(Almost) 20 years of the U.N.C.L.E. episode guide

The original U.N.C.L.E.s, Robert Vaughn and David McCallum

The original U.N.C.L.E.s, Robert Vaughn and David McCallum

We were reminded the other day that The Man From U.N.C.L.E. episode guide will mark its 20th anniversary this year. Naturally, after researching some things, the Spy Commander couldn’t wait to do a post.

The episode guide was one of the first U.N.C.L.E. fan sites. It first went live on Dec. 1, 1996. It wasn’t complete at the time by any means, but there were at least some reviews for each of the four seasons of the show.

The following summer, the Spy Commander did a geeky thing, sending a printout of the website to retired executive producer Norman Felton. After putting it in the mail, I immediately had the equivalent of buyer’s remorse.

Some of the Season Three reviews (when the show often took a campy approach) were pretty rough. What if Felton became offended? I wondered. Yikes.

Not to fear. Felton sent a letter dated June 23, 1997. At the top, there was a cartoon of someone critiquing a frustrated William Shakespeare. “Good, but not immortal.”

The letter read thusly (underlined words are highlighted with asterisks) in part:

Terrific! The pages from the Web page — yes, and there were ‘duds’ along the way — but enough *good enough* for our *fans*, yes?

In a P.S. he said he might send a copy of a screenplay he was about to finish. “*Not* in the vein of U.N.C.L.E. — and certainly *not* immortal. Wow!”

Also included were two strips of film with a Post It Note. “Enclosed bits of film made to checking lighting for the cameraman” during filming of U.N.C.L.E.’s pilot.

The Spy Commander did a second geeky thing. Making yet another printout, I went to a collectible show in suburban Chicago in the late 1990s where Robert Vaughn, who played Napoleon Solo, had a table signing autographs.

“What’s that?” he asked.

“It’s a printout of a website.”

No reaction from an actor. I began to try to explain but simply felt embarrassed for bringing the printout. Later, I was told from someone who talked to him extensively he wasn’t on the internet much at the time.

The episode guide also generated a response from writer Stanley Ralph Ross, a frequent writer for the 1966-68 Batman show, who also penned some third-season U.N.C.L.E. episodes. He liked how the episode guide noted how the writer used the same joke in U.N.C.L.E. and Batman.

An e-mail interview ensued. “I have some funny stories about the show, especially when I was in The Pop Art Affair,” he wrote in a June 21, 1999, e-mail. Ross said he did an uncredited rewrite on the episode and got a part in the third-season episode as part of the deal.

“David  asked me to stand on a box,” Ross wrote. “I am already 6:6 and said that he would look like a midget but he replied that the taller I was, the stronger and more macho he would seem for having me beat up.” Ross referred to 5-foot-7 David McCallum, who played U.N.C.L.E. Russian agent Illya Kuryakin.

The U.N.C.L.E. episode guide, meanwhile, has had its share of ups and downs. It originally was hosted by AOL. But in 2008, AOL stopped hosting websites. It moved to the Her Majesty’s Secret Servant website. But when HMSS went offline in 2014, the episode guide went dark with it — missing the show’s 50th anniversary in September of that year.

But you can’t keep a good U.N.C.L.E. agent down. The episode guide returned on Oct. 18, 2014 on WordPress, part of a family of websites including The Spy Command.

Since then, the site has been improved, including finally finishing reviews for The Girl From U.N.C.L.E.  and updating and adding features because of the 2015 movie version of The Man From U.N.C.L.E. with Henry Cavill and Armie Hammer.

Hopefully, the episode guide will remain around for a while — good, but not immortal.

The secret behind U.N.C.L.E.’s “whip pan”

The "whip pan" is reversed, reveal an image from U.N.C.L.E.'s original main titles

The “whip pan” is reversed, revealing an image from U.N.C.L.E.’s original main titles

Who says you can’t learn something new about a show that’s a half-century old?

On Facebook, Ken Kopacki, a member of The Man From U.N.C.L.E. Inner Circle page (named after the show’s original fan club), deconstructed the famous “whip pan” of the 1964-68 spy series.

The whip pan — intended to simulate the effect of suddenly whipping your head around — was used as a transition device between scenes. It was cheaper than doing a dissolve, which required more work in the film lab. With a “whip pan,” the film editor simply inserted a short piece of film between scenes.

Kopacki said he was editing a clip and saw how the “whip pan” had a name embedded in it. He reversed the image and saw how it included the name of actor Fritz Weaver.

The reversed image was from U.N.C.L.E.’s original pilot, simply titled Solo. Weaver was one of the guest stars, playing the first villain to clash with agent Napoleon Solo (Robert Vaughn).

The Solo version of the pilot utilizes the whip pan in its main titles (where Weaver’s name appears) as well as a few places in the episode itself.

At some level, this is akin to how if you played certain rock songs backwards there were hidden messages. In real life, the U.N.C.L.E. “whip pan” is how creative things can happen under tight television budgets.

In 1983, The Return of The Man From U.N.C.L.E. television movie created a “whip pan” at a Las Vegas casino. The 2015 movie version of The Man From UN.C.L.E. didn’t include a whip pan.

About that Batman ’66-U.N.C.L.E. comics crossover

Batman 66-UNCLE

This week marks the 50th anniversary of the Batman television series, which coincides with the second issue of DC Comics crossover of Batman ’66 (a comic book version of the Adam West/Burt Ward series) and The Man From U.N.C.L.E.

The TV series debuted on Jan. 12 and Jan. 13, 1966. It was an instant hit, and its style affected other shows, including The Man From U.N.C.L.E., as producers sought to emulate what made Batman so popular (even if it was for a short time).

The first issue of the comic book came out in December. On social media, we’ve seen some fans of the original U.N.C.L.E. series decry the new comic book and the Batman TV show.

Some original U.N.C.L.E. fans say Batman contributed to U.N.C.L.E.’s eventual demise. That overlooks how nobody forced the U.N.C.L.E. creative team to adopt a similar tone as the Batman show.

Other U.N.C.L.E. fans have complained the Solo and Kuryakin characters in the comic book don’t closely resemble the Robert vaughn and David McCallum versions from the original 1964-68 television series.

According to THIS REVIEW the second issue of the comic book, there were “legal reasons” why exact likenesses of Vaughn and McCallum couldn’t be used.

Regardless, despite the disappointing box office of 2015’s movie version of The Man From U.N.C.L.E., the international spy organization is hanging in there at the start of 2016.

For what it’s worth, the first issue of the comic book evoked scenes from U.N.C.L.E. episodes and it’s apparent the creative team of the comic book has done research into the U.N.C.L.E. series.

Happy 83rd birthday, Robert Vaughn

Today, Nov. 22, is actor Robert Vaughn’s 83rd birthday. The original Man from U.N.C.L.E. is still keeping busy with acting projects.

To note the occasion, here’s a scene from To Trap a Spy, the movie version of the U.N.C.L.E. pilot. This was part of additional footage shot after the pilot was filmed for the movie version. release. In turn, some of the To Trap a Spy additional footage (though not this specific scene) were edited into an episode of the series called The Four-Steps Affair.

Luciana Paluzzi and Robert Vaughn in To Trap  a Spy

Luciana Paluzzi and Robert Vaughn in To Trap a Spy

U.N.C.L.E. movie underwhelms in U.S. opening

U.N.C.L.E. movie poster

U.N.C.L.E. movie poster

UPDATE (Aug. 17) — Revised figures on Monday, ACCORDING TO THE NUMBERS WEBSITE, put The Man From U.N.C.L.E. movie at $13.4 million, compared to $60.2 million for Straight Outta Compton.

(ORIGINAL POST): The Man From U.N.C.L.E. underperformed in the United States and Canada, finishing No. 3 in its debut weekend with estimated ticket sales of $13.5 million, according to THE HOLLYWOOD REPORTER.

Guy Ritchie’s reinterpretation of the 1964-68 television series trailed Straight Outta Compton, a film about the rap group N.W.A. at $56.1 million and Mission: Impossible Rogue Nation, in its third weekend of release.

The Tom Cruise M:I film had estimate weekend ticket sales of $17 million, according to A TWEET from Exhibitors Relations.

Straight Outta Compton initially was estimated to produce a $30 million opening weekend and is coming in at almost twice that. It also was also shown on 2,757 screens, compared with U.N.C.L.E.’s 3,638, according to the Box Office Mojo website.

Over the weekend on social media, there was some debate about all this. Those who were annoyed (or worse) that the movie didn’t retain the series’ secret headquarters, Jerry Goldsmith theme (only a few notes were used in the film), or who wanted different casting, etc., said the results validated their positions.

The answer, though, may be more simple than that. It could be that outside of the aging U.N.C.L.E. fan base (including folks such as the Spy Commander) and the younger Henry Cavill fan base, there weren’t that many people who wanted to see the movie.

Warner Bros. can’t be blamed for a lack of marketing support. The studio bought ads all over U.S. television the past few weeks. For example, it paid for a two-minute ad on the ABC prime-time telecast of the ESPN ESPY awards. The spot ran shortly before transgender ex-athlete Caitlyn Jenner picked up an award for sports courage, the main highlight of the show.

Would having Jerry Goldsmith’s full theme boosted the box office take? If a great Goldsmith theme had that much impact, the 1973 series Hawkins on CBS would have lasted longer than a season and the 1975 Archer series (as in Ross Macdonald’s Lew Archer) on NBC would have run longer than six episodes.

Would having the secret HQs, complete with Del Floria’s tailor shop have changed the outcome? 2015 audiences already had a secret HQs in Kingsman: The Secret Service. It was basically an updated version of the U.N.C.L.E. secret HQs of the show.

Would having, say, Jon Hamm, the star of the now-completed Mad Men series, as Napoleon Solo instead of Henry Cavill changed things?

Hamm’s Million Dollar Arm in 2014 was No. 4 its opening weekend in the U.S. at $10.5 million, according to Box Office Mojo. It finished with worldwide box office of $38.3 million. Of course, to be fair, he also was the voice of Herb Overkill in Minions, which had worldwide box office of more than $900 million.

Would having cameos by Robert Vaughn or David McCallum, the stars of the original show, increased ticket sales significantly? Would ticket sales double or triple? Or would they have risen by 1 percent or less? Meanwhile, McCallum endorsed the film in a Fox News interview and that doesn’t seem to have had much impact.

For Warner Bros., the best hope for the film may be in overseas markets. The DEADLINE: HOLLYWOOD website reported there were early signs of a better reception in various countries, including Russia.

Movie draws attention to U.N.C.L.E.’s origins

The original U.N.C.L.E.s, Robert Vaughn and David McCallum

The original U.N.C.L.E.s, Robert Vaughn and David McCallum

The Man From U.N.C.L.E. movie comes out this week, prompting the Los Angeles Times to examine the origins of the 1964-68 series it’s based on.

The story looks at a number of angles, including how 007 author Ian Fleming was involved in the first few months of the show’s development.

Susan King of the Times talked to the likes of Dean Hargrove, one of the main writers on the show; Steven Jay Rubin, author of books about James Bond; film and TV music expert Jon Burlingame, who produced a series of U.N.C.L.E. soundtrack recordings in the 2000s; and Ron Simon, curator of television and radio at the Paley Center for Media in New York.

Here’s an excerpt:

Young moviegoers checking out the feature film version Aug. 14 starring Henry Cavill as Solo and Armie Hammer as Kuryakin probably don’t realize the original TV series existed — let alone know of the show’s impact on baby boomers.

“Man From U.N.C.L.E.” hit at the right time. Noted Ron Simon, curator of television and radio at the Paley Center for Media in New York, “The same excitement seeing the Beatles live on television which happened a few months before, I think the same thing happened when ‘Man from U.N.C.L.E.’ debuted in fall 1964.

“There was something cool about it. It created an emotional resonance for TV. It became the most popular show on campus in 1964, ’65 and ’66 — the first two seasons. It was a cultural phenomenon.”

Separately, The Hollywood Reporter talk about how U.N.C.L.E. MAY HERALD THE RETURN OF SPY ACRONYMS.

U.N.C.L.E. helped popularize such acronyms, although Marvel Studios has beaten the U.N.C.L.E. movie to the punch by including SHIELD (which didn’t debut until a year after U.N.C.L.E.) in its films.

Meanwhile, if you’re interested in knowing more about the show, CLICK HERE for The Man From U.N.C.L.E. episode guide, produced by The Spy Command.

5 U.N.C.L.E. TV stories new fans should see before the movie

The original U.N.C.L.E.s

The original U.N.C.L.E.s

The Man From U.N.C.L.E. hasn’t gotten a lot of exposure since its last broadcast on Jan. 15, 1968. Yet, seemingly against long odds, a big-screen version comes out on Aug. 14.

There are a lot of new fans — particularly those who are fans of actors Henry Cavill and Armie Hammer — who haven’t had a lot of opportunity to catch the original show. With that in mind, here are five U.N.C.L.E. stories from the 1964-68 series that may enhance the experience of new fans ahead of the film.

These aren’t necessarily the very best episodes. But some have elements in common with the movie. Also, this list is intended to include examples from all four seasons of the show. Stories told over two episodes are listed as a single entry here.

The Quadripartite Affair/The Giuoco Piano Affair: These two episodes were filmed together but presented as separate, but related episodes.

Solo verbally jousts with Harold Bufferton (John Van Dreelen) in The Giuoco Piano Affair

Solo verbally jousts with Harold Bufferton (John Van Dreelen) in The Giuoco Piano Affair

Quadripartite was the third episode broadcast. It’s also the first episode where Napoleon Solo (Robert Vaughn) and Illya Kuryakin (David McCallum) function as a team. There’s plenty of good “bits of business” for both characters.

The story involves a power-hungry woman, Gervaise Ravel (Anne Francis), whose lover, Harold Bufferton (John Van Dreelan), is one of the world’s richest men and who’s more than willing to finance her plans. That’s not unlike the new film, where Elizabeth Debicki, is the lead villain.

Giuoco Piano (the seventh episode broadcast) is even better than Quadripartite, showing how manipulative Solo can be. The title comes from a chess gambit that symbolizes Solo’s plan. If James Bond is the blunt instrument, this story demonstrates how Solo is the sharp operator.

Both episodes were written by Alan Caillou, who did intelligence work for the British in World War II. Think an Ian Fleming, who actually went out into the field. Caillou’s two scripts helped define the Kuryakin character. Sam Rolfe, who wrote the pilot, envisioned Kuryakin as a large, massive man. Caillou provided McCallum with the material so the actor could make Illya his own.

Also, the two episodes were directed by Richard Donner, who’d become an A-list film director in the 1970s.

The Never-Never Affair: Through the first season, the show tried to find the right balance of drama and humor. Never-Never, aired late in the season, became the model for future episodes.

"I can't believe everything that's going on, Illya."

Solo and Illya during the theater shootout in The Never-Never Affair

In the story, Solo feels sorry for U.N.C.L.E. translator Mandy Stevenson (Barbara Feldon), who yearns for an adventure. He sends her to get pipe tobacco for U.N.C.L.E. chief Waverly (Leo G. Carroll), while telling her she’s acting as a courier. However, she accidentally is given a valuable microdot covered by the villainous organization, Thrush.

The episode includes a memorable set piece, where a Thrush assassin is firing through a movie theater screen at Solo and Kuryakin, who are having to deal with other Thrush operatives. A high percentage of the jokes work, and writer Dean Hargrove would become one of the main scribes of the series. It was the second episode of show helmed by Joseph Sargent, one of the best directors on the series.

The Foxes and Hounds Affair: A breezy episode that aired early in the show’s second season. The new movie’s tone is supposed to be similar to the second season and Foxes and Hounds is one of the season’s better entries.

U.N.C.L.E. and Thrush are both after a mind-reading machine. That’s pretty fantastic, but no more so than what can be seen in a Marvel Studios film of the 21st century. Both Solo and Kuryakin get chances to shine. We also see that Waverly is perfectly capable of being cold blooded. On top of everything else, Vincent Price is a very good villain who has to watch his back for attacks from a rival in Thrush (Patricia Medina).

The Concrete Overcoat Affair: This two-part episode was edited into a movie for international audiences called The Spy in the Green Hat. Thrush has another ambitious plan that U.N.C.L.E. is trying to foil. But some retired gangsters end up becoming involved and act as a wild card.

This ran during the third season, when the drama-humor balance got out of whack in favor of humor. This Joseph Sargent-directed story reins that in to an extent. There’s also a good scene early in Part II where Solo wants to go save Kuryakin but Waverly disapproves. The U.N.C.L.E. chief relents, but only reluctantly. It’s an unusual moment of drama in a season where that was in short supply.

The Test Tube Killer Affair: In the fourth season, new producer Anthony Spinner wanted to dial the humor way back. This episode, early in the season, is one of the better entries produced by Spinner.

Christopher Jones, center, one of Thrush's "test tube" killers in a fourth-season Man From U.N.C.L.E. episode

Christopher Jones, center, as Greg Martin, in The Test Tube Killer Affair.

Thrush’s Dr. Stoller (Paul Lukas) has been raising young men from childhood to be the perfect killing machines, able to turn their emotions on and off as needed. Stoller’s prize pupil, Greg Martin (Christopher Jones), has been chosen to blow up a dam in Greece. It’s strictly an exercise and the dam has no strategic importance but many will die if Martin succeeds.

Meanwhile, the young killer is highly intelligent — intelligent enough where it appears Solo and Kuryakin may have met their match. The episode has a less-than-happy ending, something not common on the show.

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