Here we go again: SPECTRE an origin story, Mendes says

SPECTRE teaser poster

SPECTRE teaser poster

It’s deja vu all over again.

Sam Mendes, the director of SPECTRE, is quoted in an ENTERTAINMENT WEEKLY STORY as saying the 24th James Bond film is an origin story.

Here’s an excerpt:

“The Bond creation myth never happened,” Mendes says. “I felt there was an opportunity there: What made him? And who were the people who affected him along the way? You’re sort of telling the story backwards of how Bond became Bond.”

Nine years ago, Casino Royale, the 21st 007 film and the first to star Daniel Craig, was marketed as an origin story for Bond.

This continued well after its theatrical release. In the United States, the USA cable channel showed the film. USA’s promos had the tagline, “How James became Bond!”

In the Casino Royale novel, author Ian Fleming’s first, Bond already was a veteran agent. The story took place in 1951 (or so we’re told in Fleming’s Goldfinger novel) and Bond had been active as an operative since World War II.

That was then, this is now. “Spectre provides a kind of culmination to the three previous films while developing a backstory that’s been largely unexplored until now,” according to the Entertainment Weekly story.

The main thing that’s changed since Casino Royale is that Danjaq LLC/Eon Productions (the Broccoli-Wilson family entities that control the Bond film rights and produce the films) reached a settlement with the estate of Kevin McClory.

That settlement, reached in 2013, gives Danjaq/Eon (and Metro-Goldwyn-Mayer, their partner) control of SPECTRE and the character of Ernst Stavro Blofeld.

Video blog centers on SPECTRE’s lead actresses

The official 007 website released a new video blog today featuring SPECTRE’s Lea Seydoux and Monica Bellucci.

The video blog avoids criticism of earlier Bond movies, where actresses talk about how their character is “Bond’s equal,” unlike previous films. Also, in 2012, Eon Productions co-boss Barbara Broccoli said, “Fortunately, the days of Bond girls standing around with a clipboard are over.”

Instead, around the 45-second mark, Bellucci says, “I respect so much all the James Bond girls because I think they’re incredible actresses.” She goes on to compliment Seydoux.

Meanwhile, director Sam Mendes says Seydoux’s Madeleine Swann has a “pivotal relationship” with Daniel Craig’s Bond in the film.

Watch for yourself:

The ‘Hunt’ for Bond — M:I connections to 007

Spoilers after second paragraph.

A Mission: Impossible Rogue Nation poster

A Mission: Impossible Rogue Nation poster

By Nicolas Suszczyk, Guest Writer

It is uncertain if Tom Cruise wanted to join the Bondwagon in 1996 when his first Mission: Impossible film debuted, one year after the successful return of James Bond to the big screen in GoldenEye.

But thing is certain: Mission: Impossible Rogue Nation, the producer-star’s fifth movie based on the 1966-73 TV series, features a number of connections, intentional or not, with Bond films starring Daniel Craig.

Feel free to omit the over-hyped pre-titles scene of Cruise’s Ethan Hunt hanging of a plane on mid-air that reminds us of what Roger Moore (or one of his stunt doubles) did with Kamal Khan’s plane in Octopussy, or Hunt’s stylish exit shortly after when he activates the parachute attached to nerve gas tanks similar to Bond and Kara’s escape from the Hercules plane in The Living Daylights.

Moments later, a new character is introduced: Hunley, the CIA director played by Alec Baldwin, questioning the IMF’s procedures and asking to a Senate committee for the force’s disavowal. This character is somewhat reminiscent to Mallory, played by Ralph Fiennes in 2012’s Skyfall and now returning in SPECTRE.

Action moves to Vienna, to a performance of the opera Turandot. What is seen here could perfectly be a mash-up between Quantum of Solace and Skyfall, with Hunt fighting one of his enemies and trying to prevent a sniper shooting the Austrian chancellor, all as the play ensues.

Not to mention the shots of Ilsa (Rebecca Ferguson) preparing her weapon hidden in a clarinet are very similar to those of Patrice doing the same at the Shanghai tower, before shooting his victim.

(Mission: Impossible Rogue Nation may also owe a debt of gratitude to Alfred Hitchcock’s 1956 The Man Who Knew Too Much, which featured an attempted assassination during a concert.)

M:I Rogue Nation composer Joe Kraemer’s music is somewhat close to “African Rundown,” composed by David Arnold for 2006’s Casino Royale, when a high-speed bike chase comes along between Hunt and Ilsa through the Moroccan roads.

The IMF agent is stopped in a unique way – the woman stands right in front of him. Ethan crashes and falls in order to avoid her, a bit similar to the way Eva Green’s Vesper was tied on the road to make Bond (Daniel Craig) crash his Aston Martin DBS.

Just like in Skyfall, London is also used prominently in the film, including the last action scene that features Jens Hultén, who played one of Silva’s henchmen in the 2012 film. Solomon Lane himself, the villain played by Sean Harris, has a loose connection with Silva by being also a former British agent.

In another scene, the prime minister (actually Ethan Hunt in disguise) menaces MI6’s head Attle (Simon McBurney) with an enquiry, a situation Judi Dench’s M faced in Skyfall, too.

A big wink to the first Sam Mendes’ James Bond film is given right before the closing credits: Hunley, admitting his mistake, asks for the reactivation of the IMF. As the committee reinstates the force, Brandt (Jeremy Renner) addresses him as “secretary,” very much like Mallory becoming M at the end of Skyfall.

Mendes again says ‘probably’ no more Bonds

Sam Mendes

Sam Mendes

Sam Mendes has once again said he’s “probably” won’t again direct a 007 film.

The director gave an interview TO THE BBC, which was SUMMARIZED BY THE MIRROR NEWSPAPER.

“But I do think this is probably it…It was a fantastic life-changing thing, but I don’t think I could go down that road again,” he said in the BBC interview, according to the Mirror. “It’s more a lifestyle choice than a job. You do have to put everything else on hold.”

In the spring of 2013, following 2012’s Skyfall, Mendes said the thought of directing another 007 film “made me physically ill.”

A few months later, it was announced he’d be back to direct Bond 24, later titled SPECTRE.

The new Bond film recently completed filming and is in post-production for release this fall.

To view the entire Mirror article, CLICK HERE. To listen to the BBC interview, CLICK HERE. The SPECTRE comments begin around the 23:15 mark. According to the BBC website, the program is available for listening for a limited time.

Thanks to reader Ricardo Cantoral for the heads up.

UPDATE: Having had a chance to listen to the BBC interview itself, there are these tidbits:

–“This is a bigger movie than Skyfall,” Mendes said. “We shot in more places.”

–There’s 100 minutes of music in SPECTRE, according to the director.

–Ian Fleming “is a great unknowable figure,” Mendes said.

–The title song has been recorded. Mendes provided no additional details.

Recap of ironic SPECTRE statements

SPECTRE LOGO

As SPECTRE is ready to wrap up principal photography, here’s a look back at some statements laden with irony and hidden meaning that weren’t evident at the time.

“John Logan and Sam Mendes have come up with an extraordinary follow up to SKYFALL and we, along with our partners at MGM, can’t wait to share this new chapter with audiences all over the world.” Sony executives Michael Lynton and Amy Pascal in a JULY 2013 PRESS RELEASE.

At the time, there was no script. A treatment arrived in the fall of 2013. Logan didn’t deliver a first draft until March 2014. Because of the hacking of Sony Pictures, it’s now known that studio executives were less than thrilled with what Logan (who always said he was working closely with Mendes) delivered. Logan would later be replaced by veteran 007 scribes Neal Purvis and Robert Wade.

A side note: bad publicity from the hacks caused Sony to fire Pascal (something she has publicly acknowledged).

“At the end of the day, it came down to the story…It was a story I wanted to tell.” This was Sam Mendes speaking on Dec. 4, 2014 to ENTERTAINMENT NOW.

At the time Mendes said that, rewrites to fix the last third of the story were being done right up to the Dec. 4 media event that the director hosted. Again, that’s only known because of the hacking at Sony Pictures.

“More pressure.” Mendes again on Dec. 4, on how SPECTRE would have a bigger budget than Skyfall and how it would affect him. With the Sony hacks, it’s known the budget had gone past $300 million, making the 24th James Bond film one of the most expensive of all time.

Lea Seydoux says SPECTRE’s theme is ‘family’

SPECTRE LOGO

Lea Seydoux, who plays Madeleine Swann in SPECTRE, says the theme of the 24th James Bond film is “family.”

Seydoux, who turns 30 on July 1, gave an interview to L’EXPRESS. It was published in French. She made this comment: “The theme of the family is central” in SPECTRE “and everyone will have to live” with the past. (Google Translate, for what it’s worth, changes “Spectre” to “Spectrum.”)

Seydoux’s remark is consistent with SPECTRE’s teaser trailer. Naomie Harris’ Moneypenny says to Daniel Craig’s James Bond that he’s hiding some kind of secret after a photo taken during Bond’s childhood was found in the ruins of Skyfall.

Assorted other comments by Seydoux:

–“I said yes to (SPECTRE director) Sam Mendes without even reading the script. I think all roles, whatever they are, are good to take. I never rewrite anything for me. In Midnight in Paris, Woody Allen, I had a small role and it amused me to do something.”

–“I have no career plan, that’s why I do not like to talk about my work. To talk too much, you lose the magic.”

To view the entire interview, CLICK HERE.

SPECTRE video blog features Mexico City filming

The official James Bond site released another video blog today, this one focusing on the 24th James Bond movie’s Mexico City sequence.

The video, not quite two minutes long, has a brief comment from director Sam Mendes and a look at preparing costumes for extras. SPECTRE opens during the Day of the Dead celebration (something the filmmakers disclosed during the Mexico shoot in March, including a clapperboard photo on Twitter).

SPECTRE is expected to complete filming this month and is scheduled to open on Nov. 6. Today’s video blog is below:

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