Literary 007 Twitter completes his journey

Part of the Twitter home page for @JB_UnivEX

@JB_UnivEX has completed his 14-year journey (a little over a year in real time) showing what it might be like if the literary James Bond were on Twitter.

The literary Bond, of course, was bound by the Official Secrets Act. So he couldn’t *really* say what was going on. But for those who read Ian Fleming’s original novels and short stories could follow the unfolding events.

One of the challenges for @JB_UnivEX was how Fleming himself wasn’t consistent with his own timeline. So, the Twitter account attempted to bring order to things.

For example, it began the events of the On Her Majesty’s Secret Service novel. Then, Bond had to make a quick trip to Canada to deal with the events of The Spy Who Loved Me novel before resuming the Majesty’s tale.

The blog first did its first post about @JB_UnivEX in April 2018 as Casino Royale was wrapping up. In the back of my mind, I was curious how he’d handle the conclusion of You Only Live Twice with a Bond suffering from amnesia.

This was how:

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Another highlight was when a brainwashed Bond arrived in London early in the events of The Man With the Golden Gun novel. Brainwashed Bond decides to take in a movie before going to MI6 headquarters.

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In any event, for fans of the literary Bond (and 007 in general), it has been a great ride. This was the final tweet in character. We’re told the more than 2,300 tweets will be re-edited and represented in the future. However, there are no plans to do the continuation novels.

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Whither the literary 007?

Today’s Guardian carries a rather snidely-worded essay about the “surprisingly long list of authors who have written official 007 sequels.”

While taking time out to individually slag Kingsley Amis, John Gardner*, Raymond Benson, Sebastian Faulks, and Jeffrey Deaver, the article does hint at some corporate-level kibitzing — with the James Bond character and the individual continuation novels — by the Fleming family and the UK and US publishers. (This is something we’ve heard about [albeit secondhand] from John Gardner, and [directly] from Raymond Benson. Much like the Eon films, it would appear that the literary James Bond is also a factory-built product.)

You can read the post by James Harker, (the Guardian Student Writer of the Year 2010, whatever that means), JAMES BOND’S CHANGING INCARNATIONS , at the Guardian website. There is a “comments” section available for readers to chime in with their own opinion on the matter.

* To give the devil his due, the piece says Gardner’s 007 novels are “readable.”

UPDATE: And the Carte Blanche reviews continue to roll in…

(UPDATED JUNE 5, 2011)

The much-anticipated new James Bond novel Carte Blanche, by American thriller writer Jeffery Deaver, sees print today in the UK and Europe. A terrific publicity campaign, lasting for almost the previous year, has pushed the publication of this book to the level of a media event — something James Bond fans can be excited about, regardless of their personal reaction to the story.

The reviews are coming in. As with any James Bond vehicle, critical views are hugely leavened by subjectivity, depending on the critic’s personal experience(s) with 007’s fictional exploits in their own lives.

  • Jeremy Jehu, in the May 26 Telegraph gives the novel a very nice four-star review.
  • That same day, the Guardian‘s Stephen Poole was’nt, um… quite as happy with it.
  • Mark Sanderson of the London Evening Standard said, on May 26, Carte Blanche Is Another Fine Mr. Bond Yarn, in a positively glowing review.
  • In the May 27 Independent, Boyd Tonkin has a thoughtful, knowledgeable, and quite positive review.
  • Jennifer Selway, in the May 27 Scottish Daily Express, said it’s a “slightly mischievous take on Ian Fleming” in her 5/5 review.
  • May 29’s Sunday Guardian‘s Stephanie Merritt said “fans will approve of Jeffery Deaver’s James Bond” in her glowing review, a much different opinion from her colleague above.
  • The Independent‘s Alexandra Heminsley concurred with her colleague on May 29, saying “It’s hard to imagine anyone not being impressed by this novel” in her review from last Sunday.
  • Peter Millar, writing in Sunday’s the Times, states “Carte Blanche is a worthy homage to the myth, but it is hard to see how much longer publishers can go on making silk purses from a franchise that is a bit of a sow’s ear” in his three-star review of May 29.
  • In the June 3 Financial Times, Ludovic Hunter-Tilney tells us the history of the post-Fleming James Bond, in a knowledgeable piece that fans would do well to take in. The article culminates in a rather unenthusiastic review of Carte Blanche: “[Deaver’s] Bond is truer to today’s culture of managerial efficiency, but he has also lost much in the translation. 007 fans might have to face an unpalatable truth: their man is a shadow of himself in the 21st century.” Read Relicensed to kill, and think for yourself.
  • The June 4 issue of Ireland’s Independent carries an anonymously-written review that sings Deaver’s praises but has reservations about Carte Blanche: “It’s pretty entertaining, but it’s not a great Bond novel — nor a great Deaver one.” You can read the whole review here.
  • The Sunday Express of June 5 carries its second review. This time, critic Angela McGee says: “…Carte Blanche is excellent fun, a great read and Jeffrey Deaver has breathed new life into an old favourite.” Read the rest of her enthusiastic review here.

Keep watching this space, as we’ll update it with further reviews as they come in. If you haven’t read it yet, check out The HMSS Interview with Carte Blanche author Jeffrey Deaver!

Author Jeffrey Deaver and James Bond's Bentley Continental GT