Spanish in James Bond movies

Goldfinger poster

Goldfinger poster

By Nicolás Suszczyk, Guest Writer

SMERSH’s dossier on James Bond stipulates he is fluent in three languages: English, French and German.

However in the films, Bond and those he encounters speak a fair amount of Spanish on occasion.

 

From Russia with Love (1963)

The audience hears a few words in Spanish during the SPECTRE training sequence in the pre-title sequence.

As Red Grant terminates the fake 007 during his exercise, a few headlights are turned on and a voice in an unidentified dialect says: “Silencio, cada uno donde está”, which in English means “Silence! Everyone, stay where you are.”

Goldfinger (1964)

In the pre-title sequence of Goldfinger, James Bond breaks into a heroin-making laboratory in Latin America.

After setting up explosive charges over nitro barrels in Ramírez’ lab, Bond goes to a nearby canteen. There, a dancer named Bonita makes up a flamenco step show with people cheering.

The charges explode and as the crowd moves along, Bond talks to a man in English. It’s his contact. He warns 007 not to go back to his hotel and to take the first plane to Miami. He addresses Bond as Señor, not Mister.

Bond disregards the advice and goes to see Bonita. He is attacked by an assailant, whom he terminates with electricity in a “shocking” way. The assailant, played by stuntman Alf Joint, is wrongfully credited in publications as “Capungo” as if it were a name or a surname. In Ian Fleming’s novel, we know capungo is a Mexican slang for “thug” or “hitman.”

The Man With The Golden Gun (1974)

Villain Scaramanga (Christopher Lee) says a single line in Spanish when having lunch with Bond, claiming the death of 007 “mano a mano, face to face” will be all his.

FYEO U.S. Insert

For Your Eyes Only (1981)

This is the first film in the series where 007 speaks in Spanish. Roger Moore has the distinction of being the first Bond to use the language.

007 is sent to Madrid to capture and interrogate Héctor González, a Cuban hitman responsible of the death of Timothy and Iona Havelock. While spying on the González estate, Bond is captured. The agent escapes after a diversion caused by Melina, the daughter of the late Havelocks, when she shots a bolt into González’ back.

As Bond and Melina escape, we hear some words: “¡Vamos, que no se puede escapar!” (Come on, we can’t let him escape). Later, 007 and the girl try to find a way out while driving Melina’s Citroen 2 CV.

The car flips down while taking a low road and some of the natives try to help the couple. As the henchmen of González try to reach them in their more powerful Mercedes Benz, Bond asks the citizens to help them push the car: “Por favor, ¡empujen!”

Safe in his hotel, Bond reserves a flight back to London and thanks in Spanish: “Muchas gracias.”

octopussy

Octopussy (1983)

Spanish is much heard during the first ten minutes of the film, when 007 infiltrates an air base in an unknown Latin American country (probably Cuba) to sabotage a missile. We hear trough the radio phones one Colonel Alvarado is performing an equestrian show.

Bianca, a Latin American agent, helps 007 don his disguise (fake moustache included): Colonel Luis Toro. A detail to note is that the prop department wrongfully abbreviated the word “Colonel” in English (Col. Toro) when it should have used the Spanish abbreviation (Cnel. Toro).

Moore makes a good use of his double entendrés with Toro’s surname: “Toro? Sounds like a load of bull” (The English for toro is “bull”).

Bond –- posing as Toro -– infiltrates the compound and greets one of the officers working on the missile. “Coronel,” the man says.  007 replies “Continúe” (Carry on) before knocking the man unconscious and getting discovered by the real Toro.

“Interrogación”, the military orders for the impostor to be arrested and interrogated. One of the officers complies while replying: “Sí, Coronel. Métanlo al camion” (Yes, Colonel. Get him on the truck).

007 escapes with the aid of Bianca’s seductive skills and, before taking a leap on the Acrostar jet for the definitive runaway, he thanks her with a “gracias, querida” (Thank you, darling).

Licence to Kill's poster

Licence to Kill’s poster

Licence to Kill (1989)

Given the film had major locations shot in Mexico, Spanish is present in the last film with Timothy Dalton as 007.

Bond himself only uses the language by addressing the villain as “Señor Sánchez” and by translating to Leiter the villain’s statement: “Plomo o Plata” (literally translated as “Lead or Silver”).

The villain played by Robert Davi uses a handful of Spanish words: “No te preocupes” (Don’t worry) to his girlfriend Lupe before whipping her; “amigo” (friend) to Krest and Bond); and even a mouthful: “¡Este hijo de p*ta!” (son of a bitch) before shooting the dead body of double agent Kwang, who killed himself with cyanide to avoid capture.

So does Lupe Lamora –often addressed as señorita instead of Miss– mixing words in Spanish with English phrases: “You loco” and “You borracho” (loco: crazy, borracho: drunk) to Bond and Krest.

Milton Krest, one of Sànchez’ associates, says a “muy bien” (all right) while searching for Bond as he escapes his troops. We can notice Anthony Zerbe’s voice is dubbed.

More of the language is heard when Bond and Pam (Carey Lowell) arrive at Isthmus City, when a radio is playing a populist narration claiming the benefits for the people given by the president (a puppet of Sánchez): “Beneficios para el pueblo con Héctor López, su Presidente”.

The World Is Not Enough (1999)

The film begins in Bilbao, Spain, while visiting a corrupt banker, Lachaise. The mission for Pierce Brosnan’s Bond is to recover Sir Robert King’s money and extract information on who eliminated a fellow agent.

Bond fights Lachaise’s thugs and manages to escape from the Spanish police trough the office window. We hear officers speculating about the crime scene and shouting warinings: “Creo que son dos o tres, están armados… se oyeron cinco disparos y una explosión… ¡Abra la puerta, Policía!” (I think there were two or three, they’re armed. We heard five shots and an explosion. Police! Open the door!).

007 calmly escapes and, as he walks through the streets close to the Guggenheim, museum, one of Lachaise’s guards is caught: “¡Quieto ahí! Levanta las manos!” (Stay right there! Hands up!).

DADposter

Die Another Day (2002)

Bond (Brosnan) visits Cuba to eliminate assassin Zao. His first stop in Havanna is Raoul’s tobacco factory, where he asks for Delectados, a kind of cigars not made anymore.

“Raoul, aquí hay un tipo que busca delectados, de Universal Exports” (Raoul, there’s a guy asking for delectados, from Universal Exports), an old man notifies via telephone. Delectados were used as an understanding code between the agents.

In the tobacco factory, a man is reading the newspaper aloud to the employees, an article about the selling of lenses and recording cameras.

As Bond and Raoul talk about Zao, he calms down the tense looking old man, holding a gun to protect his boss, given the case: “Bueno, ¡pero relájate, hombre!”

Strangely, Raoul is a French name and the Spanish version of that name should have been “Raúl.”

Enjoying a bit of the Cuban culture, Brosnan makes use of his Spanish knowledge as James Bond: “Un mojito, por favor”, he asks ordering the famous Cuban drink.

To gain access to the Álvarez Clinic in Los Órganos, where Zao a patient for DNA makeover therapy, he knocks down a grumpy patient, carries him unconscious in a wheelchair and uses his papers to transport him. Before he does, he greets the prostitute: “Buenos días” (Good morning). Then, he delivers his papers to a boat transbord agent, calling him señor, and as the man grants him permission Bond replies “gracias”.

International poster for Quantum of Solace

International poster for Quantum of Solace

Quantum of Solace (2008)

The 22nd film in the series is set in Latin American locations, with Panama and Chile doubling for Bolivia.

For the first time, Spanish was an important language in a Bond film and not restricted to a few words. The Spanish dialogue was so important that in most countries it was subtitled.

In Haití, Camille greets General Medrano. Before capturing her, the military, responsible for the death of her parents, tells her: “Conocí a su familia, tristemente, creo que fui el último que los vio vivos” (I met your family. Sadly, I think I was the last one who saw them alive).

As Bond (Daniel Craig) rescues Camille, the general will throw orders in Spanish: “¡Síganlos!” (Follow them!).

Following the lead to villain Dominic Greene, Bond visits La Paz with Mathis, returning to the series after Casino Royale.

Upon reaching the city, they’re joined by Fields, a British agent sent to return Bond to London but who ends up joining the quest.

Stationed in Bolivia for almost a decade, Mathis is a friend of the Police Colonel, Carlos, whom he calls as a chatterbox taxi driver complains of the poor state of the country: “Calentamiento global… llueve mucho o no llueve nada” (Global warmth, it either rains or it never rains) and of the high taxes. Mathis continuously shushes him: “Cállate, ya, ¡chito!

When Bond checks into the luxurious Grand Andean Hotel, Craig says, “Hola, somos maestros en año sabático, y nos ganamos la lotería” (We’re teachers on sabbatical, and we have just won the lottery).

The concierge replies, “Felicidades, señor. ¿Les puedo ayudar en algo?” (Congratulations. How can I help you?). The voice of the concierge was dubbed by noted Mexican director Guillermo del Toro.

There are some mistakes in the subtitles added to the film: when 007 approaches a villager asking for the DC-3 plane to escape with Camille, the man rudely asks: “Buenos días, ¡¿Qué es lo que quiere?!” Subtitled as the polite “How can I help you?”, it should have been translated as the more literal “What do you want?” given the rudeness of the voice tone of the man.

Another Mexican director, Alfonso Cuarón, provided the voice for the radio guiding the Bolivian jet planes sent by Greene to hunt Bond and Camille, with the first phrase being “Objetivo eliminado” (Target terminated).

Something rather funny happens near the end of the film, when General Medrano and the Chief of Police have a chat on the Perla de las Dunas hotel.

Both characters are Bolivian, yet Medrano is played by a Mexican actor (Joaquín Cosio) and Carlos, the Colonel is played by a Spaniard actor (Fernando Guillén Cuervo).

The different dialects show up, and there’s yet another mistake in the subtitles.

Complaining by the noise made by the fuel cells to give electricity to the complex, the Colonel says: “Maldito quebradero de cabeza, la verdad”. Subtitled as “Pain in the ass, really”, the more literal “This sound wrecks my head” would have been more appropriate.

Daniel Craig in SPECTRE's main titles

Daniel Craig in SPECTRE’s main titles

SPECTRE (2015)

The movie begins in Mexico City during the Día de los Muertos (Day of the Dead) celebration. Bond (Craig) is seen, in disguise, with a girl called Estrella, who in the hotel elevator mutters him some words in Spanish to his ears – presumably “te deseo” (I desire you) is logical since she kisses him as they both reach the room.

Not much more is heard except for the melody sang aloud by the attendants: “Los muertos vivos están, siento ya su poder, vengan todos aquí, este día llegará” (The dead are alive, I can feel their power. Let’s get all together, this day will arrive).

At around the half of the film, the SPECTRE agents are reunited in Rome to discuss the job in hand after the death of Sciarra in Bond’s hands. One of Blofeld’s assistants claims the next duty for Sciarra was the assassination of Mr. White, and offers the assignment to a Spaniard member known as Guerra.

Guerra, played by Benito Sagredo, complies by showing his loyalty to the organization in his own language: “Por supuesto. Mi lealtad a esta organización es absoluta. La protegeré hasta mi último aliento. No habrán más… aficionados. No veremos más muestras de debilidad” (“Of course. My loyalty to this organization is total. I will protect it with my last breath. There will be no more… amateurs. No more shows of weakness”).

 

Forster tells Collider he considered quitting Quantum

International poster for Quantum of Solace

International poster for Quantum of Solace

Director Marc Forster, IN AN INTERVIEW WITH THE COLLIDER WEBSITE, says he considered quitting Quantum of Solace before the 2008 007 film went into production.

“Ultimately at that time I wanted to pull out,” Forster told Collider’s Adam Chitwood. “Ron Howard pulled out of Angels & Demons which Sony was about to do and they sort of shut down, and at the time I thought, ‘Okay maybe I should pull out’ because we didn’t have a finished script. But everybody said, ‘No we need to make a movie, the strike will be over shortly so you can start shooting what we have and then we’ll finish everything else.’”

The director said he and star Daniel Craig essentially wrote the movie. He also described to Collider the pressure he was under doing a follow up to the well-received Casino Royale: “Then ultimately you have a follow-up with an incomplete script based on no book and you have to deliver.”

In the end, Forster told Collider he had to make a “sort of like a 70s revenge movie; very action driven, lots of cuts to hide that there’s a lot of action and a little less story.”

There’s an element here of “when the legend becomes fact, print the legend.” To bring this up is like saying Ranse Stoddard didn’t really shoot Liberty Valance. But here goes anyway.

In a 2008 STORY ON THE ROTTEN TOMATOES WEBSITE, Forster played down the Quantum script problems.

The Writers’ Guild strike, which began just as Quantum of Solace was gearing up for production, did not impact the production as much as the industry trade papers had speculated. “The good thing is that Paul (Haggis) and I and Daniel all worked on the script before the strike happened and got it where we were pretty happy with,” Forster said. “Then we started shooting and the only problems I had with the script we were shooting in April, May and June so as soon as the strike was over we did another polish with someone and it worked out with all this stuff coming up. So I was pretty happy with all the work we’d done in January and February so [there won’t be any need for reshoots].”

Also, it was reported during production of the movie scribe Joshua Zetumer was doing rewrites during filming. In the Rotten Tomatoes story, Forster took credit for hiring Zetumer.

Regardless, Zetumer didn’t get a credit for the movie. That went to Paul Haggis, Neal Purvis and Robert Wade.

The “Forster and Craig really wrote Quantum” narrative was first offered up by Craig in 2011 interviews. And that story line has more or less taken hold since, with Zetumer’s contributions totally forgotten. Without their on-screen credit, Purvis and Wade would be in the same situation.

To be fair, one can understand Forster not wanting to play up the problems while trying to publicize the film eight years ago. The truth usually takes some time — often years — to emerge. SPECTRE was an unusual case because of the Sony hacks publicized pre-production problems on the 2015 007 film.

Still, there are elements of the “Forster-Craig” writing team narrative for Quantum that are more creative than the finished movie. The Quantum reality is likely far more complicated than that.

Print the legend, indeed.

Eon’s new normal, the sequel

Image for the official James Bond feed on Twitter

Image for the official James Bond feed on Twitter

Almost three years ago, this blog had a post titled Eon’s new normal which said, “The new normal: A Bond film maybe every third year (Bond 24, the next movie is scheduled for the fall of 2015), with various other projects in-between.”

In March of this year, Gary Barber, the CEO of Metro-Goldwyn-Mayer, in effect confirmed that was the case concerning Eon, the company that makes 007 films and is a partner with MGM in the Bond franchise.

The 007 films have “been on a cycle of every three to hour years and I anticipate it will be on that same three-to-four year cycle,” Barber said on a conference call with investors and analysts. (MGM reported second-quarter 2016 results on Wednesday but had no 007 news.)

Essentially, Eon can’t make Bond films without MGM and vice versa. This goes back to the early 1980s when MGM acquired United Artists. UA, in turn, had acquired Harry Saltzman’s share of the 007 franchise in the mid-1970s.

Since our 2013 post, it has become evident that Eon, and its co-boss Barbara Broccoli, do not want to be rushed into making James Bond films. Eon’s current production is Film Stars Don’t Die in Liverpool, a drama about American actress Gloria Grahame.

In the “old days,” Saltzman and Albert R. Broccoli, the Eon co-founders, pursued non-Bond projects while cranking out classic 007 films on a regular schedule.

In the second decade of the 21st century, not so much. There was a four-year gap between Die Another Day and Casino Royale (2002-2006). Quantum of Solace came just two years later. But another four-year gap followed, mostly because of an MGM bankruptcy (2008-2012) between Quantum of and Skyfall.

Skyfall was a huge hit, and the first (and so far only) Bond to crack the $1 billion club. An executive of Sony (which released the movie for MGM) said the next film would be out in two years. However, Broccoli and star Daniel Craig told Collider.com in 2012, in effect, that exec didn’t know what he was talking about.

Broccoli won out. SPECTRE, the most recent 007 film, came out three years later, in 2015.

Some fans, to this day, insist that three-year gap was because Eon was waiting on Sam Mendes to direct another film. But it’s very clear that Barbara Broccoli does not want to resume an every-other-year schedule, including comments she made in a 2012 interview with the Los Angeles Times.

On internet message boards, 007 fans debate whether Daniel Craig will come back or not for another Bond film. The real debate is whether Bond movies will come out three times a decade, or just twice.

A related question: Is the 007 fan base growing or static? Skyfall, in a way, was helped by its four-year gap. Fans were anxious to finally see another James Bond film. Is that the right approach for the future?

Regardless, as we said three years ago, there’s a new normal for Eon. The details are still being hammered out.

 

Eon vs. Marvel by the numbers, 2006 to present

Iron Man's Hulkbuster armor vs. the Hulk, a highlight of Avengers: Age of Ultron

“James Bond?” Tony Stark asked. “Who’s that?”

With no actual James Bond news to report, we take another look, via statistics, at the family model (Eon) vs. the corporate model (Marvel).

Appearances by your most popular actor, 2006-present

Eon:  Daniel Craig, four (4), Casino Royale, Quantum of Solace, Skyfall, SPECTRE. Note: You could say five (5) if you count this 2011 public service announcement for International Women’s Day produced by Barbara Broccoli, co-boss of Eon Productions.

Update: The James Bond Dossier asks whether we should up the count to six (6) by including Craig’s appearance in the opening ceremonies  of the 2012 Summer Olympics. That was part of a television show.

That was also similar to how Roger Moore played James Bond in a 1964 variety show, years before he became the actual film Bond. Doing that would raise Sir Roger’s 007 count to eight (8). Though the Spy Commander knows some Bond fans (who really, really don’t like Moore in the role) who’d argue it should be zero (0).

Meanwhile, the organizers of the 2011 public service announcement said their spot said was “the first film featuring Bond to be directed by a woman.” (Sam Taylor-Wood). Is a commercial considered a “film”? Details, details.

Marvel: Robert Downey Jr., seven (7):  Iron Man, The Incredible Hulk (cameo),  Iron Man II, Marvel’s The Avengers, Iron Man Three, Avengers: Age of Ultron, Captain America: Civil War.

Biggest box office movie: Marvel’s The Avengers (2012), $1.5 billion (worldwide); Skyfall (2012), $1.11 billion (worldwide).

Next movie to be released in theaters: Dr. Strange (Marvel), Nov. 4, 2016 (U.S. and Canada). Film Stars Don’t Die in Liverpool (Eon), 2017. Bond 25 (Eon), who knows?

Trivia: Bond 22, aka Quantum of Solace, was originally scheduled to be released on May 2, 2008, in the U.S. and Canada. After that movie was delayed to November, Iron Man got the May 2 release date.

 

Gene Colan: The Bourne Precursor

Gene Colan self portrait, circa 1970

Gene Colan self portrait, circa 1970

The big movie this weekend is Jason Bourne. Like previous entries in the film series, it features a “shaky cam” technique intended to make the audience feel as if it’s in the middle of the action.

However, some of that concept was pioneered by the work of comic book artist Gene Colan (1926-2011).

Colan worked for both Marvel and DC, including a six-year run (1966-1973) on Daredevil as well as brief runs on the title later in the 1970s as well as the 1990s.

In a documentary for the home video release of the 2003 Daredevil movie, Colan described his approach to the many action scenes he drew.

“If there was a fight scene, I would try to do it in such a way to confuse the reader,” Colan said. “Because in real life, very often you don’t see the details. You’d just see action.”

Colan said you would see “arms and legs and people sailing over tables. But you don’t see the details. And very often it’s done in a dark room where you can see even less. But it’s exciting. It’s more dramatic that way…I wanted the story to be mystifying and sinister.”

As a result, Colan-illustrated stories emphasize movement in their action sequences. Colan drawings simulate the blur of a punch or a kick or other mayhem.

With 2008’s Quantum of Solace, Eon Productions embraced the approach of the Bourne film series. Eon hired Dan Bradley as Quantum’s second unit director, where he’d be in charge of the movie’s action scenes. Bradley was a Bourne film veteran.

Here’s how Bradley described his approach, according to a 2008 post on the Commander Bond website:

“One of the things I really believe is that we shouldn’t try and make everything feel perfectly staged. I’m always saying to my crew, I want to feel like we were lucky to catch a glimpse of some crazy piece of action. I don’t want it to feel like a movie, where everything is perfectly presented to the audience.”

Of course, comics and film are different. Colan drew mostly 20-page stories where action scenes took up only part of the story. Jason Bourne employs “shaky cam” for much of its running time, even when actions scenes aren’t occurring.

Still, the notion of disorienting the audience remains a strong one, given the box office reception, so far, for Jason Bourne. It’s just worth remembering others, including Gene Colan, took a similar path before.

Colan, of course, drew more than just Daredevil. CLICK HERE and HERE and HERE to see his take on Dr. Strange, the mystic character created by Steve Ditko. The good doctor will be the subject of a Marvel Studios movie in November.

Jason Bourne shakes off critics on its opening weekend

Jason Bourne poster

Jason Bourne poster

UPDATE (July 31) — Jason Bourne is now projected for an opening weekend of $60 million in the U.S. and Canada, THE HOLLYWOOD REPORTER said.

ORIGINAL POST (July 30): Jason Bourne’s amnesia is extending to critical reviews as the year’s major spy movie appears on its way to being the No. 1 movie this weekend in the U.S. and Canada.

The movie, which reunited star Matt Damon and director Paul Greengrass, is on a pace to generate more than $60 million in ticket sales in the region on its opening weekend, according to the Deadline: Hollywood entertainment news website. The film’s global opening weekend may exceed $100 million, Deadline reported.

That was despite a “fresh” rating of only 57 percent on the Rotten Tomatoes website. Early in the week, the movie’s score was 68 percent. But more negative reviews came out as the week progressed, dragging down the film’s score ahead of its debut.

It appears that won’t matter, at least as far as box office is concerned. Jason Bourne was forecast to open at $60 million in the U.S. and Canada while studio Universal was being more conservative at $40 million-plus, according to a July 26 story at TheWrap entertainment news website.

SPECTRE, the most recent 007 film, had a U.S.-Canada opening weekend of $70.4 million in November 2015. The biggest Bond opening was 2012’s Skyfall at $88.4 million.

Jason Bourne was the fourth movie in the series starring Damon and the third helmed by Greengrass. Both have criticized 007 films, which rankles some Bond film fans. Jason Bourne was the first Bourne entry since 2007 for both Damon and Greengrass. The Bourne Legacy, released in 2012, featured Jeremy Renner as another agent.

The gritty style of the Bourne films — including more intense and violent action scenes — had an impact in the 2000s on the 007 series made by Eon Productions.

Bourne was a factor in recasting the Bond role with Daniel Craig, The New York Times reported in 2005. And 2008’s Quantum of Solace employed Dan Bradley as second unit director. Bradley had worked on the Bourne films in the same capacity.

 

Should Daniel Craig stay or should he go?

Daniel Craig in 2012 during filming of Skyfall.

Daniel Craig in 2012 during filming of Skyfall.

By Nicolás Suszczyk, Guest Writer

Should he stay or should he go?

It seems like yesterday when Pierce Brosnan was dismissed from the role of James Bond, Martin Campbell announced as the director of Bond 21 aka (the official version of) Casino Royale and the thousands of candidates tipped by the press to replace him: Heath Ledger, Ewan McGregor, Henry Cavill and Daniel Craig.

It also seems like yesterday when Daniel Craig was finally announced to the doubtful worldwide press as “The New James Bond.”

I was 15 then. I can even recall a newsflash in Argentina reading, “Doubts, many doubts” when showing the footage of the Chester-born actor, posing next to producers Michael G Wilson and Barbara Broccoli for a photo call that seemed to say it all without a single caption describing it.

In 10 years that passed as 10 seconds, Craig seems to be leaving the role.

I don’t know if he will and I don’t believe in the gossip British and American tabloids, whose headlines are almost copied-pasted throughout the rest of the world, where the James Bond phenomenon has expanded since 1962. But, I have to admit, when people such as Graham Rye, the 007 Magazine editor, provides information on the subject, I may actually think about it.

So, without saying if he stays or if he goes (because I clearly don’t have that information, and maybe very few people do) or the real reasons on why he’s leaving or has been ditched, according to the sources we’ve heard, I want to offer my opinion on his future. And it’s going to be a very heartfelt opinion, because Craig was the Bond of my teens and adult life.

I want him to come back, but I think he should leave.

I’m not too much convinced on the tipped “replacements” and, of course, Craig can do one more Bond film at 48.

He still looks the part and showed a cool side of Ian Fleming’s spy: tough and brutal, but still fresh and humorous. But I honestly think he gave us all he had to give and “his” Bond found what he was looking for.

CinemaSins jokingly said that none of Craig’s Bond films can get over Casino Royale in their “sin count” of SPECTRE, and beyond the puns intended, that is indeed true. Because the 2006 film presents us the main conflict of the character: his emotions shattered after the induced suicide of the girl he loved, his purpose to avenge her (yes, to go behind the man “who held the whip” but with a slight desire of settling the score) and the need of getting over her and run away from that world of violence he belongs to because, apparently, it was “better than the priesthood.”

In Casino Royale, Craig/Bond loses Vesper; in Quantum of Solace, he finds a way to make justice; in Skyfall, an apparently “unrelated” story arc movie, he fails to protect Judi Dench’s M, who dies in his arms; and in SPECTRE we learn everything was connected to his foster brother Ernst Stavro Blofeld who operated from the shadows to make him lose the ones he loved.

007 defeats the villain, but instead of shooting him at point blank he decides to leave him to MI6 and sign off for a better life next to his new love, Madeleine Swann.

The end of the movie is a bit reminiscent to On Her Majesty’s Secret Service, where Bond and his new wife Tracy left on an Aston Martin and then she was shot dead by a machine gun attack led by Blofeld and his henchwoman Irma Bunt. Even the last sentence of the 1969 film was, at one point, in SPECTRE’s script: “We have all the time in the world.”

In the finished film, the line was dropped and a smiling James Bond drove the DB5 next to Madeleine right through the London streets as Monty Norman’s trademark theme sounded.

I was incredibly happy when I saw that scene and I immediately thought it’s the best farewell Craig’s Bond could have.

Incredibly enough, after my first watching, a friend told me: “Hey, but she’s going to die in the next one,” connecting that scene to the tragic climax of the only 007 movie starring George Lazenby.

I wouldn’t like that again for two reasons: one, it would be way too repetitive that Bond loses two women close to his heart in four movies. It would be expected. It would be repeating a past, an exclusive past that is not compared to have many villains plotting WWIII or extravagant liars.

SPECTRE poster

SPECTRE poster

Two, Craig’s portrayal of the role has been so special, unique and different to the other five actors (the whole creative process for this era was different and continuity, in a way or another, mattered) that I feel he deserves this happy ending.

It’s a far cry for Connery/Bond next to a hussy Tiffany Case asking for the diamond-made satellite in the sky, Moore/Bond taking a shower with the clingy Stacey Sutton, a tuxedo-clad Dalton/Bond kissing the self-reliant Pam Bouvier in a swimming pool or Brosnan/Bond throwing diamonds on NSA agent Jinx’s belly during lovemaking.

Only George Lazenby’s final scene as Bond had the tragic ending of the hero crying over the dead body of his bride.

And SPECTRE’s ending is the perfect “revenge” to that scene: James Bond finally gets to be happy with the girl he loves and not with a fling, and they can have a happy future: a future that will not be known to us.

How could Bond and Madeleine fell for each other so quickly is still a subject of debate and I agree the relationship needed more development. Yet Léa Seydoux’s character can make a judgment call on 007 and make him throw the gun away right before he shoots Blofeld dead.

Minutes before, the villain lured Bond into the soon-to-be-demolished ruined MI6 building, now decorated with photos of Vesper and M. “This is what left of your world, everything you stood for, everything you believed in, are in ruins.”

When 007 opts not to kill his “brother,” he embraces Madeleine. They kiss and walk away of the crowded Westminster street where a wounded Blofeld lies before being arrested. Bond walks out of that world of violence and destruction the mastermind wanted for him.

The film’s proper ending is a Bondian epitaph for the Daniel Craig era. He is now the James Bond we all know and love, he’s there again, but keep “being Bond” would mean the end of his happy life: another Vesper. So, he says goodbye.

In 1615, Miguel de Cervantes Saavedra decided to kill of Don Quixote so that no other author could continue writing about him, because he wanted to “own” him. The same should happen to this version of James Bond, because Daniel Craig “owned” the character, from that brutal black and white bathroom fight (at the start of Casino Royale) to the stylish Aston Martin ride with a girl.

So, to summarize this article – or extensive dilemma– should Daniel Craig’s James Bond stay or go? I want him to stay, I would love him to stay.

But he should go.

UPDATE (June 23): “Versión en español en Bond en Argentina” (to read a version in Spanish on the website Bond en Argentina), CLICK HERE.