Bond series now No. 004 in unadjusted film series box office

Facebook image Marvel put on Facebook

Facebook image Marvel put on Facebook in May.

The Bond Bulletin in a post today noted that the James Bond film series had fallen behind Star Wars in all-time box office. Depending on how you define “franchises,” 007 is now 004 in unadjusted box office.

In a list of franchises on The Numbers box office website, the Marvel Cinematic Universe as of Dec. 30 has $10.9 billion worldwide box office, Harry Potter $8.47 billion, Star Wars $7.2 billion and James Bond $7.08 billion.

Again, this is unadjusted box office. It’s not number of tickets sold. And it doesn’t account for rising ticket prices.

Here’s how each franchise is defined in the list compiled by The Numbers website:

James Bond: The 24 007 films produced by Eon Productions since 1962 plus 1983’s Never Say Never Again (not made by Eon but with original film 007 Sean Connery). It does not include 1967’s Casino Royale spoof film.

Star Wars: Nine movies comprised of original trilogy (1977-1983), second trilogy (1999-2005), Star Wars Episode VII: The Force Awakens (2015), the animated movie Star Wars: The Clone Wars (2008), and this year’s Rogue One, a Star Wars story.

Harry Potter: Eight Harry Potter series films released 2001 to 2011, a Potter marathon at Imax theaters this year and 2016’s Fantastic Beasts and Where to Find Them, a spinoff.

Marvel: Fourteen films, beginning with 2008’s Iron Man and running through this year’s Dr. Strange, produced by Marvel Studios. All of the movies occur in the same fictional universe. It does not count X-Men and Fantastic Four films produced by 20th Century Fox and Spider-Man movies produced by Sony Pictures.

Fox and Sony licensed those characters before Marvel decided to make its own movies. The separate X-Men category on The Numbers website includes solo films featuring Wolverine an Deadpool.

Both Star Wars and Marvel fell under the wing of Walt Disney Co. through acquisitions. They’re released under Lucasfilm Ltd. and Marvel brand names.

Under Disney ownership, both Lucasfilm and Marvel are ramping up production.

Episode VIII of Star Wars comes out next year, with other Star Wars-related films, such as Rogue One, planned. Marvel has been making two movies a year and will make three in 2017, including Spider-Man: Homecoming, which Marvel is producing but Sony will release. This year, Spider-Man joined the Marvel cinema universe in Captain America: Civil War.

Warner Bros. plans as many as five Fantastic Beasts films.

The Bond series doesn’t have an “extended universe,” a concept made popular by Marvel. It features one character, James Bond.

2012’s Skyfall, showed the series is capable of billion-dollar box office. It terms of number of tickets sold, Skyfall was No. 3 in series history in the U.S. market at 37.8 million, behind Thunderball and Goldfinger.

The most recent entry, SPECTRE, had worldwide box office of $880.7 million, No. 6 globally in 2015.

In the U.S. market, SPECTRE sold 23 million tickets, No. 14 in series history. On that basis, it was also the lowest since the series resumed in 1995 following a six-year hiatus.

Van Williams dies at 82

Van Williams and Bruce Lee in The Green Horney

Van Williams and Bruce Lee in The Green Hornet

Van Williams, the nominal star of the 1966-67 television version of The Green Hornet, died late last month, according to an obituary in The Hollywood Reporter.

Williams played Britt Reid, the editor and publisher of The Daily Sentinel who battled crime as the masked Green Hornet. Reid had to dodge both hoods and the police, who believed the Hornet was a racketeer.

The district attorney, Frank Scanlon (Walter Brooke) was in on the masquerade. Meanwhile, Sentinel reporter Mike Axford (Lloyd Gough) was determined the Hornet be captured.

The show, however, became a platform for Bruce Lee, who played the Hornet’s assistant, Kato. Lee’s skill in martial arts was a highlight of the series. For youngsters in the audience, Lee’s Kato upstaged Williams’ Green Hornet. Lee (1940-1973) would become a star before his sudden death.

The show, based on a radio series, was an attempt by producer William Dozier to extend his success with masked characters after the debut of Batman in January 1966. Dozier even provided the narration in the show’s main titles, using his “Desmond Doomsday” voice he utilized in Batman.

Dozier’s Batman series also featured a two-part story in 1967 where the Green Hornet traveled to Gotham City, running afoul of Batman. Earlier in that same season, Bruce Wayne (Adam West) and Dick Grayson were briefly depicted watching The Green Hornet on television. In a different episode, the Green Hornet and Kato opened a window and talking to Batman and Robin, who were climbing up a building. Robin (Burt Ward) commented about the strange outfits worn by The Green Hornet and Kato.

Earlier in his career, Williams played private detective Kenny Madison, first on Bourbon Street Beat (1959-60) and then Surfside 6 (1960-62). two Warner Bros. series that aired on ABC.

UPDATE: 3 would-be Bond 25 distributors struggle

Image for the official James Bond feed on Twitter

Image for the official James Bond feed on Twitter

Last month, the blog examined how real-life developments could inhibit two studios from seeking a deal to distribute Bond 25 and future 007 films.

At least one other studio may also encounter problems. So this post is part new and part recap.

Sony (the incumbent): Sony Pictures, through its Columbia Pictures brand, has distributed the last four Bond movies. But there was a management change last year, with Amy Pascal (an ally of Barbara Broccoli, co-boss of Eon Productions) departing.

Well, according to Variety’s James Rainey, things haven’t gone well with the new regime. An excerpt:

A series of personnel complaints and threatened defections by senior executives have raised questions about the leadership of Sony Pictures Entertainment movie boss Tom Rothman, several sources said — a difficult challenge for a studio already fighting to gain traction during a rough year at the box office.

(snip)
The unhappy Sony executives report that Rothman has made their lives untenable with his micro-management and obstreperous manner, which they say has also alienated talent agents, producers, directors and actors, many of whom are now loathe to bring their projects to Sony, the sources said.

Sony didn’t make that much money from Skyfall and SPECTRE because it only got a 25 percent split of the profits, earning far less than Metro-Goldwyn-Mayer and Eon.

Presumably, Sony would want a better deal from MGM if one could be secured. The Variety report suggests things remain unstable at Sony, which suffered computer hacks in 2014 that damaged its reputation.

Warner Bros.: The studio’s parent company, Time Warner, agreed last month to be acquired by AT&T Inc. in an $84.5 billion deal.

That transaction likely won’t be final until late 2017. The question becomes whether Warners is in a position to make a Bond 25 deal until the AT&T acquisition becomes final.

Paramount: The studio’s parent company, Viacom, may end up merging with CBS. Both companies were once joined and then split. Now, it’s looking like they could join up again.

All that figurative paper pushing isn’t conducive to getting things done. Even if the Viacom-CBS re-merger happens quickly, there’s bound to be a period of adjustment.

MGM watch: Will studio be affected by media consolidation?

MGM logo

AT&T Inc.’s pending $85 billion acquisition of Time Warner may kick off a new wave of media consolidations, analysts told Reuters.

So where does that leave Metro-Goldwyn-Mayer, a small fry on the media landscape?

MGM, the home studio of the 007 film series, emerged from bankruptcy in 2010 as a small company. It’s unable to release its own movies and has to cut deals with other studios. It’s also more of a television production company, making shows for cable networks.

Many bigger studios are already parts of conglomerates, including Warner Bros. (Time Warner), Columbia (Sony Corp.), Paramount (Viacom), Universal (Comcast), etc., etc., etc.

With AT&T’s announced purchase of Time Warner, still subject to regulatory review, even more consolidation is expected. Here’s an excerpt of the Reuters story by David Shepardson and Jessica Toonkel:

Media content companies are having an increasingly difficult time as standalone entities, creating an opportunity for telecom, satellite and cable providers to make acquisitions, analysts say.

Media firms face pressure to access distribution as more younger viewers cut their cable cords and watch their favorite shows on mobile devices. Distribution companies, meanwhile, see acquiring content as a way to diversify revenue.

“The industry needs to consolidate,” said Salvatore Muoio, whose firm invests in a number of media companies, including Time Warner. “You have a lot more competition from the likes of Netflix, Amazon and Hulu.”

“Media content companies” include movie and TV studios.

There’s no telling how this will turn out. AT&T doesn’t expect the Time Warner acquisition to be completed until the end of 2017. Also, the purchase is going to be carefully examined by U.S. regulators.

It’s just worth noting the media business is going through new uncertainty. The Bond film series is tied to a small player in MGM. It may be worth watching how the consolidation unfolds.

‘Playing Monopoly with real buildings’

Image for the official James Bond feed on Twitter

Image for the official James Bond feed on Twitter

For almost a year, there was supposed to be bidding by studios to be Metro-Goldwyn-Mayer’s partner in distributing Bond 25 and other future 007 movies. But real life has a way of intruding.

Two of the expected suitors, Paramount and Warner Bros., have seen their respective parent companies involved with real-life dramas.

Throughout much of this year, there was a fight for control at Viacom, which owns Paramount. Viacom’s CEO, Philippe Dauman, who had wanted to sell a big chunk of Paramount to outside investors, got his walking papers. Now, billionaire Sumner Redstone’s National Amusements Inc. wants to merge Viacom with CBS.

National Amusements controls both. At one time, CBS was part of Viacom. Then, they were split into separate companies. Now, they may be one again. (This FORTUNE.COM STORY has a summary of all this.)

On Thursday, Bloomberg reported that Time Warner, parent company of Warner Bros., has had talks with AT&T Inc. concerning “various business strategies including a possible merger.” According to the Bloomberg story, citing “people familiar with the matter,” Time Warner would be willing to sell for the right offer. The company rejected an offer from 21st Century Fox, parent company of 20th Century Fox, in 2014 for $75 billion.

Why should 007 fans care? Change of ownership or major structural change tends to be unsettling. It’s harder to make long-term moves if your company’s ownership may change. The separate intrigue at Viacom and Time Warner, may affect the ability of Paramount and Warner Bros. to do a Bond deal with MGM.

For now, there is nobody to release Bond 25. Sony Pictures, through its Columbia brand, has released the last four 007 films. But its most recent contract expired with SPECTRE.

At this point, neither the Viacom-CBS merger nor an AT&T-Time Warner deal have occurred (AT&T and Time Warner declined to comment on the Bloomberg story).

Still, all this wheeling and dealing recalls a line from Diamonds Are Forever about how reclusive billionaire Willard Whyte was said to be “playing Monopoly with real buildings.”

UPDATE (Oct. 21): The Wall Street Journal reported today that AT&T is in “advanced talks” to acquire Time Warner and that a deal could be reached as early as this weekend.

UPDATE II (Oct. 21, 10:20 p.m. ET): Reuters reported Friday night, citing people it didn’t identify, that AT&T has reached “an agreement in principal” to acquire Time Warner for $85 billion.

UPDATE III (Oct. 22, 7:40 p.m.ET): AT&T announces it has agreed to acquire Time Warner for $107.50 per share for a total of $85.4 billion. Time Warner shareholders will receive half in cash and half in AT&T stock, according to the statement disclosing the sales accord. AT&T said it expects the deal to close before the end of 2017.

Happy (belated) 99th birthday, June Foray

Natasha Fatale from Rocky and Bullwinkle, one of the many characters voiced by June Foray

Natasha Fatale from Rocky and Bullwinkle, one of the many characters voiced by June Foray

We would be remiss if we didn’t note that Sept. 18 was the 99th birthday of June Foray, the greatest living cartoon voice.

Her many credits include voicing Rocky, the Flying Squirrel, as well as Natasha Fatale. Natasha was half of the villainous pair of Boris and Natasha, who kept trying to do in Rocky and Bullwinkle the Moose in 1960s cartoons produced by Jay Ward. (Ward’s producing partner, Bill Scott (1920-85), was the voice of Bullwinkle.)

She was a voice on many Warner Bros. cartoons (Granny, Witch Hazel). It took a while but she eventually got an on-screen credit on the cartoons.

Of course, Foray also got voice over jobs on live-action programs. She did the “bumpers” on The Man From U.N.C.L.E. informing viewers the show would resume “after station identification.” She was the voice of Talking Tina, a creepy doll in an episode of The Twilight Zone.

Writer Mark Evanier of The News From ME blog has a tribute you can read by CLICKING HERE.

How Warner Bros. plans to lighten up its superhero films

Henry Cavill after reading the latest Batman v Superman reviews

Could Supeman (at present deceased) lighten up in future movie appearances?

Studios and production companies rarely admit to misfires (see the James Bond film series for examples). But Warner Bros. and its DC Entertainment unit appear to be doing just that.

The Wall Street Journal, in a STORY POSTED THURSDAY, quoted Jeff Johns, a comic book writer who will have a lot of say over future DC Comics-based superhero movies.

“Mistakenly in the past I think the studio has said, ‘Oh, DC films are gritty and dark and that’s what makes them different.’ That couldn’t be more wrong,” said Mr. Johns, who has written comic books featuring most of the company’s top superheroes. “It’s a hopeful and optimistic view of life. Even Batman has a glimmer of that in him. If he didn’t think he’d make tomorrow better, he’d stop.”

All of this is happening after a very mixed year for Warner Bros. and DC Entertainment.

The good news: Two of the studios movies, Batman v Superman: Dawn of Justice and Suicide Squad, had big box office in 2016. Bad news: Both movies fell off quickly after their opening weekends.

What’s more, Warner Bros. still trails rival Marvel Studios, part of Walt Disney Co. Marvel’s Captain America: Civil War generated worldwide box office of $1.15 billion, better than either Warner Bros./DC Entertainment entry.

Other studios would kill for the box office of the two DC-based movies. But those movies were also very expensive. Batman v Superman, going into 2016, seemed a lock to be a billion-dollar movie but fell well short — despite featuring the two Big Dogs of the DC Comics universe.

According to The Journal, Warner Bros. is making some mid-course corrections. This except references the studio’s Wonder Woman solo movie and November 2017 release of Justice League:

“Justice League” will also directly address Batman’s extreme actions in the last movie (Batman v Superman), such as torturing criminals and nearly killing the man of steel, rather than accept them as par for the course. And it’s expected to have fewer of Mr. (director Zack) Snyder’s controversial flourishes, like the dream sequences in “Batman v Superman,” in favor of focusing more tightly on the plot, people close to the picture said.

Needless to say, it remains to be seen how this turns out. However, it’s clear that Marvel v DC: Battle for Supremacy, fought for decades in comic books, has moved to films.