Bernie Casey dies at 78

Bernie Casey, as Felix Leiter, with Sean Connery and Kim Basinger in Never Say Never Again

Bernie Casey, who co-starred with Sean Connery in 1983’s Never Say Never Again, has died at 78, TMZ and The Hollywood Reporter said.

Casey was the first African American actor to play CIA agent Felix Leiter. Prior to that, the screen Leiter had been portrayed by white actors.

Never Say Never Again was not part of the Eon Productions 007 series. It featured Connery’s return to the role of James Bond, a dozen years after his last appearance in the Eon series in Diamonds Are Forever.

Eon, in the 21st century, made the same move by casting Jeffrey Wright as Leiter in 2006’s Casino Royale and 2008’s Quantum of Solace.

Casey played in the National Football League for eight seasons as a wide receiver with the San Francisco 49ers and Los Angeles Rams. After he turned to acting, he generated almost 80 credits between 1969 and 2007, according to his IMDB.COM entry.

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007 by the numbers: Films per decade

An exchange with a fellow James Bond fan got us to thinking about the output of James Bond fans by decade.

There has been a long-term trend of fewer movies. Some say it’s because making films has gotten more complicated.

Anyway, without further analysis, here’s how it breaks down by decade.

1960s: 007 films. This was the decade of Bondmania so, naturally, it’s when output reached its zenith. There were six entries in the Eon Productions series, plus the Casino Royale spoof produced by Charles K. Feldman with fifth credited directors including John Huston.

1970s: 005 films. The Eon series began the decade by bringing back its original leading man (Sean Connery) while spending the rest of the ’70s with Roger Moore.

1980s: 006 films. The Eon series was like clockwork, with a movie every other year. Also, there was Connery’s final Bond film, Never Say Never Again, the non-Eon production that came out in 1983, the same year as Eon’s Octopussy.

Timothy Dalton replaced Moore with 1987’s The Living Daylights (after Pierce Brosnan had been signed but couldn’t get out a contract with NBC). Eon didn’t miss a beat. That would be the last time such a statement would be uttered, though fans didn’t realize it at the time.

1990s: 003 films. A big legal fight between Eon and studio Metro-Goldwyn-Mayer shut down production at the start of the decade. Bond didn’t return until 1995’s GoldenEye. But the (by now) tradition every-other-year production schedule still resulted in three entries for star Pierce Brosnan.

2000s: 003 films. MGM gave Eon an extra year to put out Die Another Day in 2002. It was Brosnan’s finale, though he didn’t know it at the time. Eon then went into a period of self-reflection. It got the rights to Casino Royale, opted to ditch Brosnan and hire Daniel Craig as a replacement.

Quantum of Solace in 2008 proved to be the final 007 film produced on an every-other-year schedule. But nobody knew it at the time.

2010s: 003 films (scheduled). The decade began with MGM going into bankruptcy and emerging as a smaller company. Craig, though, stayed onboard with 2012’s Skyfall, followed by 2015’s SPECTRE.

“Everybody’s just a little bit tired,” Daniel Craig said in 2016.

Then, another self-imposed break took hold.

“There’s no conversation going on because genuinely everybody’s just a bit tired,” Craig said at a New Yorker magazine event in fall 2016, referring to the next Bond film. Eon boss Barbara Broccoli stepped up her involvement with non-Bond films as well as plays, including a production of Othello with Craig.

Craig said last month on CBS’s The Late Show he would be back for Bond 25. “I needed a break,” he told host Stephen Colbert.

Eon has announced a U.S. release date of November 2019 for Bond 25. But, for now, it’s not known what studio will actually distribute the film. MGM doesn’t have a distribution operation and cuts deals with other studios.

Judge can’t resist 007 puns in box set ruling

Never Say Never Again’s poster

A federal judge in Seattle on Aug. 3 issued a 14-page ruling by a consumer who bought a James Bond box set marketed as containing “all” of the 007 movies but didn’t include 1967’s Casino Royale and 1983’s Never Say Never Again.

The ruling, reported on earlier by The Hollywood Reporter, rules for the consumer in part and against the consumer in part. Essentially, it does let the case proceed.

We’re mostly interested how Judge Ricardo S. Martinez couldn’t resist a good James Bond pun (or four) in his ruling.

Page 2: “At this time, Court will Live And Let Die. For the reasons set forth below, the Court GRANTS IN PART AND DENIES IN PART Defendants’ Motion.”

Page 10: “From the Defendants’ perspective, this claim will have to Die Another Day.

Page 12: “Plaintiff may amend her claim once if she discovers sufficient facts to establish privity, thus this claim may Only Live Twice.”

Page 14: “Although Diamonds Are Forever, if Plaintiff wishes to amend her Complaint as directed above, she only has fourteen (14) days from the date of this order.”

The 1967 spoof version of Casino Royale and Never Say Never Again were not made by Eon Productions. But both films are now owned by Metro-Goldwyn-Mayer, home studio for the Eon 007 series.

The official 007 Blofeld survey and the options not listed

Max Von Sydow

Max Von Sydow

When you have a long break between films, you need to engage the fans somehow.

So the official James Bond account on Twitter asked, “Who is your favourite Blofeld?”

However, given the weird history about Ernst Stavro Blofeld’s film rights, this question is more complicated, with some options understandably not listed.

The four choices are the Blofeld actors whose face could be seen onscreen in movies made by Eon Productions: Donald Pleasence (You Only Live Twice), Telly Savalas (On Her Majesty’s Secret Service), Charles Gray (misspelled Grey, at least when the tweet first went up, in Diamonds Are Forever) and Christoph Waltz (SPECTRE).

Not making the cut are the combination of Anthony Dawson (body) and Eric Pohlman (voice), used in From Russia With Love and Thunderball. On screen, we never see Blofeld’s face. The dialogue only refers to “Number One,” although the From Russia With Love end titles list “Ernst Blofeld” followed by a question mark in the cast of characters.

This version of Blofeld also dresses different than the others, wearing a suit and not the Nehru jacket-style top of the other four.

Also not listed is the stuntman (body) and Robert Rietty (voice) in the pre-titles sequence of For Your Eyes Only. Last year, the official 007 website carried a press release promoting a re-release of Bond movies featuring SPECTRE. The list included For Eyes Only. The villain in the pre-titles sequence was the only trace of SPECTRE in the movie.

At the time Eyes came out, the rights to Blofeld were in dispute and officially the character in the pre-titles sequence wasn’t Blofeld. In 2013, a settlement was reached with the estate of Kevin McClory, finally bringing Blofeld back into the Eon fold.

Finally, and most significantly, there’s Max Von Sydow, who played Blofeld in 1983’s Never Say Never Again, the McClory-Jack Schwartzman remake of Thunderball. It, of course, is not part of the Eon series and there’s no way the 007 Twitter account would include Von Sydow.

Still, Von Sydow is a great actor and his casting was a major plus for the movie. Unfortunately, he doesn’t get that much screen time. Von Sydow’s Blofeld does have a cat (like Eon’s Blofelds) but wears a suit.

The tweet about Blofeld is embedded below. Click on it to see the complete image.

UPDATE (10:10 p.m. New York time): Over on the official James Bond Facebook page, that version of the post does include the Dawson-Pohlman duo.

It should be noted that you can’t actually cast a ballot either on Twitter or Facebook.

Douglas Slocombe, renown cinematographer, dies at 103

Never Say Never Again's poster

Poster for Never Say Never Again, photographed by Douglas Slocombe

Douglas Slocombe, who photographed more than 80 films in a long career, has died at 103, according to AN OBITUARY BY AGENCE FRANCE-PRESSE.

Slocombe’s many credits included the first three Indiana Jones films from 1981 to 1989 as well as the 1983 007 film Never Say Never Again, not part of the 24-film series produced by Eon Productions.

The cinematographer also had his own real life adventure. He was in Poland on Sept. 1, 1939, working on filming for a documentary when Germany invaded the country, starting World War II. Here’s an excerpt FROM A 2014 BBC STORY:

“But I still remember the shock when at about 05:00 on 1 September we awoke to find the attack had begun,” says Slocombe. “There were bombers overhead and the whistle of falling bombs.

“I had no understanding of the concept of blitzkrieg. I had been expecting trouble but I thought it would be in trenches, like WW1. The Germans were coming over the border at a great pace.”

Slocombe and American filmmaker Herbert Klein, who was making the documentary, took a long, arduous trek. At one point, “A young girl died in front of us. We were shaken by that,” Slocombe told the BBC.

For part of the journey, “(W)e walked and walked north with the cart — me, Herbert Kline, the horse and the foal. By now I was an enemy alien so if we’d encountered any Germans that would have been it,” Slocombe told the BBC. They eventually got to Stockholm. The documentary, Lights Out in Europe, came out in 1940.

After something like that, photographing the make-believe Nazis of the Indiana Jones movies must have been child’s play.

Besides Steven Spielberg on the Indiana Jones films and Irvin Kershner on Never Say Never Again, Slocombe worked with a number of famed directors, including John Huston, as noted in this tweet:

A View To a Kill’s 30th: no more Moore

A View to a Kill's poster

A View to a Kill’s poster

To sort of steal from Christopher Nolan, A View To a Kill isn’t the Bond ending Roger Moore deserved, but it’s the one that he got when the film debuted 30 years ago this month.

Producer Albert R. Broccoli had prevailed at the box office in 1983 against a competing James Bond film with Sean Connery, Broccoli’s former star. Broccoli’s Octopussy generated more ticket sales than Never Say Never Again (with Connery as de facto producer as well as star).

That could have been the time for Moore to call it a day. Some fans at the time expected Octopussy to be the actor’s finale. Yet, Broccoli offered him the role one more time and the actor accepted.

Obviously, he could have said no, but when you’re offered millions of dollars that’s easier said than done. There was the issue of the actor’s age. Moore would turn 57 during production in the fall of 1984.

That’s often the first thing cited, such as THIS SUMMARY OF THE MOVIE posted on April 2 by What Culture, an entertainment website that specializes in “click bait” lists.

However, the problems go deeper than that. As we’ve written before, the movie veers back and forth between humor and really dark moments as if it can’t decide what it wants to be.

Typical of A View To a Kill's humor

Typical of A View To a Kill’s humor

Director John Glen and screenwriters Richard Maibaum and Michael G. Wilson constantly go from yuks and tension and back again. If the humor were better, that might be easier to accept. Typical example: In the pre-titles sequence, there’s an MI-6 submarine that’s supposed to be disguised as an iceberg but its phallic shape suggests something else.

For those Bond fans who never liked Moore, just mentioning the title of the movie will cause distress. Based strictly on anecdotal evidence over the years, many times admirers don’t mention it as one of his better 007 efforts.

We could critique the movie further, but most fans have heard it all before and, honestly, we don’t feel like going over the same ground here. If you want to experience that, go to a James Bond fan group on Facebook, type in, “I really like A View To a Kill,” and read the responses come in.

Regardless whether you’re a critic of Moore as 007 or a fan, he did hold down the 007 fort through some hectic times (including the breakup of Broccoli with his 007 producing partner Harry Saltzman). It would have been nicer to go out on a higher note than A View To a Kill. But storybook endings usually only happen in the movies.

1984: Kevin McClory’s SPECTRE

Kevin McClory ad in Variety in 1984.

Kevin McClory ad in Variety in 1984.

In 1984, a year after Never Say Never Again had arrived in theaters, Kevin McClory was already trying to kick start another James Bond film project not affiliated with Eon Productions.

Bond collector Gary Firuta sent us along the accompanying ad from Variety, the entertainment trade publication.

It says that Paradise Film Productions III had acquired “to license or sell certain James Bond film properties including S.P.E.C.T.R.E.” The ad goes on to say, “Bids will be considered shortly.”

McClory had an executive producer credit on 1983’s Never Say Never Again. He and producer Jack Schwartzman shared the “presents” vanity credit, similar to the Eon’s 007 series where producers Albert R. Broccoli and Harry Saltzman “presented” the film (with Broccoli the sole presenter after Saltzman sold off his interest in the enterprise).

Never Say Never Again got made because Sean Connery, who had starred in six Eon 007 films, was willing to come back to play Bond. But that was a one-time deal.

Still, McClory wasn’t done with Bond and would spend more than a decade trying to launch yet another Bond film adventure. Eventually, Eon (and Danjaq LLC) would best McClory in court. In 2013, Eon, Danjaq and Metro-Goldwyn-Mayer would settle with McClory’s estate to get back the rights to SPECTRE and Ernst Stavro Blofeld. The current Eon 007 film, SPECTRE, is now in production.