Two 007 connections to Men in Black III

Men in Black III debuted in the U.S. on May 25. One James Bond connection had been publicized — Skyfall’s teaser trailer would be attached, making MIB III the first opportunity to see it on the big screen after an online debut on May 21.

There’s another 007 connection of note. Men in Black III’s second unit director and stunt arranger is Simon Crane, who was second unit director for sequences in Panama on Quantum of Solace (Dan Bradley was the primary second unit director). Crane also was a stunt performer on 007 films inclujding The World Is Not Enough, GoldenEye and The Living Daylights. Crane’s on-screen credit is relatively early in the end titles of Men in Black III.

007 homages in Angelina Solie’s Salt

The big movie opening this weekend is the U.S. is Salt with Angelina Jolie. We haven’t seen it yet, but those who have are noting various James Bond homages.

A.O. Scott, film critic for The New York Times (whose review you can read by CLICKING HERE) provides this comment:

Not that “Salt” matters much. Despite an overlay of geopolitics, the movie is as loud and empty as James Newton Howard’s score, which I don’t mean entirely in a bad way. The music does what it needs to do to amplify and inflect the action, while also paying subtle sonic homage to the brassy Bond-style soundtracks of the past.

Meanwhile, one Times readers posting comments to Scott’s review notes an early scene (Salt being tortured in North Korea) is similar to Pierce Brosnan’s 007 farewell Die Another Day. Another reader posted a comment that compared Salt and Bond in some detail.

And in the comments section of yesterday’s post on this weblog, Mark Henderson provides his own list of Salt-007 homages.

It should also be notes that Bond film veterans worked on the film. John Anderson’s review in The Wall Street Journal noted the work of one such crew member while not mentioning his work on 007 films:

Watching Ms. Jolie do her own acrobatics, under the direction of her longtime stunt coordinator Simon Crane, is a kick, especially in an era when our knowledge of special effects have so diluted the vicarious thrills of high-wire moviemaking.

Crane has done similar duties on Bond films and shows up in some of the documentaries on 007 film DVDs. You can read Anderson’s review by CLICKING HERE.

Salt was photographed by Robert Elswit, who performed the same duties on Tomorrow Never Dies and one of the editors is Stuart Baird, who edited 2006’s Casino Royale.