Noble failure: The Richard Boone Show

Logo for The Richard Boone Show

On occasion, television shows attempt to punch above their weight. They may not succeed, but they deserve a salute for the effort.

That applies to The Richard Boone Show, which ran for one season (1963-64).

Boone (1917-1981) was at his height of popularity in the early 1960s.

He had starred for six seasons as Paladin in Have Gun — Will Travel. With the end of that popular Western, Boone pretty much could write his own ticket.

The actor was not a typical star. He had quirky tastes. What he wanted to do was the television equivalent of a theater company performing different plays each week.

Boone had a receptive audience in Mark Goodson and Bill Todman. The duo supervised popular game and panel shows such as What’s My Line?, Beat the Clock and To Tell the Truth. But they also wanted to break out of the genre.

In that regard, the Goodson-Todman track record was mixed. They produced a Philip Marlowe series that lasted one season. They also produced The Rebel, a Western series that ran for two series today best remembered for a Johnny Cash title song.

Goodson-Todman was determined to turn The Richard Boone Show into a prestige series.

As producer, Goodson and Todman hired Buck Houghton, the producer of the first three seasons of The Twilight Zone. Clifford Odets was brought on as story supervisor, to line up scripts for the new anthology show. Odets, unfortunately, died in August 1963 during production of the series.

For the “company of players,” the regulars included the likes of Harry Morgan, Robert Blake, Jeanette Nolan, Ford Rainey, Lloyd Bocher, Laura Devon, Warren Stevens and other familiar faces on early 1960s television.

Many of the episodes starred Boone, but not all. When Boone wasn’t the lead player, he would portray a secondary character. Meanwhile, the cast had plenty of opportunities to display their acting abilities.

In many ways, the “company of players” was like an actual theater company with the actors playing around with makeup, include bald caps, fake mustaches, putty noses, wigs and such.

In terms of music, the production team hired Henry Mancini to come up with a theme while episodes were scored by composers such as Bernard Herrmann, Fred Steiner and Lalo Schifrin.

Today, in the 21st century, it’s easy to image an undertaking like The Richard Boone Show being televised on Netfilix or Hulu as an original series (depending on the headliner). But, during the 1963-64 series, the series ran for a year before disappearing.

In a commercial sense, the show was a failure. Artistically, it was a noble failure. What follows is the unusual opening and end titles of the show.

 

Tony Stark mentors Spider-Man in new trailer

Steve Ditko’s cover to Amazing Spider-Man 33

This blog clearly erred in its look at the first Spider-Man: Homecoming trailer when it said Robert Downey Jr. made “an appearance” in the movie.

If the film’s second trailer is an indication, Downey’s Tony Stark may be doing some serious mentoring for Tom Holland’s Peter Parker.

In the trailer, Iron Man helps Spidey out with a major piece of super heroics. But Stark isn’t happy that Parker keeps taking such high profile actions instead of sticking with being “a friendly neighborhood Spider-Man.” That phrase, of course, was a punch line from the original Marvel Comics by Stan Lee and Steve Ditko.

This leads to a conflict not shown in the first trailer that debuted in December.

Meanwhile, there’s more footage of Michael Keaton’s Vulture (one of the first villains introduced in the comic books) and Marisa Tomei’s Aunt May.

For Sony Pictures, there’s a lot riding on the movie. The studio cut a deal with Marvel Studios that makes this film essentially a co-production and puts the third film version of Spidey (via Holland) into Marvel’s cinematic universe.

Sony has had a rough ride of late and it’s looking for an unqualified hit. Spider-Man: Homecoming will be out in July. The new trailer is embedded below.