Anthony Spinner: In-demand writer-producer

Anthony Spinner’s title card for Survival, the final episode of The FBI

One in a series about unsung figures of television.

Anthony Spinner, if anything else, didn’t lack for work as a writer and producer of television series.

His IMDB.COM ENTRY lists more than 20 producer credits and writer credits for more than 30 shows over decades.

Quinn Martin, the head of QM Productions, had an up-and-down relationship with Spinner. But Martin often turned to Spinner. As The FBI ended a nine-year run (with Spinner its producer for the final season), Martin immediately switched Spinner to produce Cannon.

At one point in the 1970s, Martin had Spinner produce two series at the same time — Cannon and Caribe, a kind of mix of Hawaii Five-O and The Man From U.N.C.L.E. Caribe was a Miami-based police unit (Five-O) with jurisdiction throughout the Caribbean (multi-nation, similar to U.N.C.L.E.).

Still, Spinner had jobs beyond QM. Most notably, he took over as producer of The Man From U.N.C.L.E. in what would be its final season (1967-68). The episodes he produced took on a much more serious tone compared with the show’s campy third season.

Among U.N.C.L.E. fans, Spinner draws a mixed reaction. For some, his episodes represent a revival. For others, those episodes are too humorless compared with the show’s first season.

Spinner was also story consultant and later producer of Search, a one-season series on NBC (1972-73).

Search concerned a private organization, but the show had elements of spy shows of the 1960s. Operatives played by Hugh O’Brian, Doug McClure and Tony Franciosa took on cases while being monitored by monitored by crabby Cameron (Burgess Meredith).

Spinner also was the subject of an in-joke on Mannix. Writer Stephen Kandel, who had worked for Spinner on the QM series Dan August, named a hit man after Spinner.

The two would work together again on Cannon. One of their highlights: Spinner and Kandel worked together to rescue Cannon scripts during a fire at the Samuel Goldwyn Studios, according to the book Quinn Martin, Producer by Jonathan Etter.

Caribe: QM tries to cross Five-O and U.N.C.L.E.

Advertisement for Caribe's premiere in early 1975.

Advertisement for Caribe’s premiere in early 1975.

Producer Quinn Martin enjoyed a lot of success in the 1970s with Cannon, The Streets of San Francisco and Barnaby Jones. Caribe was not a high mark, however.

The veteran producer, in effect, was doing a cross of Hawaii Five-O (police drama in a tropical setting) and The Man From U.N.C.L.E. (Caribe, like U.N.C.L.E. was multi-national, although Caribe’s  jurisdiction only extended throughout the Carribean).

Unfortunately for QM Productions (and ABC, the network which televised the show), it ran only for a half-season, from February through May of 1975. The show’s IMDB.COM ENTRY only has episode titles and no plot summaries.

The Spy Commander actually watched the series regularly. I can tell you it included international intrigue (the way Five-O did on CBS). I also have a vague memory of an episode where a military coup against the United States was foiled.

The problem is the show has rarely been seen since its original ABC run. The main source of information about the show is Jonathan Etter’s 2003 book Quinn Martin, Producer.

Martin assigned the project to producer Anthony Spinner, who was simultaneously producing the private eye drama Cannon. According to the Etter book, Spinner envisioned Robert Wagner in the lead. Martin sent word that Stacy Keach would be the lead instead.

“And my head was swiveling like in The Excorist,” Spinner told Etter. “I said, ‘Quinn, I’ve written nine shows for R.J. Wagner — all slick, sophisticated, superficial, wise-guy charm, with millions of girls. How does Stacy Keach play R.J. Wagner? I’ll have to rewrite every single script now.'”

Rounding out the cast was future director Carl Franklin as Keach’s sidekick and Robert Mandan as the boss who sent Our Heroes on their assignments. Mandan , up until this time, was primarily a dramatic actor (including guest star appearances on other QM shows), but he’d become most famous for the (deliberately) goofy 1977-81 series Soap.

Caribe was based out of Miami, similar to how Five-O was based out of Honolulu. The original plan, according to Etter’s book, was to actually film elsewhere in the Carribean but that proved logically impossible because of obtaining visas, etc.

That perhaps shouldn’t have been a surprise. Thirteen years earlier, the first James Bond film, Dr. No, had a difficult shoot in Jamaica that put the movie well behind schedule. And Caribe faced tighter deadlines than Dr. No had. In any case, Miami and vicinity would double for the whole Carribean.

Despite the efforts of Spinner and others, Caribe didn’t survive its only half-season. Today, it’s hard to find evidence of the show’s existence. Even a talented producer such as Quinn Martin has his off days.

Meanwhile, author and television writer-producer has posted an audio copy of a Caribe main titles, including voice work by QM announcer Hank Simms.