David Hedison dies at 92

David Hedison (1927-2019)

David Hedison, star of the original film version of The Fly, the Voyage to the Bottom of the Sea TV series and a two-time Felix Leiter, has died at 92, according to various reports, including The Hollywood Reporter.

Hedison died last week and the news was released by a family spokeswoman, THR said.

Hedison’s IMDB.COM ENTRY lists more than 90 acting credits beginning in 1954 and extending into the 21st century.

The actor also was a friend of Roger Moore. “David phoned Roger regularly throughout his final illness in 2017 and was a great support.” according to a tweet from Moore’s official account on Twitter.

The two worked together in an episode of The Saint. They acted together again, with Hedison as Felix Leiter in Live And Let Die, Moore’s debut as James Bond. Hedison reprised the role opposite Timothy Dalton’s James Bond in Licence to Kill.

Hedison also had a relationship with producer Irwin Allen. The actor was in the cast of Allen’s 1960 version of The Lost World.

Allen wanted Hedison for the 1961 film version of Voyage to the Bottom of the Sea but the actor turned it down. Robert Sterling got the part instead. But Hedison signed on when Allen launched the 1964-68 television version.

The first season, shown in black and white, had a lot of espionage and international intrigue stories. As the series progressed, there were a lot of monster story lines.

After Voyage’s run concluded, Hedison didn’t lack for work, often getting guest star parts from producers Quinn Martin (The FBI, Cannon, The Manhunter and Barnaby Jones) and Aaron Spelling (The Love Boat, Dynasty, Fantasy Island).

Here’s the tweet from the Roger Moore account.

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Roger Moore: Let’s just say, ‘Au Revoir’

Roger Moore in a 1980s publicity still

By Nicolás Suszczyk, Guest Writer

On Dec. 31 2016, I spent New Year’s Eve alone. I decided it was a way to say goodbye to my late father who – among other things – introduced me to James Bond.

So, breaking all the known traditions, I popped in the BluRay discs of Live And Let Die, The Man With The Golden Gun and Moonraker starting around the afternoon and ending minutes before midnight, to bid farewell to him with those three classic films he always told me about before we watched them on blurry VHS tapes after he picked me up from school.

Little I knew that I was bidding farewell of their protagonist as well.

Painful Year

2017 will be remembered as a painful year for the James Bond community. On May 23, we lost our most remarkable ambassador: Sir Roger Moore, the longest serving James Bond actor in the official cinematic series starring Ian Fleming’s secret agent.

I received the news of his passing with great shock on the afternoon of that fateful day, during my lunch break. It was a simple text message saying “RIP Roger Moore.” My immediate reaction was, simply, to ask “What?!”

Of course, it sounds silly. One should expect an 89-year-old man to depart soon. Maybe I was among those who thought he would live forever and that’s where my surprise and astonishment of sorts came.

Sir Roger Moore became the first (official) film Bond to visit the ultimate location no other Bond has been in: heaven.

My first touch with Moore’s Bond came shortly after I discovered GoldenEye and Tomorrow Never Dies, almost 20 years ago.

It was my dad – whom I hope he has meet Roger up in the borderless skies by now – who once told me (in another lunch break, this time from school) about a Bond movie where a car made a 360 degree jump over a bridge.

Some days later, we were watching The Man With The Golden Gun on a VCR. And months later, we were enjoying Live And Let Die and Moonraker, in that order.

The days went on and as much older people than me explained that Roger Moore was also a relevant figure in The Persuaders! and The Saint, I managed to get a glimpse of those two wonderful TV series thanks to a retro channel that broke the barriers of time.

And as kids of my age were on Dragon Ball Z or Knight of The Zodiac, I was into the globe-trotting adventures of Lord Brett Sinclair and Simon Templar.

Personal Connection

I’m sure I’m not the only one who will feel Roger’s departure as something personal. He joined us on our childhood, teens and adult life.

He retired from the role of James Bond in 1985, exceptionally looking good at 58 years old and he went on to work in comedies and doing small appearances on TV shows like Alias. Much more important, he joined UNICEF and has been actively working as a Goodwill Ambassador, helping children in need.

Still, he always showed gratitude to the role he played in seven films over twelve years. He never refused an autograph. “I’m here because of them,” he told his daughter Deborah when she noted that he took so much time to sign photos, posters or DVD covers.

But more than that, he has been the only one true Bond Ambassador. Having his word on every released 007 film on his many published books or his Twitter account.

The Ambassador

He didn’t go to premieres often, but he cherished every time a new Bond adventure was released. He was the one who bid farewell to the many members of his cinematic family like Richard Kiel, Geoffrey Holder or Guy Hamilton, and a man that retained the same charm, style and sense of humor he had when he portrayed the role.

The truth is… I don’t see any of the other five actors fully acting as “Bond Ambassadors.”

Sean Connery seems out of the spotlight and has barely reconciled with the character that brought him to fame. Timothy Dalton remembers Bond from time to time. George Lazenby and Pierce Brosnan would be the closest ones as they often share an anecdote of their time as 007.

Lazenby had a funny biopic titled Becoming Bond and we see Brosnan sharing some publicity stills on Instagram although he’s clearly focused on his current projects. Yet, nobody had the panache of remembering James Bond as Sir Roger Moore did.

While the others portrayed Bond as another job, Moore was Bond until he died. That day, I felt as if James Bond –the unbeatable secret agent– had died. I never stopped feeling that at any age he still had the charm of the James Bond of the 1970s and 1980s.

Roger Moore was a very much important part of my time as a Bond fan. It’s fair to admit that I owe much of my good taste and my sense of humor to him.

It may be a cliché to say this at this point but, truly, nobody did it better.

Good-bye Roger, or – as I’ve learnt from you in that film of 1977 – let’s just say ‘au revoir.’

Thanks for being part of my life.

Roger Moore subject of tributes on his birthday

Roger Moore was the subject of numerous tributes on Oct. 14, which would have been his 90th birthday.

The actor, who starred in seven James Bond films and the 1960s television version of The Saint, died in May.

Here’s a sampling:

 

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Paramount may revive The Saint, Deadline Says

Title card for the 1960s TV version of The Saint

Title card for the 1960s TV version of The Saint

Paramount try to turn The Saint, the character created by Leslie Charteris, into a film franchise, Deadline: Hollywood reported.

Simon Templar has been adapted many times, both as films and as television series. A 1960s TV version made Roger Moore a star, helping him secure the role of James Bond in the 1970s.

A 1997 film version, also released by Paramount and with Val Kilmer, didn’t result in any sequels. But that’s not stopping the studio, according to Deadline. Here’s an excerpt:

 

Producing deals are being closed now, but it’s likely that Lorenzo di Bonaventura and Robert Evans will produce in hopes of launching another action franchise at the studio.

(snip)
If the deal makes, the studio may have another franchise in development as the character itself seems ripe for a re-do in a modern age of terrorism and corruption in the political ranks.

Lorenzo di Bonaventura is producer of the Transformers movies as well as spy-related films such as Salt and RED.

Robert Evans, who turns 86 later this month, was a Paramount executive involved with The Godfather and was producer of Chinatown. He was also a producer of the 1997 version of The Saint.

To read the full Deadline story, CLICK HERE.

 

Norman Hudis, busy spy TV writer, dies at 93

Norman Hudis

Norman Hudis

Norman Hudis, who penned episodes of various spy and spy-related television shows, has died at 93, ACCORDING TO AN OBITUARY BY THE BBC.

In his native England, Hudis is remembered as the writer of the first six “Carry On” comedy films that began in 1958.

Hudis was very busy with spy-related entertainment. He wrote episodes of The Saint and Danger Man. He moved to the United States, where he wrote episodes of The Man From U.N.C.L.E. (including its final two-part story, The Seven Wonders of the World Affair, released outside the U.S. as the film How to Steal the World), The Wild Wild West, Hawaii Five-O, It Takes a Thief, The FBI and Search, among others.

According to Craig Henderson’s U.N.C.L.E. timeline website, producer Norman Felton in 1971 responded to an NBC suggestion that U.N.C.L.E. be revived as a TV movie by saying Hudis would be a good writer for such a project. Nothing came of the suggestion.

UPDATE: According to Hudis’ IMDB.COM ENTRY his writing credits included the following.

The Saint: The Imprudent Politician, The Frightened Inn-Keeper, The Checkered Flag, The Persistent Parasites

Danger Man/Secret Agent: Koroshi, Shinda Shima

The Wild Wild West: The Night of the Tottering Tontine

The Man From U.N.C.L.E.: The Yo-Ho-Ho And a Bottle of Rum Affair, The Five Daughters Affairs Parts I and II (released as The Karate Killers overseas), The “J” for Judas Affair, The Seven Wonders of the World Affair Parts I and II (released as How to Steal the World overseas).

Hawaii Five-O: The Big Kahuna

The FBI: The Inside Man

It Takes a Thief: Nice Girls Marry Stockbrokers, To Sing a Song of Murder, Beyond a Treasonable Doubt

Search: The Clayton Lewis Document, Suffer My Child

 

MeTV’s ‘Spies Who Love ME’ concludes Sunday

metv logo

MeTV, the U.S. channel mostly featuring 1960s and ’70s shows, is ending its “Spies Who Love ME” Sunday night block of shows this weekend.

Mission: Impossible, which had been on at 11 p.m. ET Sunday, and The Saint, which has been airing at 1 a.m. Mondays, are leaving the MeTV schedule altogether for now, the channel said in an announcement about its fall schedule.

The Man From U.N.C.L.E., which has been telecast at 10 p.m. ET on Sundays, is moving to the overnight weekend schedule. It will be on at 2 a.m. ET Sundays and Mondays (considered part of the Saturday and Sunday schedules).

Get Smart will be telecast on the overnight Sunday schedule, showing at 1 a.m. on Monday. With “Spies Who Love ME,” MeTV showed two episodes of the 1965-70 comedy start at midnight.

To see the entire new schedule, which begins Aug. 31, CLICK HERE for a PDF version.

’60s spy music to ease into Thanksgiving weekend

It’s time to chill out as the long holiday weekend (at least in the U.S.) approaches. A few selections:

U.S. television executives weren’t satisfied with Edwin Astley’s theme for the U.K. show Danger Man. So Johnny Rivers got the call when the show was re-named Secret Agent for U.S. distribution:

Various groups recorded a version of Jerry Goldsmith’s theme for The Man From U.N.C.L.E. Among them, the Gallants (who’d make an appearance in the first-season episode, The See-Paris-And-Die-Affair):

Stingray wasn’t really a spy show, but future 007 special effects expert Derek Meddings got to show off his stuff with this 1964 U.K. kids show (which was syndicated into the U.S.):

Meanwhile, some 007 fans would love this, while others would depise it. For 007 fans 48 or older, the actor stirs divisive passions while Edwin Astley’s theme is cool:

Finally, some music from the under-appreciated Morton Stevens: