A major non-007 Sam Mendes project, a movie adaptation of The Voyeur’s Hotel, has evaporated, according to the Deadline: Hollywood website. That’s because of a documentary coming out concerning the person who is the the same subject as the non-fiction book.
That has gotten some James Bond fans wondering if Mendes could be available to direct Bond 25 (whenever it gets made) after helming Skyfall and SPECTRE.
To quote a retired comic, “Oh, I hope not.” Here are some reasons why.
He’s never sounded enthusiastic about directing a third Bond film: In July 2015, he told the BBC that, “I don’t think I could go down that road again. You do have to put everything else on hold.”
In May 2016, according to a story by The Associated Press, he said: “I’m a storyteller. And at the end of the day, I want to make stories with new characters.”
Directing a Bond film is a big undertaking. If he has even the slightest doubt (and it sounds he has big doubts), he shouldn’t attempt it.
Enough with the homages: Skyfall had homages to past Bond films, including bringing back the Goldfinger version of the Aston Martin DB5.
That continued with SPECTRE. The DB5, despite being blown to smithereens in Skyfall, is miraculously put back together in SPECTRE. A fight between Bond (Daniel Craig) and Hinx (Dave Bautista) seemed modeled after a similar scene in From Russia With Love. The Independent published a story listing other homages.
Mendes can’t help himself. The next movie, when ever it may come out, needs a break from homages.
No more boasting: In an April 2014 interview on The Charlie Rose Show, Mendes said he cast all the major supporting characters, including Tanner.
Problem: Tanner was played by Rory Kinnear, who first portrayed the character in 2008’s Quantum of Solace, a film Mendes had nothing to do with.
Mendes also claimed that in Skyfall “for the first time characters were allowed to age.” Problem: He’s wrong, it happened a number of times in Bond films.
If Mendes comes back, that means Thomas Newman comes back as composer: Newman is Mendes’ guy. Fans have mixed opinions about Newman’s work on Skyfall. He did get an Oscar nomination but didn’t win.
However, with SPECTRE, it was clear that Newman had run out of ideas. He recycled a number of Skyfall music bits in SPECTRE. That’s true not just of the compositions, but the sound and orchestration.
John Barry used the 007 theme in five Bond films (From Russia With Love, Thunderball, You Only Live Twice, Diamonds Are Forever and Moonraker). But it had different arrangements and orchestration each time. The repeated music in SPECTRE sounds the same as it did in Skyfall.
What’s more, based on his other work, it’s clear that smaller-scale dramas (such as Bridge of Spies) are more in Newman’s wheelhouse. He’s a talented composer with such films. Bond films just aren’t his strength.
Let someone else have a try on Bond 25. But that won’t probably won’t happen if Mendes is back as director.
Filed under: James Bond Films | Tagged: BBC, Bond 25, Charlie Rose, Daniel Craig, Dave Bautista, John Barry, Sam Mendes, Skyfall, SPECTRE, Thomas Newman | 1 Comment »