Bond 25 questions: The lead character edition

Image for the official James Bond feed on Twitter

With less than nine months before the 25th installment of the James Bond film series, the blog had a few basic questions about James Bond, agent 007 (?, at least where Bond 25 is concerned).

Is Bond a hero or anti-hero?

This is a subject the blog has explored before and the answers remain murky.

Michael G. Wilson of Eon Productions, maker of the Bond film series, said seven years ago that Bond was an antihero.

Barbara Broccoli, Wilson’s half-sister, said the same year that Bond is “a classical hero, but he’s very human.”

That makes for a split vote by the two principals of Eon.

An anti-hero is defined as “a central character in a story, movie, or drama who lacks conventional heroic attributes.”

Is Bond a misogynist or a male chauvinist?

A misogynist is defined as “a person who dislikes, despises, or is strongly prejudiced against women.” Woman hater is a synonym.

A male chauvinist is defined as ” a male who patronizes, disparages, or otherwise denigrates females in the belief that they are inferior to males and thus deserving of less than equal treatment or benefit.”

Since 1995, the Bond film series has gone with misogynist. In Judi Dench’s debut as M in GoldenEye, she calls Bond (Pierce Brosnan) a “sexist, misogynist dinosaur.

Brosnan’s successor, Daniel Craig, said in 2015 that Bond is “actually a misogynist.”

Well, that would seem to settle the issue, wouldn’t it? If the guy who plays the character calls the character a misogynist that would seem to trump what a fan thinks.

How smart is Bond?

Bond doesn’t always show signs of being a strategic thinker.

In Dr. No, Bond (Sean Connery) brings Quarrel with him to Crab Key to see what happens. He brings along a Walther PPK.

In the novel From Russia With Love, Bond knows a trap has been set. But he decides to stay on the train to see what happens.

In The Man With the Golden Gun film, his plan (such as it is) is to fly to Scaramanga’s isolated island and see what happens.

In Quantum of Solace, he brings along his trusty Walther to take on Dominic Greene and his many thugs at the hotel powered by fuel cells (apparently filled with Explodium). He’ll see what happens.

In Skyfall, Bond takes M (Dench again) from London (where she has been guarded ineffectively) to stately Skyfall manor (which has no security, though Bond & Co. manage to cobble together some traps). Bond is able to kill Silva (Javier Bardem) moments before M dies.

The Wrecking Crew-Golden Gun mashup

Bruce Lee supervises Sharon Tate (left) and Nancy Kwan during production of The Wrecking Crew

The new movie Once Upon a Time…in Hollywood prompted the blog to again watch The Wrecking Crew, the final Matt Helm film with Dean Martin.

The latter figures prominently in the Quentin Tarantino-directed Once Upon a Time.

After the latest viewing of The Wrecking Crew, I couldn’t help but notice some similarities with the 1974 James Bond film, The Man With the Golden Gun.

Wrecking Crew: Freya Carlson (Sharon Tate) is a klutz.

Golden Gun: Mary Goodnight (Britt Ekland) is a klutz.

Wrecking Crew: Freya works for British Intelligence.

Golden Gun: Goodnight works for British Intelligence.

Wrecking Crew: One of Freya’s colleagues is known as JB.

Golden Gun: One of Goodnight’s colleagues is James Bond.

Wrecking Crew: Matt Helm (Dean Martin) spends a portion of the movie commenting on Freya’s clumsiness.

Golden Gun: James Bond (Roger Moore) spends a portion of the movie commenting on Goodnight’s clumsiness.

Wrecking Crew: When the mission is completed, Helm’s boss, MacDonald (John Larch) unexpectedly calls Helm in the villain’s private rail car that is towing $1 billion in gold. (You’d think it’d have an unlisted number.)

Golden Gun: When the mission is completed, Bond’s boss, M (Bernard Lee) unexpectedly calls Bond in the villain’s private boat. (You’d think it’d have an unlisted number.)

Wrecking Crew: Movie ends with Helm and Freya making out, about to make love.

Golden Gun: Movie ends with Bond and Goodnight making out, about to make love.

Golden Gun’s 45th anniversary: The unloved Bond?

goldengunposter

The Man With the Golden Gun poster

Updated and expanded from a 2014 post.

This year marks the 45th anniversary of The Man With The Golden Gun.

The 1974 film has received a lot of flak over the decades. It’s exhibit A when the subject comes up about 007 film misfires. Too goofy. Too cheap. Too many of the crew members having a bad day.

For example, Don McGregor, then a writer for Marvel Comics, savaged the movie in a lengthy article in a 1975 issue of Deadly Hands of Kung Fu magazine (which featured a cover drawn by comics legend Neal Adams).

Also, the former Her Majesty’s Secret Servant website had few kind words when its contributors (including myself) did rankings of the Bond films. (Speaking only for myself, as I look back on my comments, one about John Barry was over the top.)

Over the years, Bond fans have said it has an average John Barry score (though one supposes Picasso had average paintings). It has too many bad gags (Bond watches as two teenage karate students take out a supposedly deadly school of assassins). And, for a number of first-generation 007 film fans, it has Roger Moore playing Bond, which is bad it and of itself.

Golden Gun is a way for fans to establish “street cred” — a way of establishing, “I’m not a fan boy.”

Neal Adams cover to The Deadly Hands of Kung Fu magazine containing an article savaging The Man With the Golden Gun

However, the movie also has its defenders. Among them is David Leigh, who runs The James Bond Dossier website and is a regular guest on the James Bond & Friends podcast.  Also, the August 2018 issue of 007 Magazine (which is sold out) had an article titled, “In Defence of The Man With the Golden Gun.”

The movie was a bit of a disappointment at the box office. Golden Gun’s worldwide box office plunged 40 percent compared with Live And Let Die ($97.6 million versus $161.8 million, according to THE NUMBERS website). Within a few weeks of its December 1974 U.S. release, United Artists hurriedly paired Golden Gun with Thunderbolt and Lightfoot, which UA released earlier in 1974, to make a double feature.

In terms of long-term importance, Golden Gun was the finale of the Albert R. Broccoli-Harry Saltzman 007 partnership. Saltzman would soon be in financial trouble and have to sell out his share of the franchise to United Artists. In a way, things have never really been the same since.

The end of the car jump of The Man With the Golden Gun

Golden Gun is not the best offering in the Eon Production series. Rather, in many ways, it’s the runt of the litter that many like to pick on — even among the same people who’d chafe at criticism of their favorite 007 film.

The documentary Inside The Man With The Golden Gun says the movie has all of the 007 “ingredients.” Of course, such a documentary is approved by executives who aren’t demanding candor.

But the statement is true. It has not one, but two Oscar winning directors of photography (Oswald Morris and Ted Moore); it has a score by a five-time Oscar winner (John Barry); it is one of 13 007 movies Richard Maibaum contributed writing.

Then again, movies sometimes are less the sum of their parts. It happens. Not everyone has their best day.

For many, Golden Gun is a convenient piñata. Despite some positives (including a genuinely dangerous driving stunt), it doesn’t get much love from part of the 007 fan community.

Literary 007 Twitter completes his journey

Part of the Twitter home page for @JB_UnivEX

@JB_UnivEX has completed his 14-year journey (a little over a year in real time) showing what it might be like if the literary James Bond were on Twitter.

The literary Bond, of course, was bound by the Official Secrets Act. So he couldn’t *really* say what was going on. But for those who read Ian Fleming’s original novels and short stories could follow the unfolding events.

One of the challenges for @JB_UnivEX was how Fleming himself wasn’t consistent with his own timeline. So, the Twitter account attempted to bring order to things.

For example, it began the events of the On Her Majesty’s Secret Service novel. Then, Bond had to make a quick trip to Canada to deal with the events of The Spy Who Loved Me novel before resuming the Majesty’s tale.

The blog first did its first post about @JB_UnivEX in April 2018 as Casino Royale was wrapping up. In the back of my mind, I was curious how he’d handle the conclusion of You Only Live Twice with a Bond suffering from amnesia.

This was how:

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Another highlight was when a brainwashed Bond arrived in London early in the events of The Man With the Golden Gun novel. Brainwashed Bond decides to take in a movie before going to MI6 headquarters.

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In any event, for fans of the literary Bond (and 007 in general), it has been a great ride. This was the final tweet in character. We’re told the more than 2,300 tweets will be re-edited and represented in the future. However, there are no plans to do the continuation novels.

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Christmas themed spy-related entertainment

On Her Majesty’s Secret Service poster

The holidays are fast approaching. With that in mind, the blog is reminded of some Christmas-themed spy-related entertainment.

On Her Majesty’s Secret Service (1969): The sixth James Bond film produced by Eon Productions may not be an “official” Christmas film but it’ll do.

James Bond (George Lazenby) is hunting for Ernst Stavro Blofeld (Telly Savalas) while also falling in love with Tracy (Diana Rigg).

This time out, Blofeld has brainwashed his “angels of death,” who will spread “virus Omega” at the villain’s command. If that happens, that will wipe out all sorts of crops and livestock.

Bond manages to go undercover at Blofeld’s lair in Switzerland but is discovered. Blofeld sends out his latest batch of “angels” on Christmas Eve. Bond manages to escape, meets up with Tracy.

Bond proposes to Tracy, but she gets captured by Blofeld, setting up a big climatic sequence.

It was the first Bond film to end unhappily when Tracy is killed on her honeymoon with Bond. It’s arguably the most faithful adaptation of an Ian Fleming novel and an epic film in its own right. And, for what it’s worth, there are many reminders of Christmas during the Switzerland sequences.

Teaser trailer for Diamonds Are Forever: Diamonds Are Forever was released for the Christmas move season of 1971. The teaser trailer played up the Christmas angle.

The movie also marked Sean Connery’s return as Bond after a four-year absence. But the teaser trailer had a gunbarrel without Connery (but still wearing a hat).

Teaser trailer for The Man With the Golden Gun: The teaser trailer for Roger Moore’s second 007 film utilized a similar Christmas theme.

On top of that, the trailer had a scene between Bond and Scaramanga (Christopher Lee) that didn’t make it into the final film.

Chairman Koz makes a point to Solo and Illya in The Jingle Bells Affair

The Man From U.N.C.L.E.: The Jingle Bells Affair (first broadcast Dec. 23, 1966): The story begins in New York during the Macy’s Thanksgiving Day parade (the start of the Christmas shopping season). U.N.C.L.E. agents Napoleon Solo and Illya Kuryakin (the latter, after all, a Russian) are acting as bodyguards for a Soviet leader, Chairman Koz (Akim Tamiroff).

Why Soviet? In one scene in Act III, Koz slams a shoe down on a desk, a la Nikita Khrushchev.

At one point, Koz gets separated from the U.N.C.L.E. agents and dresses as Santa Claus and interacts with children. Koz, dressed as Santa, helps to save the life of a sick kid. In the end, East and West call a truce and wish everyone Merry Christmas.

This was a third-season episode when the series went in a campy direction. The Spy Commander’s review on the third-season page of The Man From U.N.C.L.E. episode guide doesn’t give it a high grade.

The FBI: Dark Christmas (first broadcast Dec. 24, 1972): FBI Inspector (Erskine) and Special Agent Colby (William Reynolds) are on the trail of a hit man (Don Gordon). The hit man’s target is a family man who once was involved in a criminal organization but got out.

The case reaches a climax on Christmas Eve. The family man is coming home from a job but doesn’t know the hit man is waiting for him at his home. Colby and other FBI agents get the man’s children to safety. Erskine then confronts and apprehends the hit man. Until Act IV, the episode is a basic procedural show. The Christmas themes are mostly in the final act and epilogue.

While The FBI wasn’t a spy show per se, it had a lot of espionage-related stories. Also, it’s the subject of another website of the Spy Commander, The FBI episode guide. This episode gets a relatively high grade on the eight-season page.

Note: This was an early credit for Sondra Locke (1944-2018), who plays a spinster-like character who falls for Gordon’s character.

Spy fans engage in throwing bricks from glass houses

Mission: Impossible-Fallout poster

Late next week, Mission: Impossible-Fallout reaches theaters. Some 007 fans aren’t happy, feeling the movie is, well, a ripoff.

Specifically, based on trailers, there are at least two segments of M:I-Fallout that seem “inspired” from previous Bond films:

–A villain appears to make an escape similar to the way Franz Sanchez did in Licence to Kill (1989).

–Tom Cruise’s Ethan Hunt makes a HALO (high altitude, low-opening) parachute jump, similar to how B.J. Worth did one doubling for Pierce Brosnan’s James Bond in Tomorrow Never Dies (1997).

The resemblances are undeniable. In fact, the current Hawaii Five-0 series did an “homage” to the Licence to Kill sequence at the start of its third season in 2012. So Mission: Impossible-Fallout doing it wouldn’t be the first time.

On the other hand, memories may be short. So the following should be noted.

–Live And Let Die (1973) when it was released was seen as inspired by “blaxploitation” movies of the early 1970s. While Ian Fleming’s 1954 novel featured a black villain, the movie utilized a few characters but dispensed with the book’s main plot.

–The Man With the Golden Gun (1974) was seen as 007’s answer to Kung Fu movies of the 1970s. Fleming’s 1965 novel of the same name was mostly set in Jamaica and didn’t have any Kung Fu.

–Moonraker (1979) was seen as 007’s answer to Star Wars and Close Encounters of the Third Kind. Fleming’s 1955 novel concerned a rocket but no space travel was involved.

–Casino Royale (2006) and Quantum of Solace (2008) were said to be influenced by the Jason Bourne movies that were popular at the start of this century.

Javier Bardem’s Silva in a Joker-like moment in Skyfall

–Skyfall (2012) was inspired by Christopher Nolan’s The Dark Knight. Director Sam Mendes even said so. Javier Bardem’s Silva definitely seemed influenced by Heath Ledger’s Joker.

If fans want to accuse another franchise of copying, it can be a matter of throwing bricks from a glass house.

Filmmakers do this sort of thing all the time. Directors channel their inner-Alfred Hitchcock (or Stanley Kubrick, or whoever) all the time.

Christopher Nolan, who helmed The Dark Knight, channeled 007 films in his Batman trilogy. Example: Lucius Fox (Morgan Freeman) giving Bruce Wayne (Christian Bale) gadgets more than slightly resembled Bond-Q scenes from earlier 007 films.

Chances are, if you see a shot or sequence that reminds you of a famous movie sequence, chances are it’s not a coincidence.

The key difference is what does the director do with it? Does it work? Does it contribute to an entertaining film?

In the case of The Dark Knight, whatever you might think of it, Nolan delivered a memorable movie. With Skyfall, whatever was “borrowed” from Nolan, audiences found it an interesting take on a Bond film.

I can’t judge Mission: Impossible-Fallout. I haven’t seen it, other than the trailers.

The question is where M:I-Fallout writer-director Christopher McQuarrie and his star, Tom Cruise, have delivered a good movie. “Borrowing” happens all the time in film. We’ll see soon.

007 Magazine defends Golden Gun film

The Man With the Golden Gun poster

007 Magazine is coming out with a new issue that includes an article titled “In Defence of The Man With the Golden Gun.”

The magazine’s website doesn’t have many details. However, the 1974 James Bond film, the second starring Roger Moore, often gets criticism from critics and fans. So in that regard, 007 Magazine apparently is going to give the ninth Bond film from Eon Productions some fan love.

Also in issue 56 is an interview with Daniel Kleinman, who has designed the titles for seven Bond films, starting with GoldenEye and running through SPECTRE. (Quantum of Solace’s titles were produced by MK12.)

There is also an article about George Leech and his career as a British stuntman and stunt arranger.

For more information, CLICK HERE. The price is 9.99 British pounds, $15.99 and 11.99 euros.