Blast from the past: The Spy Who Loved Me (1975)

Bond collector Gary Firuta forwarded the following trade advertisement dated May 1975 in a publication called Cinema TV Today. It’s for The Spy Who Loved Me.

Of interest is that Harry Saltzman is still onboard at Eon Productions along with Albert R. Broccoli. Both are listed as presenting the movie. Also, at the time of the advertisement, Guy Hamilton was still slated to be director — with a 1976 release date.

Finally, in the 1975 ad, it says, “Ian Fleming’s The Spy Who Loved Me.” In the film, it said Roger Moore was playing “Ian Fleming’s James Bond 007 in The Spy Who Loved Me.” The final film with “Ian Fleming’s” affixed to the title was Moonraker.

There would be many twists and turns between this advertisement and the release of the movie in the summer of 1977. The biggest twist would be Saltzman’s exit from Eon, selling out his interest to United Artists, a development that still affects the franchise today. Metro-Goldwyn-Mayer picked up UA’s interest in 007 when it acquired UA in 1981. Hamilton would also exit the project, to be replaced by Lewis Gilbert.

UPDATE: Back in September 2011, we had a post about THE ORIGINAL POSTER for The Spy Who Loved Me and how it differed from the final version.

SPY - AD CINEMA 1975

Amy Pascal steps down at Sony

sonylogo

Amy Pascal, co-chair of Sony Pictures Entertainment, is leaving the studio to be a producer at the studio, THE HUFFINGTON POST REPORTED, citing a Sony statement.

Pascal will take her new position in May, the website reported.

Confidential e-mails by Pascal and other documents — including a draft of the script of SPECTRE, the 24th James Bond film — were made public last year by hackers. Some of the emails included Pascal making critical comments of actors and racially insensitive remarks about U.S. President Barack Obama.

Sony has released 007 films since 2006’s Casino Royale. Pascal has worked closely with Eon Productions, which makes the Bond films, and has been viewed as an ally of Barbara Broccoli, Eon’s co-boss.

In some of the hacked emails, Pascal sides with Broccoli about SPECTRE’s $300 million-plus budget, the CNN/Money website reported last year. Separately, the Daily Beast last year reported that Pascal suggested Idris Elba be the next Bond after Daniel Craig.

Sony’s contract with Metro-Goldwyn-Mayer to release Bond movies ends with SPECTRE.

UPDATE: The announcement confirmed a DAILY MAIL STORY that was posted earlier today.

Idris Elba praises Daniel Craig as 007

Idris Elba

Idris Elba

Ever since computer hacks at Sony Pictures turned up an executive’s memo saying Idris Elba should be the next film 007, the actor keeps getting asked about it. Elba keeps trying to play it down.

For example, there’s THIS JAN. 28 BLOOMBERG STORY, which contains this excerpt:

“It’s really just a rumor—and it’s not even my rumor!” he says via phone from Germany. He has called me, an auto journalist, because the luxury brand Jaguar recently hired him to drive from London to Berlin in its new XE diesel sedan, the one that gets 75 miles per gallon. He drove it to DJ a Jaguar-sponsored party the night of his arrival in Berlin.

It was a well-timed publicity stunt. While it is true that Elba has long followed car culture—his father worked for years at Ford, and Land Rovers and a Jaguar XJR are his current cars of choice—the drive comes right after revelations from the Sony hack revealed that Elba was being considered for the title role in the next 007 flick.

For the moment, Elba says he is focusing on his life as a DJ.

“I appreciate you saying that I’d be a good James Bond, but Daniel Craig is doing a great job with it right now,” he says. 
”I love working with music, making people dance.”

The Sony executive involved was Amy Pascal. “Idris should be the next bond (sic),” she wrote in a Jan. 4, 2014 email, reported by The Daily Beast website. She’s dealt with Bond since Sony released 2006’s Casino Royale. Sony’s current agreement with Metro-Goldwyn-Mayer expires after the release of SPECTRE, coming out this fall. Meanwhile, Craig is under contract through Bond 25.

1984: Kevin McClory’s SPECTRE

Kevin McClory ad in Variety in 1984.

Kevin McClory ad in Variety in 1984.

In 1984, a year after Never Say Never Again had arrived in theaters, Kevin McClory was already trying to kick start another James Bond film project not affiliated with Eon Productions.

Bond collector Gary Firuta sent us along the accompanying ad from Variety, the entertainment trade publication.

It says that Paradise Film Productions III had acquired “to license or sell certain James Bond film properties including S.P.E.C.T.R.E.” The ad goes on to say, “Bids will be considered shortly.”

McClory had an executive producer credit on 1983’s Never Say Never Again. He and producer Jack Schwartzman shared the “presents” vanity credit, similar to the Eon’s 007 series where producers Albert R. Broccoli and Harry Saltzman “presented” the film (with Broccoli the sole presenter after Saltzman sold off his interest in the enterprise).

Never Say Never Again got made because Sean Connery, who had starred in six Eon 007 films, was willing to come back to play Bond. But that was a one-time deal.

Still, McClory wasn’t done with Bond and would spend more than a decade trying to launch yet another Bond film adventure. Eventually, Eon (and Danjaq LLC) would best McClory in court. In 2013, Eon, Danjaq and Metro-Goldwyn-Mayer would settle with McClory’s estate to get back the rights to SPECTRE and Ernst Stavro Blofeld. The current Eon 007 film, SPECTRE, is now in production.

SPECTRE’s script: a recap of twists and turns

SPECTRE teaser poster

SPECTRE teaser poster

No spoilers in this post

Some of the drama about SPECTRE, the 24th James Bond film produced by Eon Productions, has concerned its script.

The computer hacking at Sony Pictures caused more attention than normal as versions of the story were among the materials posted by hackers.

What follows is how the story line — and the accompanying behind-the scenes drama — developed.

October 2012: Deadline Hollywood’s Mike Fleming Jr. PUBLISHES A STORY saying John Logan, who had done the later drafts of Skyfall, had been hired to write Bond 24 and Bond 25.

Fleming writes that “the franchise’s producers have quietly made a deal with John Logan to write not one but two 007 films.” (Emphasis in original.) He continues, “I’ve been told that Logan pitched an original two-movie arc to Barbara Broccoli and Michael Wilson while they were shooting Skyfall, and that he has already begun writing the scripts.”

November 2012: Metro-Goldwyn-Mayer announces on an investor call that John Logan indeed had been hired to write Bond 24 and Bond 25. By the time of the call, Skyfall is on its way to becoming the first 007 film to have worldwide box office exceeding $1 billion.

The announcement confirmed the gist of the Deadline story, although later events would call into question how far Logan had really gotten by the end of 2012. Meanwhile, Neal Purvis and Robert Wade, after working on the scripts of five 007 films, later confirm they’re not returning to work on Bond 24.

February 2013: BAZ BAMIGBOYE OF THE DAILY MAIL reports the two-film story arc plan is no more and Skyfall’s Sam Mendes may return as director for Bond 24.

The scribe also reported that “Logan’s thoughts for Bond 24 are in the form of two treatment papers outlining a rough idea of the plot.” According to Bamigboye’s story, the only ones with access to the materials are Eon co-bosses Barbara Broccoli and Michael G. Wilson, Mendes, star Daniel Craig and “a handful” of executives at MGM and Sony.

July 11, 2013: In a PRESS RELEASE, Eon, MGM and Sony announce Mendes will indeed return “to direct the screenplay written by John Logan.”

Broccoli and Wilson are quoted as saying they’re “really excited to be working once again with Daniel Craig, Sam Mendes and John Logan.” Sony executives Michael Lynton and Amy Pascal are quoted as saying “EON, John Logan and Sam Mendes have come up with an extraordinary follow up to SKYFALL.”

At this point, there isn’t even a draft screenplay, which everyone learns in…..

March 2014: John Logan TELLS EMPIRE MAGAZINE that the first draft of Bond 24 “is almost done.”

The scribe tells the magazine he has been “working very closely” with Sam Mendes. (Emphasis in original.) He also says Daniel Craig “is very involved” in the scripting process. “It behooves no-one to write a character the lead actor doesn’t want to play.” Logan says Bond 24 “continues the themes of Skyfall.”

June 2014: Trouble in paradise. THE DAILY MAIL’S BAMIGBOYE reports writer Neal Purvis and Robert Wade are in the 007 fold once more.

Bamigboye asks “an executive associated with the Bond films” if there’s turmoil with the production “Let’s call it ‘polite turmoil,'” Bamigboye’s source (who isn’t further identified) replies. “People are getting on with their work but we have to wait for the script.” Purvis and Wade were brought in to “punch up” the script, according to the story.

July 2014: Bamigboye produces ANOTHER STORY saying Purvis and Wade have delivered a draft that’s “substantially different” than the Logan script.

“There was an awful lot of work to do,” Bamigboye quotes one of his informants as saying. “It was a big job.” Production is to begin by early December, according to the story.

November 2014: The New Yorker, IN A PROFILE OF PLAYWRIGHT JEZ BUTTERWORTH includes the tidbit that he’s been working on Bond 24’s script and had also contributed to Skyfall’s.

December 2014: A media event is held at Pinewood Studios ahead of the start of production of the film, which is now titled SPECTRE. The natural question is whether this means the film will have a rebooted version of 007 arch foe Ernst Stavro Blofeld.

The PRESS RELEASE says the movie is written by “John Logan and Neal Purvis & Robert Wade,” marking the first official confirmation that Purvis and Wade had returned.

Later in the month, stories are written by entertainment and news sites about SPECTRE details in hacked Sony documents. THE GAWKER WEBSITE on Dec. 12 has a post with most details of the plot of a version of the script. (If you click on the link there are many spoilers.)

According to the story, filmmakers and executives at MGM and Sony were still grappling with the last third of the story and that revisions were going on into November.

On Dec. 13, Eon put out A STATEMENT saying “an early version” of SPECTRE’s screenplay had been stolen by the Sony hackers. It says MGM and Danjaq LLC will protect their rights to the script.

Some questions about SPECTRE (no spoilers)

SPECTRE teaser poster

SPECTRE teaser poster


No spoilers in this post.

SPECTRE, the 24th James Bond film produced by Eon Productions, has been in the news lately. Part of it is the start of principal photography and part of it is the hacking at Sony Pictures, which will release the film in November 2015.

What follows are some questions, which will likely never be answered in full.

What was John Logan’s pitch that originally got him the job to script the movie?

One version of SPECTRE’s script was sent out by hackers. But well before that, it was reported that scribes Neal Purvis and Robert Wade were summoned to significantly revise SPECTRE’s scrip. Playwright Jez Butterworth was also involved in altering it. So even without the hacking, you could conclude something went awry.

Likely, we won’t know the exact details of Logan’s pitch or why Eon Productions and Metro-Goldwyn-Mayer, which control the 007 franchise, found it appealing. MGM executives disclosed Logan had been hired to write the movie in November 2012, the same month that Skyfall was released in the United States.

What will SPECTRE’s ultimate budget be? Again, hackers put out emails concerning the film’s budget, which indicated the 007 film could be one of the most expensive ever made. But even without the hacking, it was clear SPECTRE’s budget was likely to be higher than Skyfall’s.

Star Daniel Craig was reported in 2012 to be in line for a raise. Eon desperately wanted director Sam Mendes to return, which virtually assured he’d be due a big raise. And, as news dribbled out, it was clear SPECTRE would have more location shooting than Skyfall.

Skyfall’s estimated production budget was $200 million. So the question, which again won’t likely be known completely, is how high is up for SPECTRE?

Will Sony’s involvement with the 007 series end with SPECTRE?

MGM, after coming out of bankruptcy, emerged as a small company, with only limited movie production. So far, it has done movie-by-movie (or franchise-by-franchise) deals with other studios to release its films.

Sony cut a deal to release what would emerge as Skyfall and SPECTRE. That extended a relationship, where Sony released Casino Royale and Quantum of Solace.

Does MGM cut another deal with Sony? Or does the hacking at Sony encourage MGM to look for another studio to release future 007 films? There are no indications yet what that answer will be.

Eon says it will protect rights to SPECTRE screenplay

SPECTRE LOGO

Eon Productions issued a statement where it said it would protect its rights to the SPECTRE screenplay.

In THE STATEMENT, Eon said “an early version of the screenplay for the new Bond film SPECTRE is amongst the material stolen and illegally made public by hackers who infiltrated the Sony Pictures Entertainment computer system.”

The script “may not (in whole or in part) be published, reproduced, disseminated or otherwise utilised by anyone who obtains a copy of it,” Eon said in the statement.

The entire statement can be viewed BY CLICKING HERE. The Gawker website ran an article on Dec. 12 after obtaining a copy of the script and comments from Metro-Goldwyn-Mayer and Son Pictures about the script. According to Gawker, the critiques took place as recently as last month.

Separately, four James Bond fan websites, issued a joint statement, where they said they won’t write or publish any information about SPECTRE related to the Sony hack. The websites are James Bond Brasil, James Bond-magasinet, The Bond Bulletin and James Bond Club Germany. You can CLICK HERE to see a copy of the statement running on the James Bond-magasinet website.

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