MI6 Confidential looks at SPECTRE

SPECTRE LOGO

MI6 Confidential has a new issue out looking at SPECTRE past and future.

The publication has a look at filming of SPECTRE, the 24th James Bond film produced by Eon Productions. It also has articles about the actors who played SPECTRE chief Ernst Stavro Blofeld and how the criminal organization was depicted in novels by Ian Fleming and John Gardner.

Other features include a 30th anniversary look at A View to a Kill, Roger Moore’s final 007 film.

MI6 Confidential No. 29 costs 7 British pounds, $11 or 8.50 euros. For more information or to order, CLICK HERE.

A few observations about SPECTRE

SPECTRE teaser poster

SPECTRE teaser poster

No real spoilers but spoiler sensitive fans should stay away.

SPECTRE, the 24th James Bond film produced by Eon Productions, has been in production for more than two months. But there’s been a bit of publicity this week. So here are a few observations:

It may be time for some new talking points: Actress Lea Seydoux, in Empire magazine, desecribed her character in SPECTRE thusly: “She’s his equal, independent and strong and smart, and she doesn’t need him or wait for him to save her.”

In other words, Seydoux’s character is like, among others, Agent Triple-X (agent who was “Bond’s equal in every way” as director Lewis Gilbert described her in The Spy Who Loved Me), Holly Goodhead (CIA agent *and* a trained shuttle rocket pilot in Moonraker), Melina (revenge driven woman who’s deadly with a crossbow in For Your Eyes Only), Pam Bouvier (CIA agent and pilot in Licence to Kill), Wai Lin (Chinese agent in Tomorrow Never Dies), Jinx (NSA agent in Tomorrow Never Dies) and Camille (another secret agent in Quantum of Solace).

Thus, the notion that a woman character is Bond’s equal isn’t unique or even unusual in the 21st century. It might be time to retire that talking point.

“It depends on what your definition of ‘is’ is”: Eon co-boss Barbara Broccoli told Empire that only “a very old version” of SPECTRE’s script leaked out because of the Sony hacks.

That depends on what you mean by “very old.” To the lay person, a very old script might be the first draft that John Logan turned in around March of 2014. Or it might be a draft before veteran 007 scribes Neal Purvis and Robert Wade were summoned in the summer of 2014 to rewrite Logan’s work.

The Gawker website IN A DEC. 12 POST (warning: spoilers), described a draft that existed after Logan’s story had been revised as well as memos from studio executives suggesting changes and that rewriting was happening in November, while filming began on Dec. 8.

On the other hand, if you define “very old” as something other than the version the crew has right now (dialogue if often tweaked during shooting), that would be accurate.

The Eon co-chief IN APRIL 2012 denied Ben Whishaw had been cast as Q in Skyfall and IN NOVEMBER 2012 that Logan had been hired to write two Bond movies. Both turned out to be true, though Logan’s scripting effort was judged to need rewriting.

The publicity machine is gradually revealing details: Broccoli acknowledged the title of SPECTRE refers to the organization featured in early Bond movies, but this is a new take. Normally, that’d rate a “duh,” but nobody wanted to say that much when the title was revealed in December.

Director Sam Mendes, in a video released by the official 007 website gave a bit of information about the movie. He even said that SPECTRE has more information about Bond’s childhood. Meanwhile, Whishaw’s Q was seen out in the field. Just like Desmond Llewelyn’s Q in Licence to Kill? That remains to be seen.

UPDATE (Feb. 28): Adding a question to the mix.

What was the story when Sam Mendes signed on to direct SPECTRE? Sam Mendes, in a video released by 007.com this week, says the reason he opted to direct a second 007 film, or any film, has “all to do about the story.”

But what story? Mendes’s signing as SPECTRE director was announced in JULY 2013. At that point, there even wasn’t a first draft script. John Logan didn’t deliver one until early 2014.

There had to be some kind of treatment, or detailed outline. The announcement also said the movie (then just called Bond 24) had a release date. We know through the reporting of Baz Bamigboye of the Daily Mail and the Sony hacking that Logan’s story was found insufficient and that Neal Purvis and Robert Wade were summoned back in the summer of 2014 to revamp the script and it greatly changed.

Mendes spoke in a promotional video intended to sell the movie. But it would be interesting the next time an entertainment journalist gets an interview to pursue questions like these: What was appealing about that initial story? Are those elements still there? Was the scripting process tougher for SPECTRE compared with Skyfall?

Empire describes SPECTRE filming

SPECTRE teaser poster

SPECTRE teaser poster

Mild spoilers, but no plot points. Spoiler adverse folks should just move on.

Empire magazine’s look at SPECTRE is out. While the story isn’t online, fans have been making image scans of the magazine pages.

A few highlights. No plot points discussed in this summary but those the spoiler adverse should stop reading. The magazine itself has more spoiler detail.

–There is a description of a fight involving Bond.

–There is a description of a bigger action sequence filmed in Austria filmed by the second unit.

–In a sidebar, Lea Seydoux repeats a Bond movie talking point going back decades. “She’s his equal, independent and strong and smart, and she doesn’t need him or wait for him to save her.”

In other words, the same talking points as Tomorrow Never Dies in 1997 when describing the Chinese agent working with Bond in that film. Of course, the “Bond’s equal” character goes back to Agent Triple-X in 1977’s The Spy Who Loved Me. In this case, Seydoux says she’s not an agent.

–Eon Productions does admit the title refers to the SPECTRE organization featured in Bond movies before the Daniel Craig reboot that started with 2006’s Casino Royale. Barbara Broccoli, co-boss of Eon, says “Okay, now’s the time to explore that (SPECTRE) again in a new and exciting and different way.”

— The film opens in Mexico.

–Barbara Broccoli says the script that got out during the Sony hacks was “a very old version.” The Gawker website on Dec. 12, based on a copy of the script and memos also leaked in the hack, said rewriting continued throughout November. The movie began filming on Dec. 8.

–In SPECTRE, “Bond is on top of his game, top of his form,” Broccoli told Empire.

Mendes says SPECTRE ‘entirely driven by Bond’

No real spoilers the extremely spoiler adverse should just stop now.

Director Sam Mendes has made his first video for SPECTRE. In it, he says the 24th 007 film is “entirely driven by Bond.”

“He is on a mission from the very beginning,” Mendes says of 007, played in the movie by Daniel Craig. “He is on the hunt, on the trail, of somebody. You don’t know why, you don’t know what he’s doing there.”

Mendes also said he “initiated” Ralph Fiennes’ M, Naomie Harris’ Moneypenny and Ben Whishaw’s Q in Skyfall and he came back for a second 007 go-round to develop the next stage of their stories. As for Bond, the director says, the movie concerns whether he wants to continue the life he’s chosen for himself “or not.”

The 89-second video includes a small bit of a car chase being filmed in Rome and Whishaw’s Q out in the field. The video is embedded below.

UPDATE: Mendes also says around the 28-second mark that part of SPECTRE’s story involves Bond’s childhood.

Alan J. Porter discusses his James Bond Lexicon project

Promo for The James Bond Lexicon

Promo for The James Bond Lexicon

Writer Alan J. Porter is coming out with a new reference work, The James Bond Lexicon. He’s also at work on a similar project concerning The Man From U.N.C.L.E.

Porter discussed both projects in an e-mail interview. The Bond project is further along and within a few months of being published.

QUESTION: Please describe the format and organization of The James Bond Lexicon and The Lexicon Affair about U.N.C.L.E. About when will each be published?

PORTER: The Lexicon series from Hasslein Books (http://www.hassleinbooks.com) are encyclopedia style references guides related to various pop-culture franchises. They already have volumes on The Planet of the Apes, Back to the Future, and Red Dwarf. My wife, Gill, and I will be adding volumes on James Bond and U.N.C.L.E.

First up will be “The James Bond Lexicon” which will cover the world of 007 across all media, movies, novels, TV, and comics. The manuscript is currently with the publishers for copy-editing, and given it’s size (about 700 pages in total) we are discussing the possibility that it will be published as a two-volume set. Publication is slated for end of September, early October this year — around the same time that SPECTRE hits the movie screens.

While the Bond book is in production we have started writing “The Lexicon Affair: A Guide to the world of U.N.C.L.E.” This will cover both Man From U.N.C.L.E. and Girl from U,N.C.L.E. in TV, movies, novels, short stories, and comics. As we are relatively early in the writing stage we don’t have a publication date set just yet.

QUESTION: What do The James Bond Lexicon and The Lexicon Affair bring to the table compared with other books such as Raymond Benson’s James Bond Bedside Companion or Jon Heitland’s Man From U.N.C.L.E. Book or Cynthia W. Walker’s Work/Text Investigating The Man From U.N.C.L.E.?

PORTER: I believe that these will be the first books to comprehensively cover the franchises in detail across the full range of media. Plus they will be as up to date as possible. For instance the Bond Lexicon includes entries from the recent Stephen Cole authored Young Bond novel, Shoot to Kill.

The U.N.C.L.E. book will cover the upcoming movie reboot along with the classic series. The book style is more of an encyclopedia reference rather than a critical review style, although there will be a few supporting essays touching on items such as series continuity (or lack of) and the enduring popularity of the two franchises.

QUESTION: Did your encounter any surprises while researching each book?

PORTER: I think the biggest surprise from working on the Bond Lexicon was just how many different officially sanctioned interpretations of James Bond there has been over the years. I’m not talking about between actors, but distinctly different back-stories, ways of operating, time periods etc.

We grouped various Bonds together by loose continuity; for instance we considered that the Connery-Lazenby-Moore-Dalton-Brosnan Bond was a single Bond, while the Craig Bond was a completely new Bond.

Similarly, we counted the Fleming, Gardner, Benson Bonds as being three separate incarnations and so on. In the end we counted 18 different James Bonds. And I’m sure not everyone will agree with the way we defined those different Bonds either.

It’s early days on the U.N.C.L.E work so I can’t say that we’ve discovered any major surprises yet (although I’m sure we will). One initial observation is the appalling lack of consistency, often even within the same story. It’s making for some interesting discussions around how, and where, certain entries will go in the book.

QUESTION: What are the similarities, as you see them, between James Bond and Napoleon Solo? The differences?

PORTER: It’s often been stated that Ian Fleming designed Solo to be “Bond for the small screen” with the same basic traits and attitudes of a “suave sophisticated secret agent” with an eye for the ladies. But I think it’s fair to say that beyond that superficial description the two characters clearly diverged over the years.

Bond has that rougher edge, the underlying truth that he is a violent man, a “blunt instrument,” out to do a dirty job. In many ways Bond is the archetype lone stranger who arrives, sorts out the problem, and leaves.

Solo (ironically given his name) became the opposite of that, he is a team player, and part of double act where the sum of the parts is greater than the whole. Solo is less of the blunt instrument and more of the protector.

QUESTION: Who were you a fan of first? Bond or Solo? How did you become a fan of each? (Or are you a fan of each?)

PORTER: I can clearly date the start of my interest in Bond to the winter of 1965 and playing the Thunderball board game at a friends house, but with U.N.C.L.E. it’s always been more of a case of general awareness that probably started around the same time. I had both the Corgi Aston-Martin DB5 and the THRUSH buster toys, read Bond comics in the newspapers and U.N.C.L.E. comics in TV Tornado each week. Obviously U.N.C.L.E. faded into the background and Bond became more prominent because of the franchise’s continuing presence in the public eye, but I never forgot the guys in the secret headquarters behind the tailor’s shop.

QUESTION: Both Bond and Solo will have a film adventure in 2015, SPECTRE and The Man From U.N.C.L.E. What are you looking for from each one? What needs to happen for each film to be considered a success?

PORTER: Wow – the answer to that could be an essay all of its own.

I will say I was disappointed that they actually used SPECTRE as the title of the next Bond movie. I would have much preferred that the revelation about the return of SPECTRE would have come from the plot and been a surprise (much like the fate of M in Skyfall). Having said that, like most people I believe, I’m hoping for a return to some of the good old classic Bond movie tropes we’ve been missing for a while. The end of Skyfall hinted at it, I just hope they follow through with something that has the same vibe as movies like From Russia With Love, or On Her Majesty’s Secret Service.

With the U.N.C.L.E. movie my underlying hope is that they respect the source material, unlike certain recent Hollywood abominations (Green Hornet for instance). It looks like they have the tone and period right from what we’ve seen in the trailer so far although I was disappointed not to hear the classic TV show theme used. My fingers are crossed that it will be a fun ride and one that reinvigorates interest in the franchise bringing more people back to discovering the TV show. Then maybe I can wear my U.N.C.L.E. logo t-shirt without people asking me what it stands for.

QUESTION: Daniel Craig is now filming his fourth Bond film. What is your analysis of his tenure?

PORTER: I’ll be honest I’m still not sure. I thought Casino Royale was great, and loved his portrayal of Bond in that, although he was too old to be a Double-O at the start of his career. Hated Quantum of Solace, but I think that was more to do with the weak story and the frantic style of direction.

Skyfall left me conflicted, loved it at first but on each rewatch I dislike it more and more. Craig definitely plays the aging agent well, but, to put it bluntly, his Bond in Skyfall is simply incompetent. I’m looking forward to SPECTRE being the movie when the Craig era redeems itself in my eyes.

QUESTION: Henry Cavill, the new Solo, lost out to Craig to play Bond. How do you think he may do as Solo? (Right now, all we have to go on is a trailer.)

PORTER: From the short glimpses of him in the trailer he looks well suited to the part (much more so than he is to the Superman role). He’s an actor I’ve enjoyed watching over the years, although I’m not sure he would have worked as Bond either, and hopefully Solo will be his breakout franchise role.

QUESTION: A book is always hard work, but has either, or both, been fun to do?

PORTER: There is always a point about midway through any book project where you think, “What the hell am I doing this for.” The Bond Lexicon turned out to be a much bigger project than we first thought and ended up taking about three years to find everything and do the research. There was a point when we never wanted to look at anything Bond related again, but it didn’t last long. We’ve had so much support and interest from friends and fellow fans in the Bond community that it’s been a wonderful experience. We can’t wait to share the results of all that work later this year.

The U.N.C.L.E. book is great fun to do, and as we haven’t seen most of the material in decades, and in some cases this is the first time we’ve read many of the spin-off stories, it’s like rediscovering the franchise all over again.

For more about The James Bond Lexicon, CLICK HERE. For more about The Lexicon Affair, CLICK HERE. For Alan J. Porter’s website, CLICK HERE.

 

Rome stressing out over SPECTRE filming, Daily Beast says

SPECTRE LOGO

Slight spoilers. For those who don’t want to read anything about filming of the movie, stop now.

Tensions are high between officials in Rome and Eon Productions over filming of SPECTRE, the 24th James Bond film, according to THE DAILY BEAST.

Here’s an excerpt:

Last week the cast and crew for Spectre—rumored to be costing almost $300 million, making it the most expensive James Bond film yet—descended on Rome. Daniel Craig and Italian siren Monica Bellucci, who will be the oldest ever Bond girl at 50, made their way to city hall to meet Rome’s mayor Ignazio Marino, with whom they posed on his balcony overlooking the Roman forum before he apparently told them to have their way with the city.

The next day, traffic was snarled and snippy security guards who spoke mostly English tried to bat away curious onlookers and angry Italians as the crew filmed a funeral scene in the district of EUR, the most fascist of the city’s quarters. There, they transformed the Museum of Roman Civilization into a crypt.

Then, they had the audacity to close off some of the busiest arteries of the city to shoot a car chase along the lower banks of the Tiber River the following day. Angry Romans who had to divert their paths threatened to boycott the film. “The film should be called ‘disagio,’” Emanuele Costrini told The Daily Beast, referring to a favorite Italian word for discomfort or inconvenience. “You can create all these scenes in a studio. Why do you need to cripple a city like Rome for a film in this day and age?”

Typically, when movies film major action sequences, they first must obtain permits. Some times, lots of permits. You’d think nobody would be surprised at this stage. Still, Rome is a different place. Perhaps this is much ado about nothing.

The Man From U.N.C.L.E. movie, due out on Aug. 14 in the United States, also filmed in Rome in the fall of 2013. By comparison, things went quietly. But Bond always is a high profile production. So maybe it’s natural 007 draw more attention.

SPECTRE is filming in Rome for five weeks at a cost of $60 million, Variety has reported previously. Meanwhile, the MI6 James Bond site has run a number of articles about the Rome filming. You can CLICK HERE for a Feb. 19 article, HERE for a Feb. article and HERE for a Feb. 21 story.

Blast from the past: The Spy Who Loved Me (1975)

Bond collector Gary Firuta forwarded the following trade advertisement dated May 1975 in a publication called Cinema TV Today. It’s for The Spy Who Loved Me.

Of interest is that Harry Saltzman is still onboard at Eon Productions along with Albert R. Broccoli. Both are listed as presenting the movie. Also, at the time of the advertisement, Guy Hamilton was still slated to be director — with a 1976 release date.

Finally, in the 1975 ad, it says, “Ian Fleming’s The Spy Who Loved Me.” In the film, it said Roger Moore was playing “Ian Fleming’s James Bond 007 in The Spy Who Loved Me.” The final film with “Ian Fleming’s” affixed to the title was Moonraker.

There would be many twists and turns between this advertisement and the release of the movie in the summer of 1977. The biggest twist would be Saltzman’s exit from Eon, selling out his interest to United Artists, a development that still affects the franchise today. Metro-Goldwyn-Mayer picked up UA’s interest in 007 when it acquired UA in 1981. Hamilton would also exit the project, to be replaced by Lewis Gilbert.

UPDATE: Back in September 2011, we had a post about THE ORIGINAL POSTER for The Spy Who Loved Me and how it differed from the final version.

SPY - AD CINEMA 1975

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