The Magnificent Seven, Metro-Goldwyn-Mayer’s second remake this year, fared considerably better in its opening weekend in the U.S. compared with the studio’s “re-imagining” of Ben-Hur.
The western film generated an estimated box office of $35 million, according to Box Office Mojo.
The film was a remake of the 1960 film of the same name released by United Artists. MGM acquired UA in 1981, including its film library. In addition to the 1960 Magnificent Seven (and its sequels) that film library at the time also included the first 12 James Bond films produced by Eon Productions.
Both the 1960 and 2016 Magnificent Seven films, in turn, were based on the 1954 Japanese movie, Seven Samurai.
MGM, which exited bankruptcy in 2010, is trying to demonstrate it’s more than just the 007 film series. MGM these days mostly makes television shows for cable channels while producing a few movies annually.
The studio’s Ben-Hur remake, which was released and co-financed by Paramount, was a big setback for MGM. That movie’s U.S. opening weekend was only $11.2 million, finishing No. 6 that weekend, according to Box Office Mojo. Its total U.S. box office was $26.2 million. The movie generated worldwide box office of $82.6 million against an estimated $100 million production budget.
The new version of The Magnificent Seven was distributed by Sony’s Columbia, which has released the last four Bond films. The post-bankruptcy MGM doesn’t have the resources to release its own movies. As a result, the studio strikes deals with bigger studios to distribute MGM productions.
At this point, MGM doesn’t have a studio partner for Bond 25 after Sony’s most recent two-picture 007 deal expired with SPECTRE. MGM intends to sell stock to the public within three to five years.
Filed under: James Bond Films | Tagged: Ben-Hur remake, Bond 25, Metro-Goldwyn-Mayer, SPECTRE, The Magnificent Seven, The Magnificent Seven remake, United Artists | Leave a comment »