1960s meme: The irresistible hero

Publicity still for Dr. No that established James Bond was irresistible to women.

A recurring meme of 1960s entertainment — greatly aided by the James Bond film series — was the hero so irresistible to women they couldn’t keep away.

By the end of the decade, it was so prevalent, it came up on all sorts in places. What follows are some examples — both obvious and one not so obvious. (And no, it’s not a comprehensive list.)

Sean Connery as James Bond (of course): In his first scene in his first movie (Dr. No), the Connery Bond already has the attention of Sylvia Trench (Eunice Gayson) while at a casino. She surprises him at his flat wearing nothing but his pajama top.

Over the course of Connery’s 1960s run, even small-part characters show their appreciation. In both Dr. No and Thunderball, women hotel clerks eye Bond as he walks away.

Film editor Peter Hunt, years later (for the “banned” Criterion commentaries), said Connery  “was really a very sexy man” and that the few stars of his appeal “virtually can walk into a room and f*** anybody.”

Certainly, that’s the way director Terence Young, followed by Guy Hamilton and Lewis Gilbert, staged it with Connery in the part. The success of the 007 films would soon be felt elsewhere.

Robert Vaughn as Napoleon Solo and David McCallum as Illya Kuryakin: The Man From U.N.C.L.E. was pitched to network executives as “James Bond for television.” Ian Fleming, 007’s creator, was involved for a time, though not many of his ideas made it to the final product.

Vaughn’s Solo was the obvious Bondian figure (although the blog has argued before there are key differences, including Solo having more of a moral streak).

But McCallum’s Illya also proved irresistible to the oppose sex. That included two first-season episodes where the female lead (played by McCallum’s then-wife Jill Ireland) decides Illya is the U.N.C.L.E. agent for her.

Another first-season installment included Susan Oliver as a woman whose uncle has been killed by his pet dog as part of an extortion plot. The Oliver character asks Illya if he is present “to bodyguard me? Uh, should I say guard my body?” In the final scene, they’re walking arm in arm.

Robert Conrad as James West: The Wild Wild West was pitched to network executives as “James Bond and cowboys.” So CBS aired the adventures of James West and U.S. Secret Service partner Artemus Gordon (Ross Martin).

West drew the attention of women, especially those working for his opponents. In the first Dr. Loveless episode, West wins over Loveless’ female assistant (Leslie Parrish). She helps him escape, enabling the agent to stop Loveless’ plot.

The producers also took advantage of Conrad’s chiseled physique, so there are a number of episodes where West appears shirtless.

Jack Lord as Steve McGarrett: In the first season of Hawaii Five-O, McGarrett, too, was intended to draw the attention of women. In the pilot, a graduate student (Nancy Kwan) falls for the lawman after being questioned about what she knows concerning the death of a U.S. intelligence agent.

Later in the first season, the girlfriends of two suspects in a complicated kidnapping case ogle McGarrett as he walks away. And in the two-parter Once Upon a Time, a woman medical quack (Joanne Linville) gets the hots for the Big Kahuna. So does a woman records clerk who helps McGarrett do research.

This sort of thing faded away in future seasons, although there would be occasional episodes where McGarrett became involved with a woman.

Robert Stack as Dan Farrell: At this point readers are wondering if this post has gone off the rails. But bear with us for a moment.

Dan Farrell (Robert Stack) busy researching a story for Crime magazine.

The Name of the Game was a 1968-71 series with three rotating leads: Stack, Tony Franciosa and Gene Barry. It concerned a magazine publishing empire run by Glenn Howard (Barry).

Stack’s Dan Farrell worked at Crime magazine. A first-season stack episode, Swingers Only, reflects how the irresistible hero meme could surface where you didn’t expect it.

A friend of Farrell’s (who’s also a staffer at Crime magazine) has been arrested for the murder of a young women he was having an affair with. Farrell looks into the situation. He has to check out Los Angeles’ “swingers” culture to do it.

The intrepid journalist shows up at a “swingers” pool party to talk to someone. The party is already getting out of control. A ping pong table is thrown into the pool.  A bikini-clad woman quickly gets out of the pool. “Hi! Do you belong to somebody?” She’s quickly disappointed when Farrell says he’s working. She still is making eyes at him as he walks away.

Later, Farrell visits another woman (Nancy Kovack) to follow up a lead. She grabs Farrell and begins making out with him. Farrell, though, keeps his cool. She’s lying to him and he knows it.

Eventually, Farrell gets into a bar fight following up another lead. Later, he solves the case (his friend didn’t do it) and writes a cover story for Crime. All in a day’s work.

REVIEW: The Green Girl (2014)

Susan Oliver in The Cage, the first Star Trek pilot

Susan Oliver in The Cage, the first Star Trek pilot

Note: The reviewer contributed $35 when the makers of The Green Girl sought $10,000 in donations to complete the documentary.

The Green Girl, a documentary directed by George Pappy, is a kind of valentine to a prolific actress. But it’s a valentine that doesn’t pass over the complicated life of Susan Oliver, who frequently played leading guest star parts of television but never had a big movie career.

Oliver led a remarkable life. In one shot, the documentary has the headline of a newspaper clip about how Oliver was appearing as a guest star in three series the same week at a time there were only three U.S. television networks. Oliver was also an accomplished pilot, attempting a flight to Moscow in a small plane (the Soviets wouldn’t let her into the country). She was also, by the 1980s, directing television episodes at a time there were few women directors.

The actress also had a complicated relationship with her mother. She never married or had childen (though at one point she was seriously dating pitcher Sandy Koufax). She also made crippling mistakes, including breaking a Warner Bros. contract to do a play, something that likely prevented her movie career from taking off.

The title comes from the first Star Trek pilot in 1964, The Cage, where at one point she takes the form of an Orion slave girl, who is supposed to be irresistible to human men. The unsold pilot was re-used in the later revamped Star Trek series, when a series of transmissions from a mysterious planet — ordered off limits by the federation — showing what happened more than a decade earlier. An image of Oliver in her green makeup was used at times in the end titles of Star Trek, making it one of the series’ most iconic images.

Susan Oliver and David McCallum in The Bow-Wow Affair

Susan Oliver and David McCallum in The Bow-Wow Affair


Oliver, of course, was much more than that and the documentary covers far more ground. Fans of 1960s spy entertainment, even if they don’t remember her name, saw her in shows such as The Man From U.N.C.L.E., I Spy and The Wild Wild West. She could play a slightly ditzy but very appealing heroine (The Bow-Wow Affair in the first season of U.N.C.L.E,, the first episode where David McCallum’s Illya Kuryakin is the primary focus) and later a scheming, manipulative junkie (an early first-season episode of The FBI).

For baby boomers, the documentary includes faces from their youth such as Lee Meriwether, David Hedison, Roy Thinnes and Gary Conway. Oliver’s busiest period as an actor was when television paid decently but hardly guaranteed you’d get rich. Oliver later suffered economic problems after her peak earning power had passed. For fans of television of the period, The Green Girl is an interesting peek behind the curtain of show business.

The Green Girl has had some limited theatrical showings and can be purchased on DVD.

Oliver died of cancer in 1990, only 58. Many of the baby boomers who’d recognize her are around that age now. The documentary is 96 minutes but maintains a good pace. It’s a reminder that talent, no matter how plentiful, isn’t always enough. Grade: A.

`The Green Girl’ and TV spy shows

Susan Oliver in The Cage, the first Star Trek pilot

Susan Oliver in The Cage, the first Star Trek pilot

The Green Girl, a documentary on the life of actress Susan Oliver (1932-1990) is nearing completion. If the name isn’t familiar, her image — seen frequently during classic TV spy shows — may be.

Oliver appeared in episodes of The Man From U.N.C.L.E. (The Bow-Wow Affair), I Spy (One Thousand Fine) and The Wild, Wild West (The Night Dr. Loveless Died).

But Oliver much more than one genre. Her versatility caused her to be cast in dramas, comedies and crime shows. The title of the documentary comes from Oliver’s part in The Cage, the first pilot for Star Trek in which Captain Pike (Jeffrey Hunter) falls in love with a woman who is the pawn of a race with greater mental powers than humans. At one point in the story, Oliver’s character appears as part of a green-skinned race whose women are irresistible to men.

Oliver was also an accomplished pilot and a director. She had the potential to be a big star. Oliver fell short but had a long career as a guest star on U.S. television shows. This unusual life spurred efforts to create The Green Girl documentary.

The makers of the documentary want to release the film in Feburary. They have launched a fund raising effort to secure $10,000, $5,000 for color correction and $5,000 for insurance. As of the night of Nov. 12, $5.570 had been collected, with 18 days to go.

We’ll see if that effort is successful. What follows is a trailer followed by a Susan Oliver gallery.

Susan Oliver as a junkie on The FBI

Susan Oliver as a junkie on The FBI

Susan Oliver and David McCallum in The Bow-Wow Affair

Susan Oliver and David McCallum in The Bow-Wow Affair

Michael Dunn and Susan Oliver in The Night Dr. Loveless Died

Michael Dunn and Susan Oliver in The Wild, Wild West