UPDATE: A recap of Bond 25’s writing process

Daniel Craig in SPECTRE’s gunbarrel

Updated and expanded from a September 2018 post.

In September, outlets (starting with Baz Bamigboye of the Daily Mail) reported that Neal Purvis and Robert Wade have resumed work on Bond 25. But things still remain a bit in flux.

With that in mind, here’s a recap of how we got to this point.

March 2017: Bamigboye reports Purvis and Wade have been hired to write Bond 25.

July 2017: The hiring of Purvis and Wade is confirmed in an Eon Productions press release that announces a fall 2019 release date for Bond 25.

December 2017: Barbara Broccoli, in a podcast for The Hollywood Reporter says Purvis and Wade are still hard at work on Bond 25’s story.

February 2018: Deadline: Hollywood reports that Danny Boyle, under consideration to direct Bond 25, devised an idea with writer John Hodge. According to the entertainment news site, Hodge was writing up a script based on that idea. If the script would be accepted, then Boyle will direct.

March 2018: Boyle essentially confirms the Deadline story during a public appearance.

May 25, 2018: Eon announces that Boyle will direct Bond 25, which will have an “original screenplay” by John Hodge.

Aug. 21, 2018: Eon announces Boyle has left Bond 25. Hodge isn’t mentioned but the writer later confirms he, too, is no longer involved.

Sept. 6, 2018: The MI6 James Bond website publishes a story that a Hodge script “was a re-working of a draft completed by long-term series stalwarts Neal Purvis and Robert Wade.” and it is “now being touched up again with changes being made to reflect the wishes of the producers and Daniel Craig.” (emphasis added) This is a new twist, given how the May 25 press release didn’t mention Purvis and Wade.

Sept. 13, 2018: Bamigboye reports that Purvis and Wade have been re-hired to work on Bond 25. The story says a Purvis and Wade treatment had been approved by Eon and Metro-Goldwyn-Mayer before Boyle and Hodge arrived. A treatment is like a detailed outline. It is not the same as a script draft with its dialogue and stage directions. Anyway, Bamigboye’s story is confirmed by Variety and Deadline: Hollywood. Like Bamigboye, those outlets say Purvis and Wade are turning their previous treatment into a full script.

As 2018 draws to a close, there are contradictions.  Is it possible that Hodge was working from the Purvis and Wade treatment and not a script draft? There are no clear answers.

Jan. 1, 2019: The Geeks Wordwide website publishes a story that American screenwriter-director Paul Haggis has contributed to Bond 25’s screenplay.

Haggis did the final drafts of 2006’s Casino Royale. He shared the screenplay credit with Purvis and Wade. The news excites some 007 film fans. Perhaps another Casino Royale is in the offing. Haggis also was a screenwriter for 2008’s Quantum of Solace (where the credit was also shared with Purvis and Wade).

Feb. 16, 2019: The Playlist carries a story saying that American screenwriter Scott Z. Burns has been hired to do an “overhaul” for Bond 25 and he’ll be spending a total of at least four weeks and be well paid. According to this story, Haggis’ work either didn’t register or was dispensed with.

Regardless, we’re now up to at least five writers who’ve been reported to be involved in the writing — Purvis, Wade, Hodges, Haggis and Burns.

That’s hardly a record for a Bond film. The Spy Who Loved Me had around a dozen scribes, with two (Christopher Wood and Richard Maibaum) getting a credit and the rest not.

Both Moonraker (Christopher Wood) and Tomorrow Never Dies (Bruce Feirstein) had only one credited screenwriter while numerous others did some work.

There are many unanswered questions. Is any of Hodges’ work being used, or was that pitched when Boyle left? Also, what does “overhaul” mean? Four weeks doesn’t seem like sufficient time to devise a completely new story, though it may mean significant changes for the existing Bond 25 script.

We’ll see what happens.

Writer rosters for Eon 007 films

SPECTRE’s crowded writer title card.

This week, the Geeks Worldwide website said Paul Haggis had turned in a Bond 25 draft, rewriting work by Neal Purvis and Robert Wade.

If so, Haggins joins a growing roster of Bond 25 scribes, including the team of Purvis and Wade as well as John Hodge.

As it turns out, that’s probably more routine than not. Here’s an incomplete list of screenwriters who took a whirl at Eon’s 007 film series.

Dr. No: Richard Maibaum, Johanna Harwood, Berkely Mather (credited), Wolf Mankowitz (uncredited)

From Russia With Love: Richard Maibaum (credited for screenplay), Johanna Harwood (credited for adaptation), Len Deighton (uncredited).

Goldfinger: Richard Maibaum, Paul Dehn (credited). In addition, Wolf Mankowitz sold an idea to Harry Saltzman — Goldfinger disposing of a gangster (initially Mr. Springer, but Mr. Solo in the final film) in a car crusher. Mankowitz’s fee was 500 British pounds in cash, according to the book Adrian Turner on Goldfinger.

Thunderball: Richard Maibaum, John Hopkins (credited).

You Only Live Twice: Roald Dahl (credited for screenplay), Harold Jack Bloom (credited for additional story material).

On Her Majesty’s Secret Service: Richard Maibaum (credited for screenplay), Simon Raven (credited for additional dialogue).

Diamonds Are Forever: Richard Maibaum, Tom Mankiewicz (credited).

Live And Let Die: Tom Mankiewicz (credited).

The Man With the Golden Gun: Richard Maibaum, Tom Mankiewicz (credited).

The Spy Who Loved Me: Christopher Wood, Richard Maibaum (credited). Tom Mankiewicz, Cary Bates, Sterling Silliphant, Ronald Hardy, Anthony Burgess, Derek Marlowe, John Landis, Anthony Barwick (uncredited).

Producer Albert R. Broccoli, in his autobiography, When the Snow Melts, said he and his wife Dana really came up with the shooting script.

“One day Dana and I were at our home in California and we had all these scripts, close to a dozen of them, spread out all over the room,” according to the autobiography, written with Donald Zec. “We sat and talked for hours with Dana scribbling ideas down on paper. We rewrote the whole story…Lewis (Gilbert, the director) said it was the first time a producer had come to him with a storyline that worked.”

Moonraker: Christopher Wood (credited), Tom Mankiewicz (uncredited), Dick Clement & Ian La Frenais (writing team, uncredited).

For Your Eyes Only: Richard Maibaum, Michael G. Wilson (credited).

Octopussy: George MacDonald Fraser, Richard Maibaum, Michael G. Wilson (credited).

A View to a Kill: Richard Maibaum, Michael G. Wilson (credited)

The Living Daylights: Richard Maibaum, Michael G. Wilson (credited).

Licence to Kill: Michael G. Wilson, Richard Maibaum (credited).

GoldenEye: Jeffrey Caine (credited for screenplay), Bruce Feirstein (credited for screenplay), Michael France (credited for story), Kevin Wade (uncredited).

With Tomorrow Never Dies, only Bruce Feirstein received a writing credit despite several writers working on the film.

Tomorrow Never Dies: Bruce Feirstein (credited), Donald E. Westlake, Nicholas Meyer, Daniel Petrie Jr., David Campbell Wilson (uncredited).

The World Is Not Enough: Neal Purvis and Robert Wade (credited for screenplay and story), Bruce Feirstein (credited for screenplay), Dana Stevens (uncredited).

Die Another Day: Neal Purvis and Robert Wade (credited).

Casino Royale: Neal Purvis, Robert Wade, Paul Haggis (credited)

Quantum of Solace: Paul Haggis, Neal Purvis, Robert Wade (credited), Joshua Zetumer (uncredited).

Skyfall: Neal Purvis, Robert Wade, John Logan (credited). Jez Butterworth (uncredited).

SPECTRE: Neal Purvis, Robert Wade, John Logan (credited for story and screenplay), Jez Butterworth (credited for screenplay).

About Eon’s lack of a long-term plan

Image for the official James Bond feed on Twitter

Over the weekend, I read complaints by friends on social media about the 007 film series.

One cited how Eon flipped the order of filming You Only Live Twice and On Her Majesty’s Secret Service. The other cited SPECTRE, the most recent Bond film made by Eon Productions.

Neither friend knows the other. The thing is, both complaints reflected the same thing — Eon isn’t known for its long-term planning.

When Eon launched the series, it initially intended to adapt Thunderball, the then-newest Ian Fleming novel. Richard Maibaum cranked out a script before Eon cast its Bond actor (Sean Connery).

But there were legal issues so plans shifted to starting with Dr. No. For the next entry, Eon opted for From Russia With Love, even though that novel preceded Dr. No.

That wasn’t a big deal at the time. But the OHMSS-YOLT switch was more of a problem. The novels were very connected. Bond is a broken man in the Twice novel because of how Majesty’s ended. But that went by the wayside for a variety of reasons. Still, that wouldn’t have occurred if a long-term plan had been in place.

For some Bond fans (including one of the aforementioned friends), that was a major missed opportunity.

With SPECTRE, the tale is even more complicated.

Quantum is better than SPECTRE. What’s that? Uh, never mind!

Screenwriter John Logan sold Eon on a two-film story, something Metro-Goldwyn-Mayer announced in November 2012. But star Daniel Craig vetoed that approach. So Logan retrenched. Eventually, veteran 007 screenwriters Neal Purvis and Robert Wade were summoned to rewrite Logan’s script.

At one point, Logan’s scripts had Blofeld as an African warlord or a woman. After Purvis and Wade got through with it, there was a more traditional Blofeld. However, in the final version, Blofeld was also Bond’s foster brother — pretty similar to how Dr. Evil was the brother of Austin Powers.

Just a guess, but that wouldn’t have been the case with long-term planning.

Over the decades, there are other examples.

At the end of The Spy Who Loved Me, the audience was promised that For Your Eyes Only would be the next entry in the series. But with the popularity of the first Star Wars film, Eon grabbed the only Fleming title with a rocket theme (Moonraker) as the starting point for its next production.

In the 21st century, Eon’s brain trust talked about how SPECTRE was passe and how the new Quantum was more sophisticated. Then, Eon got all the rights that had been held by Kevin McClory. Suddenly, SPECTRE was the No. 1 villainous organization again.

Regardless of your opinions about the individual films involved, it’s pretty clear Eon has never had a long-term footprint. SPECTRE was a belated attempt to tie the four Daniel Craig films together.

That doesn’t make individual entries bad. Still, the lack of a long-term plan still has an impact on Eon’s 007 film series.

007 Magazine Issue 57 available for pre-order

The Spy Who Loved Me poster

Issue 57 of 007 Magazine is available for pre-order. Publisher Graham Rye said it will be available with three different covers. Each features an image from Maurice Binder’s main titles for The Spy Who Loved Me.

Inside features include a look at female James Bond villains; Ian Fleming meeting author Raymond Chandler; and James Bond’s 50 greatest stunts.

Chandler, creator of Philip Marlowe, was a friend of Fleming’s. The two corresponded with Chandler commenting about Fleming’s books. Fleming conducted a radio interview with Chandler in 1958.

The publication has a pre-order price of 9.99 British pounds. Once published, it will go up to 12.99 British pounds. Other prices are $15.99 in the U.S. and 11.99 euros in Europe.

For more details about the issue and ordering, CLICK HERE.

1970s: McClory enlists Connery, Deighton for a 007 script

Title page to the 1978 Warhead script.

Kevin McClory had struck it big in 1965. Holding the screen rights to Thunderball, he had been, in effect, made a partner by Eon Productions on the film adaptation. It was a big hit.

Under terms of his deal, McClory wasn’t to attempt another Thunderball-related project for a decade. Once that time elapsed, McClory decided to do just that.

This time, he enlisted Sean Connery, now the former 007, and author Len Deighton, who had performed uncredited work on the screenplay of From Russia With Love.

The trio’s names would be attached to a script titled James Bond of the Secret Service in 1976 and Warhead in 1978. The 1976 script is online, uploaded by 007Dossier.com. I dug out a copy I had of the 1978 effort. Meanwhile, the BBC on July 26 ran a story about the Warhead script.

The two are very similar with key differences. James Bond of the Secret Service is like Thunderball. Blofeld is the behind the scenes mastermind while Largo is the operational commander.

In Warhead, Blofeld (identified as Ernst Stavros Blofed, with the extra “s” in the middle name) performs both functions. The name Largo inadvertently appears a couple of times in my copy of Warhead, as if somebody forgot to remove it.

SPECTRE operates a mammoth underwater operation. In 1976, it’s called Arkos. In 1978, it’s named Aquapolis. The earlier script includes a large thug named Bomba, described as “a black man of gigantic proportions.” The 1978 script the henchman is called Ghengis, “a Mongloian of gigantic proportions.”

More Ambitious

SPECTRE, in both scripts, has gotten more ambitious than it had been in the Eon film series. It’s responsible for missing aircraft in the Bermuda Triangle (apparently because it can). It’s already extracting gold and other substances from seawater.

And this time out, SPECTRE aims to take control of the world’s oceans.

“My first act will be to stop all pollution,” Blofeld says in both scripts. “Each government will answer to me for any desctive elements coming in to our oceans. I will give them six months to cease using our oceans as umping grounds for their sewage, filth, poisons, chemicals and atomic waste.”

SPECTRE’s plan to accomplish all this includes robot sharks and nuclear warheads from a Soviet submarine the criminal organization has disabled.

Familiar Tale?

By this point, the average Bond fan is probably observing all this sounds familiar to The Spy Who Loved Me, the 10th film in Eon’s film series.

That 1977 movie featured villain Karl Stromberg, an industrialist who operated a mammoth installation called Atlantis and who was alarmed about environmental damage to oceans. He, of course, had a large henchman named Jaws. The story line emerged from the contributions of many writers besides the credited Christopher Wood and Richard Maibaum.

Indeed, there were court fights between Eon and McClory during this period. The result was that Eon and United Artists proceeded with Spy while McClory stayed on the sidelines.

In James Bond of the Secret Service/Warhead, we don’t encounter Bond himself until the scene switches to Shrublands. This story turned Schrublands from a health clinic into an “aquatactical centre,” which trains operatives of various countries, including the U.K. and U.S.

Here’s a stage direction from the Warhead script:

Along the beach, barbed wires comes down to the sea. JAMES BOND is having sun oil aplied to his body by a girl instructor, an exceptionally athletic and attractive fair-haired girl, JUSTINE LOVESIT. He is reclining in the shade of an old gun emplacement.

Perhaps she’s a cousin of Lovey Kravezit from the Matt Helm movie series. The dialogue here is certainly similar to a Helm movie with Dean Martin.

BOND
Call me James. And what’s your name?

LOVESIT
Justine Lovesit.

BOND
She does?

LOVESIT
My name is Justine.

BOND
(laughs)
Well, I’ll call you ‘Just’ for short.

Anyway, Bond and Felix Leiter meet up at Schrublands. They have an exchange that appears to reference scandals of the era involving the CIA and FBI.

“Good to see you, Felix,” Bond says. “So the Russians haven’t put you behind bars yet.”

“No, but Congress nearly did,” Leiter replies.

Dr. Blush

A briefing is conducted because SPECTRE has contacted the United Nations and “the leaders of the governments of five great powers” in the words of Gardner Steer, a CIA official. SPECTRE has already killed the UN secretary general, disabling his plane as it flew threw the Bermuda Triangle.

Meanwhile, SPECTRE agent Fatima Blush lurks about as a memeber of the medical staff. Bond quickly takes interest. “Well, if the party’s off, perhaps you’d like to give me my physical tonight, Dr. Blush,” the British agent says.

Also, at one point, Bond is scheduled is play Largo/Blofeld (depending on which script) in a backgammon game. But M orders Bond not to participate so we don’t get to see any such confrontation.

Eventually, the story results in a climax in New York City and at the Statue of Liberty. Naturally, the plot is foiled, the villain vanquished.

None of this would make the screen. A Thunderball remake finally became reality in 1983 with Never Say Never Again.

McClorry was aboard with the title of executive producer. But it was producer Jack Schwartzman (1932-1994) who did the heavy lifting, securing Sean Connery’s services to make one final appearance as 007.

Elon Musk cracks a James Bond joke

Elon Musk’s one-time Twitter photo

There’s no question Elon Musk, CEO of electric-car maker Tesla, likes James Bond.  In 2013, he bought the submarine car from The Spy Who Loved Me. At one point, his Twitter photo evoked Blofeld and Dr. Evil. And in 2016, it was revealed he had a “Project Goldfinger.”

So, it shouldn’t have been a surprise he cracked a James Bond joke in an exchange on Twitter.

Musk started with a message to Twitter followers.

“We’re going to include some fun games as hidden Easter eggs in Tesla S, X & 3,” Musk wrote in one tweet. “What do you think would be most fun in a car using the center touch screen?”

This post came back in response: “A radar tracker, oil slick sprayer, nail spreader, smoke screen, tire slasher, and ejector seat.”

Musk, however, wasn’t going to let that be the last word. His response: “Just order your car with the James Bond option package. It’s an off-menu item for those in the know.”

That response can be viewed below.

https://platform.twitter.com/widgets.js

On Superman’s 80th, a few 007 connections

Christopher Reeve (right) with Roger Moore during filming of Octopussy.

This week marks the 80th anniversary of the introduction of Superman. DC Comics is out with Action Comics No. 1,000 to celebrate the occasion

The thing is, there are some elements in common, thanks to how the Christopher Reeve Superman movies were made at Pinewood Studios, the long-time home to the James Bond film franchise.

So here’s a few of them. It’s not a comprehensive list and I’m sure there are many stunt performers who worked on both.

Geoffrey Unsworth: Unsworth (1914-1978) was a celebrated cinematographer, whose credits included Superman (1978) and Superman II (1981), much of which was photographed at the same time as the film movie. Unsworth’s credits also included 2001: A Space Odyssey.

Unsworth also had a James Bond connection. On Dec. 21, 1961, he photographed screen tests for actresses vying to play Miss Taro for Dr. No.

John Glen: Glen directed five James Bond films, 1981-89, after earlier editing and being second unit director on three 007 films. He was one of the second unit directors for the 1978 Superman film.

Stuart Baird: Baird was editor on the first Superman movie. He performed the same duties on Casino Royale (2006) and Skyfall (2012).

Alf Joint: A stunt performer on the Bond series, perhaps his most famous bit was in the pre-titles of Goldfinger as Capungo, who gets killed by Bond (Sean Connery). He was also a stunt coordinator on Superman.

Shane Rimmer:  He had small roles in You Only Live Twice and Diamonds Are Forever while having a larger supporting role as a U.S. submarine captain in The Spy Who Loved Me. It also *sounds* like he does some voiceover work in the pre-titles of Live And Let Die as an agent who’s killed in New Orleans. (“Whose funeral is it?”)

He also played a NASA controller in Superman II. The IMDB listing for Superman III lists him as “State Policeman.” Truth be told, it’s been a long time since I’ve seen the movie, I can’t confirm.

Guy Hamilton: He directed four 007 films, two with Sean Connery and two with Roger Moore. He was signed to direct Superman but exited the project and replaced by Richard Donner.

(UPDATE 9:40 a.m., April 20): By popular demand, two more.

Tom Mankiewicz: The screenwriter of 1970s 007 films was credited as “creative consultant” in Superman and Superman II. He essentially rewrote the scripts, combining elements of very serious Mario Puzo drafts and much lighter drafts by David Newman and Leslie Newman.

Clifton James: The veteran actor, who played Sheriff J.W. Pepper in two Bond films, again played a sheriff in Superman II.