Documentary about Craig 007 films in the offing

Daniel Craig in Skyfall

A documentary about the Daniel Craig era of James Bond films has been produced, it was announced at the Museum of Modern Art in New York.

MoMA held an event where the documentary was referenced.

Marcos Kontze, webmaster of the James Bond Brasil website, published a post on Twitter that included a short video.

According to that post, the documentary titled Being James Bond would include Craig’s screen test for 2006’s Casino Royale, the first of his five Bond films. The Arts Commented blog had another post on Twitter that said the event included a short clip from the documentary.

There were no details how soon the documentary would be available.

Bond 25 questions: The potpourri edition

New No Time to Die poster

We’ve had a few No Time to Die developments recently. Naturally, the blog has a couple of questions.

Will the gunbarrel be at the beginning?

Hard to say, but this week’s Cary Fukunaga video suggests it’s a strong possibility.

“The white dots on the screen…the adrenaline starts pumping,” Fukunaga’s voiceover says, accompanying the Daniel Craig gunbarrel from SPECTRE. “Settle in and get ready for a ride.”

That sounds like a description of the first 20 Bond films when the gunbarrel was at the start of the movie. Things got changed up with 2006’s Casino Royale, which began a new, rebooted timeline. The gunbarrel appeared at the end of the pre-titles sequence.

Then, for Quantum of Solace and Skyfall, the gunbarrel appeared at the end of the film. There was some pushback from fans. That generated pushback to the pushback where other fans questioned how dare fans question the artistry of the films. The comments section of this 2012 post demonstrates both sides of the argument.

The gunbarrel was back at the start of SPECTRE, although it wasn’t the best executed, including having Daniel Craig swinging his arm wildly showing he’s holding a gun.

In any case, Fukunaga at least sounds more appreciative of the gunbarrel logo than his Bond directing predecessor Sam Mendes. We’ll see.

Why didn’t Scott Z. Burns get a script credit?

Supposedly, the ace Hollywood “script doctor” in early 2019 was on his way to save No Time to Die’s script. Certainly, The Playlist website made it sound that way in a February 2019 story.

To give credit where credit is due, The Playlist was the first to report Burns participating in the writing of the film. Saving the script? Not so much. Burns ended up not getting a credit while Neal Purvis, Robert Wade, director Fukunaga and scribe Phoebe Waller-Bridge did.

Ultimately, script credits are decided by the Writers Guild of America. The rules are a bit complex but in general favor the early writers over those who rewrite. There is also a cap on the number of credits available. In this case, Burns had no seat when the WGA musical chairs of writing credits ended.

A look at Skyfall in Concert

The orchestra is applauded by a Toronto audience after Skyfall in Concert has concluded. The Spy Command photo

TORONTO — This weekend, there were two performances in Toronto of Skyfall in Concert, where an orchestra performed the score of the 23rd James movie live, synched up to a showing of the film.

The show was performed Feb. 21 and 22 at Meridian Hall in downtown Toronto.

The Thomas Newman score sounded subtly different in places with the live performance compared with the film’s original soundtrack.

There were also some changes to highlight the score. Some sound effects were dialed back a bit.

An example: In the movie, there were loud crashing sound effects when Eve Moneypenny (Naomie Harris) loses the side mirrors of the vehicle she’s driving in the pre-titles sequence. With Skyfall in Concert, you still heard the effects but they weren’t as overpowering. Also, the film had subtitles for the dialogue.

The orchestra was stationed below the screen where the movie was shown. As a result, audience members could observe the musicians playing as the film played.

As Skyfall drew to an end, the orchestra played a rousing rendition of The James Bond Theme after the “James Bond Will Return” title card. This took place without the end title crawl. That began after the orchestra finished its performance of the Bond theme.

A number of James Bond fan groups, including James Bond Canada, The James Bond Complex, The Bond Experience, Being James Bond and many others were present for the Feb. 22 performance. The Bond fans had pre- and post-show gatherings.

A No Time to Die reality check

Daniel Craig/James Bond character poster

Adapted, updated and expanded from previous blog posts.

Ben Whishaw, who has played Q for three James Bond films, has told Collider.com that No Time to Die will be a “summing up” of Daniel Craig’s 007 films.

There has been some fan discussion of how the Craig films will now be this five-film epic, something the series had never attempted. Under this idea, No Time to Die will conclude five Bond films, similar to how Avengers: Endgame was the conclusion of more than 20 Marvel Studios movies.

No Time to Die may be presented that way. But this is just a reminder that Craig’s tenure was never planned this way unlike Marvel.

Let’s go back some years.

Sam Mendes said Skyfall “didn’t connect” to Casino Royale or Quantum of Solace: At a November 2011 press conference, Mendes was asked whether Skyfall was related to Casino Royale and Quantum of Solace.

“It’s its own story,” the Skyfall director said of Skyfall. “It doesn’t connect with the last two movies.”

After the fact, things changed.

The filmmakers once told us SPECTRE was passe: Here’s a quote from Barbara Broccoli in a 2012 interview with CRAVE ONLINE:

Barbara Broccoli: I mean, we’ve talked about Blofeld over the years. The thing is Blofeld was fantastic for the time but I think it’s about creating characters that are, villains that are more appropriate for the contemporary world. It’s more exciting for us to create somebody new. (emphasis added)

The filmmakers told us Quantum was better than SPECTRE: Here’s a summary by the JAMES BOND INTERNATIONAL FAN CLUB of an article that originally appeared in SPX magazine.

Interestingly, Wilson and Broccoli told SFX that they have not abandoned the Quantum organisation, but also confirmed that it is not used in ‘Skyfall’. Wilson also revealed that they have the rights to bring back Blofeld and SPECTRE. ‘We believe we can use them. They’re a little dated at the moment. We went for the Quantum organisation, which was more business oriented, trying to corner the market on scarce resources, rather than a criminal organisation that did blackmail and bank robberies…’.

But Wilson’s co-producer Barbara Broccoli added, cautiously, that they needed a little more time to pass before they could go back to ‘extortion and blackmail! The Quantunm organisation does seem far more realistic. (emphasis added)

In 2006’s Casino Royale, the mysterious organization that Bond battled didn’t have a name. In Quantum of Solace, we found out it was called Quantum. In SPECTRE, we learned there was a tie between Quantum and SPECTRE via Mr. White.

The 2013 settlement with the Kevin McClory estate that gave Eon Productions the ability to use SPECTRE was an opportunity. That changed everything,

With SPECTRE, we got a “retcon” (retroactive change in continuity).

I saw a tweet from a fan who wondered whether No Time to Die was SPECTRE Part II. Essentially, many fans are buying into the idea (seemingly voiced by Whishaw in his Collider interview) that No Time to Die is Casino Royale Part V.

None of this means No Time to Die won’t be an entertaining James Bond. Still, let’s not get carried away.

No Time to Die world premiere set for March 31

No Time to Die teaser poster

No Time to Die’s world premiere will be March 31 in London, Eon Productions announced today.

The premiere showing will be at Royal Albert Hall, according to the announcement.

The 25th James Bond film will have its U.K. release two days later on April 2. It won’t arrive in the U.S. until an official release of April 10 (although there will be likely “preview showings” on the night of April 9.)

Royal Albert Hall previously hosted the world premieres of Skyfall and SPECTRE.

No Time to Die finished principal photography in October, with some pickup shots being filmed since then.

The movie is in post-production. Last week, it was announced that Hans Zimmer is scoring the movie and that Billie Eilish is co-writing and performing the title song.

The MI6 James Bond website reported Jan. 7 that recording sessions for the score were underway. The website was the first to report that Eilish would perform the title song.

Bond 25 questions: The composer edition

Hans Zimmer title card from Inception (2010),

Thanks to Variety (but still not announced), the word is out that Hans Zimmer is working on the score for No Time to Die. Naturally, the blog has a few questions.

Is it Zimmer or Hans Zimmer & Co.?

Hans Zimmer runs a company called Remote Control Productions. It has more than 60 affiliated composers. On a number of films (Dunkirk, Man of Steel, The Dark Knight Rises and Inception), Zimmer gets sole “music by” credit while of the Remote Control Productions composers get an “additional music” credit.

Those other composers have included Lorne Balfe and Junkie XL. The number of additional music composers varies from project to project.

On other occasions, including Blade Runner 2049 and Batman v Superman: Dawn of Justice, Zimmer has shared the main “music by” credit with another one of the Remote Control Productions composers. Benjamin Wallifisch shared the credit with Zimmer on Blade Runner 2049 while Junkie XL shared the Batman v Superman music credit.

How long has Zimmer been working on No Time to Die?

The MI6 James Bond website, in a story early today, said it “understands that orchestral sessions are currently being recorded” for the new Bond film. Mr. Obvious observation: That sounds like the score has been written, or at least partly written.

What happened to Dan Romer?

The Variety story said “creative differences” without providing more details. News that Romer was initially hired to score No Time to Die surfaced last year. He was listed in the crew in an August press release issued primarily because of the title reveal.

Presumably, Romer’s work didn’t please Eon Productions in some way. Meanwhile, Eon has been working with Zimmer’s Remote Control Productions for its upcoming non-Bond spy film The Rhythm Section. Zimmer is listed as executive music producer.

Why don’t they bring David Arnold back?

Arnold composed scores for five Bond films and is a fan favorite. But starting with Skyfall, Eon Productions has — at least initially — hired a composer chosen by the director.

Sam Mendes wanted Thomas Newman and got him. Romer had worked on some previous projects of No Time to Die director Cary Fukunaga.

In the end, any composer is a hired hand when it comes to the family-run Bond films. Marvin Hamlisch got two Oscar nominations for The Spy Who Loved Me but was never asked back into Bondage.

MGM film division chief to depart

MGM’s Leo the Lion logo

Jonathan Glickman, the president of Metro-Goldwyn-Mayer’s film division, is leaving James Bond’s home studio, The Hollywood Reporter said.

Glickman, while hardly a household name, got some notoriety in 2014. That’s when Sony Pictures was hacked and confidential memos and emails became public.

Sony distributed four James Bond films through SPECTRE. Glickman wrote leaked memos about SPECTRE’s budget where he made suggestions for cost savings.

Glickman joined MGM in 2011 following a 2010 bankruptcy. He was part of a new executive team that took command of the studio.

When Glickman got the MGM post, the studio was run by Gary Barber and Roger Birnbaum. Birnbaum stepped down to become a producer working out of MGM. Barber was fired by MGM’s board and never replaced. The studio is supervised by an “office of the CEO.”

Glickman’s duties included supervision of Skyfall, SPECTRE and No Time to Die. Glickman will stay with MGM long enough for the completion of No Time to Die, THR said.

Michael De Luca, who has experience as a film executive and producer will take over Glickman’s duties, THR said.

It’s hard to say what direct impact Glickman’s departure will have on the Bond franchise. The studio is one of Hollywood’s weakest and is owned by private equity firms. Glickman will be a producer working at MGM.

The departing executive “is said to have developed a strong relationship” with Barbara Broccoli and Michael G. Wilson of Eon Productions, which makes the Bond films, according to THR.