Daniel Craig during the filming of Skyfall
An exchange with a former colleague prompted us to look back at how James Bond films have evolved the past decade.
Paul Baack, co-founder of the former Her Majesty’s Secret Servant website (and originator of this blog), made the following observation via social media. His quote is presented here with his permission.
“At their best, James Bond movies are factory-made ‘B’ pictures with…’A movie’ polish.”
Ian Fleming’s original novels had a lot of influences. Some of his novels come across as fancier versions of pulp adventure stories. At one time, pulp-like stories were “B” movie fodder while “A” films were more prestigious, adult fare.
The early Bond movies were, indeed, like “B” movies with “A” movie gloss. Even the modestly budgeted Dr. No had Ken Adam-designed sets that made it look more expensive than it really was. Back in September, we posed the questions whether Goldfinger could be considered the first “A-movie” comic book film.
And, whether you consider them a factory product, the movies were controlled by producers Albert R. Broccoli and Harry Saltzman, and later Broccoli solo. Directors had impact, but Bond films weren’t part of the auteur school of movie making.
Since 2005, when actor Daniel Craig was cast for Casino Royale, the formula changed. The Bond series, in some respects, became “A-movie” dramas with genre-movie action sequences and special effects.
Directors began to exhibit auteur tendencies. Marc Forster had scripts reshaped to fit his “classical four elements” theme of fire, water, earth and air (see HAPHAZARD STUFF’s four-part video review of the film for details). Sam Mendes, with Skyfall, emphasized drama. Example: near the end of the pre-credits sequence, when it appears Bond has been killed, it starts raining outside M’s office. Also, M (Judi Dench) gets to read a poem in a dramatic moment.
Bond directors have yet to get a vanity credit — “A Sam Mendes Film” or “A Film by Sam Mendes”. Still, they do seem to have more control than under the Brocccoli-Saltzman days. With Mendes aboard once more for SPECTRE, that doesn’t look to change.
Meanwhile, the new Bond dramas aren’t inexpensive. Documents hacked from Sony Pictures indicate the new movie’s budget may exceed $300 million, which would make it one of the most expensive movies of all time. That’s not just “A-movie” polish, that’s a warehouse full of “A-movie” polish.
Filed under: James Bond Films | Tagged: Daniel Craig, Goldfinger, Ian Fleming, James Bond Films, Marc Forster, Paul Baack, Quantum of Solace, Sam Mendes, Skyfall, SPECTRE | 2 Comments »