Daniel Craig on the verge of a $150 million pay day?
Over the weekend, Radar Online reported that Daniel Craig, the ever-reluctant 007, is being offered $150 million to do two more James Bond films.
Naturally, this generated a lot of discussion among Bond fans.
On one 007 message board, a poster said the equivalent of, “Why are you guys so upset? It’s not your money.”
Here’s one way of thinking about it.
Michael Cimino (figuratively) thought the same thing when he was directing Heaven’s Gate. For sure, it wasn’t his money. It was United Artists’ money.
However, in the end, he spent so much of UA’s money — and his film generated so little box office — it spelled the end of UA as a separate studio. It’s parent company, Transamerica, threw in the towel. MGM bought UA.
Now some argue Cimino’s movie was better than the reviewers thought. And perhaps it was. Nevertheless, Heaven’s Gate doomed UA. MGM bought UA and merged it into its operations.
How many fewer movies were made because UA was no longer an actual studio? There’s no way to know, of course. But likely a decent number.
Leaving that issue aside, MGM absorbing UA still had an impact on the James Bond film series. The UA-Eon relationship was generally a good one. The MGM-Eon relationship, less so. The Heaven’s Gate situation clearly had a major impact on the Bond film series. It’s still being felt to this day.
Here’s another example for old timers.
In the U.S. market, Cleopatra (1963) sold about the same number of movie tickets (actually a little more) than Goldfinger. Cleopatra sold an estimated 67.2 million tickets, according to the Box Office Mojo website. Goldfinger sold 66.3 million
Goldfinger was a big fat success while Cleopatra almost bankrupted 20th Century Fox.
Why? Because Fox spent — squandered — so much money that Cleopatra couldn’t make a dime of profit despite being a popular success. Meanwhile, Goldfinger had a budget that ensured a huge profit.
Fox survived, but only because it’s television division sold a number of TV shows (Voyage to the Bottom of the Sea, 12 O’Clock High and Peyton Place) for the 1964-65 season.
Some fans will argue, “But this is James Bond! How can you say such a thing?”
Well, to cite a John Gardner 007 continuation novel title, “Nobody Lives Forever.”
Albert R. Broccoli, the co-founder of Eon Productions, once said something to the effect that James Bond is bigger than any actor who plays him. It took a while for him to be proven correct, but he eventually was.
If the Radar Oneline story is accurate (and that remains to be seen), the Cubby Broccoli approach is dead, once and for all.
Also, in the U.S. market, Skyfall had a per-day gross of $2.8 million ($304.4 million divided by 109 days of release) while SPECTRE had a per-day gross of $1.3 million ($200 million divided by 154 days of release).
Nothing is easy, or automatic, in the movie business. Just ask those folks who thought Batman v Superman: Dawn of Justice was a cinch to have a billion-dollar global box office.
For a Bond movie, with its leading man getting $75 million, to make a profit, it would have to consist of said actor sitting on a stool doing a dramatic reading of the script — perhaps with ads running on the bottom of the screen.
Then again, it’s not my money. So why get upset?
UPDATE: After this post was published, the blog was asked how would other big actor pay days compare when adjusted for inflation. The INFLATION CALCULATOR of the U.S. Bureau of Labor Statistics is a useful tool for such calculations.
Elizabeth Taylor was paid the then-regal sum of $1 million for 1963’s Cleopatra. That works out to $7.86 million in 2016 dollars. Sean Connery got what was seen as a staggering amount, $1.25 million, to do Diamonds Are Forever in 1971. That works out to be $7.43 million in 2016 dollars.
UPDATE II (7:30 p.m.) A website called Gossip Cop today HAD A POST where its unidentified source (“an individual involved in the James Bond franchise”) says Craig has received no such offer. In effect, Gossip Cop’s anonymous source is ragging on Radar Online’s anonymous sources. Caveat Emptor all around.
Filed under: James Bond Films | Tagged: 20th Century-Fox, Albert R. Broccoli, Bond 25, Cleopatra, Daniel Craig, Eon Productions, Goldfinger, Heaven's Gate, John Gardner, Metro-Goldwyn-Mayer, Michael Cimino, Radar Online, Skyfall, Sony Pictures, SPECTRE, United Artists | 3 Comments »