Matt Helm movie project resurfaces, Deadline says

 

Illustration of Matt Helm on the back cover of the first edition of The Wrecking Crew, the second Helm novel.

The Matt Helm movie project that has been kicking around Paramount for years has resurfaced, according to Deadline: Hollywood.

The latest version of the project has Bradley Cooper attached to star, and Tom Shepherd hired to write a script, the entertainment news website reported.

“George Clooney, Grant Heslov, Alex Kurtzman and Roberto Orci are attached as executive producers, and Steven Spielberg is involved in some capacity,” Deadline said.

Fans of Donald Hamilton’s original novels have long wanted to see a serious version of Helm. Four spoofs starring Dean Martin and loosely based on Hamilton novels were made in the 1960s. Helm was also turned into a private eye in a short-lived series with Tony Franciosa in 1975.

In the novels, Helm was a “counter assassin” and told in the first person. They were a mix of Mickey Spillane (in terms of tone) but often had plots as fanciful as Ian Fleming’s.

Hamilton penned 28 Helm novels — 27 were published from 1960 to 1993, while the Hamilton family has held on to the unpublished 28th in case a movie got made. Hamilton died in 2006.

Whether anything comes of this effort remains to be seen.

Advertisements

Is The Ambushers coming true?

Poster for The Ambushers (1967)

Today, the Reuters news service had a story with the following first paragraph:

“High exposure to radiofrequency radiation of the type emitted by cell phones has been linked to tumors in tissues surrounding nerves in the hearts of male rats, but not female rats or any mice, according to a draft of U.S. government studies released on Friday.”

The blog couldn’t help it, but the first thing that came to mind was the 1967 movie The Ambushers, the third Matt Helm movie starring Dean Martin.

That film centered around a U.S. built flying saucer that could only be piloted by women. Why? Well, its power source killed men but left women unharmed.

At the beginning of The Ambushers, the U.S. flying saucer is undergoing its first flight. But it’s promptly hijacked by villains utilizing a giant magnet. The audience sees the saucer is piloted by Shiela (Janice Rule) but the angle about the power source killing men isn’t explained until later.

One other then-futuristic aspect of the movie has already come true. In the movie, Dino’s Helm is taking pictures with a seemingly innocent camera. He’s force to take the film out by a thug.

But it doesn’t matter because the camera already is broadcasting a digital image (though that term isn’t used) to Washington where Mac (James Gregory), the boss of ICE (Intelligence and Counter Espionage), and his assistants can view it.

Thus, Matt Helm had a digital camera decades before they became common.

Happy 100th birthday, Dino

Dean Martin (1917-1995), a lover not a fighter

Dean Martin (1917-1995), a lover not a fighter in The Ambushers (1967).

Today, June 7, is the 100th anniversary of the birthday of Dean Martin. Dino, in his day, was the epitome of cool and charm. For many, he still is.

His contribution to spy entertainment was starring in the four-film Matt Helm series produced by Irving Allen, former partner of Eon Productions co-founder Albert R. Broccoli.

To entice Dino, Allen made the actor his partner. As a result, Martin enjoyed a bigger pay day for the first Helm film, The Silencers, than Sean Connery got for Thunderball. Connery noticed and wanted to be a partner in the Bond franchise..

The Helm series doesn’t get respect in the 21st century. Many who like the movies refer to their affection as a “guilty pleasure.”

The Helm movies, rather than doing straight adaptations of Donald Hamilton’s serious novels, incorporated Dino’s “lovable lush” act.

One of the movies, Murderers’ Row, even had a plot point where Matt gives his boss Mac (James Gregory) a clue by deliberately misstating his alcohol preference. (“Matt Helm never drank a glass of bourbon in his life!” Mac says as he tries to figure out the traitor in his organization.)

For the record, this blog would greatly appreciate a new Helm movie that faithfully adapted the Hamilton novels. At the same time, the Spy Commander discovered the novels *because* of the Dean Martin films. Speaking strictly for myself, I’m very fond of both, despite the flaws of the movies.

Regardless, today is a day of celebration. Bottoms up, Dino.

“Without whom, etc.”

Ian Fleming, drawn by Mort Drucker, from the collection of the late John Griswold.

It was 109 years ago today that Ian Fleming was born.

Without him, James Bond novels wouldn’t have come to be. That would have freed up a slot for President John F. Kennedy’s list of his top 10 favorite books. Who knows what book would have benefited from being on that early 1960s list?

Also, James Bond movies wouldn’t have come to be. That’s 24 movies in the official series (and counting) plus two others.

Neither would have The Man From U.N.C.L.E., which originated when producer Norman Felton was approached about whether he’d like to a series based on Fleming’s Thrilling Cities book.

The author’s involvement (from October 1962 to June 1963) with U.N.C.L.E. spurred NBC to put the show in development. By the time Fleming exited (under pressure from Bond producers Albert R. Broccoli and Harry Saltzman), enough work had occurred for NBC to keep developing the series. One of Fleming’s ideas (that Napoleon Solo liked cooking) ended up in the 2015 movie version of the show.

For that matter, pretty much the entire 1960s spy mania (Matt Helm movies, Flint movies, I Spy, The Wild Wild Wild West, Mission: Impossible) probably doesn’t happen because Bond generated a market for such entertainment.

Happy birthday, Ian Fleming.

1991: Donald Hamilton discusses Matt Helm films

Donald Hamilton

Donald Hamilton

Over on The Spy Command’s Facebook page, reader Bill Groves shared a 1991 letter he received from Matt Helm creator Donald Hamilton.

In the letter, Hamilton commented about the four 1960s Matt Helm movies starring Dean Martin.

The films took Hamilton’s very serious novels and made them into comedies that incorporated bits from Dino’s variety show. The hero supposedly drank heavily (like Dean on his show) and was frequently surrounded by beautiful women. The Ambushers (1967) even had a joke referencing Martin’s birthplace of Stubenville, Ohio.

Poster for The Silencers

Poster for The Silencers

As it turns out, Hamilton wasn’t upset about the changes. Groves gave us permission to do a post about the letter. What follows is a portion of the text. The word is boldface was underlined by Hamilton in the original.

 

Dear Mr. Groves:

With respect to the Helm movies, my philosophy is that I write to entertain and once I’ve done a book or story to my satisfaction, anybody who can use my material entertainingly, and is willing to pay me for the privilege, is welcome, even if he doesn’t stick very closely to my original vision (if I may use a fancy word for it).

From this standpoint, I found the movie of THE SILENCERS enjoyable even though the playboy character played by Dean Martin was pretty far from the grimmer character I’d visualized. So it wasn’t my SILENCERS; it was still a fun movie, and I had no objections. (Of course a writer would always prefer to see his work brought to the screen the way he wrote it, but that happens so seldom, it’s only a dream.) The other Helm movies, unfortunately, were pretty mechanical and I didn’t like them much, not because they treated my ‘vision’ disrespectfully, but simply because they were not very enjoyable as movies.

(snip)

PS: For a much more satisfactory job, from the writer’s standpoint, try to catch a rerun of the movie made by William Wyler from my book THE BIG COUNTRY.

The Silencers, released in 1966, was the first film in the Helm series. It actually took material was from both 1960s’s Death of a Citizen, the first Helm novel, and 1962’s The Silencers, the fourth.

The four movies used varying amounts of Hamilton content from the books. For more details, read this 2000 article, which includes updates from 2006 and 2015.

Meanwhile, for those unfamiliar with it, The Big Country was an epic 1958 film with Gregory Peck, Charlton Heston, Burl Ives and Chuck Connors. Ives won an Oscar as best supporting actor.

Happy 100th, Donald Hamilton

A 1963 re-issue of Death Of a Citizen

A 1963 re-issue of Death Of a Citizen

Today, March 24, is the 100th anniversary of the birth of author Donald Hamilton, creator of Matt Helm.

It has been 23 years since the last Helm novel, The Damagers, was published. It’s common for fans of the series to get out their copies every so often to re-read the adventures of the American “counter-assassin.”

The Helm novels, unlike Ian Fleming’s James Bond novels, were written in the first person. The stories are like a cross between Mickey Spillane’s Mike Hammer novels and the more fantastic elements of Fleming’s 007 stories. Because the reader only discovers things as its hero (or anti-hero) does, you get sucked into the rhythms of the story before realizing just how much fantasy there is in them.

For example, with the sixth novel, The Ambushers, Helm ends up in a machete fight with an ex-Nazi while a missile is ready to be fired. But the journey to that point is pretty grim and gritty. By the time of the machete fight, you’re so caught up in the story you’re not going to stop there.

The first novel of the series, Death of a Citizen, was done as a one-off. Helm, who has been living peacefully for 15 years after World War II, is suddenly drawn back into his former violent life. An editor suggested with a few changes (including the character’s first name, George and killing off Helm’s wife) it could be turned into a series. The character became Matt Helm. Hamilton settled for Mrs. Helm getting a divorce.

The books were turned into comedies with Dean Martin, produced by Irving Allen, the former partner of James Bond producer Albert R. Broccoli. There has been talk for years of a series Helm film but nothing has developed.

Hamilton died in 2006. There is one unpublished Helm novel but the Hamilton family has held onto it in case a new movie develops. For now, fans of the novel have to be satisfied with re-reading Hamilton’s well-told stories.

Who’s the next spy to be revived? How about Matt Helm?

Matt Helm as he appeared on Fawcett paperbacks, circa 1963

Matt Helm as he appeared on Fawcett paperbacks, circa 1963

The Man From U.N.C.L.E., after a long hibernation, arrives in movie theaters in less that two weeks. If U.N.C.L.E. can stage a comeback, any character can. So who should be the next ’60s spy to be revived from “suspended animation”?

How about Matt Helm, code name Eric?

Strictly speaking, Helm wasn’t a spy. He was a “counter assassin,” taking out various murderous threats to the United States. Created by author Donald Hamilton (1916-2006), Helm was the star of 27 paperback novels, published from 1960 until 1993.

Of course, the general public has, at best, a hazy memory of that. Helm is mostly remembered for four movies starring Dean Martin, which turned Hamilton’s very serious novels into light romps, which resembled a spy version of Dino’s 1965-74 variety show on NBC.

As this blog has noted before, that film series probably affected the 007 films the most. To get Dean Martin involved, he was made a partner in the enterprise. When Dino made more money from The Silencers than Sean Connery got from Thunderball, the Scotsman’s relationship with Bond producers Albert R. Broccoli and Harry Saltzman soured.

In any case, like U.N.C.L.E. (which, after decades in the wilderness, arrives in movie theaters on Aug. 14), Helm has been “in development” in Hollywood for quite some time.

The last word this blog had was in 2012, when The Hollywood Reporter had a story that Helm still was on Paramount’s to-do list. If there’s been Helm news since, The Spy Commander missed it.

Regardless, you won’t find a Matt Helm movie on any list of scheduled movie releases in the near future.

Fans of Hamilton’s novels have long wished for a serious Matt Helm movie. In the jaded 21st century, audiences are more than ready for Helm’s rough stuff.

Still, Hamilton’s novels would be hard to replicate on film. The stories are told in the first person. Hamilton’s prose is so engaging, the reader gets sucked in. When Helm kills somebody, you almost find yourself saying, “Of course. What else was Matt to do?”

The beauty of Hamilton’s novels is they’re told in a gritty way (not unlike Mickey Spillane’s Mike Hammer novels), but the author could come up with plots as fanciful as anything Ian Fleming devised. It’s a delicate balancing act, but one that many readers enjoyed over more than three decades.

Perhaps the operative with the code name of Eric will never make a screen comeback. Still, if Solo and Kuryakin can return to the screen…..