRE and the organization’s values by the good doctor, From Russia With Love goes a little further by showing us a glimpse of its leader, the organization’s inside, and the particular roles of its members. There’s a demonstration of their training field, too – where they use live targets as well!

Wait for the next entry on The SPECTRE Chronicles with Thunderball, where the organization will expand, acquiring a “business” status, to put it mildly.

Nicolas Suszczyk is editor of The GoldenEye Dossier

The Chronicles of SPECTRE Part I: Dr. No

Dr. No poster

By Nicolas Suszczyk, Guest Writer
The first film of the James Bond series was released in the middle of the Cold War, the Space Race and one year after Ian Fleming’s novel Thunderball was published.

That novel provoked a legal dispute between a severely ill Fleming and producer Kevin McClory. The conflict — not settled until 1963 — prevented Thunderball from becoming the first Bond film made by Eon Productions as originally intended.

1962’s Dr. No followed followed the story line of Fleming’s 1958 book, with Sean Connery as 007 investigating the disappearance of MI6 agent Strangways, who was investigating the activities of the title character.

In the novel, the doctor worked for the Russians. Yet, in the Terence Young-directed film, he is completely apolitical, calling East and West “each as stupid as the other”. He introduces himself as a member of SPECTRE, a criminal organization standing for SPecial Executive for Counter-intelligence, Terrorism, Revenge and Extortion.

In this way, the great antagonist of James Bond is introduced: an organization that helped to depoliticize the films. At the time, East and West superpowers were rivals in both the Cold War and the conquest of space, a topic that would be slightly associated to the movie’s plot.

Dr. No (Joseph Wiseman) proudly endorses the organization’s activities and, as one of its top members, he carries on one of the group’s world domination plans: the toppling of rockets launched by Americans at Cape Canaveral.

Without being the leader of SPECTRE, Dr. No’s modus operandi is pretty much the same of his Number One and the organization itself: he has goons everywhere at his disposal and provokes fear in those who fail. He is based on an island known as Crab Key.

Dr. No even tells Bond there might be a place in SPECTRE for him, which the British agent refuses. Bond says he if joined SPECTRE, he should be in the “revenge department,” and would begin with those responsible for the death of his friends Quarrel and Strangways.

007 spoils SPECTRE’s plan by sabotaging the toppling mechanism and causing Dr. No’s base to explode. Before the explosion, Bond and Dr. No fight on a platform above the villain’s atomic reactor. As the two men are being lowered into the reactor’s boiling water, Bond is able to get away while Dr. No’s metal hands can’t get a grip and perishes.

Audiences would get a proper introduction of the organization in the second Bond film, From Russia with Love. So far, this first Bond film provides us with a strong nemesis and a mention of the people behind him and their sinister activities. What can we surmise? They’re up for world domination, they’re apolitical, they want chaos and brilliant people, like scientist Dr. No, are on the payroll.

The fictional organization would appear in more films including the 1983 non-Eon film, Never Say Never Again and the upcoming SPECTRE, directed by Sam Mendes.

Nicolas Suszczyk is the editor of The GoldenEye Dossier.

Dr. No’s script Part V: Meeting the villain, Bond woman

Not what Dr. No’s screenwriters had in mind.

Concluding our look at an early 1962 version of Dr. No’s script provided by Bond collector Gary Firuta.

The first James Bond movie required a top-notch James Bond villain. The screenwriters of Dr. No envisioned an entrance for the title character that was different than what audiences would eventually see.

The January script by Richard Maibaum, Wolf Mankowitz and Johanna Harwood species the scene is “POV” (point of view) of Dr. No.

According to the stage directions, “All we see of DR. NO is the edge of his desk, and a slight shadow cast from a reading lamp as he makes a slight movement. In short, we see this scene entirely from his eyeline.”

This, of course, is the scene in the finished film where Dr. No’s lackey, Professor Dent, rushes out to the villain’s headquarters in broad daylight to tell his superior how Agent 007 refuses to be killed. After Dr. No says, “Good afternoon….Professor,” the stage directions add this detail.

“He makes ‘Professor’ sound like an insult.”

From here on out, the dialogue is similar to the finished movie, until this stage direction:

“DR. NO learns forward, extending one hand, still in silouhette, toward a nearby table, from which he picks up small glass cage. As he holds it out towards DENT we see something black and furry moving inside it. DENT recoils involuntarily.”

At this point, Dr. No says, “Since your attempts at assassination have been so ineffectual….let’s try ‘natural causes’ this time.”

In real life, production manger Ken Adam came up with a set, that maximized his minimal resources. The striking set created a strong visual. Dr. No’s voice is heard, but the audience doesn’t even see a shadow. The tarantula Dr. No provides Dent seems to materialize out of nowhere.

Meanwhile, the writing team also was faced with adapting one of Ian Fleming’s most memorable passages, where Bond meets Honey(chile) Ryder.

Ursula Andress as part of her entrance in Dr. No.

The sun beats down on BOND as he sleeps. In the distance, as if in his dreams, he can hear a WOMAN SINGING.

(snip)
146. BOND’S EYELINE. DAY

What he sees: HONEY, standing at the water’s edge, her back to him. She is naked except for a wisp os (sic) home-made bikini and a broad leather belt with an undersea knife in a sheath….Her skin is deep honey cooured (sic)….She stretches contentedly like a cat in the warm sun.

147. EXT. BOND’S EYELINE. DAY

BOND – appreciates what he see (sic), in a moment he takes up the calypso refrain.

At the end of the script, as in the finished film, Bond is in a boat with Honey that’s out of fuel. But before the pair can make out very much “we hear the throbbing of an approaching motor launch.” It’s Felix Leiter, of course, spoiling their fun.

LEITER
I’ve brought the Marines….

BOND
(with a sly grin, as he helps HONEY up to her feet)
You picked a helluva time to come to the rescue.

THE END
James Bond will return….

UPDATE: Two 007 film villains in The FBI season 7

We were catching up on the newly released season 7 set of The FBI television series. It turns out there are *two* actors who played James Bond movie villains who appeared during the show’s 1971-72 season.

Louis Jourdan was the lead villain in The Minerva Tapes, the 12th episode broadcast that season. It was Jourdan’s third appearance in the series, all of which involved either espionage or international intrigue storylines.

In the story, Jourdan is the ringleader of a Communist spy ring operating in the United States. His daughter becomes involved with one of his operatives. Meanwhile, there’s a power struggle going on within the spy ring. Into this volatile situation, the FBI’s top operative, Inspector Lewis Erskine (Efrem Zimbalist Jr.) goes undercover.

It would end up being at least the fourth time that Zimbalist’s Erskine character would employ the actor’s Dandy Jim Buckley/Alfred the Butler voice to carry off the impersonation.

In the very next episode, Bitter Harbor, the actor who played the very first 007 film villain, Joseph Wiseman, who played the title character in 1962’s Dr. No, was the lead guest star.

Wiseman plays a respected leader of West Coast fisherman who has agreed to a massive loan by mobsters. The mob is looking to take over. Zimbalist’s Erskine dispatches his deputy, special agent Tom Colby (William Reynolds) to go undercover.

As it turns out, these season 7 episodes were never shown in syndication. A few episodes from the season were made available several years ago by AOL. But the new season 7 set, for the most part, is the first time these episodes have been made available since they were shown by ABC.

EARLIER POST: THE FBI SEASON 7: END OF AN ERA

Some 007 Oscar statistics

At about 8:30 a.m. New York time, James Bond fans will find out if Skyfall, the 23rd 007 film, scores any Oscar nominations. Ahead of that event, here are some 007 Oscar statistics:

WINS: 2 Goldfinger’s sound man Norman Wanstall won an Oscar for his efforts in 1965 and special effects wizard John Stars, received an Oscar in 1966.

If you CLICK HERE, you can see Wantall get his Oscar from Angie Dickinson. If you CLICK HERE, you can see Ivan Tors, whose production company worked on Thunderball’s underwater sequences, picking up the award for Stears.

MOST NOMINATIONS: 3 (The Spy Who Loved Me) Ken Adam, Peter Lamont and Hugh Schaife were nominated for art direction and set decoration. Marvin Hamlisch was nominated for best score; and Hamisch (music) and Carole Bayer Sager (lyrics) were nominated for best song. None scored a win. Adam got two Oscars and Lamont received one for other movies.

MOST MEMORABLE 007 OSCAR NIGHT: 1982 For Your Eyes Only was nominated for best song and Sheena Easton performed it as part of an elaborate 007 song-and-dance number. It didn’t win but Albert R. Broccoli, co-founder of Eon Productions, received the Irving G. Thalberg Memorial Award, given to a producer for his or her body of work. The veteran producer gave a gracious speech that included acknowledgments for former partners Irving Allen and Harry Saltzman, even though Broccoli had his share of differences of opinion with them over the years.

The 1982 Oscars show was also the last time Bond (formally at least) was part of the ceremony. Since then, contributors to the film series, such as John Barry, Tom Mankiewicz and Joseph Wiseman, have shown up in the “In Memorium” segments that pay tribute to those who’ve died since the preceding Oscar broadcast.

We know that will change with this year’s broadcast, which will have a James Bond tribute. Fans will soon find out whether the evening will include Skyfall being in the mix for Oscars.

The tribute, depending how elaborate it is, and Skyfall breaking the long Oscar drought for Agent 007, could make 2013 the most memorable 007 Oscar night.

Dr. No’s 50th anniversary conclusion: legacy

In evaluating the legacy of Dr. No as it approaches its 50th anniversary, start with the obvious: There’s still a 007 film series to talk about.

James Bond isn’t the biggest entertainment property in the world the way it was in 1965. But its longevity is unique. The five decades that have passed include more than a decade of enforced hiatus (a troublesome 1975 financial split between Eon co-founders Albert R. Broccoli and Harry Saltzman; a legal fight in the early 1990s between Broccoli and MGM; and MGM’s 2010 bankruptcy) disrupting production of the Bond movies. But the Bond films soldier on, with the 23rd entry in the Eon Productions’ series, Skyfall, coming out soon.

The series turned actor Sean Connery into a major star. It made Roger Moore, known mostly as a television star, into a movie star. The same applies to Pierce Brosnan. It made Daniel Craig a star. Even George Lazenby (one movie) and Timothy Dalton (two) who had limited runs as 007 are identified with the series.

The films generated new fans of Ian Fleming’s hero to the point that the movie 007 long ago outsized the influence of his literary counterpart. Finally, the film 007 helped form an untold number of friendships among Bond fans who would have never met otherwise.

All of that began with a modestly budgeted film, without a big-name star, led by a director for hire, Terence Young, who’d be instrumental in developing the cinema version of Agent 007. Dr. No, filmed in Jamaica and at Pinewood Studios, made all that followed possible.

Fans may fuss and feud about which Bond they like best. This 007 film or that may be disparaged by some fans, praised by others. The series may get rebooted. Bond may get recast. The tone of the entries may vary greatly.

In the end, Bond continues. The Man From U.N.C.L.E. can’t say that; The Avengers, the John Steed variety which debuted the year before Dr. No, can’t say that; Matt Helm can’t say that. In time, we suspect, Jason Bourne, which influenced recent 007 movies, won’t either.

Many of those responsible for Dr. No aren’t around to take the bows. They include producers Broccoli and Saltzman; director Young; screenwriter Richard Maibaum; editor Peter Hunt; United Artists studio executive Arthur Krim who greenlighted the project; Joseph Wiseman, who played the title charater, the first film Bond villain; Jack Lord, the first, and some fans say still the best, screen Felix Leiter, who’d become a major television star on Hawaii Five-O; art director Syd Cain, the main lieutenant for production designer Ken Adam; and composer John Barry who orchestrated Monty Norman’s James Bond Theme and who would later define 007 film music.

That’s too bad but that’s what happens with the passage of time. The final product, though remains. It’s all summed up with these words:

James Bond will return.