Stan Lee dies at 95

Stan Lee’s cameo in 2016’s Captain America: Civil War

Stan Lee, the long-time editor-in-chief at Marvel Comics who co-created many Marvel characters and was a master showman in promoting them, has died at 95, according to The Associated Press, which cited a family attorney.

Stanley Martin Lieber was hired while still in his teens at at Timely Comics, a forerunner company of Marvel, working for publisher Martin Goodman. Goodman’s wife was Lieber’s cousin.

The young Lieber wished to save his given name for more literary works. He wrote a text feature in a Captain America comic with the pen name Stan Lee. The alter ego would stick.

Lee became editor after Joe Simon and Jack Kirby, the creators of Captain America, left the company in 1941. Aside from a stint in U.S. Army during World War II, he’d hold the job until 1972.

For much of Lee’s tenure, Timely/Marvel was overshadowed by DC Comics, which published the adventures of Superman, Batman and Wonder Woman.

Timely nearly went out of business in the 1950s. Its star characters, the Sub-Mariner, the Human Torch (an android who could catch on fire) and Cap were in publishing limbo.

Groot’s first appearance in Tales to Astonish in a story by Stan Lee, Larry Lieber and Jack Kirby

By the late 1950s, the company published a handful of science fiction and monster titles. One of the characters created during this period, Groot, a monster made of wood, would eventually be revamped in Guardians of the Galaxy. The first Groot story was a modest one-shot in Tales to Astonish in 1959.

Comeback

Eventually, Marvel (as the company became known) began a comeback in 1961 with the first issue of the Fantastic Four.

Jack Kirby, now on his own from Joe Simon, had rejoined the fold. Kirby did the bulk of plotting for the stories he drew, with Lee providing the dialogue and captions. The Fantastic Four carried over themes from previous Kirby titles such as Challengers of the Unknown for DC.

Beginning with the FF, Marvel began to build momentum. The Hulk (another Lee-Kirby product) followed in 1962. So did Thor (Lee-Kirby) and Spider-Man (Lee and Steve Ditko).

The 1960s surge also enabled Marvel to bring back characters. The Fantastic Four included a new version of the Human Torch and the original returned in a 1966 FF annual. The FF also saw the return of the Sub-Mariner, starting in issue 4. Captain America was revived in issue 4 of The Avengers in 1964.

Stan Lee and his wife Joan make a cameo in a Daredevil comic written by Gerry Conway, drawn by Gene Colan and inked by Tom Palmer. (Joan Lee died in 2017.)

Both Kirby and Ditko did much of the plotting when it came to stories. Another key collaborator was Lee’s own brother, Larry Lieber. Lee’s sibling scripted the first outings of Thor and Iron Man from sketchy Lee plots.

Yet, Lee provided a common voice for the growing collection of Marvel characters. He had a way of making readers feel they were part of a club that “got it.” Marvel was less stuffy, less formal than DC. That included the use of catchphrases such as, “Excelsior!” Many fans felt they were on a first-name basis with Stan.

Stan Lee Becomes a Star

By the mid-1960s, Marvel was on a roll. The Marvel characters, especially Spider-Man, began to draw attention from a wider audience.

Stan Lee was now Marvel’s real-life star, giving interviews and making appearances.

Stan Lee on a 1971 episode of To Tell The Truth

Some of Lee’s collaborators didn’t like it. Wally Wood, who had revamped Daredevil, including a new design for his costume, left in 1965. Ditko, who demanded and received credit for his plotting, followed in 1966. Both eventually returned but didn’t work with Lee directly.

The biggest departure was Kirby. He exited Marvel after drawing (and probably doing most of the plotting for) 102 issues of Fantastic Four as well as many issues of Thor and Captain America.

Kirby, too, would come back to Marvel for a few years in the 1970s, but mostly wrote and drew his own comics. One exception was a 1978 Silver Surfer graphic novel that reunited the Lee-Kirby team.

Eventually, Lee became an executive, handing over the editing chores at Marvel to Roy Thomas, his one-time assistant.

A New Generation

A new generation of writers and artists carried on with the comics. One of them, writer Gerry Conway (b. 1952), had taken over writing Spider-Man in the early 1970s. He penned the story where Peter Parker’s long-time girlfriend Gwen Stacy was killed off.

Gwen Stacy “was  basically Stan fulfilling Stan’s own fantasy,” Conway told author Sean Howe in the 2012 book Marvel Comics: The Untold Story. “I think Gwen was simply Stan replicating his wife.” (Joan Lee died in 2017 after almost 60 years of marriage to Stan Lee.)

The story was one of the most controversial Marvel had published up to that time. Conway’s basic plot was used in the 2014 movie The Amazing Spider-Man 2. 

Meanwhile, Lee’s duties included trying to strike deals for TV and movie adaptions of Marvel characters.

Stan Lee and Jack Kirby in 1965

For years, that produced a mixed bag. The most successful was a Hulk TV series produced by Universal and telecast by CBS starring Bill Bixby. One episode even had a cameo by Jack Kirby as a police artist.

Eventually, Lee had his own departure from Marvel. Still, Lee had a deal where, once Marvel characters finally reached movie screens, he’d make cameo appearances in the films. That was reinforced in 2008 when Marvel began producing its own films beginning with Iron Man.

Such film cameos mimicked Stan appearances in Marvel comics stories years earlier.

Mixed Legacy

Stan Lee has a mixed legacy. Fans of Kirby, Ditko and Wood feel those collaborators did the heavy lifting at Marvel.

In 2014, the Kirby family reached a legal settlement with Walt Disney Co, which had acquired Marvel. Since then, Kirby has received more prominent credits in Marvel Studios movies released by Disney.

Toward the end of his life, and after Joan Lee’s death, there were controversies involving Stan Lee’s personal life.

The Daily Beast published a March 10, 2018 story depicting Lee being victimized by various hangers on. It was titled, Picked Apart by Vultures’: The Last Days of Stan Lee. The Hollywood Reporter published an April 10, 2018 story with a similar theme. That article, titled Stan Lee Needs a Hero, also included details about allegations concerning Stan and Joan Lee being assaulted by their grown daughter, J.C.

On April 12, Lee denied hew as a victim of elder abuse in a video shared with TMZ. Lee granted an interview to The New York Times for an April 13, 2018 story. ““I’m the luckiest guy in the world,” he told the newspaper. “Nobody has more freedom.”

However, the article included some troubling details. For example, it described how a number of paintings were no longer at his home. When Joan Lee was alive “she had so many paintings, all over,” Stan Lee told The Times. “Most of them have left now. My daughter took a lot of them, and a lot of them have gone elsewhere.” It wasn’t clear what “gone elsewhere” meant.

For fans of the 1960s Marvel comics, such articles were a difficult and painful read. That also applied to long-time comics professionals. Artist Neal Adams penned an “open letter” about Stan’s situation.

The situation stabilized. In October 2018, Lee gave an interview to The Daily Beast. He denied he had been abused by his daughter, who was present for the interview.

“There really isn’t that much drama,” the comic book legend told the website. “As far as I’m concerned, we have a wonderful life. I’m pretty damn lucky. I love my daughter, I’m hoping that she loves me, and I couldn’t ask for a better life. If only my wife was still with us. I don’t know what this is all about.”

Stan Lee, ever the showman.

Excelsior

How will Stan Lee be remembered?

In 2007, Jonathan Ross reported and hosted a documentary about Steve Ditko that included a Stan Lee interview. He presented his own appraisal about Stan Lee.

“Now, it would be easy to make Stan Lee out to make the villain of the piece but I can’t bring myself to do that, not least because it would be unfair,” Ross said.

“He co-created all of these characters,” Ross added. “He wrote some of the greatest Marvel comic books of all time. And the fact he takes the credit for doing so is absolutely right. I just wish he’d share it out with the guys he worked with a little more.”

Nevertheless, Lee was the face of Marvel for decades. From modest beginnings, to a movie juggernaut, Stan Lee was a huge presence in popular culture.

“Stan is right up there with Walt Disney as one of the great creators of not just one character, but a whole galaxy of characters that have become part of our lives,” George R.R. Martin, author of Game of Thrones, told The New York Times in its April 13, 2018 story.

“Right now, I think he’s probably bigger than Disney.”

Martin had a personal connection to the Stan Lee days at Marvel. He had a letter published in Fantastic Four No. 20 in 1963.

Excelsior, Stan.

Happy birthday to one of Marvel’s unsung heroes

A Jack Kirby cover featuring Ant Man, one of the characters scripted by Larry Lieber

A Jack Kirby cover featuring Ant Man, one of the characters scripted by Larry Lieber

Oct. 26 is the 85th birthday of Larry Lieber, one of the unsung heroes of the Marvel Comics universe.

Lieber scripted the earliest Marvel stories involving Ant Man (the Henry Pym version), Thor and Iron Man.

Those characters (especially Iron Man) helped build up the Marvel Studios juggernaut. Yet, Lieber’s name doesn’t resonate with the general public.

That’s ironic because Lieber is the younger brother of Stan Lee, 93, the one person from the old days at Marvel that practically everybody knows. (If case you haven’t guessed, Lieber is the surname the two men shared.)

Stan did the plotting for those early adventures. But it’s generally conceded that Stan’s plots weren’t very detailed and the artists (especially Jack Kirby and Steve Ditko)  did a lot of the heavy lifting in devising the stories.

Still, that left Lieber, actually scripting the stories plenty of leeway. The Bleeding Cool website, in a 2011 post, quoted from a Lieber deposition in a since-settled lawsuit by the Kirby family against Marvel. In the deposition, Lieber says he came up with the name “Uru” for the magical material Thor’s hammer was made of.

Despite all that, Lieber’s name receded. In Thor 158, the bulk of the story is a reprint from the character’s first story. Yet, it was presented as being “Pandemoniously Produced by Stan (The Man) Lee and Jack (King) Kirby,” with no mention of Lieber.

Lieber departed Marvel in the 1970s to edit a short-lived line of new comics. He would later rejoin Marvel and drew the Spider-Man comic strip.

In the 21st century, Marvel is big business (mostly a movie operation that still publishes comic books). A lot of the Marvel stalwarts — Jack Kirby, John Buscema and Gene Colan among them — aren’t with us anymore.

Larry Lieber is, and he is one of those who helped make Marvel big business.

Ant Man changes release date to avoid Bond 24

A Jack Kirby cover featuring Ant Man

A Jack Kirby cover featuring Ant Man

Marvel/Disney blinked.

Ant Man, one of Marvel’s oldest characters (but most obscure to the general public) will now make his movie debut on July 31, 2015, instead of Nov. 6 of that year, the same date Bond 24 is to be released in the U.S., according to a STORY in the Hollywood Reporter.

An excerpt:

With the November release date, the superhero pic would have gone up against the next Bond film, which will see the return of director Sam Mendes and star Daniel Craig. Mendes’ previous Bond film, Skyfall, was a box office behemoth, bringing in more than $1 billion worldwide. Fox’s untitled Peanuts movie also opens on that date.

The new July 2015 date only has one other film slated for release — Peregrine’s Home for Peculiars.

Marvel first published a story about scientist Henry Pym in Tales to Astonish No. 27 in 1961, when comic books still had a 10-cent cover price. At that point, the only Marvel super hero title was the Fantastic Four. Marvel brought back Pym as in Tales to Astonish No. 35 (now with a 12-cent cover price) when he became the super hero Ant Man.

The first Pym story and its sequel were illustrated by Jack Kirby, plotted by Stan Lee and scripted by Larry Lieber, Stan’s brother. Pym could shrink to the size of an ant but still retain the strength of a full-sized human. Pym later took on a number of super hero identities, including Giant Man, Goliath and Yellowjacket.

Marvel/Disney’s big super hero movie in 2015 will be The Avengers: Age of Ultron, the sequel to 2012’s Marvel’s The Avengers. Ant Man will be the first Marvel film after that project. Ant Man also will be out just two weeks after a Superman-Batman movie with Henry Cavill (currently filming The Man From U.N.C.L.E. movie) and Ben Affleck.

UPDATE (Sept. 10): The MI6 JAMES BOND FAN WEB SITE, quoting a press release, says the new Ant Man release date is July 10, 2015 (or just before the Superman-Batman movie). VARIETY says July 31 is for Ant Man while Disney has a fifth Pirates of the Carribean film slated for July 10. THE WRAP says July 15.

Earlier posts:

007’s Marvel superhero competitor in 2015

The family model (Eon) vs. the corporate model (Marvel)

007’s Marvel superhero competitor in 2015

A Jack Kirby cover featuring Ant Man

A Jack Kirby cover featuring Ant Man

When James Bond makes his return to U.S. cinemas in 2015, he’s going to have company in the form of one of Marvel Comics’ oldest (but not that well known to the general public) characters: Ant Man.

Scientist Henry Pym made his debut in 1962 in a story by Stan Lee, Larry Lieber and Jack Kirby, in Tales to Astonish No. 27. It was a one-off tale, in which Pym devises a formula that shrinks himself to the size of an ant. He shrinks so fast, he can’t reach the antidote.

Pym eventually ends up in an ant colony. He’s saved by one ant who acts differently than the others. Pym manages to reach his enlarging formula and swears off such formulas.

That is, until issue 35, when Pym returned, this time deciding he should be a superhero and takes on the guise of Ant Man. Eventually, Ant Man ends up as a founder of the Avengers superhero group. He also, in Tales to Astonish No. 49, decided to be Giant Man instead. Still later, Pym took on other superhero guises. Eventually, other characters took on the Ant Man mantle.

Marvel, now part of Walt Disney Co., is preparing an Ant Man movie and already set A NOV. 6, 2015 RELEASE DATE, the same date Bond 24 will arrive in U.S. theaters. EDGAR WRIGHT is slated to direct, and ACCORDING TO THE SCREEN RANT WEB SITE has completed the script.

Ant Man chats with the Flash on Saturday Night Live

Ant Man chats with the Flash on Saturday Night Live

It’s easy to imagine the jokes that will soon be cracked on James Bond fan message boards. “Ant Man? Bond will SQUISH him!” Figuratively speaking, that may happen. The character hasn’t gotten a lot of respect to date. Ant Man once was part of a 1970s Saturday Night Live skit, where he was portrayed by Garrett Morris and other superheroes (such as John Belushi’s Hulk) made fun of him.

Then again, Iron Man was once called a second-tier Marvel character until Robert Downey Jr. suited up in 2008’s Iron Man. Ant Man will also be the first Marvel film after The Avengers sequel starring Downey that’s scheduled for May 2015. So Ant Man will probably have a lot of publicity. Still, as far as 007 fans are concerned, Ant Man faces a large task taking on Bond at the box office.

APRIL 2013 POST: THE FAMILY MODEL (EON) VS. THE CORPORATE MODEL (MARVEL)

Iron Man Three: Tony Stark’s 007 moment

Cover to Iron Man No. 125

Cover to Iron Man No. 125

In Iron Man Three, Robert Downey Jr.’s Tony Stark can’t use his Iron Man armor for an extended sequence. As he searches for the Mandarin, Downey/Stark seems downright 007-like infiltrating an estate in search of the villain and using gadgets and a firearm.

The movie’s sequence is partially based on a 1979 comic book story by writer David Michelinie and artists John Romita Jr. and Bob Layton, which was co-plotted by Michelinie and Layton.

Michelinie and Layton are included in a “special thanks” credit along with other writers and artists of comic book stories used in the movie. This is separate from a “based on the comic book by” credit for Stan Lee, Don Heck, Larry Lieber and Jack Kirby for creating the character.

The context of the Michelinie-Layton plotted story is different than the 2013 film, but the writer and artist also separated Stark from his armor. One major difference in the original comic book story is that Stark knows he needs additional physical training before he attempts 007-like deeds. He receives such training from none other than Captain America.

As in the new movie, Stark eventually regains access to the armor. But for a time he has to use his own wits and abilities. The cover to issue 125, drawn by Layton, evokes James Bond films.

To read more about the original comic book story, you can CLICK HERE FOR A SYNOPSIS OF IRON MAN 124 (which sets up the situation where Stark is separated from his armor) HERE FOR A SYNOPSIS OF IRON MAN 125, HERE FOR ISSUE 126 and HERE FOR ISSUE 127, which concluded the story arc.