Ford cars, RIP

“Have you not heard? Ford is getting out of the car business!”

This week, Ford Motor Co. said it was virtually exiting the car business in North America, its home (and most profitable) market. By 2020, Ford announced, it will just have two cars in its lineup: the Mustang sports car and the Ford Active crossover due out next year. Ford will concentrate on trucks, SUVs and “crossovers.”

For people of a certain age this seems almost unthinkable. Ford always was aggressive with product placement. Ford cars have been in generations of films and U.S. television shows.

Here’s a look at some prominent examples.

James Bond films: The Bond Cars website provides a list, which says Ford shows up early in the 007 film series produced by Eon Productions. For example, it’s a Ford that serves as the hearse used by Dr. No’s assassins when they kill MI6 operative Strangways.

Ford’s relationship geared up in Goldfinger. A Lincoln Continental is crushed. Felix Leiter rides around in a Ford Thunderbird. Auric Goldfinger uses Ford trucks to transport his larger laser gun to Fort Knox.

And, of course, the movie marked the film debut of Mustang. The sports car was introduced in the spring of 1964 while filming was underway on Goldfinger. Mustangs would also show up in Thunderball and Diamonds Are Forever.

Thunderball also featured a lot of Ford cars, including the Continental, Count Lippe’s Ford Fairlane and a station wagon among other vehicles. Emilo Largo drives a Ford Thunderbird on his way to SPECTRE headquarters immediately after the film’s main titles.

The automaker had an on-and-off relationship with the series. Teresa Bond (Diana Rigg) favored a red Mercury Cougar in On Her Majesty’s Secret Service. A number of Ford cars are crashed in the moon buggy chase in Diamonds Are Forever.

Ford also owned Aston Martin from 1987 until 2007. For Die Another Day, Ford had a huge product placement deal, mostly to promote European brands it owned at that time, including Aston, Land Rover and Jaguar. However, a Ford Thunderbird (driven by Halle Berry’s Jinx) also showed up.

The company’s ties to the film series ended with 2008’s Quantum of Solace. Land Rover would return in the 2010s, but after Ford had sold it off.

Matt Helm and Gail Hendricks (Dean Martin and Stella Stevens) in Matt’s Mercury station wagon equipped with a bar.

Matt Helm film series: For four 1960s Matt Helm movies with Dean Martin, Ford provided the vehicles.

Perhaps the most offbeat car was a Mercury station wagon, which was Matt Helm’s personal car in The Silencers (1966). It was equipped with a bar (!) in the back seat. Matt encourages Gail Hendricks (Stella Stevens) to have a drink or two to loosen up. She ends up consuming too much and passing out.

Other Ford-made cars in the series included a Thunderbird Matt drove around Monte Carlo in Murderers’ Row. It had some extras, including a device where words dictated into a microphone are spelled out on the car’s tail lights. (“If you can read this, you’re too close…”)

Hawaii Five-O (original series): Steve McGarrett’s signature car was a Mercury (a two-door model in the pilot, a four-door version thereafter). Lots of other Ford-made cars showed up during the 1968-1980 series.

Ford even supplied cars for an 11th season episode filmed in Singapore. The cast of that two-hour installment, The Year of the Horse, included George Lazenby, who received “special guest star” billing.

Erskine in a Mercury made by Ford Motor Co. in a sixth-season end titles of The FBI.

The FBI: Ford supplied cars for a number of Quinn Martin-produced shows. But the tightest relationship between the company and QM Productions was this 1965-1974 series.

Ford cut a deal to sponsor the show, which was broadcast on ABC. The automaker agreed to kick in extra money to ensure the series would be filmed in color. Executives felt a color series would show off Ford cars better. When The FBI debuted in fall 1965, most of ABC’s lineup was still produced in black and white.

Ford also vetoed the broadcast of one first-season episode, The Hiding Place, because there had been talk of a boycott being organized. The episode finally saw the light of day in 2011 when Warner Archive began releasing the show.

Symbolic of the ties between Ford and show came in the end titles. Inspector Lewis Erkine (Efrem Zimbalist Jr.) came out of the FBI Building (now the Department of Justice Building) and drove a Ford product home. It was a Mustang for the first four seasons. Subsequent seasons had different Ford-made cars.

The end titles were productions in and of themselves. Zimbalist traveled to Washington for annual meetings with then-Bureau Director J. Edgar Hoover. Ford would transport a car for him to drive in Washington for the following season’s end titles. Some of the cars were prototypes and weren’t the most sturdy.

This post merely scratches the surface. There have been many series over the years featuring Ford cars. It won’t be quite the same with Ford cars going away.

Matt Helm movie project resurfaces, Deadline says

 

Illustration of Matt Helm on the back cover of the first edition of The Wrecking Crew, the second Helm novel.

The Matt Helm movie project that has been kicking around Paramount for years has resurfaced, according to Deadline: Hollywood.

The latest version of the project has Bradley Cooper attached to star, and Tom Shepherd hired to write a script, the entertainment news website reported.

“George Clooney, Grant Heslov, Alex Kurtzman and Roberto Orci are attached as executive producers, and Steven Spielberg is involved in some capacity,” Deadline said.

Fans of Donald Hamilton’s original novels have long wanted to see a serious version of Helm. Four spoofs starring Dean Martin and loosely based on Hamilton novels were made in the 1960s. Helm was also turned into a private eye in a short-lived series with Tony Franciosa in 1975.

In the novels, Helm was a “counter assassin” and told in the first person. They were a mix of Mickey Spillane (in terms of tone) but often had plots as fanciful as Ian Fleming’s.

Hamilton penned 28 Helm novels — 27 were published from 1960 to 1993, while the Hamilton family has held on to the unpublished 28th in case a movie got made. Hamilton died in 2006.

Whether anything comes of this effort remains to be seen.

Is The Ambushers coming true?

Poster for The Ambushers (1967)

Today, the Reuters news service had a story with the following first paragraph:

“High exposure to radiofrequency radiation of the type emitted by cell phones has been linked to tumors in tissues surrounding nerves in the hearts of male rats, but not female rats or any mice, according to a draft of U.S. government studies released on Friday.”

The blog couldn’t help it, but the first thing that came to mind was the 1967 movie The Ambushers, the third Matt Helm movie starring Dean Martin.

That film centered around a U.S. built flying saucer that could only be piloted by women. Why? Well, its power source killed men but left women unharmed.

At the beginning of The Ambushers, the U.S. flying saucer is undergoing its first flight. But it’s promptly hijacked by villains utilizing a giant magnet. The audience sees the saucer is piloted by Shiela (Janice Rule) but the angle about the power source killing men isn’t explained until later.

One other then-futuristic aspect of the movie has already come true. In the movie, Dino’s Helm is taking pictures with a seemingly innocent camera. He’s force to take the film out by a thug.

But it doesn’t matter because the camera already is broadcasting a digital image (though that term isn’t used) to Washington where Mac (James Gregory), the boss of ICE (Intelligence and Counter Espionage), and his assistants can view it.

Thus, Matt Helm had a digital camera decades before they became common.

Happy 100th birthday, Dino

Dean Martin (1917-1995), a lover not a fighter

Dean Martin (1917-1995), a lover not a fighter in The Ambushers (1967).

Today, June 7, is the 100th anniversary of the birthday of Dean Martin. Dino, in his day, was the epitome of cool and charm. For many, he still is.

His contribution to spy entertainment was starring in the four-film Matt Helm series produced by Irving Allen, former partner of Eon Productions co-founder Albert R. Broccoli.

To entice Dino, Allen made the actor his partner. As a result, Martin enjoyed a bigger pay day for the first Helm film, The Silencers, than Sean Connery got for Thunderball. Connery noticed and wanted to be a partner in the Bond franchise..

The Helm series doesn’t get respect in the 21st century. Many who like the movies refer to their affection as a “guilty pleasure.”

The Helm movies, rather than doing straight adaptations of Donald Hamilton’s serious novels, incorporated Dino’s “lovable lush” act.

One of the movies, Murderers’ Row, even had a plot point where Matt gives his boss Mac (James Gregory) a clue by deliberately misstating his alcohol preference. (“Matt Helm never drank a glass of bourbon in his life!” Mac says as he tries to figure out the traitor in his organization.)

For the record, this blog would greatly appreciate a new Helm movie that faithfully adapted the Hamilton novels. At the same time, the Spy Commander discovered the novels *because* of the Dean Martin films. Speaking strictly for myself, I’m very fond of both, despite the flaws of the movies.

Regardless, today is a day of celebration. Bottoms up, Dino.

“Without whom, etc.”

Ian Fleming, drawn by Mort Drucker, from the collection of the late John Griswold.

It was 109 years ago today that Ian Fleming was born.

Without him, James Bond novels wouldn’t have come to be. That would have freed up a slot for President John F. Kennedy’s list of his top 10 favorite books. Who knows what book would have benefited from being on that early 1960s list?

Also, James Bond movies wouldn’t have come to be. That’s 24 movies in the official series (and counting) plus two others.

Neither would have The Man From U.N.C.L.E., which originated when producer Norman Felton was approached about whether he’d like to a series based on Fleming’s Thrilling Cities book.

The author’s involvement (from October 1962 to June 1963) with U.N.C.L.E. spurred NBC to put the show in development. By the time Fleming exited (under pressure from Bond producers Albert R. Broccoli and Harry Saltzman), enough work had occurred for NBC to keep developing the series. One of Fleming’s ideas (that Napoleon Solo liked cooking) ended up in the 2015 movie version of the show.

For that matter, pretty much the entire 1960s spy mania (Matt Helm movies, Flint movies, I Spy, The Wild Wild Wild West, Mission: Impossible) probably doesn’t happen because Bond generated a market for such entertainment.

Happy birthday, Ian Fleming.

1991: Donald Hamilton discusses Matt Helm films

Donald Hamilton

Donald Hamilton

Over on The Spy Command’s Facebook page, reader Bill Groves shared a 1991 letter he received from Matt Helm creator Donald Hamilton.

In the letter, Hamilton commented about the four 1960s Matt Helm movies starring Dean Martin.

The films took Hamilton’s very serious novels and made them into comedies that incorporated bits from Dino’s variety show. The hero supposedly drank heavily (like Dean on his show) and was frequently surrounded by beautiful women. The Ambushers (1967) even had a joke referencing Martin’s birthplace of Stubenville, Ohio.

Poster for The Silencers

Poster for The Silencers

As it turns out, Hamilton wasn’t upset about the changes. Groves gave us permission to do a post about the letter. What follows is a portion of the text. The word is boldface was underlined by Hamilton in the original.

 

Dear Mr. Groves:

With respect to the Helm movies, my philosophy is that I write to entertain and once I’ve done a book or story to my satisfaction, anybody who can use my material entertainingly, and is willing to pay me for the privilege, is welcome, even if he doesn’t stick very closely to my original vision (if I may use a fancy word for it).

From this standpoint, I found the movie of THE SILENCERS enjoyable even though the playboy character played by Dean Martin was pretty far from the grimmer character I’d visualized. So it wasn’t my SILENCERS; it was still a fun movie, and I had no objections. (Of course a writer would always prefer to see his work brought to the screen the way he wrote it, but that happens so seldom, it’s only a dream.) The other Helm movies, unfortunately, were pretty mechanical and I didn’t like them much, not because they treated my ‘vision’ disrespectfully, but simply because they were not very enjoyable as movies.

(snip)

PS: For a much more satisfactory job, from the writer’s standpoint, try to catch a rerun of the movie made by William Wyler from my book THE BIG COUNTRY.

The Silencers, released in 1966, was the first film in the Helm series. It actually took material was from both 1960s’s Death of a Citizen, the first Helm novel, and 1962’s The Silencers, the fourth.

The four movies used varying amounts of Hamilton content from the books. For more details, read this 2000 article, which includes updates from 2006 and 2015.

Meanwhile, for those unfamiliar with it, The Big Country was an epic 1958 film with Gregory Peck, Charlton Heston, Burl Ives and Chuck Connors. Ives won an Oscar as best supporting actor.

Happy 100th, Donald Hamilton

A 1963 re-issue of Death Of a Citizen

A 1963 re-issue of Death Of a Citizen

Today, March 24, is the 100th anniversary of the birth of author Donald Hamilton, creator of Matt Helm.

It has been 23 years since the last Helm novel, The Damagers, was published. It’s common for fans of the series to get out their copies every so often to re-read the adventures of the American “counter-assassin.”

The Helm novels, unlike Ian Fleming’s James Bond novels, were written in the first person. The stories are like a cross between Mickey Spillane’s Mike Hammer novels and the more fantastic elements of Fleming’s 007 stories. Because the reader only discovers things as its hero (or anti-hero) does, you get sucked into the rhythms of the story before realizing just how much fantasy there is in them.

For example, with the sixth novel, The Ambushers, Helm ends up in a machete fight with an ex-Nazi while a missile is ready to be fired. But the journey to that point is pretty grim and gritty. By the time of the machete fight, you’re so caught up in the story you’re not going to stop there.

The first novel of the series, Death of a Citizen, was done as a one-off. Helm, who has been living peacefully for 15 years after World War II, is suddenly drawn back into his former violent life. An editor suggested with a few changes (including the character’s first name, George and killing off Helm’s wife) it could be turned into a series. The character became Matt Helm. Hamilton settled for Mrs. Helm getting a divorce.

The books were turned into comedies with Dean Martin, produced by Irving Allen, the former partner of James Bond producer Albert R. Broccoli. There has been talk for years of a series Helm film but nothing has developed.

Hamilton died in 2006. There is one unpublished Helm novel but the Hamilton family has held onto it in case a new movie develops. For now, fans of the novel have to be satisfied with re-reading Hamilton’s well-told stories.

Who’s the next spy to be revived? How about Matt Helm?

Matt Helm as he appeared on Fawcett paperbacks, circa 1963

Matt Helm as he appeared on Fawcett paperbacks, circa 1963

The Man From U.N.C.L.E., after a long hibernation, arrives in movie theaters in less that two weeks. If U.N.C.L.E. can stage a comeback, any character can. So who should be the next ’60s spy to be revived from “suspended animation”?

How about Matt Helm, code name Eric?

Strictly speaking, Helm wasn’t a spy. He was a “counter assassin,” taking out various murderous threats to the United States. Created by author Donald Hamilton (1916-2006), Helm was the star of 27 paperback novels, published from 1960 until 1993.

Of course, the general public has, at best, a hazy memory of that. Helm is mostly remembered for four movies starring Dean Martin, which turned Hamilton’s very serious novels into light romps, which resembled a spy version of Dino’s 1965-74 variety show on NBC.

As this blog has noted before, that film series probably affected the 007 films the most. To get Dean Martin involved, he was made a partner in the enterprise. When Dino made more money from The Silencers than Sean Connery got from Thunderball, the Scotsman’s relationship with Bond producers Albert R. Broccoli and Harry Saltzman soured.

In any case, like U.N.C.L.E. (which, after decades in the wilderness, arrives in movie theaters on Aug. 14), Helm has been “in development” in Hollywood for quite some time.

The last word this blog had was in 2012, when The Hollywood Reporter had a story that Helm still was on Paramount’s to-do list. If there’s been Helm news since, The Spy Commander missed it.

Regardless, you won’t find a Matt Helm movie on any list of scheduled movie releases in the near future.

Fans of Hamilton’s novels have long wished for a serious Matt Helm movie. In the jaded 21st century, audiences are more than ready for Helm’s rough stuff.

Still, Hamilton’s novels would be hard to replicate on film. The stories are told in the first person. Hamilton’s prose is so engaging, the reader gets sucked in. When Helm kills somebody, you almost find yourself saying, “Of course. What else was Matt to do?”

The beauty of Hamilton’s novels is they’re told in a gritty way (not unlike Mickey Spillane’s Mike Hammer novels), but the author could come up with plots as fanciful as anything Ian Fleming devised. It’s a delicate balancing act, but one that many readers enjoyed over more than three decades.

Perhaps the operative with the code name of Eric will never make a screen comeback. Still, if Solo and Kuryakin can return to the screen…..

A cool U.N.C.L.E. publicity still (1965)

Toward the end of the first season of The Man From U.N.C.L.E., David McCallum, playing Illya Kuryakin, posed for a series of publicity stills during production of The Girls of Nazarone Affair, the next-to-last episode of the show’s first season.

In this photo, he’s in a convertible with Sharon Tate, who had a small role in the episode. Tate, in this photograph, shows off her personality that made an impression on casting directors. She soon would soon get larger roles.

Looking at this image, you can understand why Dean Martin wanted Tate to return for a planned fifth Matt Helm movie, The Ravagers. Tate had been his co-star in The Wrecking Crew.

It wasn’t to be. Tragically, she would be murdered in 1969 by the Charles Manson family.

David McC, Sharon Tate

Return of the mysterious, shadowy organization

Mission: Impossible Rogue Nation's teaser poster

Mission: Impossible Rogue Nation’s teaser poster

It’s like the mid-1960s all over again.

–Mission: Impossible Rogue Nation unveiled its teaser trailer this week, in which a mysterious, shadowy organization called the Syndicate is trying crush the Impossible Missions Force.

–SPECTRE, the 24th James Bond film, is in the midst of production, featuring a 21st century take on the organization that opposed 007 in the early Bond films.

–Avengers: Age of Ultron, the latest Marvel Studios film is coming out May 1 and may include the latest appearance by Hyrdra, a vast group that infiltrated SHIELD in last year’s Captain America: The Winter Soldier.

–The Man From U.N.C.L.E. movie is due out Aug. 14. It, too, features a mysterious organization. The question is whether it will be Thrush, the “supra nation” that opposed U.N.C.L.E. in the original 1964-68 series.

At this point, all we need Galaxy (two Derek Flint movies) and BIGO (three of four Matt Helm movies) to come back. KAOS, may be lurking as well (having been included in a 1980 theatrical movie and a 1989 made-for-TV film).

The notion of the huge group that, in some cases, was like a shadow government fell out of favor after the 1960s. Bond was the last man standing by 1971 and 007 encountered mostly one-off independent menaces (though some were affiliated with unfriendly governments). At the same time, the cinema Blofeld was the subject of jokes in Austin Powers movies.

What’s more, there were legal disputes about SPECTRE, with producer Kevin McClory saying the rights to the criminal organization belonged to him. A specific reference to SPECTRE boss Ernst Stavro Blofeld was taken out of the script of 1981’s For Your Eyes Only. The script had a line where a mysterious guy who resembled Blofeld said this was the 10th anniversary of his last encounter with 007. Even though it didn’t make the movie, it was too late to take it out of the Marvel Comics adaptation.

SPECTRE teaser poster

SPECTRE teaser poster

By 2012, Eon Productions said it wasn’t even interested in SPECTRE.

“I mean, we’ve talked about Blofeld over the years,” Eon Productions co-boss Barbara Broccoli said in an interview with CRAVE ONLINE. “The thing is Blofeld was fantastic for the time but I think it’s about creating characters that are, villains that are more appropriate for the contemporary world. It’s more exciting for us to create somebody new.”

Eon whistled a different tune after a 2013 settlement with the McClory estate secured the rights to Blofeld and SPECTRE. Recently, Broccoli acknowledged to Empire magazine that SPECTRE is a new take on the old villainous organization. The cast of SPECTRE includes Jesper Christensen, who played Mr. White, an official of a group called Quantum in Casino Royale and Quantum of Solace (the name wasn’t revealed until Quantum of Solace).

Marvel Studios also was bringing back the vast villainous organization. In 2011’s Captain America: The First Avenger, set during World War II, viewers were introduced to Hydra, formed by Hitler but a group that has its own ambitions to take over for itself. In the 2014 Captain America movie, we see Hydra is alive and well and moving forward on its ambitions.

Hydra in the comics made its debut in Strange Tales 135 in a story by Stan Lee and Jack Kirby that introduced Nick Fury, Agent of S.H.I.E.L.D. Later, writer-artist Jim Steranko connected Hyrdra to Fury’s World War II past, establishing that Hydra’s leader was Baron Wolfgang Von Strucker, a World War II foe of Fury’s.

The Man From U.N.C.L.E. teaser poster

The Man From U.N.C.L.E. teaser poster

With M:I, the existence of the Syndicate was teased at the end of 2011’s Mission: Impossible Ghost Protocol. In the original television series, the Syndicate merely was an alternate name for the Mafia. The trailer unveiled this week makes clear the Syndicate is a much larger animal.

Which brings us to Thrush, which U.N.C.L.E. was waging war against in that television series. (At one point, WASP and MAGGOTT were considered as alternate names.) Thrush had vast resources, with thousands of employees on the U.S. West Coast alone. In the show’s final season, Thrush spent billions of dollars in various failed schemes. The Thrush name, however, wasn’t mentioned in the teaser trailer that came out in February.

Why the surge in popularity for such organizations?

Well, Hydra has been part of successful Marvel movies. Also, naming specific countries as being responsible for mayhem can be tricky. In 2002, Die Another Day had the North Koreans as villains. In 2014, North Korea was the leading suspect for being responsible for hacking at Sony Pictures, including leaks of SPECTRE’s script. What’s more, no studio wants to offend China and its vast market for movie goers.

Thus, what is old is new again. Don’t bet against the return of Galaxy and BIGO.