Media merry-go-round continues with AT&T-Discovery deal

One of the brands affected by Discovery’s deal with AT&T

The media business was shaken up, yet again, when AT&T announced today it’s opting to exit the media business and combining those assets with Discovery Inc.

Not that long ago, AT&T couldn’t wait to get into media as a way of combining “content” (Warner Bros., HBO, TBS, TCM, etc.) with wireless.

It was AT&T management that had Warner Bros. debut its 2021 film slate simultaneously in theaters (those that are open) and on the new HBO Max streaming service.

Never mind. AT&T’s media entities will be combined with Discovery’s, which include the likes of HGTV and The Food Network.

Why you should care: The deal announced today is a reminder that media (including, but not limited to, movie studios) remains volatile.

For James Bond fans, their hero is tethered to a media small fry, Metro-Goldwyn-Mayer. MGM reportedly is for sale. It would be no surprise if MGM gets gobbled up by a bigger media player.

Why you could care Part II: The AT&T-Discovery deal involves a lot of prominent media properties. Warner Bros. already has been affected by being acquired by AT&T. Who knows what happens next?

What happens next: MGM controls some prominent media properties (the Bond franchise among them). The AT&T-Discovery deal that well encourage additional media deals. MGM is owned by hedge funds so now may be the time to cash out.

We’ll see.

About some of those Oscar ‘In Memoriam’ folks

Robert Osborne, who made an Oscars “In Memoriam,” in the pilot of The Beverly Hillbillies.

Over the weekend, the BAFTAs came out with its “In Memoriam” segment. Diana Rigg didn’t make it, apparently because the BAFTAs considered her a mere “television actor.” Meanwhile, the general public sometimes gets upset when familiar actors don’t make the cut for the “In Memoriam” segments of the BAFTAs and Ocars while insiders do.

To keep this post manageable, here are a list of Oscar “In Memoriam” entries largely unknown to the general pubic from recent Oscars telecasts.

2020 Oscars: Gerry Lewis, “marketing executive”: Lewis was “the British marketing and publicity expert who promoted such films as AlfieLove Story and The Godfather before spearheading international campaigns for Steven Spielberg efforts from Duel to Ready Player One,” according to The Hollywood Reporter.

2019 Oscars: Pierre Rissent, “an important behind-the-scenes figure at the Cannes Film Festival and, as a result, an influential shaper of cinematic trends and directors’ careers for half a century,” according to The New York Times. Also, Paul Bloch, a publicist “adept at putting out fires in Hollywood,” according to The Hollywood Reporter.

2018 Oscars: Robert Osborne, TCM host and earlier writer for Hollywood trade publications. He acted a bit including a small part in the pilot for The Beverly Hillbillies (a TV show, not a movie). Also, Joe Hyams, a long-time Warner Bros. publicity executive, according to Deadline: Hollywood.

TCM to televise Connery tribute Nov. 25

TCM, the U.S. movie channel, said on social media it will show an evening of Sean Connery films on Nov. 25.

The channel will start off at 8 p.m. eastern time with Thunderball, followed by You Only Live Twice at 10:15 p.m.

In a way, that’s appropriate. Connery’s fourth and fifth films for Eon Productions would be shown a number of times as a double feature before the Bond films were broadcast on television.

After that, TCM will televise Marnie, the 1964 Alfred Hitchcock film with Connery at 12:45 a.m., Nov. 26. The Hill, Connery’s first pairing with director Sidney Lumet, will be shown at 3:15 a.m. and The Man Who Would Be King, directed by John Huston, will be telecast at 5:30 a.m.

Connery died last month at the age of 90. TCM already has put out a short tribute video.

Did Fleming think Maibaum’s 007 was better?

Ian Fleming, drawn by Mort Drucker, from the collection of the late John Griswold.

This week, TCM kicked off showing 19 James Bond films made by Eon Productions. The first night included a promotional video featuring comments by Bond film veterans Bruce Feirstein (credited as writer on three films) and Martin Campbell (director on two).

Feirstein, at one point told an anecdote about Bond’s creator talking to Richard Maibaum on the set of Goldfinger.

“Apparently, Fleming told Maibaum that he liked Maibaum’s Bond better than his own. Because Maibaum added the wit….There is no wit in the books. So one of the key elements that we all know and love Bond for was added by Maibaum.”

That sounds very provocative. But how true is it? Feirstein doesn’t provide a source for the information. The word “apparently” is a way to hedge your bet.

What’s more, the Bond scripting process was a lot more complicated.

Movies are a collaborative medium. That’s especially when it comes to scripts. By the time Goldfinger was in production, Maibaum, Johanna Harwood, Berkeley Mather, Len Deighton, Wolf Mankowitz and Paul Dehn had all taken turns at the typewriter (some getting credit, some not).

At the very least, it’s debatable whether there was a “Maibaum Bond” versus a “Fleming Bond.”

Maibaum was a writer on 13 of the first 16 Bond films made by Eon. He was clearly a major contributor and had a lot of input.

On the other hand, with Goldfinger, Maibaum started the scripting while Dehn did the later drafts. And Mankowitz sold co-producer Harry Saltzman a major idea (having the gangster Mr. Solo in a car that was crushed at a junkyard) that was a highlight of the movie. The 1998 book Adrian Turner on Goldfinger spells out the scripting process.

In any case, Feirstein provided an interesting anecdote. You can see it around the 6:40 mark of this YouTube copy of the TCM video. Warning: you never know when these things may get pulled down by YouTube.

TCM to show 19 James Bond films in September

Turner Classic Movies, the U.S. movie channel, is showing 19 James Bond movies on Thursdays this month.

With TCM, the “broadcasting day” starts at 6 a.m. New York time and runs until 6 a.m. the following day. With that in mind, here’s the schedule.

Sept. 5: Dr. No, 8 p.m.; From Russia With Love, 10 p.m.; Goldfinger, 12:15 a.m.; Thunderball, 2:15 a.m.; You Only Live Twice, 4:45 a.m.

Sept. 12: On Her Majesty’s Secret Service, 8 p.m., Diamonds Are Forever, 10:30 p.m.; Live And Let Die, 12: 45 a.m.; The Man With the Golden Gun, 3 a.m.

Sept. 19: The Spy Who Loved Me, 8 p.m.; Moonraker, 10:15 p.m.; For Your Eyes Only, 12: 30 a.m.; Octopussy, 3 a.m.; A View to a Kill, 5:15 a.m.

Sept. 26: The Living Daylights, 8 p.m.; Licence to Kill, 10:30 p.m.; GoldenEye, 1 a.m.; Tomorrow Never Dies, 3:30 a.m.; The World Is Not Enough, 5:30 a.m.

On TCM, movies are shown uncut, although in 2009 some Bond films had minor changes.

The Bond films are part of a broader TCM program schedule celebrating the 100th anniversary of United Artists.

UA was the studio that originated the Bond film series produced by Eon Productions. Metro-Goldwyn-Mayer bought UA in 1981. Bond films have been released under the MGM brand since The World Is Not Enough.

On Wednesdays, TCM will show additional UA movies, including A Hard Day’s Night, West Side Story, The Pink Panther and Midnight Cowboy.

MGM and Annapurna Pictures this year revived the UA name (as United Artists Releasing) for the joint venture that releases movies from both company in the U.S.

Dino’s Matt Helm movies to be shown Sept. 26 on TCM

Dean Martin and Stella Stevens in The Silencers.

Movie channel TCM will present all four of Dean Martin’s Matt Helm films on Sept. 26. It’s part of a month-long salute to Dino, with Martin movies being shown on Wednesdays.

The Helm movies were produced by Irving Allen, former partner of Albert R. Broccoli. That partnership ended, in part, because Broccoli wanted to make movies based on Ian Fleming’s 007 novels. Allen wasn’t enthusiastic about the idea.

After the early Bond films, produced by Broccoli and his new partner, Harry Saltzman, had become a success, Allen searched for his own spy property to pursue.

He ended up with Donald Hamilton’s Matt Helm series of serious spy novels. But Allen got Dean Martin to participate as a partner. So the movie adaptations took a much lighter tone and, in effect, were spy versions of Martin’s variety show.

The Silencers will be shown at 8 p.m. ET, followed by Murderers’ Row at 10, The Ambushers at midnight and The Wrecking Crew at 2 a.m., Sept. 27.

For more about the Helm film series, read MATT HELM, AMERICA’S LOADED WEAPON.

h/t to reader Mark Henderson, who flagged this on The Spy Command’s Facebook page.

007 gets drawn into U.S. politics

One-time GOP presidential candidate Mike Huckabee’s Twitter picture.

James Bond got drawn into U.S. politics this week as CIA got a new director.

The U.S. Senate voted to ratify Gina Haspel in a 54-45 vote. But not all Republican members of the Senate voted for the veteran CIA employee because at one point she ran an agency facility in Thailand performing “enhanced interrogation,” including waterboarding. Haspel wrote a letter dated May 14 (which became public the next day) saying the agency shouldn’t have utilized such techniques.

Mike Huckabee, a one-time GOP presidential candidate, criticized one GOP Senator who voted no, Jeff Flake of Arizona.

“Of course Jeff ‘Flaky Flake’ didn’t vote for Gina Haspel,” Huckabee wrote May 17. “If @realDonaldTrump nominated James Bond, he would have voted ‘no.’ That’s why Flake is ‘Dr. No.’ And I’ll be HE colluded with the Russians! ‘From Russia With Love.'”

Huckabee also is the father of Sarah Huckabee Sanders, Trump’s press secretary.

Here’s what the tweet looked like:

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Meanwhile, TCM host Ben Mankiewicz, whose politics are the opposite of Sanders, had this reaction:

 

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Some Rod Taylor spy movies on TCM early Friday

Rod Taylor from the main titles of the Masquerade television series.

Friday, Aug. 18, is Rod Taylor day on TCM’s Summer Under the Stars. And some of Taylor’s spy movies will be part of the proceedings.

As an aside, TCM’s programming day starts at 6 a.m. New York time. The spy movies start early. Sorry for the late notice, but the Spy Commander just found out himself.

6 a.m.: 36 Hours, World War II espionage movie. Germans kidnap an American officer (James Garner). They make him think World War II is over to trick him out of information about the invasion of Europe. Taylor plays the German performing the deception. Based on a story by Roald Dahl.

8 a.m.: The Liquidator. Rod Taylor as John Gardner’s Boysie Oakes. Music by Lalo Schifrin and a title song performed by Shirley Bassey.

10 a.m.: The Glass Bottom Boat, a Doris Day comedy involving spies seeking secrets from a Tony Stark-like character played by Taylor. Cameo by Robert Vaughn as Napoleon Solo.

Our Man in Havana’s (sort of) 007 in-joke

Our Man in Havana

We’re still catching up with TCM’s marathon of spy films from Jan. 25. Anyway, in the Carol Reed-directed Our Man in Havana, there’s a sort-of in-joke to James Bond films.

Considering the movie was released in late 1959, before the 007 film series debuted with Dr. No in 1962, that’s a mean trick.

Here’s the explanation. Our Man in Havana’s crew included Syd Cain, who was the movie’s assistant art director. Cain, of course, worked on a number of Bond films, including as art director of Dr. No and From Russia With Love and production designer of On Her Majesty’s Secret Service.

Our Man in Havana involves Jim Wormold (Alec Guiness), a seller of vacuum clearners who’s recruited to be the British Secret Service’s man in pre-revolution Havana. Wormold, after unsuccessfully trying to recruit a spy network, begins making stuff up — and London is buying (literally) every bit of it.

Wormold is now considered so important that British Intelligence is assigning him support personnel, including a secretary (Maureen O’Hara). One of Wormold’s fictional agents supposedly flew over a secret Cuban installation and saw a secret weapon (really a drawing of a vacuum cleaner). Now, there’s pressure from London to get photographs of it.

Wormold, in trying to decide his next step, happens to see a comic strip in a newspaper. It’s called Rock Kent and is supposed to be by Syd Cain. (It’s on the top of the page, just above Blondie.)

This particular strip depicts Rock crashing into the side of a mountain. “We shall hear no more of Captain Rock Kent!” reads the caption accompanying the drawing of the plane crashing.

This gives Wormold an idea how to solve his problem. Of course, things get more complicated.

Regardless, it’s an amusing moment for viewers familiar with the early 007 movies.

U.N.C.L.E.’s connection to The Prize (1963)

Poster for The Prize (1963)

Poster for The Prize (1963)

This week, Turner Classic Movies televised a series of spy films, including The Prize (1963). The movie, released by Metro-Goldwyn-Mayer, had a number of connections to The Man From U.N.C.L.E.

Some of this stemmed from how U.N.C.L.E. was also produced at MGM. In any case, here’s a partial list of U.N.C.L.E. ties to The Prize.

Crew: These names show up on just about every production either produced by MGM or made at MGM in the 1960s: George W. Davis (co-art director), Henry Grace (co-set decorator) and Franklin Milton (sound or recording supervisor). Another name that shows up in many MGM-related productions is William Tuttle, who headed MGM’s makeup department.

(Totally as an aside: Grace resembled Dwight Eisenhower. As a result, he played the Allied supreme commander in 1962’s The Longest Day.)

The Prize also includes a score by Jerry Goldsmith. At this point, Goldsmith was transitioning from a television composer to a movie composer. Despite that, Goldsmith scored the pilot episode for U.N.C.L.E. as well as two additional episodes.

Speculation: The Spy Commander has long wondered if Goldsmith, in his early 1960s work, was influenced by Bernard Herrman. Both Herrmann and Goldsmith did work at CBS during this period. In his score for The Prize, there are bits of Goldsmith’s score that evokes Herrmann (this also applies to Goldsmith’s score for 1964’s In Harm’s Way).

Cast: The Prize (which, essentially is a star vehicle for Paul Newman) includes a number of cast members who would later appear in U.N.C.L.E. Among them:

Leo G. Carroll: Played U.N.C.L.E. chief Alexander Waverly. In the Prize, he plays a small, but key, role as a Swedish count who helps administer the Nobel Prizes.

John Banner: Most famous for playing Sgt. Schultz in Hogan’s Heroes, the character actor also played one of a group of scientists trying to take over the world in The Neptune Affair in U.N.C.L.E.’s first season. In The Prize, he plays a newscaster during the movie’s title sequence.

Teru Shimada: In U.N.C.L.E., he plays the head of an Asian country who’s the target of an assassination plot in Season Two’s Part Two, Alexander the Greater Affair. In The Prize, he’s another newscaster in the title sequence. Shimada also played Mr. Osato in the 1967 James Bond film You Only Live Twice.

Kevin McCarthy: He played the villain in the U.N.C.L.E. Season Two episode The Moonglow Affair (which was also the pilot for The Girl From U.N.C.L.E.). In The Prize, he plays a Nobel Prize winner.

Ben Wright: The character actor was in two U.N.C.L.E. episodes (The Deadly Games Affair and The Girls of Nazarone Affair). In The Prize, he plays a reporter who asks question of Andrew Craig (Paul Newman’s character) at a press conference.

Noel Drayton: Played a physician who conducts an autopsy on a seal in U.N.C.L.E.’s The Finny Foot Affair. In The Prize, he plays a policeman trying to verify what seems to be a wild story from Newman’s character.

Miscellaneous

Irving Wallace: The Prize is based on a novel by Wallace, who also had written some episodes of Have Gun — Will Travel, which was co-created by Sam Rolfe, who developed U.N.C.L.E. Wallace’s nephew was Danny Biederman, a first-generation U.N.C.L.E. fan who (with Robert Short) attempted to produce an U.N.C.L.E. movie in the late 1970s-early 1980s.