No Time to Die world premiere set for March 31

No Time to Die teaser poster

No Time to Die’s world premiere will be March 31 in London, Eon Productions announced today.

The premiere showing will be at Royal Albert Hall, according to the announcement.

The 25th James Bond film will have its U.K. release two days later on April 2. It won’t arrive in the U.S. until an official release of April 10 (although there will be likely “preview showings” on the night of April 9.)

Royal Albert Hall previously hosted the world premieres of Skyfall and SPECTRE.

No Time to Die finished principal photography in October, with some pickup shots being filmed since then.

The movie is in post-production. Last week, it was announced that Hans Zimmer is scoring the movie and that Billie Eilish is co-writing and performing the title song.

The MI6 James Bond website reported Jan. 7 that recording sessions for the score were underway. The website was the first to report that Eilish would perform the title song.

NTTD roundup: Add to music team, running time questions

Daniel Craig/James Bond character poster

Here’s a quick roundup of No Time to Die developments:

Music team adds a recruit: Musician Johnny Marr will work with Hans Zimmer on the No Time to Die score, NME reported, citing comments from Marr.

“Part of the legacy of the Bond films is iconic music, so I’m very happy to be bringing my guitar to No Time to Die,” Marr told NME.

Marr has worked with Zimmer on previous films, including Inception, where Marr was a guitarist and Amazing Spider-Man 2, where Marr contributed to the score along with Zimmer.

A three-hour Bond? The MI6 James Bond website examined recent developments that may (or may not) point to the 25th James Bond film having a running time of almost three hours.

@ImAFilmEditor tweeted back on Dec. 4 that No Time to Die may end up being the longest Bond film but there weren’t any details beyond that. He reminded people of that in a Jan. 16 tweet.

This week, @antovolk did some more detective work. He provided caveats that the movie is still in post production and that a final running time isn’t locked down.

Bond films during the Daniel Craig era have tended toward longer running times, except for 2008’s Quantum of Solace, which had a 106-minute running time. SPECTRE’s running time was 148 minutes, the longest so far for the film series.

Bond 25 questions: The composer edition

Hans Zimmer title card from Inception (2010),

Thanks to Variety (but still not announced), the word is out that Hans Zimmer is working on the score for No Time to Die. Naturally, the blog has a few questions.

Is it Zimmer or Hans Zimmer & Co.?

Hans Zimmer runs a company called Remote Control Productions. It has more than 60 affiliated composers. On a number of films (Dunkirk, Man of Steel, The Dark Knight Rises and Inception), Zimmer gets sole “music by” credit while of the Remote Control Productions composers get an “additional music” credit.

Those other composers have included Lorne Balfe and Junkie XL. The number of additional music composers varies from project to project.

On other occasions, including Blade Runner 2049 and Batman v Superman: Dawn of Justice, Zimmer has shared the main “music by” credit with another one of the Remote Control Productions composers. Benjamin Wallifisch shared the credit with Zimmer on Blade Runner 2049 while Junkie XL shared the Batman v Superman music credit.

How long has Zimmer been working on No Time to Die?

The MI6 James Bond website, in a story early today, said it “understands that orchestral sessions are currently being recorded” for the new Bond film. Mr. Obvious observation: That sounds like the score has been written, or at least partly written.

What happened to Dan Romer?

The Variety story said “creative differences” without providing more details. News that Romer was initially hired to score No Time to Die surfaced last year. He was listed in the crew in an August press release issued primarily because of the title reveal.

Presumably, Romer’s work didn’t please Eon Productions in some way. Meanwhile, Eon has been working with Zimmer’s Remote Control Productions for its upcoming non-Bond spy film The Rhythm Section. Zimmer is listed as executive music producer.

Why don’t they bring David Arnold back?

Arnold composed scores for five Bond films and is a fan favorite. But starting with Skyfall, Eon Productions has — at least initially — hired a composer chosen by the director.

Sam Mendes wanted Thomas Newman and got him. Romer had worked on some previous projects of No Time to Die director Cary Fukunaga.

In the end, any composer is a hired hand when it comes to the family-run Bond films. Marvin Hamlisch got two Oscar nominations for The Spy Who Loved Me but was never asked back into Bondage.

MGM film division chief to depart

MGM’s Leo the Lion logo

Jonathan Glickman, the president of Metro-Goldwyn-Mayer’s film division, is leaving James Bond’s home studio, The Hollywood Reporter said.

Glickman, while hardly a household name, got some notoriety in 2014. That’s when Sony Pictures was hacked and confidential memos and emails became public.

Sony distributed four James Bond films through SPECTRE. Glickman wrote leaked memos about SPECTRE’s budget where he made suggestions for cost savings.

Glickman joined MGM in 2011 following a 2010 bankruptcy. He was part of a new executive team that took command of the studio.

When Glickman got the MGM post, the studio was run by Gary Barber and Roger Birnbaum. Birnbaum stepped down to become a producer working out of MGM. Barber was fired by MGM’s board and never replaced. The studio is supervised by an “office of the CEO.”

Glickman’s duties included supervision of Skyfall, SPECTRE and No Time to Die. Glickman will stay with MGM long enough for the completion of No Time to Die, THR said.

Michael De Luca, who has experience as a film executive and producer will take over Glickman’s duties, THR said.

It’s hard to say what direct impact Glickman’s departure will have on the Bond franchise. The studio is one of Hollywood’s weakest and is owned by private equity firms. Glickman will be a producer working at MGM.

The departing executive “is said to have developed a strong relationship” with Barbara Broccoli and Michael G. Wilson of Eon Productions, which makes the Bond films, according to THR.

Broccoli says Eon resisting doing Bond spinoffs

Barbara Broccoli, boss of Eon Productions

Eon Productions chief Barbara Broccoli says in a recent magazine story that the production company has been pressured to make James Bond spinoffs but is resisting such a move.

“We’ve been under a lot of pressure to make spinoffs,” Broccoli told Total Film, whose 2020 movie preview issue went on sale this month.

“Bond is Bond, she added. “We want to make these theatrical films. We want to make them one at a time, and create an anticipation for them, and deliver films of a very high standard.”

Broccoli didn’t specify where the pressure was coming from. Metro-Goldwyn-Mayer and Danjaq (Eon’s parent company) share custody of Bond.

Marvel Studios, which has produced more than 20 inter-connected movies since 2008 is branching into TV series for the Disney + streaming service.

The entire Total Film article is not online but scans of it are showing up on internet bulletin boards. There is a preview of the story online.

Eon has avoided planning long story arcs. Quantum of Solace was always intended to be a “direct” sequel to Casino Royale. But Skyfall director Sam Mendes said at a 2011 news conference that his movie wasn’t tied to the two earlier Daniel Craig films.

Then, with SPECTRE, the filmmakers did a “retcon,” making Skyfall connected to Casino and Quantum after all. Skyfall villain Silva became part of SPECTRE/Quantum after the fact. Now, all four are connected to the upcoming No Time to Die.

In the 2000s, Eon developed a proposed Bond spinoff movie featuring Jinx, the character played by Halle Berry in Die Another Day. Nothing came of the project.

Meanwhile, Eon has stepped up its production of non-Bond movies, including the upcoming The Rhythm Section being released by Paramount in January.

Bond 25 questions: The miscellaneous edition

Daniel Craig/James Bond character poster

We seem to have completed a wave of No Time to Die marketing that included the release of the film’s first trailer. However, as is often the case, the blog has some questions.

How long will the movie be?

The Daniel Craig era of the James Bond film series has been known for long movies.

2006’s Casino Royale came in at 144 minutes, edging out On Her Majesty’s Secret Service (142 minutes) for the longest film in the series up to that time.

Six years later, Skyfall came in at 143 minutes, according to its IMDB.com listing. Then, in 2015, SPECTRE seized the crown of longest-running Bond film at 148 minutes.

The one exception in the Craig era was 2008’s Quantum of Solace at a slender106 minutes, the shortest movie in the series made by Eon Productions.

Based on recent history, it would seem a longer movie is more likely than a shorter one. But how long? Two-and-a-half hours? Longer? Is three hours a possibility? There’s no way to know, obviously, at this point.

Who will do the title song?

To be honest, this isn’t something I personally get excited about. It used to be the title song was an integral part of the movie. Now, it seems to be little more than part of the marketing.

The last time a Bond film composer helped write a title song was Casino Royale’s You Know My Name, where David Arnold collaborated with singer Chris Cornell. When that happens, the composer can weave the title song into the movie’s score.

Now? Music from the song does show up in the underscore, but it doesn’t sound particularly smooth.

When No Time to Die’s title song composer is announced, it’ll get a lot of attention. But, speaking only for myself, it’s hard to get that excited. Which leads up to the next question….

Who is scoring the movie?

In July, IndieWire reported that Dan Romer, who had worked with director Cary Fukunaga on some projects, was the composer. Romer put out a tweet that appeared to confirm the report.

Then, in November, fansite James Bond Radio said it heard Romer had left the production.

Nothing has been heard of since then. There has been no announcement about a No Time to Die composer. So who knows at this point?

‘No comment’ trumps a falsehood

Rami Malek

Earlier today, I saw some social media accounts express exasperation that the idea that Rami Malek may be playing a rebooted Dr. No in No Time to Die.

Malek, in a recent interview, said he wasn’t playing Dr. No. Shouldn’t that be the end of it?

Under normal circumstances, yes.

But Malek’s Dr. No denial comes after Eon Productions, and the actors it hired, denied things that were true.

–Naomie Harris denied she was playing a new version of Moneypenny in Skyfall. But she was.

–Eon boss Barbara Broccoli and star Daniel Craig, in a joint interview during the production of Skyfall, denied Ben Whishaw was playing Q in Skyfall. This came after Whishaw’s agent said his client had the part.

“Agents are liars,” Craig said. “You know that.” The actor laughed, according to the transcript.

–Christoph Waltz denied he was playing Blofeld in SPECTRE. But he was.

It may well be true that Malek isn’t playing Dr. No. The timeline for the Malek-is-playing-Dr. No is a bit odd. See THIS DEC. 6 SPY COMMAND POST for some background.

The thing is, once a pattern is established of denying things that are true, you lose the benefit of the doubt. You don’t get to unring a bell. You don’t get a do-over.

Put another way, credibility once lost is hard to get back. With Malek as Dr. No 2.0, fans may be going down a rabbit hole. But Eon Productions and its publicity department have only themselves to blame.

“No comment” is always a better alternative to a falsehood.