Luciana Paluzzi and Robert Vaughn in To Trap a Spy
July June 13 showed To Trap a Spy, the movie version of The Man From U.N.C.L.E. pilot during prime time, part of a evening featuring films with actor Robert Vaughn, the original Napoleon Solo.
The cable channel has showed the film before but usually in off hours. The 10:15 p.m. eastern time presentation meant it’d get an introduction from TCM host Robert Osborne, a one-time actor (he makes a brief appearance in the pilot for The Beverly Hillbillies) who has written extensively about movies for decades.
However, there were a few errors. Most of these are old hat to long-time U.N.C.L.E. fans. But with a new U.N.C.L.E. movie coming out in August, potential new fans may have watched. With that in mind here’s some fact checking.
The Man From U.N.C.L.E. was an immediate hit. No. It originally aired on NBC on Tuesday nights against The Red Skelton Show on CBS. U.N.C.L.E.’s ratings struggled, but rallied after a mid-season change to Monday nights. The show’s best season for ratings was the 1965-66 season when it aired at 10 p.m. eastern time on Fridays.
The show was “created by producer Norman Felton.” The situation is a bit more complicated. Felton definitely initiated the project. He consulted Ian Fleming, who contributed ideas but the one that stuck was naming an agent Napoleon Solo.
The vast bulk of U.N.C.L.E. was created by Sam Rolfe (who wrote the pilot and gets the “written by” credit on To Trap a Spy), including the character of Illya Kuryakin. The show had no creator credit and Rolfe had a “developed by” credit.
Felton’s “inspired idea.” Osborne said Felton always intended to turn some of the episodes into feature films released internationally (true). He then said the films were actually two episodes of the series edited together along with extra footage. (Not 100 percent true).
The first two movies, To Trap a Spy and The Spy With My Face, were based on first season single episodes: the pilot, The Vulcan Affair, and The Double Affair, with additional footage.
Starting with the second season, the show did two-part episodes that were edited, with some additional footage, into movies for the international market. That was the case for the rest of the series, including the two parter, The Seven Wonders of the World Affair, that ended the series in January 1968.
Osborne also made it sound as if all of the first season were filmed in color, even though it was broadcast in black and white on NBC. Not true.
Both The Vulcan Affair and The Double Affair were filmed in color, as was the extra film footage with each. The rest of the season, however, was filmed in black and white.
One oddity is the first season episode The Four-Steps Affair. Ever efficient, Felton took some of the extra footage from the first two U.N.C.L.E. movies (including Luciana Paluzzi in To Trap a Spy) and had a new story written to incorporate it. Sexy scenes for To Trap a Spy between Vaughn and Paluzzi were toned down for Four Steps.
Some of Four Steps is a black and white print from a color negative. The same applies to the broadcast versions of Vulcan and Double. But the new material for Four Steps was filmed in black and white, like most of the first season. There’s a slight change in contrast as the story goes back and forth between the two sources of footage.
Meanwhile, in Osborne’s closing remarks after the movie, he worked in a plug for the Guy Ritchie-directed U.N.C.L.E. movie coming out in August. TCM is owned by Time Warner, also the parent company of Warner Bros., the studio releasing the August film.
Filed under: The Other Spies | Tagged: A movie version of The Man From U.N.C.L.E.?, Guy Ritchie, Ian Fleming, Luciana Paluzzi, Norman Felton, Robert Osborne, Robert Vaughn, Sam Rolfe, TCM, The Man From U.N.C.L.E, The Other Spies, The Spy With My Face, To Trap A Spy, Warner Bros. | 2 Comments »