Paul Haggis arrested on sexual assault charges

Paul Haggis, who worked on two James Bond films as a writer, has been arrested in Italy on sexual assault charges, Variety reported.

Haggis was a screenwriter on 2006’s Casino Royale and 2008’s Quantum of Solace.

Here is an excerpt from the Variety story:

According to multiple Italian press reports and a note from the public prosecutor of the nearby city of Brindisi, Haggis is charged with forcing a young “foreign” – meaning non-Italian – woman to undergo sexual intercourse over the course of two days in Ostuni, where he was scheduled to hold several master classes at the Allora Fest, a new film event being launched by Los Angeles-based Italian journalist Silvia Bizio and Spanish art critic Sol Costales Doulton that is set to run in Ostuni from June 21 to June 26.

When Casino Royale came out in 2006, Haggis got a lot of credit after taking over from Neal Purvis and Robert Wade in the scripting process.

Haggis’s pages referred to “James,” where most Bond scripts refer to Bond as “Bond.”

With Quantum’s final screenplay credit, Haggis got top billing over Purvis and Wade.

At one point, there were reports that Haggis supposedly contributed to the script of No Time to Die. The final credit went to Purvis and Wade, director Cary Fukunaga, and Phoebe Waller-Bridge.

Haggis received no screenplay credit on No Time to Die.

United Artists Releasing makes a NTTD script available

Robert Wade, left, and Neal Purvis. (Paul Baack illustration)

United Artists Releasing, which distributed No Time to Die in the U.S., has made a version of the movie’s script available as part of a push to get awards for the Bond film.

UAR has put a PDF of the script online. It’s described as a final script. That suggests it reflects the final version of the movie seen in theaters, pay-per-view, and home video.

As a result, there are likely no clues as to which writers (the credited Neal Purvis and Robert Wade team, director Cary Fukunaga, and Phoebe Waller-Bridge as well as the uncredited Scott Z. Burns) contributed what.

Still, for those who collect Bond scripts, there are interesting tidbits in the stage directions.

For example, there is this passage when the movie switches from a young Madeline Swann to an adult one.

EXT. GROTTO ON THE SEA, ITALY – DAY

SOUNDS OF OCEAN WAVES CRASHING

Madeline breaks the surface of the water as if Safin was pulling her out –

She gasps but is frozen — opens her eyes, he is gone. It was just a vision.

BOND stands like Adonis on a lido overlooking the sea. She turns, feeling his eyes on her.

BOND

You okay?

Madeline smiles, burying the past trauma. She’s been dealing with this for years.

United Artists Releasing is a joint venture between Metro-Goldwyn-Mayer, Bond’s home studio, and Annapurna Pictures.

Purvis & Wade say #MeToo didn’t affect their work

Robert Wade, left, and Neal Purvis. (Paul Baack illustration)

Screenwriters Neal Purvis and Robert Wade, in an interview with The Guardian, say the #MeToo movement didn’t affect their work on No Time to Die.

“I don’t think we did anything differently because of that,” Wade told The Guardian. “We’ve never wanted to be sexist: it doesn’t look good for Bond. I’ve got daughters, and I wouldn’t want him not to be a good role model.” 

The comment was part of a broader profile of the writing duo, who have been involved writing every James Bond film since 1999’s The World Is Not Enough.

The comment also is interesting because the notion that No Time to Die reflects an adjustment to #MeToo had been a talking point in publicity for the film. #MeToo, per Wikipedia, refers to “a social movement against sexual abuse and sexual harassment where people publicize allegations of sex crimes.”

For example, there’s this excerpt from a November 2019 article in The Hollywood Reporter.

No Time to Die will be the first entry in the series to land in a #MeToo and Time’s Up world. And while the $7 billion franchise may forever be best known for its womanizing namesake agent, director Fukunaga (True Detective, Beasts of No Nation) and producer Barbara Broccoli have worked hard with both (Lashana) Lynch and (Ana) de Armas to create a new type of female Bond character who is much more fully realized than the “Bond girls” of films past.

“It’s pretty obvious that there is an evolution in the fact that Lashana is one of the main characters in the film and wears the pants — literally. I wear the gown. She wears the pants,” says de Armas.

In a September 2021 story, director Cary Fukunaga told The Hollywood Reporter that #MeToo did have an impact.

Perhaps the biggest hurdle for the film was bringing its globe-trotting lothario into Hollywood’s post-#MeToo reality. After all, No Time to Die began development in 2016, before the industry embarked on a period of self-reflection in the wake of Harvey Weinstein’s downfall for predatory behavior. Though Craig’s oeuvre puts a greater emphasis on the quality of drinks than the quantity of women, the history of Bond includes casual misogyny and worse.

“Is it Thunderball or Goldfinger where, like, basically Sean Connery’s character rapes a woman?” Fukunaga asks. “She’s like ‘No, no, no,’ and he’s like, ‘Yes, yes, yes.’ That wouldn’t fly today.”

In addition to directing, Fukunaga shared the screenwriting credit with the Purvis and Wade team as well as Phoebe Waller-Bridge.

In 2019, in a video interview in Jamaica, Barbara Broccoli, the boss of Eon Productions, also said #MeToo had an impact on No Time to Die, which was about to start principal photography.

“The #MeToo movement came at the right time — I mean long overdue,” Broccoli said during that interview. “It’s had a huge impact on the world…I think everything we do has to reflect that. So I think the film absolutely will incorporate that.”

No Time to Die’s Oscar push is underway

No Time to Die poster

Metro-Goldwyn-Mayer and United Artists Releasing (the MGM-Annapurna joint venture that distributed No Time to Die in the U.S.) are inviting people to screenings of No Time to Die in Los Angeles and New York as part of a push to get the 25th James Bond movie Oscar nominations.

The Los Angeles screenings are today (Nov. 5), Nov. 12, Nov. 13 and Nov. 15. The New York showings are Nov. 14, Nov. 18 and Nov. 24.

The invitations include “FOR YOUR CONSIDERATION IN ALL CATEGORIES” including:

BEST PICTURE: Michael G. Wilson, p.g.a, Barbara Broccoli, p.g.a. (That’s Producers Guild of America)

BEST ACTOR: Daniel Craig

BEST DIRECTOR: Cary Joji Fukunaga

BEST ADAPTED SCREENPLAY: Purvis, Wade, Fukunaga, Waller-Bridge

BEST SUPPORTING ACTOR: Malek, Waltz, Wright, Fiennes, Whishaw, Magnuson

BEST SUPPORTING ACTRESS: Seydoux, Lynch, Harris, de Armas.

BEST CINEMATOGRAPHY

BEST COSTUME DESIGN

BEST EDITING

BEST PRODUCTION DESIGN

BEST MAKEUP & HAIRSTYLING

BEST SOUND

BEST VISUAL EFFECTS

BEST ORIGINAL SCORE (listing only Hans Zimmer, not Steve Mazzaro, his co-composer)

BEST ORIGINAL SONG

This is the summary of the movie included in the invitations:

Daniel Craig concludes his five-film portrayal of James Bond in NO TIME TO DIE, directed by Cary Joji Fukunaga. Joining forces with his MI6 team (Ralph Fiennes, Ben Whishaw, and Naomie Harris) and a new generation of agents (Lashana Lynch and Ana de Armas), Bond faces the highest stakes of his espionage career confronting a global threat devised by Safin (Rami Malek) that has estranged his beloved Dr. Madeline Swann (Lea Seydoux) and emotionally explores the sacrifices of heroism. The adapted screenplay is by Neal Purvis & Robert Wade and Cary Joji Fukunaga and Phoebe Waller-Bridge. The original song “No Time to Die” is written and sung by Billie Ellish.

No Time to Die becomes reality this week

No Time to Die teaser poster

After an almost six-year wait, the 25th James Bond film made by Eon Productions becomes a reality this week.

No Time to Die, after many, many hiccups (to put it kindly), will be seen by its first audiences this week.

The official premiere is Sept. 28 in London. There will be other showings in other countries. At long last, Daniel Craig’s Bond farewell will be seen by audiences.

The project was announced on July 24, 2017, with no distributor, no director, and even no star. The only creative crew attached were writers Neal Purvis and Robert Wade.

Daniel Craig, who had starred in the previous four Bond films, finally said on the Aug. 15, 2017 telecast of The Late Show on CBS that he was coming back. Earlier in the day, in radio station interviews, he claimed nothing had been decided.

“No decision has been made at the moment,” Craig told Magic 106.7 at the time. “There’s a lot of noise out there. Nothing official has been confirmed. I’m not like holding out for more money or doing anything like that.”

Since then, the radio stations took down the original links to the interviews. Evidently, radio stations are low on the media totem pole and there are no problems with lying to them.

No Time to Die (as the movie eventually would be titled) went through many rewrites. Besides Purvis and Wade, the likes of Scott Z. Burns, Phoebe Waller-Bridge and director Cary Fukunaga took a whirl at the script.

Also don’t forget for a time that John Hodge was supposed to be the main writer. He and Danny Boyle, the first announced director, had pitched an idea. A script in development for a year was set aside when Boyle and Hodge (supposedly) had a great idea that wowed Eon Productions and Metro-Goldwyn-Mayer, Bond’s home studio.

Then, all of a sudden, the Boyle-Hodge take was found wanting. Members of FOE (Friends of Eon) tried to reassure fans everything was still on track.

Except it wasn’t. The original fall 2019 release date got pushed back to February 2020 and then April 2020.

The COVID-19 pandemic caused further delays. Fall 2020. Spring 2021. Finally, the impending fall 2021 dates.

Nevertheless, Bond is a hard man to put down. Bond never conquered COVID. But he’s coming out this week in the U.K. (and elsewhere) as well as North America next week.

No Time to Die was conceived during the pre-pandemic era. That’s when expensive movies were brought out by studios. If audiences liked them, a box office of $1 billion was possible. No Time to Die, which had production spending approaching $300 million, sought that target.

The new Bond film is coming out in a new world. Maximum movie box office achievement is well below $1 billion.

Maybe Bond can change that. But, personally, I wouldn’t go banco on that.

Regardless, Bond fans are excited. And they should be. The gentlemen agent is back after a long hiatus.

Will this be a “cinematic masterpiece” in the words of Eon Productions boss Barbara Broccoli? That’s up to the audience.

The fact is, the audience finally gets a chance to judge. The hype is over. Let’s see how it goes.

Bond 25 questions: THR’s Fukunaga story edition

No Time to Die’s back story is often opaque

The Hollywood Reporter has come out with a big feature story about Cary Fukunaga, the director of No Time to Die.

But there are elements that don’t square up previous tellings of No Time To Die’s back story. Naturally, the blog has questions.

Whose idea was it to bring aboard Phoebe Waller-Bridge as a writer for the 25th James Bond movie?

According to THR, it was Fukunaga’s, of course.

At Fukunaga’s suggestion, Phoebe Waller-Bridge was brought in to work on the draft he wrote with Neal Purvis and Robert Wade, who have worked on every Bond film since 1999’s The World Is Not Enough.

Except, supposedly it was the idea of star Daniel Craig. For example, there’s this story from IndieWire in February 2020:

 The “Fleabag” creator, whose Amazon Prime Video series picked up six Primetime Emmy Award wins last year, was brought onto the film back in 2019 at the behest of star Daniel Craig.

Oh. Well, the winners get to write the history. Both Fukunaga and Waller-Bridge were among the winners of the No Time to Die saga.

How big a factor was #MeToo in No Time to Die’s development?

Apparently, a lot. We won’t really know until the movie comes out shortly. But THR’s story has some clues.

A quote in the THR story from Lashana Lynch: “Cary had big discussions with Barbara (Broccoli) and Daniel about how to give the female characters equity, how to keep them in charge of themselves, how to give them solo moments where the audience learns who they are.  It was really important to empower the female characters as stand-alones. And I think that he kept that in mind throughout the whole shoot.”

A quote from Barbara Broccoli in the new story:

“I think people are coming around — with some kicking and screaming — to accepting that stuff is no longer acceptable. Thank goodness. Bond is a character who was written in 1952 and the first film [Dr. No] came out in 1962. He’s got a long history, and the history of the past is very different to the way he is being portrayed now.”

Finally a quote from Fukunaga himself in The Hollywood Reporter:

“Is it Thunderball or Goldfinger where, like, basically Sean Connery’s character rapes a woman?” Fukunaga told THR. “She’s like ‘No, no, no,’ and he’s like, ‘Yes, yes, yes.’ That wouldn’t fly today.”

Why did Bond 25 switch from Danny Boyle to Cary Fukunaga as director?

Bond 25 has a complicated history. Neal Purvis and Robert Wade, long-time Bond screenwriters, were hired in 2017 to develop a script. They worked on it for months. Then, in 2018, it became known than director Danny Boyle and his writer, John Hodge, made a pitch.

An announcement came out in spring 2018 that the Boyle and Hodge team were hired. The initial script was set aside.

But later that year, they were gone. Fukunaga would soon be hired.

The key excerpt from THR’s story:

With Boyle, there was a deviation of visions. His version was more tongue-in-cheek and whimsical. Broccoli and Wilson wanted something more serious for Craig’s final outing.

This leads to a lot of questions. Did Eon, which at one time loved the Boyle-Hodge pitch, not realize the tone was different? Did Eon not vet Boyle and Hodge?

We’re less than a week before the premiere of No Time to Die. Many fans don’t want to hear about this.

Still, The Hollywood Reporter raises more questions than answers

THR: Boyle’s Bond 25 was more whimsical

Cary Joji Fukunaga, director of No Time to Die

Danny Boyle, the original director for Bond 25, had in mind a project that was “more tongue-in-cheek and whimsical,” The Hollywood Reporter said today in a feature story about Cary Fukunaga, who ended up helming the 25th James Bond movie.

Barbara Broccoli and Michael G. Wilson “wanted something more serious” for actor Daniel Craig’s final turn as Bond, according to the entertainment news outlet.

After Boyle’s departure, Fukunaga told THR, “I emailed Barbara and was like, ‘Is there a chance to talk about this?’ She responded right away, and we set up a meeting the next week. I didn’t have a pitch or anything, just asked them what they’re after and what wasn’t working.”

This raises all sorts of questions. In 2018, Eon put aside a script it had been developing after Boyle pitched a supposedly great idea that wowed Eon and executives at Metro-Goldwyn-Mayer. In May 2018, it was announced Boyle was directing with John Hodge doing the script.

The main question is did Eon and MGM vet Boyle and Hodge and the great idea? Boyle apparently did not vet how Eon works.

In the article, Fukunaga is credited with suggesting Phoebe Waller-Bridge as a writer for No Time to Die, Bond 25’s eventual title.

No Time to Die podcast returns

The official No Time to Die podcast returned Wednesday evening U.S. time. The podcast began in September 2020 but went into hibernation after the movie’s release was pushed back into 2021.

The first two episodes are online. The first, Bond in Context leads off with a discussion about how the 25th James Bond film has been delayed three times because of COVID-19. Barbara Broccoli and Michael G. Wilson of Eon Productions are interviewed about that subject.

Also, “You can also be the first to hear exclusive score from Hans Zimmer released by Decca Records,” according to the episode’s description. The episode runs 44 minutes.

The second episode is titled A Name to Die for: Allies and Enemies of Bond.

“Led by interviews from Rami Malek, Naomie Harris, Jeffrey Wright, Phoebe Waller-Bridge, Léa Seydoux, Ben Whishaw and Lashana Lynch, we’ll explore what makes a classic supporting character and look back at some of 007’s most iconic nemeses,” according to a description.

James King is the host.

UPDATE: In episode 1, Barbara Broccoli says No Time to Die “is a cinematic masterpiece.” We’ve all heard hype for movies but those are strong words.

Bond 25 questions: The unanswered questions edition

Scott Z. Burns

With the debut of the final U.S. and international trailers for No Time to Die, a majority of James Bond fans are jacked up. It’s less than a month before the world premiere.

Admittedly, the blog’s attention is wondering to unanswered questions — which may never be answered. So here goes.

What did Scott Z. Burns contribute to the script? Burns is a high-priced “script doctor” who brought in to work on the script a few months before filming began.

Eon Productions briefly referenced Burns’ participation. Here was a tweet from Eon’s official James Bond feed on Twitter on April 25, 2019.

However, after the Writer’s Guild of America weighed in, Burns was out. Burns is highly paid. It’s doubtful the scribe did nothing.

How much of the score *really* is by Hans Zimmer and how much is by Steve Mazzaro (and others)?

In the advertising materials, we’re told, “Music by Hans Zimmer.” But Zimmer is on record that his colleague Steve Mazzaro did a lot of the work and should get top billing on the music credit. Of course, Zimmer is more of a brand than a composer. Most fans will ignore this, but the blog remains interested.

Why was Dan Romer, the original No Time to Die composer, sent packing?

Romer had worked with director Cary Fukunaga on other projects. Romer was listed as No Time to Die’s composer for a time. Then, all of a sudden, his name was gone. Zimmer’s name was his place.

The conventional wisdom is that Romer’s work was too “out there.” OK, but what does that mean? For that matter, is Zimmer & Co.’s replacement score truly a “Bond” score, a la John Barry, or is it a typical Zimmer piece of work?

How much input did Eon’s Michael G. Wilson have with No Time to Die?

For the better part of a decade, Eon boss Barbara Broccoli has been depicted as *the* leader of the Eon effort. Her half-brother, 18 years her senior, doesn’t get mentioned that much.

Is that true? Is he just collecting a paycheck? Is he taking it easy these days. Or did he make significant contributions to the project.

Questions, questions.

A review of No Time to Die’s scripting process

Dramatic re-enactment.

Earlier today, I was reminded by @_SpringY84 that Aug. 21 is a notable anniversary in the development of Bond 25/No Time to Die.

A brief discussion broke out how all this came to be. In turn, that got me to thinking how the scripting developed. So here’s a quick review.

As far back as March 2017, Baz Bamigboye of the Daily Mail reported veteran Bond scribes Neal Purvis and Robert Wade were being hired for Bond 25. The duo’s return was confirmed July 24, 2017 in announcements by Eon Productions and Metro-Goldwyn Mayer stating Bond 25 would have a U.S. release date of Nov. 8, 2019.

Those announcements have since been stripped from the websites of Eon and MGM. In any event, the involvement of Purvis and Wade was made official before the return of star Daniel Craig. The latter wouldn’t take place until mid-August 2017.

In December 2017, Purvis and Wade were still on the project. Eon boss Barbara Broccoli told a Hollywood Reporter podcast that the writers were “busy working away, trying to come up with something fantastic.”

Well, apparently it wasn’t that fantastic.

By early 2018, Danny Boyle and writer John Hodge put their hands up, saying they had some great ideas for Bond 25. Evidently, it was a great pitch because Hodge was commissioned to turn it into a script. If that script got approval, that would be the new path ahead for Bond 25.

Boyle (vaguely) commented about the process in March 2018.

Apparently, the script was OK with Eon in the spring of 2018. A May 25, 2018, announcement about the movie includes Boyle as director and Hodge as screenwriter. No mention of Purvis and Wade.

As noted at the start of this post, such bliss didn’t last. By Aug. 21, it was so long Danny and John, welcome back Neal and Robert. The writers would soon work with a new director, Cary Fukunaga.

Here’s how the process was described by an article in Total Film.

Boyle’s script, written by Trainspotting’s John Hodge (which contained “some extraordinary ideas, they just needed a little pulling together,” according to production designer Mark Tildesley) was scrapped, with Purvis and Wade brought in to pick up where they left off a year prior. “Effectively, we went back to what we’d done,” says Purvis. “And then we changed things with Cary over several months in the attic at Eon.” As well as being the first American, Fukunaga is the first director to have a writing credit on a finished Bond film. “He’s fresh to it,” Wade says of Fukunaga. “He’s open to doing things differently, and wanted to push the boundaries as much as he could. This film feels quite different to the last one, even though it’s got elements that connect it.”

Things weren’t quite that simple. The release date would be pushed back into 2020 with Fukunaga coming onboard. COVID-19 would push the release into 2021.

Meanwhile, Phoebe Waller-Bridge (with Daniel Craig taking credit for recruiting her) and Scott Z. Burns did rewrites at the word processor. Burns’ arrival was initially hyped by The Playlist in February 2019. Rodrigo Perez of The Playist said Burns was doing “an overhaul and I won’t be surprised if Burns is ultimately given first screenplay credit.”

As it turned out, Burns received no writing credit on No Time to Die. Savior one day, forgotten man the next day.

All this time later, we don’t know what spectacular ideas Boyle and Hodge came up with to spur Eon to ditch a script in the work for months. The ones who do know have probably signed non-disclosure agreements.

Regardless, today’s anniversary calls to mind a rather involved process. Let’s hope No Time to Die’s final script is as involved as the work performed to create it.