Bond 25 questions: Full speed ahead edition

Bond 25 is full speed ahead, with a director, new screenwriter and a new distribution lineup. So, it’s time for the blog’s specialty — questions.

What was that story idea (turned into a script by John Hodge) that was so good Eon Productions dropped a Neal Purvis-Robert Wade script?

Throughout the Bond 25 saga to date, this has been one of the most intriguing angles.

Eon announced 10 months ago that Purvis and Wade were back as 007 screenwriters. Eon boss Barbara Broccoli said in a December podcast from The Hollywood Reporter that Purvis and Wade were ““busy working away, trying to come up with something fantastic.”

Not fantastic enough. Danny Boyle, now officially named as Bond 25’s director, and Hodge pitched Eon an idea. Boyle would direct if a script based on the idea were selected. (Boyle spoke about this in public, even if Eon didn’t until this week.)

Boom! Here we are.

This week’s official announcement about Boyle’s and Hodge’s participation in Bond 25 didn’t reference any plot points. The guess here is we’ll get some kind of brief synopsis when production starts in early December.

Who will compose Bond 25’s score? Some directors have a strong relationship with composers. That’s why we got Thomas Newman for Skyfall and SPECTRE, directed by Sam Mendes.

A variety of composers have worked on Boyle’s films, including David Arnold (A Life Less Ordinary), John Murphy (28 Days Later…), A.R. Rahman (Slumdog Millionaire and 127 Hours) and Daniel Pemberton (Steve Jobs).

Arnold, of course, is a 007 film veteran, working on five films from 1997 through 2008. Does he get a chance at a sixth?

Will Bond 25’s budget expand or contract compared with SPECTRE?  SPECTRE’s budget was an estimated $245 million (after including tax credits in Mexico and product placement deals). A car chase scene in Rome alone cost about 24 million British pounds, or $36 million at the time. Also, Eon boasted how the movie had the biggest explosion in motion picture history.

By contrast, 2012’s Skyfall had an estimated budget of $200 million. That’s still a lot of money but there was economizing. The first unit only traveled to Turkey. Sequences set in China were filmed with a second unit, with interiors filmed either at Pinewood Studios or U.K. locations doubling for China.

Presumably, Bond 25’s budget has been taken into account by the new distribution setup: A joint venture between Metro-Goldwyn-Mayer (007’s home studio) and Annapurna Pictures for the U.S. and Universal for international.

The previous four 007 films were distributed by Sony Pictures. For Skyfall and SPECTRE, Sony contributed 50 percent of the production budget but only got back 25 percent of the profit, while MGM kept 75 percent.

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Bond 25 questions (Danny Boyle edition Part IV)

Danny Boyle

Apologies. The blog is suffering from Lt. Columbo-itis. Little things bother it. So here are some more questions about Bond 25.

Why did Danny Boyle go public with his involvement with Bond 25 now?

Without a mind reading machine, there’s no way to know for sure. But Boyle’s behavior is a lot different than his predecessor in the 007 director’s chair, Sam Mendes.

In January 2010, The Wall Street Journal interviewed Mendes mostly about other topics. But the paper asked if it was true he’d be directing the next James Bond film.

“It’s only speculation and, you know, at the moment there isn’t even a studio to make the James Bond movie, because MGM is for sale.”

The thing was, at almost the same time, Mendes’ U.K. publicist, Sara Keene, confirmed to The Guardian that Mendes was in talks about directing what would become Skyfall. “I can confirm that he has had a meeting, but Sam always has lots of projects on the table that he might direct next,”

In contrast, Boyle’s comments to Metro and other outlets were relatively straight forward. He said he planned to direct Bond 25 if a script being written by John Hodge is accepted. If that occurred, the plan would be to start production toward the end of 2018.

Just to be clear, the blog likes straight forwardness. Meanwhile, if you don’t want to comment, you say, “No comment.” That’s because when you deny things that turn out to be true (i.e. Ben Whishaw was playing Q in Skyfall, etc.) it hurts your credibility in the long run.

On the other hand, intentionally or not, Boyle may have pressured Eon Productions and Metro-Goldwyn-Mayer a bit. If the Hodge script were rejected (and Boyle ended up not directing Bond 25), both would get questions about what happened.

Do you think Eon/MGM will turn down the script when Hodge finishes it?

Not likely. Supposedly, actor Daniel Craig is really keen on Boyle directing. For now, the blog suspects Eon boss Barbara Broccoli will move heaven and earth to keep him happy.

She’s repeatedly expressed her admiration for Craig. If Hodge delivered 110 pages of chicken tracks as a script, sure it’d be rejected. But if the Boyle-backed story is even remotely acceptable, it will get approved and off we go. At least, that’s the blog’s guess.

How does the pace of Bond 25 development compare with recent 007 films?

It’s lagging.

Bond 23 (Skyfall) was suspended because of MGM’s 2010 bankruptcy. In January 2011, there was an announcement the movie was back on, finally confirming Mendes’ involvement. Principal photography started in November 2011.

Bond 24 (SPECTRE) had a first draft script submitted in March 2014. Principal photography originally was slated to begin in October 2014, but was pushed back to December 2014.

At this point, Hodge is still writing his first draft. Neal Purvis and Robert Wade had worked on a Bond 25 script for the better part of a year, but that’s been put aside for the Boyle-backed Hodge script.

Also, at the start of 2011 and 2014, it was known what studio (Sony Pictures) would be distributing Skyfall and SPECTRE respectively. No announcement has been made concerningt what what/which studio(s) will be distributing Bond 25.

Bond 25 questions (Danny Boyle edition Part III)

After Danny Boyle this week confirmed his involvement in Bond 25 (he’ll direct if a script being written by John Hodge is approved), the director’s comments generates even more questions about the next 007 film.

Who will be the composer? Some directors have a long-running collaboration with composers. The duos of Blake Edwards and Henry Mancini along with Steven Spielberg and John Williams come to mind.

The 007 film series isn’t immune. Thomas Newman did the scores for Skyfall and SPECTRE because director Sam Mendes wanted him.

Boyle has worked with a variety of composers.

Some examples: Boyle’s A Life Less Ordinary (1997) was scored by David Arnold, the five-time 007 film composer. A.R. Rahman scored Boyle’s 127 Hours and Slumdog Millionaire. Daniel Pemberton scored 2015’s Steve Jobs.

Arnold, of course, knows his way around scoring a Bond film. Pemberton, in scoring 2015’s The Man From U.N.C.L.E., was under orders from director Guy Ritchie to avoid a James Bond sound. To know how to avoid a 007 sound, you have to know what the Bond sound is to begin with.

Then again, Boyle might have a new choice up his sleeve. Assuming Boyle makes it to the Bond 25 director chair, the composer question may be one of the biggest wild cards in the production.

Why Boyle, and why now? Boyle wasn’t asked this question and nobody else is talking for the record.

A guess: For what ever reason, the powers that be (Eon Productions, Metro-Goldwyn-Mayer) were looking for something different. 

In March 2017, the Daily Mail’s Baz Bamigboye reported that six-time 007 screenwriters Neal Purvis and Robert Wade had been hired for yet another go. That was confirmed in July 2017 and, as recently as December, Eon boss Barbara Broccoli said in a Hollywood Reporter podcast the writers were still going at it.

P&W was a safe choice. Eon, which has employed P&W’s services since 1998, when they began work on the World Is Not Enough’s first draft, knows what P&W can do. By this time, P&W knows the ups and downs of working for Eon.

Boyle (and writer Hodge) evidently pitched something that caught the interest of Eon and MGM.

Is everything locked down? In the words of Sheriff J.W. Pepper: “Helllllllllll no!”

Outsiders don’t know when Hodge will deliver his first draft. Regardless, it’s doubtful that draft will be ready to go before the cameras. In movies, there is much rewriting after the initial draft is delivered.

What would be the strangest thing you could imagine regarding this process? If P&W were brought in to rewrite whatever Hodge delivers.

 

Eon wants Boyle for Bond 25, Bamigboye says

UPDATE (9:10 p.m. New York Time): Baz Bamigboye now has a story on the Daily Mail website.

“James Bond star Daniel Craig is pulling out all the stops to ensure that Oscar-winning director Danny Boyle can complete a Richard Curtis Beatles movie musical in time to take charge of the new Bond film by the end of the year,” Bamigboye wrote.

Here’s a longer excerpt:

Craig attended a meeting with James Bond producers Barbara Broccoli, Michael G. Wilson and Boyle and his Trainspotting writing partner John Hodge, where the film-makers pitched their vision for Bond 25.

‘They took the idea to Barbara, never believing for a minute she would go for it. But she’s excited by the concept — and so is her producing partner Michael,’ a closely connected source told me in Los Angeles.

Bamigboye says Hodge hasn’t completed his script yet. The Daily Maily scribe describes Craig as one of the main forces pushing for Boyle to direct Bond 25.

“All my reporting suggests that by year’s end, the man who made Slumdog Millionaire will be putting Craig through his paces as Her Majesty’s Secret Service agent 007,” the Daily Mail scribe wrote.

ORIGINAL POST: Eon Productions wants Danny Boyle to direct Bond 25, is willing to wait until after he directs another movie *if* a script being written by John Hodge is acceptable, the Daily Mail’s Baz Bamigboye said on Twitter Thursday night.

#DannyBoyle will direct next #007 film #Bond25 late this year after shooting #allyouneedislove for @Working_Title – as long as Bond screenplay by #JohnHodge meets approval,” Bamigboye wrote in his Twitter post. “#BarbaraBroccoli #Michael G.Wilson & #DanielCraig ‘willing’ this to happen.”

Bamigboye, since 2011, has had a number of scoops about Skyfall, SPECTRE and Bond 25 proven correct. However, he has been silent in recent weeks as Variety and Deadline: Hollywood had Bond 25 stories.

Variety reported Feb. 20 that Boyle, director of Slumdog Millionaire and a video featuring Daniel Craig as Bond for the 2012 Summer Olympics, was being considered to helm Bond 25. Deadline went one better on Feb. 21, saying Boyle would direct Bond 25 only if a script being written by Hodge would be the basis of the film.

That would mean ditching a story that veteran 007 scribes Neal Purvis and Robert Wade had devised. Bamigboye reported a year ago that Purvis and Wade were hired to write Bond 25, which was confirmed in a July 24, 2017 announcement saying Bond 25 would be released in November 2019 in the U.S.

Things got more complicated when multiple entertainment news outlets reported that Boyle was going to direct a musical that could go into production fairly soon.

In effect, Bamigboye is saying all of the above is correct. If he’s right, Eon remains in its “prestige” phase, hiring auteur directors (Marc Forster, Sam Mendes). Stayed tuned. Meanwhile, you can view Bamigboye’s tweet for yourself.

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James Bond: The tired franchise?

Daniel Craig

Happy 50th birthday, Daniel Craig. You’re only the second cinematic James Bond to make it to 50, after Roger Moore, while in the employ of Eon Productions.

(Sean Connery had passed his 50th birthday when he did Never Say Never Again, but that 1983 007 film was not part of the Eon series.)

Still, the blog can’t help but remember Craig’s remarks in October 2016 during an event sponsored by The New Yorker magazine.

“There’s no conversation going on (about Bond 25) because genuinely everybody’s just a bit tired,” Craig said at that time.

When Craig said that, he had worked on the movie Logan Lucky, was getting ready to do a stage production of Othello and had other projects. Barbara Broccoli, the boss of Eon Productions, was producing that Othello stage production, was planning the film Film Stars Don’t Die in Liverpool. And she had other projects in the pipeline.

Physically tired? No.

Tired of making James Bond movies?

That’s the question.

Bond 25, in its early stages, didn’t seem to be making major changes.

Neal Purvis and Robert Wade, writers on six 007 films, were hired for a seventh. This was confirmed in a July 24, 2017 press release that said the movie would be released in November 2019 in the United States. This was weeks before Craig, confirmed in August 2017 he was coming back to Bondage.

At this point, Bond 25 is mostly murky. There is no announced distributor and no announced director,

Supposedly, Eon and Metro-Goldwyn-Mayer want prestige director Danny Boyle to helm the movie, according to stories last month in Variety and Deadline: Hollywood. If that happens, the choice of Boyle would follow the selections of “auteur” directors such as Marc Forster (Quantum of Solace) and Sam Mendes (Skyfall and SPECTRE).

The Deadline story said Boyle would direct if a new story he devised with John Hodge is used. Meanwhile, The Hollywood Reporter said March 1 that Boyle may direct another film as early as this summer.

Much of Bond 25 is unresolved. What’s also unresolved is how enthusiastic Eon is regarding the film future of 007.

Film Stars Don’t Die in Liverpool has been described as a dream project of Barbara Broccoli. It’s not a big box office hit. But it wasn’t intended to be.

As the sixth film Bond celebrates his half century, there’s still a lot to be determined in the film world of 007. One of the most important questions is what does “everybody’s just a bit tired” really mean.

New Bond 25 observations after Variety’s story

Daniel Craig in a 2000s publicity still

UPDATE (Feb. 21): Post updated to note that Variety removed mention of Annapurna Pictures from its story.

Variety is reporting that Eon Productions and Metro-Goldwyn-Mayer are keen to have Danny Boyle direct Bond 25.

A few observations:

Eon’s auteur director phase may continue: Beginning with 2008’s Quantum of Solace, Eon has been enamored with “auteur” directors: Marc Forster (Quantum) and Sam Mendes (Skyfall and SPECTRE).

Employing the services of Boyle, director of Slumdog Millionaire, would continue that streak.

Over the past decade, Eon has sought more prestige for the long running Bond film series. It hired writer Peter Morgan in the early stages of pre-production of Skyfall.

Morgan had an enviable resume, including writing Frost/Nixon. But, in a 2010 interview, he seemed ambivalent about writing for Bond. ““I’m not sure it’s possible to do it.” He cited the lack of ” social reality” in Bond films Morgan exited the project but apparently he had the idea of Judi Dench’s M being killed.

Bond 25 may still be unsettled: According to Variety, when it was first posted, Boyle surfaced as a candidate after Annapurna Pictures emerged as a piece of the movie’s distribution puzzle.

In late October, MGM and Annapurna announced they were forming a joint venture to release each other’s movies. However, Bond 25 was not part of the deal.

In November, Deadline: Hollywood reported that the MGM-Annapurna joint venture was “thisclose” to securing the U.S. distribution rights to Bond 25. But MGM hasn’t confirmed that and hasn’t commented publicly at all about Bond 25 distribution.

In this week’s Variety story, there was this passage:

“Sources tell Variety that ‘White Boy Rick’ director Yann Demange was considered a top choice for the job, but after Annapurna won the distribution rights, there’s been one last push to go after a more well-known name.”

Later, Variety removed any mention of Annapurna from the story. That passage was changed to read: “Sources tell Variety that “White Boy Rick” director Yann Demange was considered a top choice for the job, but there’s been one last push to go after a more well-known name.”

The story then had this passage at the end: “UPDATED: Domestic distribution rights are currently held by MGM.”

Bond 25 financing is still a big question: With Skyfall and SPECTRE, Sony Pictures was the distributor and supplied half of the production budget. However, Sony only got 25 percent of the profits while MGM got 75 percent.

It would appear that things have changed with Bond 25. But how so remains unknown.

Is MGM more like a “big boy” studio now and actually financing Bond 25 on its own? Is MGM splitting the budget with Annapurna (assuming Annapurna becomes involved)? Will yet another studio take on the international distribution (and perhaps a portion of the production budget)?

Nobody knows. Until the financing is nailed down, Bond 25 still has a long way to go.

Recap of Skyfall, SPECTRE director announcements

The past sometimes is prologue. Sometimes, not. But here are details when the director was officially announced for the past two 007 films, Skyfall and SPECTRE.

Skyfall: Sam Mendes officially was announced as the director of the 23rd 007 film produced by Eon Productions on Jan. 11, 2011.

There had been news reports that Mendes was working on the film before that. But the official announcement was made via e-mail on Jan. 11. The same release had the U.S. release date of Nov. 9, 2012. Skyfall began production in November 2011.

SPECTRE: Mendes, after Skyfall was released, said he wasn’t interested in coming back. Nevertheless, on July 11, 2013, Eon Productions, Metro-Goldwyn-Mayer and Sony Pictures, said Mendes would direct the then-untitled Bond 24.

At the time off the announcement, there was no script. Writer John Logan wouldn’t submit that until spring 2014. SPECTRE production didn’t begin until December 2014 after Near Purvis and Robert Wade submitted a rewrite of Logan’s work.

What does this mean? Roughly speaking, Bond 25 is a bit behind SPECTRE’s pace but can still match the pace of Skyfall.

There are still a lot of balls being juggled. Distribution (and therefore financing) still hasn’t been locked down. There’s no director of record. Still, at this point, Bond 25 can still easily make a U.S. release date of November 2019. That’s the date Eon and MGM announced on July 24, 2017.