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Here’s a sampling of images of Mothers from the spy genre for Mother’s Day. If your mother is still available for a chat, take advantage of the opportunity.
Barbara Feldon’s 99 became a mother toward the end of Get Smart’s 1965-70 run.
Boris Karloff’s title card from The Girl From U.N.C.L.E.’s The Mother Muffin Affair
Judi Dench, who played two versions of M in James Bond films.
The Girl From U.N.C.L.E., the spinoff series from The Man From U.N.C.L.E. will become available on Aug. 23 on DVD from Warner Bros.
The price is $59.95. Be warned: the picture has not been digitally remastered (similar to Warners Bros.’s releases of The FBI) and appears to be a “manufactured on demand,” or MOD. That means no extras. That’s a far cry from Warners’s 2007 release of The Man From U.N.C.L.E., which was loaded with extras.
Girl featured the adventures of agent April Dancer (Stefanie Powers), assisted by fellow U.N.C.L.E. operative Mark Slate (Noel Harrison). Leo G. Carroll played U.N.C.L.E. boss Alexander Waverly in both the spinoff and parent series. The pilot for Girl was a second-season episode of Man called The Moonglow Affair, which featured Mary Ann Mobley and Norman Fell, playing a frumpy, older-than-40, American Mark Slate.
Norman Felton, Man’s executive producer, wasn’t particularly keen on the spinoff, which was the brainchild of executives of NBC. Girl, which ran during the 1966-67 season, often had even goofier humor than Man’s third season. But it has some gems, including The Double-O-Nothing Affair, written by ace Man scripter Dean Hargrove, who also wrote The Moonglow Affair. Double-O-Nothing features Edward Asner is a Thrush operative, with a used-car lot as his cover.
Another notable episode was The Mother Muffin Affair, where Man’s Napoleon Solo (Robert Vaughn) appeared to oppose independent woman criminal Mother Muffin, played by Boris Karloff. Thus, it was the one production with both U.N.C.L.E. characters named by Ian Fleming. (Fleming had suggested the name of April Dancer for a Miss Moneypenny-type character when he met with Felton in 1962.)
Douglas Benton, Girl’s producer, in a late 1990s interview said the production team was thinking about casting Dame Judith Anderson. Joseph Calvelli, the writer, was asked to describe Mother Muffin and he replied, “Boris Karloff in drag.” Benton had worked with Karloff on the 1960-62 anthology series Thriller, offered him the role and Karloff, according to the producer, immediately accepted. (The interview is recreated on a commentary track on the Thriller DVD set, with Benton’s son reading his father’s words.)
Finally, for Bond fans, Luciana Paluzzi is a guest star in Girl’s first episode, The Dog Gone Affair.
For more information about the DVD set, including how to order, JUST CLICK HERE. Meanwhile, here’s a clip from The Mata Hari Affair, the fourth episode. Truth be told, it’s not that good despite being directed by Joseph Sargent, one of the best of the Man directors. For some viewers, though, this scene is still a highlight:
This particular commentary track, rather than comment on an episode, is a re-enactment of a 1997 interview with Douglas Benton (1925-2000), who was the show’s associate producer and who went on to a long career producing various TV shows. The part of his father is played by Benton’s son, Daniel, who reads his father’s words.
Andress’s starring turn in “La Strega” was directed by Ida Lupino, with Alejandro Rey as the male lead. Benton quoted Lupino thusly: “Oh golly, it’s such a pleasure to come on the set and find out your leading man is more beautiful than the leading lady.” Benton quotes Lupino as changing her mind. “I’m happy with the way they look, it’s a shame, though, that neither one can act a lick. Alejandro couldn’t even understand English and Ursula was speaking German.”
On Paluzzi, who starred in “Flowers of Evil,” Benton said, “She was fun. She didn’t take acting terribly seriously. Her mother was one of Mussolini’s mistresses and Luciana had grown up in the upper reaches of Fasicist society.”
While this has nothing to do with 007, we couldn’t resist including Benton observations about William Shatner (“Bill was a terrible ham. Directors complained that he over-acted all the time.”) and Mary Tyler Moore (“I thought she was a brat. I was on the stage one day when somebody asked her to do something and she said, ‘I don’t have to do this. My husband Grant Tinker is the vice president of NBC.’…That was a request from the network that we find her a job.”)
Finally, Benton said of Robert Vaughn, the future Napoleon Solo, who also appeared in Thriller: “Robert Vaughn was the same guy I first met him on GE Theater and later on the U.N.C.L.E. show. He was a joy to work with. He is so much more intelligent than the average actor, that it was like dealing with a university professor…There’s no mystique in acting for Robert. He’s certainly no method operator. He’s just a very brainy guy who should be teaching history at one of the Ivy League universities. That is if he couldn’t make five times as much money as an actor.”
One of Benton’s many credits was being producer of The Girl From U.N.C.L.E. It was he who came up with the idea of offering Karloff the role of Mother Muffin, the elderly woman leader of a band of assassins. The writer of The Mother Muffin Affair had described the character as “Boris Karloff in drag.”
“I looked at the damn thing and said well, why don’t we get Boris?” Benton said. “I knew him and I knew he’d be amused by this.” The answer Benton received from the actor: “When and where?”