UPDATED: The Man From U.N.C.L.E. curse

The cast of The Man From U.N.C.L.E. television show.

The cast of The Man From U.N.C.L.E. television show.

Almost five years ago we published a post about The Man From U.N.C.L.E. curse.

Since the end of the 1964-68 series, a lot of things just seemed to go wrong. Well, after taking a look at the original, we decided to dress it up with events of the past few years. The more things change, the more, etc.

So you be the judge whether there’s a curse.

1970s: Veteran James Bond screenwriter Richard Maibaum is hired to develop a new version of U.N.C.L.E. Nothing comes of it, despite Maibaum’s track record.

1976-77: Writer-producers Ivan Goff and Ben Roberts hire Sam Rolfe, the original developer of the show, to do a script for a made-for-televison movie that could be the springboard for a new show. “The Malthusian Affair” has some interesting concepts (including having a dwarf occupy an armored exo-skeleton) but it doesn’t get past the script stage. Had it become reality, Robert Vaughn and David McCallum would have reprised their roles as Napoleon Solo and Illya Kuryakin.

Early 1980s: Would-be producers Danny Biederman and Robert Short cobble together a theatrical movie project. Their script had Thrush, the villainous organization of the original series, take over the world without anyone realizing it. Vaughn and McCallum had expressed interest, as had former 007 production designer Ken Adam. Alas, nothing happened.

1983: The made-for-television series movie The Return of The Man From U.N.C.L.E. airs on CBS. No series, or even a sequel made-for-TV movie, develops.

Early 1990s: Sam Rolfe attempts to do a made-for-cable-television movie that would have been an U.N.C.L.E. “next generation” story. Rolfe drops dead of a heart attack in 1993, ending any such prospect.

Circa 2004-2005: Norman Felton, executive producer of the orignal show, cuts a deal with a small production company for some sort of cable-televison project. Nothing concrete occurs.

2010-2011: Warner Bros. entices director Steven Soderbergh to direct an U.N.C.L.E. movie after a number of false starts. However, the director and studio can’t agree on budget and casting. Ironically, one of Soderbergh’s choices, Michael Fassbender as Napoleon Solo, later emerges as a star. Soderbergh gives up in late 2011.

Spring 2013: Guy Ritchie is now the director on the project. For a time, there are negotiations with Tom Cruise to play Solo. He’d be paired with Armie Hammer as Illya Kuryakin. In May, Cruise breaks off talks to concentrate on a new Mission Impossible movie.

June 2013: The Solo slot doesn’t stay vacant long. Henry Cavill, currently doing publicity for Warner Bros.’s Man of Steel emerges as the new choice.

September 2013: Filming actually starts on an U.N.C.L.E. movie. Is the curse abut to lift?

August 2015: The answer turns out to be no. The Man From U.N.C.L.E. is trounced at the box office. One of the movies doing the trouncing: Mission: Impossible Rogue Nation starring none other than Tom Cruise. Meanwhile, some fans of the original show complain Rolfe was denied a credit and Jerry Goldsmith’s theme went almost entirely unused.

August 2016: A year after the flop, some salt gets rubbed in the wound. Matthew Bradford, in a post on the Facebook group The Man From U.N.C.L.E. Inner Circle notes the following: A commentary track for a Blu Ray release for Modesty Blaise dismisses U.N.C.L.E. as “unwatchable” today.

It turns out the commenter, film historian David Del Valle, based his comment on an episode of The Girl From U.N.C.L.E., where Robert Vaughn appeared as Solo. That episode was titled The Mother Muffin Affair and features Boris Karloff as an elderly woman.

Patrick Macnee, an appreciation

Patrick Macnee's image in an end titles to an episode of The Avengers

Patrick Macnee’s image in a titles sequence of an episode of The Avengers

Patrick Macnee had a career that last decades. His acting credits in his IMDB.COM ENTRY begin in 1938 and run through 2003.

During that span, he didn’t get the role that defined his career — John Steed on The Avengers — until he was 39.

Even then, it took a while for The Avengers to become a worldwide phenomenon. Macnee’s Steed was the one consistent element in a show that changed cast members often.

It’s easy to see why. John Steed didn’t just know the right wines. He knew which end of the vineyard where the grapes had been grown. Steed could handle himself but — as the epitome of the English gentleman — he could adeptly out think his foes as well as out fight them.

It was all outrageous, of course. Steed and his various colleagues encountered robots, mad scientists, Soviet agents and all sorts of dangers. All were dispatched with a sense of style and elegance.

After that show ran its course, he seemed to transition effortlessly to an in-demand character actor. The captain of a cruise ship on Columbo. An alien menace on Battlestar Galactica. Dr. Watson in the made-for-TV movie Sherlock Holmes in New York.

All done with style, seemingly without effort. It seemed like he’d go on forever. He couldn’t, of course. He died today at 93.

Anytime it seems like a performance was effortless, chances are it wasn’t. To keep getting acting gigs is tough. However, watching Macnee it’s understandable why casting directors would keep turning to him.

Even with lesser material, he established a presence. For example, the 1983 TV movie The Return of The Man From U.N.C.L.E. had an uneven script. Yet Macnee shined as new U.N.C.L.E. chief Sir John Raleigh. When performing great material — such an Avengers script by Brian Clemens or Philip Levene — Macnee made it even more special.

Part of it was his distinctive voice. In the 1990s, when documentaries were made about James Bond movies for home video releases, he was a natural to narrate them. (He didn’t narrate Inside A View to a Kill, presumably because he was in the cast of the 1985 007 movie.)

On social media today, fans all over the world expressed sadness. That’s very understandable. Macnee was so good, for so long, it was easy to take him for granted. Nobody is doing so today.

Patrick Macnee dies at 93, BBC says

Patrick Mcnee and Diana Rigg in a publicity still for The Avengers

Patrick Mcnee and Diana Rigg in a publicity still for The Avengers

Patrick Macnee, debonair actor best known for playing John Steed on The Avengers, died today at 93, according to the BBC, WHICH CITED MACNEE’S SON RUPERT.

There was also a statement ON THE ACTOR’S WEBSITE that said Macnee “died a natural death at his home in Rancho Mirage, California…with his family at his bedside.”

Macnee enjoyed a long career, playing dozens of characters. Still, The Avengers and his character of John Steed, with his bowler and umbrella, became Macnee’s career trademark. The show first went into production in 1961. Its greatest popularity came when he was paired with Diana Rigg’s Emma Peel.

The actor saw two of his co-stars — Honor Blackman and Rigg — leave the series to take the lead female role in James Bond movies (Goldfinger and On Her Majesty’s Secret Service). Another Majesty’s actress, Joanna Lumley, was Macnee’s co-star in a 1970s revival, The New Avengers.

Macnee finally got his turn at a Bond movie, A View to a Kill, in 1985, playing an ally of Bond (Roger Moore) who is killed by henchwoman May Day (Grace Jones). Macnee, years earlier, had played Dr. Watson to Moore’s Sherlock Holmes in a made-for-television movie. Macnee also made a properly dignified chief of U.N.C.L.E. in 1983’s The Return of the Man From U.N.C.L.E.

UPDATE: For the second time this month (Christopher Lee’s death was the other), Roger Moore bids adieu to a colleague:

Henry Cavill’s Ian Fleming milestone

Henry Cavill

Henry Cavill

The Man From U.N.C.L.E. movie began filming in London on Sept. 6, and a photo of Henry Cavill as Napoleon Solo surfaced, including AT THE HENRY CAVILL NEWS SITE. Cavill, and what appears to be co-star Armie Hammer, have their backs to the cameras but the image spread on the Internet, nevertheless.

As a result, Cavill has now reached an Ian Fleming milestone — portraying two Ian Fleming-related characters, Solo and James Bond.

The latter occurred in 2005 when Cavill, then 22, DID A SCREEN TEST AS BOND for Casino Royale director Martin Campbell.

That’s a performance with an asterisk — screen tests aren’t intended for the public. But a lot was riding for Cavill with his test. If Cavill was going to show what he had as 007, the screen test was his last chance to demonstrate it. Producer Barbara Broccoli had favored Daniel Craig but Cavill was one of the finalists. Craig got the job, which he still holds eight years later.

Now, Cavill has filmed his first scenes as Solo, the character that Ian Fleming co-created with television producer Norman Felton. In a way, Solo is (figuratively) a distant relative of Bond’s.

This is mostly happenstance. Actors haven’t had the opportunity for both roles and there hasn’t been an U.N.C.L.E. production since 1983’s The Return of The Man From U.N.C.L.E. television movie. Still, it’s a milestone of a sort for Cavill.

Meanwhile, some Cavill fans haven’t given up on the actor succeeding Craig as 007. CLICK HERE for a Facebook page.

MI6 Confidential examines Octopussy’s 30th anniversary

miconfidential21

MI6 Confidential, for its 21st issue, takes a look at Octopussy on its 30th anniversary.

Included in the issue is a forward by Roger Moore; an examination of how the screenplay evolved; interviews with director John Glen and cast members Maud Adams, who played the title character, Kristina Wayborn and Kabir Bedi; and a story about the television movie The Return of the Man From U.N.C.L.E., which featured a cameo by ex-007 George Lazenby as “JB,” and debuted on U.S. television two months before Octopussy arrived in theaters.

The magazine costs seven British pounds, $11 or 8.50 Euros. For more information about the issue and ordering information, CLICK HERE

EARLIER POSTS:
OCTOPUSSY’S 30TH: BATTLE OF THE BONDS ROUND 1

RETURN OF THE MAN FROM U.N.C.L.E.’S 30TH ANNIVERSARY

RE-POST: 30th anniversary of the last U.N.C.L.E.

David McCallum, left, and Robert Vaughn

David McCallum, left, and Robert Vaughn during filming of The Return of The Man From U.N.C.L.E.


Originally published March 4. Re-posted today, the actual anniversary

You can’t keep a good man down. So it was for former U.N.C.L.E. spies Napoleon Solo and Illya Kuryakin, who made a one-time return 30 years ago.

The intrepid agents, again played by Robert Vaughn and David McCallum, were back after a 15-year absence. This time they appeared in a made-for-television movie broadcast in April 1983 on CBS, instead of NBC, home of the original 1964-68 series.

It was a mixed homecoming. Return’s script, penned by executive producer Michael Sloan, recycled the plot of Thunderball, the fourth James Bond film. Thrush steals two nuclear bombs from a U.S. military aircraft. Thrush operative Janus (Geoffrey Lewis) boasts that the criminal organization is now “a nuclear power.” Yawn. Thrush was much more ambitious in the old days.

The show had been sold to NBC as “James Bond for television.” Sloan & Co. took the idea literally, hiring one-time 007 George Lazenby to play “JB,” who happens to drive as Aston Martin DB5. JB helps Solo, who has just been recalled to active duty for U.N.C.L.E., get out of a jam in Las Vegas.

The original U.N.C.L.E. had been filmed no further out that about 30 miles from Metro-Goldwyn-Mayer’s studio in Culver City, California. Return was really filmed in and around Las Vegas, with the desert nearby substituting for Libya, where Thrush chieftain Justin Sepheran (Anthony Zerbe) has established his headquarters.

Vaughn and McCallum, being old pros, make the best of the material they’re given, especially when they appear together. That’s not often, as it turns out. After being reunited, they pursue the affair from different angles. Solo has to put up with skeptical U.N.C.L.E. agent Kowalski (Tom Mason), who complains out loud about new U.N.C.L.E. chief Sir John Raleigh (Patrick Macnee) bringing back two aging ex-operatives.
lazuncle
Sloan did end up bringing in two crew members of the original series: composer Gerald Fried, who worked on the second through fourth seasons, and director of photography Fred Koenekamp, who had photographed 90 U.N.C.L.E. episodes from 1964 through 1967. Also on the crew was Robert Short, listed as a technical adviser. He and Danny Biederman had attempted to put together an U.N.C.L.E. feature film. Their project eventually was rejected in favor of Sloan’s TV movie.

In the end, the April 5, 1983 broadcast produced respectable ratings but CBS passed on committing to a new U.N.C.L.E. series. Despite many attempts, Return remains the last official U.N.C.L.E. production.

For a more detailed review, CLICK HERE.

Return of The Man From U.N.C.L.E.’s 30th anniversary

David McCallum, left, and Robert Vaughn

David McCallum, left, and Robert Vaughn during filming of The Return of The Man From U.N.C.L.E.

You can’t keep a good man down. So it was for former U.N.C.L.E. spies Napoleon Solo and Illya Kuryakin, who made a one-time return 30 years ago.

The intrepid agents, again played by Robert Vaughn and David McCallum, were back after a 15-year absence. This time they appeared in a made-for-television movie broadcast in April 1983 on CBS, instead of NBC, home of the original 1964-68 series.

It was a mixed homecoming. Return’s script, penned by executive producer Michael Sloan, recycled the plot of Thunderball, the fourth James Bond film. Thrush steals two nuclear bombs from a U.S. military aircraft. Thrush operative Janus (Geoffrey Lewis) boasts that the criminal organization is now “a nuclear power.” Yawn. Thrush was much more ambitious in the old days.

The show had been sold to NBC as “James Bond for television.” Sloan & Co. took the idea literally, hiring one-time 007 George Lazenby to play “JB,” who happens to drive as Aston Martin DB5. JB helps Solo, who has just been recalled to active duty for U.N.C.L.E., get out of a jam in Las Vegas.

The original U.N.C.L.E. had been filmed no further out that about 30 miles from Metro-Goldwyn-Mayer’s studio in Culver City, California. Return was really filmed in and around Las Vegas, with the desert nearby substituting for Libya, where Thrush chieftain Justin Sepheran (Anthony Zerbe) has established his headquarters.

Vaughn and McCallum, being old pros, make the best of the material they’re given, especially when they appear together. That’s not often, as it turns out. After being reunited, they pursue the affair from different angles. Solo has to put up with skeptical U.N.C.L.E. agent Kowalski (Tom Mason), who complains out loud about new U.N.C.L.E. chief Sir John Raleigh (Patrick Macnee) bringing back two aging ex-operatives.
lazuncle
Sloan did end up bringing in two crew members of the original series: composer Gerald Fried, who worked on the second through fourth seasons, and director of photography Fred Koenekamp, who had photographed 90 U.N.C.L.E. episodes from 1964 through 1967. Also on the crew was Robert Short, listed as a technical adviser. He and Danny Biederman had attempted to put together an U.N.C.L.E. feature film. Their project eventually was rejected in favor of Sloan’s TV movie.

In the end, the April 5, 1983 broadcast produced respectable ratings but CBS passed on committing to a new U.N.C.L.E. series. Despite many attempts, Return remains the last official U.N.C.L.E. production.

For a more detailed review, CLICK HERE.

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