The real question about Bond 25

Image for the official James Bond feed on Twitter

Image for the official James Bond feed on Twitter

UPDATE (9:15 a.m.): Updated with another quote and a link to another video in sixth paragraph below.

Daniel Craig’s public appearance at the New Yorker Festival has come and gone without definitive answers about Bond 25 and his future as 007. But it raised a new, and probably more important, question.

How tired is the 007 film franchise? Is it a momentary slump? Or is a deeper exhaustion?

The James Bond Radio website HAD A POST that INCLUDED A SHORT VIDEO of the Craig appearance. It includes this passage:

“There’s no conversation going on because genuinely everybody’s just a bit tired,” Craig, 48, said. “The producers are just…Barbara (Broccoli) is making a movie. I’m doing Othello, Barbara’s producing that.”

The Broccoli movie is the drama Film Stars Don’t Die in Liverpool, now in post-production. Othello is an off-Broadway production, which has a short run starting next month. When that play is over, Craig will spend much of his 2017 working on Purity, a limited, 20-episode series for Showtime.

One shouldn’t make too much about a couple of comments. Also during the evening IN A VIDEO IN ANOTHER TWEET, Craig also said of playing Bond, “Were I to stop doing it, I’d miss it terribly.”

Still, the way Craig said “just a bit tired” made it sound like he still hasn’t recovered fully from SPECTRE, which wrapped production in mid-2015.

Meanwhile the co-bosses of Eon Productions, who don’t do a lot of interviews, have reason to be tired as well.

Both Broccoli, 56, and her half-brother Michael G. Wilson, 74, have been involved with the series for decades. Both have been at it longer than Eon co-founder Albert R. Broccoli, who spent the last 35 years of his life in Bondage.

If this is a short-term thing, it’s not much of an issue. But if it’s a deeper exhaustion, there are larger concerns than whether Daniel Craig does another James Bond film or not. If Craig comes back all excited to go, it doesn’t mean much unless the rest of the creative team is equally enthusiastic.

Only Broccoli and Wilson can answer the question. All we know is everybody’s a bit tired almost a year after the most recent 007 film was released.


‘If that’s his original ball, I’m Arnold Palmer!’


That line was spoken by James Bond’s caddie in Goldfinger as it becomes evident the villain is cheating during a round a golf.

The line was also an indication of the global popularity of golfer Arnold Palmer, who died Sunday at the age of 87, according to obituaries by numerous news outlets, including The New York Times. His death was also announced on Twitter by the United States Golf Association.

Palmer also had an association with Eon Productions, appeared in the production company’s second film, Call Me Bwana.

What is Wilson’s role in the 007 franchise?

Michael G. Wilson

Michael G. Wilson

Over the past year, a narrative has taken hold that it’s Barbara Broccoli who calls the shots for the James Bond franchise. Period. Full stop.

Perhaps the person most responsible for shaping that narrative is Sam Mendes, director of the past two 007 films, Skyfall and SPECTRE.

“It’s not the X Factor, it’s not the EU referendum, it’s not a public vote,” Mendes said in May at an event sponsored by The Telegraph, which ran a story about the director’s remarks. “Barbara Broccoli chooses who’s going to be the next Bond: end of story.”

The comments were picked up by the likes of Vanity Fair and the BBC, among others.

As a result, there’s the perception that Broccoli, 56, is the driving force of 007 land. Meanwhile, her half-brother, Michael G. Wilson, 74, doesn’t get mentioned much, even though the half-siblings are supposed to be the co-bosses of Eon.

In December 2014, when it was announced SPECTRE would be the title of Bond 24, Broccoli was present with Mendes but Wilson wasn’t. However, when the production shifted to Mexico in early 2015, Wilson was involved in publicity.

This weekend, the tabloid Mirror ran a story saying Guy Ritchie was in talks with Eon to direct Bond 24. One element that caught the blog’s eye was how the Mirror said Ritchie supposedly was meeting with Wilson, rather than Broccoli. (Note: we slapped the Caveat Emptor label on it.)

It’s hard to tell how accurate, or significant, the Mirror story is. It’s simply interesting that Wilson is being depicted as a major decision maker after the way Mendes made it sound as if nobody’s opinion except Broccoli’s matters.

Of late, stories about the 007 franchise discuss Broccoli but don’t get around to Wilson.

Wilson, since the 1990s, have periodically complained about the grind of making James Bond movies. That’s something his step father, Albert R. Broccoli, never said publicly.

Wilson has spent longer than anybody else working on the 007 franchise, even co-founder Cubby Broccoli. If Wilson were to retire tomorrow, nobody could argue that he wasn’t a major figure in 007 movies.

Neither Wilson nor Barbara Broccoli revel in publicizing Bond movies the way Cubby Broccoli did. Eon is a very private outfit, not wanting to open the curtain very much on its operations.

Still, the Mirror story (whether it was accurate or not) was a reminder that Wilson is a big wheel in the 007 franchise. It would be interesting to know whether Mendes is indeed correct about Barbara Broccoli’s 007 status or if reality is more complicated.

Craig fans start petition for actor to remain 007

Daniel Craig photo opposing Brexit

Daniel Craig photo opposing Brexit

Some Daniel Craig fans have started an ONLINE PETITION AT CHANGE.ORG urging the actor to remain in the role of James Bond.

Here’s part of the text:

Daniel Craig’s portrayal of 007 is one of the best in all times and deserves the to be in top 3.If you are a fan of Daniel Craig and want to see him again as 007 this might be your last chance. Support this petition and share this with as many people you can. Tell Craig how much we love him and we want him back. This petition is certainly not to force him but to tell him how much we love him as 007. Even after all this he chooses not to come back then we honor his decision but we have to give a last shot right?

Craig, 48,hasn’t actually said he’s out as Bond. But Michael G. Wilson, co-boss of Eon Productions, said late last year the actor isn’t under contract for future 007 appearances. Craig has played Bond in four movies, most recently in 2015’s SPECTRE.

Neither Eon nor Metro-Goldwyn-Mayer is under any particularly urgency about Bond 25 right now. Also, MGM has yet to find another studio partner to actually release the movie.

Anyway, if you want to check out the petition, CLICK HERE.

About Daniel Craig’s supposed big 007 offer

Daniel Craig in SPECTRE's main titles

Daniel Craig on the verge of a $150 million pay day?

Over the weekend, Radar Online reported that Daniel Craig, the ever-reluctant 007, is being offered $150 million to do two more James Bond films.

Naturally, this generated a lot of discussion among Bond fans.

On one 007 message board, a poster said the equivalent of, “Why are you guys so upset? It’s not your money.”

Here’s one way of thinking about it.

Michael Cimino (figuratively) thought the same thing when he was directing Heaven’s Gate. For sure, it wasn’t his money. It was United Artists’ money.

However, in the end, he spent so much of UA’s money — and his film generated so little box office — it spelled the end of UA as a separate studio. It’s parent company, Transamerica, threw in the towel. MGM bought UA.

Now some argue Cimino’s movie was better than the reviewers thought. And perhaps it was. Nevertheless, Heaven’s Gate doomed UA. MGM bought UA and merged it into its operations.

How many fewer movies were made because UA was no longer an actual studio? There’s no way to know, of course. But likely a decent number.

Leaving that issue aside, MGM absorbing UA still had an impact on the James Bond film series. The UA-Eon relationship was generally a good one. The MGM-Eon relationship, less so. The Heaven’s Gate situation clearly had a major impact on the Bond film series. It’s still being felt to this day.

Here’s another example for old timers.

In the U.S. market, Cleopatra (1963) sold about the same number of movie tickets (actually a little more) than Goldfinger. Cleopatra sold an estimated 67.2 million tickets, according to the Box Office Mojo website. Goldfinger sold 66.3 million

Goldfinger was a big fat success while Cleopatra almost bankrupted 20th Century Fox.

Why? Because Fox spent — squandered — so much money that Cleopatra couldn’t make a dime of profit despite being a popular success. Meanwhile, Goldfinger had a budget that ensured a huge profit.

Fox survived, but only because it’s television division sold a number of TV shows (Voyage to the Bottom of the Sea, 12 O’Clock High and Peyton Place) for the 1964-65 season.

Some fans will argue, “But this is James Bond! How can you say such a thing?”

Well, to cite a John Gardner 007 continuation novel title, “Nobody Lives Forever.”

Albert R. Broccoli, the co-founder of Eon Productions, once said something to the effect that James Bond is bigger than any actor who plays him. It took a while for him to be proven correct, but he eventually was.

If the Radar Oneline story is accurate (and that remains to be seen), the Cubby Broccoli approach is dead, once and for all.

Also, in the U.S. market, Skyfall had a per-day gross of $2.8 million ($304.4 million divided by 109 days of release) while SPECTRE had a per-day gross of $1.3 million ($200 million divided by 154 days of release).

Nothing is easy, or automatic, in the movie business. Just ask those folks who thought Batman v Superman: Dawn of Justice was a cinch to have a billion-dollar global box office.

For a Bond movie, with its leading man getting $75 million, to make a profit, it would have to consist of said actor sitting on a stool doing a dramatic reading of the script — perhaps with ads running on the bottom of the screen.

Then again, it’s not my money. So why get upset?

UPDATE: After this post was published, the blog was asked how would other big actor pay days compare when adjusted for inflation. The INFLATION CALCULATOR of the U.S. Bureau of Labor Statistics is a useful tool for such calculations.

Elizabeth Taylor was paid the then-regal sum of $1 million for 1963’s Cleopatra. That works out to $7.86 million in 2016 dollars. Sean Connery got what was seen as a staggering amount, $1.25 million, to do Diamonds Are Forever in 1971. That works out to be $7.43 million in 2016 dollars.

UPDATE II (7:30 p.m.) A website called Gossip Cop today HAD A POST where its unidentified source (“an individual involved in the James Bond franchise”) says Craig has received no such offer. In effect, Gossip Cop’s anonymous source is ragging on Radar Online’s anonymous sources. Caveat Emptor all around.


UPDATED: MGM’s possible studio partners for Bond 25

Image for the official James Bond feed on Twitter

Image for the official James Bond feed on Twitter

Back in April, the blog took a look at Metro-Goldwyn-Mayer’s potential studio partners for Bond 25.

Well, no decision has been reached (or at least announced) since then, but there have been developments among the studios. So here’s an updated look at the studios that may co-finance and distribute the next James Bond film.

Sony (the incumbent): Sony Pictures, through its Columbia Pictures brand, has released the last four Bond films but its most recent contract expired with SPECTRE.

Sony’s share of the Bond profits were paltry the past two films. New leadership took over the studio and Amy Pascal, the executive who negotiated that deal, is gone.

Still, it may be the case that the more things change, the more they stay the same. Sony this summer tried to revive Ghostbusters, this time featuring four women ghostbusters. (Pascal was one of the producers.) The Hollywood Reporter said in an August story that the new film is on track to lose $70 million and that a sequel is unlikely.

Sony and Marvel Studios are working together on a new Spider-Man movie (with Marvel in creative control). But Sony remains in need of a movie “franchise.”

Radar Online, an entertainment and gossip website, this weekend RAN A POST saying that Sony “should be announcing any day that the studio is re-upping the distribution rights for the Bond series.” Further, it says Sony (it doesn’t mention MGM) is offering Daniel Craig, 48, $150 million to do two more Bond movies.

We’ll slap the Caveat Emptor label on that. One of Sony’s problems with the last two 007 movies is, while they generated $2 billion in worldwide box office, the studio was third in line (behind MGM and Eon Productions) in getting money despite putting up half of the large production budgets.

Paying your leading man $75 million per movie isn’t going to help studio profitability. But we’ll see what happens. Regardless, Sony’s interest in Bond likely remains high, especially after this summer’s Ghostbusters movie.

Warner Bros.: The studio has its hands full with its slate of movies featuring DC Comics characters.

Batman v Superman: Dawn of Justice is the No. 5 movie worldwide so far this year at $872.7 million. Another DC-based movie, Suicide Squad, featuring villains forced to work for the government, is No. 8 worldwide at $643.4 million.

Most studios would love such a result, but “Mr. Warner” was hoping for more than $1 billion for Batman v Superman. Rival Marvel Studios, part of Walt Disney Co., is No. 1 for 2016 at $1.15 billion for Captain America: Civil War.

Still, the studio isn’t backing down, with a movie version of the Justice League in the works for 2017, picking up where Batman v Superman left off. Does the studio have the bandwidth to also co-finance Bond films?

Paramount: When last we looked in on Paramount, there was a lot of turmoil at its parent company, Viacom.

Well, that soap opera reached a resolution last month, including the forced departure of Paramount chief Philippe Dauman. That raises the question whether new leadership at the studio can mount an effort to strike a deal with MGM.

Paramount co-financed and released MGM’s Ben-Hur remake, which reached theaters last month. The movie bombed, apparently the answer to a question audiences weren’t asking.

20th Century Fox: Not much has changed here. Fox has a deal with MGM to handle home video distribution of Bond movies.