Quantum’s 10th: Impact still felt on 007 franchise

International poster for Quantum of Solace

This fall marks the 10th anniversary of Quantum of Solace, the 22nd 007 film made by Eon Productions. It’s a production that still reverberates with the franchise.

It was the last time the makers of James Bond films tried to come out with an entry just two years after the previous installment. And it’s possible it will remain the last.

As Casino Royale was ending production, Sony Pictures put out a July 20, 2006 release saying it intended to release Bond 22 (as it was then known) quickly — May 2, 2008.

“As we wrap production on CASINO ROYALE we couldn’t be more excited about the direction the franchise is heading with Daniel Craig. Daniel has taken the origins of Ian Fleming’s James Bond portraying, with emotional complexity, a darker and edgier 007,” Eon’s Michael G. Wilson and Barbara Broccoli were quoted in the press release.

Writers Neal Purvis and Robert Wade, with three Bond films under their belt, were aboard to come up with a story for what Eon would later describe as the series’ first “direct sequel.”

There were soon signs the pace was causing some strains.

‘Very Nervous’
Director Roger Michell opted not to helm the movie because he felt the story wasn’t developed enough. In 2007, Michell gave an interview to The Times. The original link to the interview is broken, but the Commander Bond website’s summary includes some of Michell’s comments.

“‘Well, I did give up directing the Bond film,” Michell told The Times, according to the Commander Bond summary. “It was because in the end I didn’t feel comfortable with the Bond process, and I was very nervous that there was a start date but really no script at all. And I like to be very well prepared as a director.”

Eventually, Quantum was pushed back to a fall 2008 release. But there were still time pressures. The Writers Guild of America was in labor talks and a strike deadline was looming. The union went on strike from November 2007 to February 2008, with the Bond movie starting production in early 2008.

There are conflicting versions of the movie’s story process.

Marc Forster

The director hired for the movie, Marc Forster, said in an April 2008 Rotten Tomatoes story, said there was a reset after he arrived.

‘From Scratch’
“Once I signed on to do it we pretty much developed the script from scratch because I felt that it wasn’t the movie I wanted to make and we started with Paul Haggis from scratch,” Forster said in the story. Haggis was the writer who did the final drafts of Casino Royale.

“And I said to him these are the topics I am interested in this is what I would like to say, what’s important to me,” the director said. “And we developed it from there together. Then Barbara and Michael said they liked where we were going and they liked the script.”

In this interview, Forster said everything worked out fine.

““The good thing is that Paul and I and Daniel all worked on the script before the strike happened and got it where we were pretty happy with,” the director said. “Then we started shooting and the only problems I had with the script we were shooting in April, May and June so as soon as the strike was over we did another polish.”

The writer doing that polish, Forster said, was Joshua Zetumer. The scribe’s involvement with the film was noted in other stories written during the production.

More Complicated
Forster, in a Nov. 3, 2008 story on the Vulture culture blog of New York magazine, indicated things were more complicated.

“Haggis had an idea they weren’t fond of, and I didn’t know if it would work or not,” Forster told Vulture. “The idea was that Vesper in the last movie, maybe she had a kid, and there would be an orphan out there.”

Eventually, with the clocking ticking to a WGA strike, the idea of Bond searching for Vesper’s child was rejected. Haggis, though, delivered a script ahead of the WGA walkout.

Daniel Craig in 2012 during filming of Skyfall.

In 2011, as Skyfall was preparing production, a new scenario was unveiled.

Daniel Craig in an interview with Time Out London, said he and Forster were forced to rewrite the script as Quantum was being filmed.

The actor described what they had as a “bare bones of a script.” Because of the WGA strike, “We couldn’t employ a writer to finish it.”

This tale has emerged as the now-accepted version, with Joshua Zetumer the movie’s forgotten man.

(Note: The original Time out link is still up but when I called it up, I got a warning about a “malicious link” from my computer. This SUMMARY OF THE INTERVIEW ON INDIEWIRE has the same Craig quotes with no malicious link” warnings.)

The movie did fine at the box office, with $586 million globally. But Quantum’s biggest effect may be that Eon doesn’t want to rush things if it can help it.

External Pressures’
“Sometimes there are external pressures from a studio who want you to make it in a certain time frame or for their own benefit, and sometimes we’ve given into that,” Eon’s Barbara Broccoli told the Los Angeles Times in 2012.

Barbara Broccoli

“But following what we hope will be a tremendous success with ‘Skyfall,’ we have to try to keep the deadlines within our own time limits and not cave in to external pressures,” the Eon boss told the newspaper.

She didn’t mention either Sony or Quantum of Solace. But it’s not much of a stretch to wonder if both were on her mind during the interview.

What’s more, a Sony executive told theater executives in 2012 that Bond 24 (eventually titled SPECTRE) would be out in 2014. Broccoli and Craig, in a May 1, 2012 interview with Collider, shut down such talk.

Broccoli: He was getting a little overexcited (laughs). We’re just actually focusing on this movie. One hopes that in the future we’ll be announcing other films, but no one’s officially announced it.

Craig: No one’s announced anything. He got a little ahead of himself (laughs). It’s very nice that he has the confidence to be able to do that, but we haven’t finished this movie yet.

SPECTRE, of course, came out in 2015, not 2014.

Today, Quantum occupies an odd space. Despite its financial success, it wasn’t discussed much in the 2012 documentary Everything Or Nothing. But many fans feel it’s more than a worthy entry in series.

Regardless of how you feel about the movie, though, it had an impact on the franchise. Trying to make a James Bond film within two years is now unthinkable.

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Eon website reflects how it’s more than just 007

Eon Productions logo

Eon Productions has a new or revamped website that reflects how the production company has a broader portfolio than the James Bond film series.

For example, the site’s film page has entries for Film Stars Don’t Die in Liverpool, The Silent Storm, Radiator and Nancy. The 24-film 007 series has a single entry with a link back to the official James Bond film website, 007.com.

The Eon film page does not include an entry for Call Me Bwana, the Bob Hope comedy that, for decades, was the company’s only non-007 film. An advertisement for that movie was included in From Russia With Love, replacing Niagara. An advertisement for that Marilyn Monroe movie was used in the Ian Fleming novel.

Chitty Chitty Bang Bang, produced by Eon co-founder Albert R. Broccoli with a number of 007 film veterans on the crew, was made by a separate production company, Warfield Productions. It’s not on the film page either.

Finally, the film page, for now, does not have an entry for The Rhythm Section, Eon’s non-007 spy film where production currently is suspended because of an injury to star Blake Lively.

The new Eon site also has a theater page, reflecting the company’s interest in stage productions.

It has entries for stage productions of Strangers on a Train, The Country Girls, Chariots of Fire, Chitty Chitty Bang Bang, Love Letters, Once, The Kid Stays in the Picture and Othello.

There is also a news section to the website. The most recent entry is a Jan. 29 story about Nancy winning the Waldo Salt Screenwriting award at the 2018 Sundance Film Festival.

Chill, 007 fans: This gentleman agent is used to criticism

“But let’s not forget that he’s actually a misogynist,” Daniel Craig said while promoting SPECTRE.

Recent stories on websites and British tabloid papers about how millennials are critical of old James Bond films has upset fans of the gentlemen agent.

On social media, that’s generated comments such as, “Bite my bum millenials,” and “I blame the parents……poor upbringing.”

The thing is, the criticisms mentioned in these stories aren’t new. They’ve been around pretty much as long as Bond has. Specifically, Bond is a womanizer, represents imperialism, has racial overtones, etc., etc.

One critique that sometimes is cited is an April 1958 review by Paul Johnson in the New Statesman of the novel Dr. No.

There are three basic ingredients in Dr No, all unhealthy, all thoroughly English: the sadism of a school boy bully, the mechanical two-dimensional sex-longings of a frustrated adolescent, and the crude, snob-cravings of a suburban adult. Mr Fleming has no literary skill…

(snip)
The plot can be briefly described. James Bond, an upper-class Secret Service Agent, is sent by his sadistic superior, M., to Jamaica, to investigate strange incidents on a nearby island.

This review was published almost 60 years ago, yet mirrors some of the criticisms contained in the recent “Millennials vs. James Bond” stories. Those stories rely heavily on Twitter posts. As the website Medium noted in a Jan. 28 story, not all of the tweets are even written by millennials.

On occasion, similar critiques were made when Bond went to the big screen.

In 1973, for example, Time magazine’s review for Live And Let Die declared Bond to be “a racist pig.”

Needless to say, Bond has survived all that — and not always with help from the principals of Eon Productions, which makes the 007 films.

First, consider what Eon’s Michael G. Wilson told USA Today in 2012. Bond is not even a hero, Wilson has said. “There are plenty of imitators, but Bond really is the first one that was an anti-hero,” Wilson told the newspaper.

An anti-hero is defined as “a protagonist who lacks the attributes that make a heroic figure, as nobility of mind and spirit, a life or attitude marked by action or purpose, and the like.” (emphasis added)

In 2015, Bond star Daniel Craig said of 007: “But let’s not forget that he’s actually a misogynist. A lot of women are drawn to him chiefly because he embodies a certain kind of danger and never sticks around for too long,” (emphasis added)

A misogynist is defined as “a person who hates, dislikes, mistrusts or mistreats women.” That’s harsher than the definition of a chauvinist, “a person who believes one gender is superior to the other.”

That gave an opening to writer Laurie Penny in an October 2015 commentary in the New Statesman.

“James Bond is a guilty pleasure but one in which the pleasure is increasingly overwhelmed by the guilt. Even Daniel Craig seems to know this,” Penny wrote.

Then, there’s Eon boss Barbara Broccoli, who told the Evening Standard in 2012, that women characters in Bond movies today are better than most of their earlier counterparts. “Fortunately, the days of Bond girls standing around with a clipboard are over,”

In the interview, Broccoli wasn’t specific about the “clipboard” women. She complimented the characters of Honey Rider (Ursula Andress) in Dr. No and Pussy Galore (Honor Blackman) in Goldfiner. In Moonraker, Holly Goodhead (Lois Chiles) was holding a clipboard, but she was also a CIA agent and an astronaut.

Recently the website Haphazard Stuff did an in-depth review of 2012’s Skyfall. But it took the occasion to note all the times that women actors in Bond movies over the decades said their characters weren’t like the “empty-headed” Bond girl stereotype. It’s the video below, roughly from the 12:00 to 18:00 mark.

Remember, the actors said this as part of promoting the movies they were in. It’s almost as if running down its earlier product as part of promoting the current product is part of Eon’s standard operating procedure.

In any case, Bond fans should take a deep breath and move on. Millennials likely are no more critical of Bond novels and movies than previous generations. Bond has been fired at for a long time. But he’s still here.

Broccoli says major B25 decisions to be made in 2018

Barbara Broccoli

Eon Productions boss Barbara Broccoli, in a long interview with the THR Awards Chatter podcast, said major Bond 25 decisions won’t occur until sometime in early 2018.

Given it’s mid-December of 2017, that’s not terribly surprising. But the podcast is a chance for fans to hear things for themselves.

Asked if “we know” Bond 25’s title or director, she replied: “I don’t. It’s still to be determined.”

Asked about who will distribute the movie, she said, “It’s exciting to be courted. We’ll hopefully be making that decision early next year.”

Gary Barber, CEO of Metro-Goldwyn-Mayer, “is leading this whole crusade,” Broccoli said, referring to the distributor issue.

MGM is home studio to the Bond franchise. The last four 007 films were released by Sony Pictures. With Skyfall and SPECTRE, Sony also co-financed but only got 25 percent of the profits.

MGM is getting back into distribution seven years after exiting bankruptcy. It formed a joint venture with Annapurna Pictures to distribute each other’s movies. But, for now at least, that joint venture isn’t involved with Bond 25.

Broccoli was asked whether Bond 25’s distribution may be split between the U.S. and internationally. “That’s all to be decided in the future,” she said.

Writers Neal Purvis and Robert Wade are “busy working away, trying to come up with something fantastic.”

The producer went into more detail about how went to work for Eon, co-founded by her father, Albert R. Broccoli. Broccoli, 57, doesn’t do a lot of interviews and this one is longer than most. Among the highlights:

Working in her teens on The Spy Who Loved Me: “My job was captioning stills.” She had to do through a lot of film and “you’d have to come up with captions.

Working on Octopussy as an assistant director: “I was basically a runner. I was a third assistant (director).” One of her responsibilities was dealing with a large group of young actresses. “I was responsible for herding them and get them around.”

Associate producer Tom Pevsner was “a mentor to me.” Broccoli said she learned the art of production scheduling from Pevsner. “He taught me about breaking down scripts…He was an incredible man.”

Pevsner joined the series with 1981’s For Your Eyes Only. With 1987’s The Living Daylights and 1989’s Licence to Kill both Broccoli and Pevsner had the title of associate producer. Pevsner’s final Bond film was 1995’s GoldenEye, where he had the title of executive producer. Pevsner died in 2014.

On her working style with half-brother Michael G. Wilson: “Michael and I are very different. Strangely enough, when it comes to Bond, we always agree.”

On 007 actor Daniel Craig: “He brought humanity to the character…making Bond relevant to today.”

Broccoli said she first saw Craig in the 1998 film Elizabeth. “He has the most incredible presence on the screen,” she said of Craig. “He’s lit from within. I remember thinking, ‘What a force.’ I just watched everything he did.”

Craig announced in August he’d return for a fifth film as Bond. Before that announcement, Broccoli said, “My heart was breaking.”

To check out the podcast, CLICK HERE. The Broccoli interview begins at the 40:36 mark and lasts almost an hour. She also discusses her non-Bond movie, Film Stars Don’t Die in Liverpool, in detail as well as talking Bond.

BBC Radio 2 schedules Roger Moore special

Roger Moore in a 1980s publicity still

BBC Radio 2 has scheduled a two-hour special about Roger Moore for Boxing Day, Dec. 26.

Sir Roger Moore: Nobody Did It Better will air from 8 p.m. to 10 p.m. that day, according to a BBC Radio 2 schedule of holiday programs.

The special will include interviews conducted since Moore’s death in May. Among those interviewed: Barbara Broccoli and Michael G. Wilson of Eon Productions; his daughter, Deborah Moore; and actor Michael Caine, a friend of Moore’s.

There also will be archived interviews where “Roger himself discusses his life and his work, his family and his friendships,” according to the program description.

Moore played James Bond in seven films produced by Eon after starring as The Saint in a successful 1960s television series. He was also a goodwill ambassador for UNICEF.

007: News mostly about the past

Image for the official James Bond feed on Twitter

As 2017 enters its final month, James Bond is mostly looking backward, rather than forward.

News item: There’s an expanded soundtrack now available for Die Another Day, a movie that originally came out in 2002 — 15 years ago.

News item: Roger Moore’s diary written during the filming of Live And Let Die is to get a new printing next year. The original was published in 1973 — 44 years ago. The new version will be printed in hardback. It will also feature a forward by David Hedison, a long-time friend of Moore’s who played Felix Leiter in Live And Let Die.

But wait! Isn’t there a new 007 product coming out in 2018? True. That will be the second 007 continuation novel by Anthony Horowitz. It is scheduled to be published sometime in the spring.

However, the literary Bond, in the 21st century, is almost like a distant satellite of the larger 007 entity, the film series.

Which leads us to….

Bond 25’s status: As of this writing, the film officially has a leading man (Daniel Craig), a pair of producers (Eon’s Barbara Broccoli and Michael G. Wilson), a pair of writers (Neal Purvis and Robert Wade) and a release date (Nov. 8, 2019 in the United States).

And not much else. At least not now.

Around this time a year ago, the blog asked if 2016 was 007’s lost year.

2017 has been more eventful, but not by much. While Bond 25 has a release date, nobody knows — for sure — how it will get to theaters.

The Deadline: Hollywood website reported Nov. 12 that a new joint venture between Metro-Goldwyn-Mayer and Annapurna Pictures was close to striking a deal to distribute Bond 25 in the U.S. But there’s been no announcement. And the Deadline report said international distribution hadn’t been decided.

Since then, no news. For most franchises, the distributor isn’t a big deal. The studio involved controls that. MGM, seven years after exiting bankruptcy, is trying to become a “big boy” studio again. But MGM, which controls half the Bond franchise, isn’t there yet.

And for Bond 25, an international distributor (assuming the MGM-Annapurna deal comes to be) is probably going to kick in a large piece of the production budget.

Obviously, there are things happening behind the scenes. Purvis and Wade have had enough time to complete a first-draft script. Whether they have or not is anybody’s guess.

James Bond can look back to a glorious past with certainty. The expanded Die Another Day soundtrack and new printing of Roger Moore’s Live And Let diary are just two of many examples.

An even bigger example: The death of Roger Moore in May naturally spurred a look back at his seven 007 films. He was the first of six screen Bonds in the Eon Productions series to pass away.

The future? That’s still a little fuzzy as 2017 nears its end. We’ll see if that status changes in the year’s final month.

Meanwhile, here’s a bit of perspective: General Motors Co. said Nov. 30 it expects to launch a “ride-hailing service” of self-driving cars in the United States by 2019. Self-driving cars are supposed to be the next big thing in autos. If GM is correct, that service could be in business before 007’s next screen adventure.

Change.org petition asks for more fan voice in 007 films

Image for the official James Bond feed on Twitter

A petition on Change.org asks for more of a fan voice on James Bond films.

Fans “do not own the Bond franchise, but Her Majesty’s Secret Agent is a culturally shared phenomenon,” the petition reads.

The petition was written by a 007 fan, Gert Waterink. Disclosure: he has written guest articles for this blog However, the petition is his idea and his baby.

Here’s a longer excerpt from the petition concerning the potential benefits of a greater fan voice:

Perhaps they can even lead to realistic ideas and workable solutions. Not just for the sake of ‘having’ a Bond film in the cinemas every two years, but especially for the long-term endurance of our beloved franchise. For instance, one could think of training programmes or ‘fan panels’. Colleagues within the industry –Mrs. Kathleen Kennedy for example– are already proactively involving outsiders, and even fans, into the production of films. Then there are screenplay panels, in which fans brainstorm together with movie professionals about new ideas (think about the SXSW Film Conference).

(snip)
We would welcome to share our thoughts with you about the future of James Bond, based on some of the arguments and worries summed up in this letter. I kindly await any kind of reply to the above arguments, no matter how small or insignificant they are.

(Kathleen Kennedy runs the Star Wars franchise for Walt Disney Co.)

To view the petition, CLICK HERE.