Less obvious ways of celebrating Global James Bond Day

Image for the official James Bond feed on Twitter

Friday is Global James Bond Day, the event that was invented six years ago for the 50th anniversary of the premiere of Dr. No.

There are obvious ways to mark the day, namely watch a Bond film or films, read a James Bond novel, etc.

What follows are some less obvious ways. They involve offerings available on home video with significant 007 connections.

–Watch selected episodes of Hawaii Five-O (1968-80): Series star Jack Lord was the original Felix Leiter in Dr. No. So any episode begins with that. But these episodes have additional Bond ties.

The Year of the Horse (11th season). George Lazenby, a decade removed from his only performance as Bond, gets “special guest star” billing. He’s actually the secondary villain. His character also is considerably scruffier than Bond. But, hey, it’s a pretty major tie to the Bond series. The episode was filmed in Singapore.

Deep Cover (10th season). Maud Adams made her Five-O appearance inbetween her two 007 films, The Man With The Golden Gun and Octopussy. Here, she’s the leader of a spy ring that’s up to no good. She’s quite convincing ordering people to die.

George Lazenby in Hawaii Five-O’s The Year of the Horse.

My Friend, the Enemy (10th season). Luciana Paluzzi plays an Italian journalist who complicates things for McGarrett (Lord) in a kidnapping case involving international intrigue. This wasn’t the first time Paluzzi was paired with Lord. They acted together more than a decade earlier in an episode of 12 O’Clock High.

Episodes with Soon-Tek Oh. The late actor was in eight episodes, including the pilot. Recommended would be The Jinn Who Clears the Way (fifth season). It’s one of the Wo Fat episodes and his character is a “young Maoist” who’s being manipulated by Wo Fat. It also has a shock ending.

–Watch selected episodes of The Man From U.N.C.L.E. The 1964-68 series also has performers who’d play major Bond roles before their 007 appearances.

To Trap a Spy/The Four-Steps Affair. Luciana Paluzzi figures in here. She plays Angela, an operative for Thrush who can be pretty cold blooded.

Luciana Paluzzi and Robert Vaughn in To Trap a Spy.

To Trap a Spy is an expanded version of the show’s pilot released as a movie. Paluzzi and star Robert Vaughn filmed additional footage after production of the pilot was completed. The thing is, Angela is a dry run for Paluzzi. The character is extremely similar to Fiona, the SPECTRE assassin she’d play in Thunderball.

The Four-Steps Affair is a first-season episode. It takes extra footage used to lengthen the running times of the first two U.N.C.L.E. movies (The Spy With My Face was the other) and combined it with with new material to make a television episode. Obvious difference: Angela sleeps with Solo (Vaughn) in Trap a Spy but doesn’t in The Four-Steps Affair.

The Five Daughters Affair/The Karate Killers (third season). The Five Daughters Affair was a two-part story that was expanded into a feature film for the international market.

At the start, a fleet of mini-helicopters attack Solo and Illya Kuryakin (David McCallum). This was made after You Only Live Twice but before the 1967 007 film (which included mini-copter Little Nellie) arrived in theaters.

What’s more, the cast includes Telly Savalas and Curt Jurgens in supporting roles. Neither is a villain, though (as they would be in Bond films). The villain is played by Herbert Lom.

Meanwhile, I am aware of episodes of the Roger Moore version of The Saint with David Hedison and Lois Maxwell. I just don’t own copies. The Hedison episode has an especially cute ending.

UPDATE (9:30 a.m. New York time): I got “mansplained” that Danger Man/Secret Agent has Bond actors in it also. Besides the actors this reader named (Bernard Lee and Desmond Llewelyn), there’s also Earl Cameron. Also, John Glen edited a number of episodes.

You could also extend that to The Prisoner, the other major Patrick McGoohan series. Guy Doleman, who played Count Lippe in Thunderball, was Number Two in the episode titled Arrival.

And while we’re at it, I could also mention Donald Pleasance was in Part II of Hawaii Five-O’s The Ninety-Second War. He’s a German scientist who began working for the U.S. with the end of World War II who’s being blackmailed by Wo Fat.

I could also add The Avengers (Patrick Macnee, Honor Blackman, Diana Rigg, many character actors and crew members) and various Gerry Anderson shows (Derek Meddings special effects, Shane Rimmer), but I’m not. These are blog posts, not books.

The blog’s list of (really) non-spoilers

The movie came out in 1941. By any reasonable standard, it should be OK to talk about the ending. That’s especially true in this case. It was a joke on The Dick Van Dyke Show in the 1960s and an Iron Man comic book in the late 1970s/early 1980s.

The blog was reminded while publishing a post about spoiler sensitivity. It’s a subject the blog has written about a number of times including HERE, HERE, and HERE.

In THIS 2011 POST, a reader yelped that a “spoiler alert” should be tagged with a spoiler alert about a movie that had come out years before (seven years at the time of the post, 14 years ago now).

I ended up doing that, but regretted it later. Spoilers should have a sell-by date. But spoiler extremists insist on spoiler alerts on everything, no matter how long ago the film or TV show came out. By that standard, it’s never OK to talk about any movie, now matter how old.

Spoiler police: “That’s a spoiler! You’re spoiling it for the 19-year-old who’s never seen The Great Train Robbery!”

If you suspect the blog is kidding with this example you’d be right. Still, The Great Train Robbery (1903) is considered a major example of early cinema, including the ending above. But if we take the position of the spoiler police to its logical conclusion, the ending would be forbidden to talk about.

More recently, but still back in the “old days,” trailers often gave away the best bits. Example: Trailers for The Spy Who Loved Me showing the ski jump Rick Sylvester performed while doubling for Roger Moore.

For that matter, sometimes soundtracks — which came out before the movie —  had track titles beginning with “Death of” followed by a character name. See the soundtracks for From Russia With Love, Goldfinger, Thunderball and You Only Live Twice for examples.

At that time, if you were disappointed about a spoiler, you sucked it up. You manned up and moved on. Today, it’s the source of complaining, complaining and more complaining.

I understand the concern about spoilers. You should be considerate, especially before and during a movie’s release. But I do think some people complain too much about them.

The idea of a forever ban on spoilers isn’t reasonable. Nineteen-year-olds have plenty of chances to catch up on classic movies without a gag order on the rest of us. And some members of the spoiler police define a spoiler as saying anything about a film.

So, with that in mind, here’s the blog list of not-really spoilers (but may offend the spoiler police).

Classic Movies

–Rosebud is the sled.
–Rhett breaks up with Scarlett.
–Ranse really didn’t kill Liberty Valance. Though I’m told some film analysts actually debate this point because it’s in a flashback. (Actually a flashback within a flashback, to be precise.)
–Shane decides to ride off.
–“Nobody’s perfect!”
–“WTF just happened?” (audiences at 2001: A Space Odyssey)
–Lawrence went home after the war, shaken and disturbed.
–“I’m ready for my closeup, Mr. DeMille!”

Genre Movies
–Harry still had a bullet left.
–The money got incinerated.
–The castle blows up.
–The lead character was really dead all this time. (multiple movies)
–Rock lost one leg, but is still alive even if most of his officers aren’t.
–Iron Man wins.
–Captain America wins.
–Batman wins.

James Bond Movies
–Bond wins (multiple films).
–Tracy dies.
–Vesper dies.
–Quarrel dies.
–Fiona dies.
–Aki dies.
–Tilly dies.
–Jill dies.
–Vijay dies.
–Kerim dies.
–Paula dies.
–Plenty dies.
–Scaramanga dies.
–Oddjob dies.
–Goldfinger dies.
–Largo dies.
–Dr. No dies.
–Klebb dies.
–Q gets a laugh from the audience showing Bond a gadget (multiple films).
–Q gets annoyed at Bond. (multiple films)
–Bond has sex with women characters (multiple films).
–Bond flirts with Moneypenny (multiple films).
…..There are many more, but you get the idea.

On Superman’s 80th, a few 007 connections

Christopher Reeve (right) with Roger Moore during filming of Octopussy.

This week marks the 80th anniversary of the introduction of Superman. DC Comics is out with Action Comics No. 1,000 to celebrate the occasion

The thing is, there are some elements in common, thanks to how the Christopher Reeve Superman movies were made at Pinewood Studios, the long-time home to the James Bond film franchise.

So here’s a few of them. It’s not a comprehensive list and I’m sure there are many stunt performers who worked on both.

Geoffrey Unsworth: Unsworth (1914-1978) was a celebrated cinematographer, whose credits included Superman (1978) and Superman II (1981), much of which was photographed at the same time as the film movie. Unsworth’s credits also included 2001: A Space Odyssey.

Unsworth also had a James Bond connection. On Dec. 21, 1961, he photographed screen tests for actresses vying to play Miss Taro for Dr. No.

John Glen: Glen directed five James Bond films, 1981-89, after earlier editing and being second unit director on three 007 films. He was one of the second unit directors for the 1978 Superman film.

Stuart Baird: Baird was editor on the first Superman movie. He performed the same duties on Casino Royale (2006) and Skyfall (2012).

Alf Joint: A stunt performer on the Bond series, perhaps his most famous bit was in the pre-titles of Goldfinger as Capungo, who gets killed by Bond (Sean Connery). He was also a stunt coordinator on Superman.

Shane Rimmer:  He had small roles in You Only Live Twice and Diamonds Are Forever while having a larger supporting role as a U.S. submarine captain in The Spy Who Loved Me. It also *sounds* like he does some voiceover work in the pre-titles of Live And Let Die as an agent who’s killed in New Orleans. (“Whose funeral is it?”)

He also played a NASA controller in Superman II. The IMDB listing for Superman III lists him as “State Policeman.” Truth be told, it’s been a long time since I’ve seen the movie, I can’t confirm.

Guy Hamilton: He directed four 007 films, two with Sean Connery and two with Roger Moore. He was signed to direct Superman but exited the project and replaced by Richard Donner.

(UPDATE 9:40 a.m., April 20): By popular demand, two more.

Tom Mankiewicz: The screenwriter of 1970s 007 films was credited as “creative consultant” in Superman and Superman II. He essentially rewrote the scripts, combining elements of very serious Mario Puzo drafts and much lighter drafts by David Newman and Leslie Newman.

Clifton James: The veteran actor, who played Sheriff J.W. Pepper in two Bond films, again played a sheriff in Superman II.

A look at some 007 #MeToo moments

#MeToo went viral last year as the result of workplace sexual harassment and assault, a lot of it media related such as now-disgraced movie mogul Harvey Weinstein.

With the 25th James Bond film (slowly) in development, there has been speculation about how Bond will be affected by the Me Too movement. We won’t know for some time.

However, certain scenes from previous Bond films were cited in THIS ARTICLE from The Scotsman.

“Almost as soon as Harvey Weinstein’s dressing-gown fell open, and the first gruesome revelations of sexual coercion and assault in Hollywood spilled out, a debate was sparked about the future of Bond,” wrote Aidan Smith of The Scotsman.

With that in mind, here are some Bond movie scenes that get cited in #MeToo conversation.

“Dink, say goodbye to Felix.”

“Man Talk” (Goldfinger, 1964)

After the main titles of Goldfinger, the CIA’s Felix Leiter (Cec Linder) makes contact with Bond (Sean Connery).

Bond is with Dink (Margaret Nolan, who also participated in the main titles as the “Golden Girl” of the title song).

Bond sends Dink on her way saying he has to engage in some “man talk” with Felix. As she walks away, Bond slaps her on her buttocks, accompanied by an Oscar-winning sound effect.

Not something you could do in the 21st century.

“You don’t mean…”

“I’d Lose My Job” (Thunderball, 1965)

Bond (Connery again) is almost killed after Count Lippe sets a device intended to stretch the spine on full speed and the agent is helpless to do anything about it.

Patricia Fearing (Molly Peters), a nurse who had strapped Bond into the machine in the first place, returns early and saves the agent’s life.

As he’s recovering, Bond says somebody will regret this day. He’s referring to Count Lippe but there’s no way for Patricia to know that.

She urges Bond to stay silent or else she could lose her job.

Bond immediately seizes upon the situation. “I suppose my silence could have a price…”

“You don’t mean…”

“Oh, yes…”

According to the stage directions of the script:

The steam rises higher and higher making is even more difficult to see anything at all.

This is probably just as well.

As the saying goes, it is what it is. After having sex with Patricia, Bond gets even with Count Lippe. However, the villain doesn’t meet his demise until it is administered by another SPECTRE operative who figures into our next example.

Interplay between Bond and Fiona in Thunderball.

“Would You Please Give Me Something to Put On?” (Thunderball)

SPECTRE executioner Fiona (Luciana Paluzzi) uses her sex appeal as part of her work for the criminal organization.

For example, posing as the “social secretary” for a NATO pilot, she arranges for him to be killed so a SPECTRE double can take his place. This enables SPECTRE to steal two atomic bombs.

Later, Fiona has encountered Bond but finally decides he needs to be eliminated.

She’s naked in a bathtub when Bond enters. “Would you please give me something to put on?” Fiona says. Bond hands her a pair of sandals and sits in a chair.

Not much later, they have sex. After they get dressed, SPECTRE thugs enter the hotel room. Eventually, Bond escapes. Fiona catches up, but she’s killed when one of the thugs tries to shoot Bond.

This is stretching things a bit in terms of #MeToo. Fiona knew exactly what she was doing and sex was part of her M.O. Also, Luciana Paluzzi had played a very similar character in The Man From U.N.C.L.E.

Fiona absolutely was a strong, independent character. She just came up short going against Bond.

“I like you better without your Beretta.”

Bond and Severine in Skyfall (2012)

This example is one of the most controversial, certainly among recent 007 films.

Severine (Bérénice Marlohehad been forced into the sex trade at a young age. Bond (Daniel Craig) deduces this from a small tatoo of hers.

She tells Bond her bodyguards will try to kill him as soon as she departs. But in case she survives, she tells Bond the name of the yacht she’ll be on, where to find it and that it will be casting off in an hour.

Severine waits in her cabin, with a bottle of champagne on ice. The yacht casts off. But when she decides to take a shower, Bond is there as naked as she is.

However, for Severine, things go downhill from there. Silva (Javier Bardem) has her roughed up. Later, there’s a William Tell bit where Bond and Silva try to shoot a glass of Scotch off her head. Silva doesn’t bother to really try and just shoots her to death.

Bond fights his way out this and helicopters descend to capture Silva.

Why this is controversial: I’ve seen some fans on 007 message boards compare Bond’s encounter with Severine in the shower to rape. But the shot of Severine with the bottle of champagne on ice suggests she was wanting Bond to get to the yacht.

On the other hand, Bond shows no remorse whatsoever that Severine was killed. After he gets the upper hand, Bond gloats to Silva. But he doesn’t acknowledge Severine’s ultimate sacrifice.

By comparison, both Thunderball (with the death of MI6 agent Paula) and You Only Live Twice (with the death of Japanese agent Aki) depict Bond acknowledging the deaths of the women, which is emphasized by John Barry’s music.

Lewis Gilbert, an appreciation

Lewis Gilbert (right) with Albert R. Broccoli, Roger Moore and Lois Chiles during filming of Moonraker

Lewis Gilbert, coming off producing and directing Alfie (1966), was not the most obvious candidate to direct a James Bond movie.

Alfie was a comedy-drama about the emptiness and consequences from pursuing a lifestyle purely for your own enjoyment. It was nominated for five Oscars, including Best Picture.

You Only Live Twice, the 1967 007 film Gilbert signed on for, by contrast was a huge, sprawling film. It teased the possibility of sending James Bond (Sean Connery) into space. It featured a SPECTRE headquarters inside a volcano, with a squad of Japanese Secret Service ninjas squaring off against the minions of Ernst Stavro Blofeld. Subtle, it wasn’t.

Yet, Gilbert, with a varied resume of films, was up to the challenge. The movie did away with the plot of Ian Fleming’s 1964 novel. In its place was a thrill ride.

You Only Live Twice promotional art, which provides an idea of the movie’s spectacle

“Well, I was a bit dubious at first,” Gilbert said on an installment of Whicker’s World, the BBC documentary series while the movie was in production in Japan.

“I must say in this case the two of them (producers Albert R. Broccoli and Harry Saltzman), they’ve been wonderful. They’ve let me come in with any ideas that could improve the Bond.

“I don’t think there’s anything on this picture that I could ask for that hasn’t been given,” the director continued. “I said today, ‘Look, I want 5,000 people flown in from Tokyo, I’m sure they would be flown in.”

You Only Live Twice, the fifth film in the series, was a success despite how the 1960s spy craze was starting to wane. A decade later, Broccoli — his partnership with Saltzman now dissolved — came calling again.

This time, the project was The Spy Who Loved Me, the third 007 film with Roger Moore. The franchise was at a crossroads. The previous entry, The Man With the Golden Gun, had a falloff in the box office compared with Moore’s Bond debut, Live And Let Die.

Gilbert brought something of a fresh set of eyes having been away from Bond for so long. He decided Spy should play to Moore’s strengths and not have the actor try to copy Sean Connery.

Again, the movie would be epic: A tanker swallowed British, Soviet and U.S. submarines. A megalomaniac villain (Curt Jurgens) was out to end civilization and start over. Subtle it wasn’t.

At the same time, there was a moment of drama when Bond’s Moore admits to Soviet agent Anya (Barabara Bach) that he killed her lover while on a mission. It was a scene that caught a viewer’s attention amid the spectacle.

Spy was a huge success, revitalizing the series. So it was natural that Broccoli brought Gilbert back to direct Moonraker. The showman producer intended the film would be extravagant.

This time, a Bond film would complete was had been teased in Twice — Bond would go into space for a final showdown with another megalomaniac villain, Hugo Drax (Michael Lonsdale).

The plot of Gilbert’s three Bond adventures are undeniably similar. But the spectacle overwhelms such concerns during viewing. It’s only until the films are over that fans debate such concerns.

When Gilbert emerged from Bondage, he continued directing, working into his 80s.

When news of his death emerged on Tuesday (he had died late last week at the age of 97), a new generation of directors expressed admiration for his work.

“RIP Lewis Gilbert, the great British director who, among his 40 plus credits, directed ‘Alfie’, ‘Educating Rita’, ‘Reach For The Sky’, ‘Shirley Valentine’ and one of my very favourite Bond films: ‘The Spy Who Loved Me’,” Edgar Wright, the director of Baby Driver, wrote on Twitter. ‘”Why’d you have to be so good?”‘

“Lewis Gilbert, director of YOU ONLY LIVE TWICE, THE SPY WHO LOVED ME and MOONRAKER, has passed away,” Peyton Reed, the director of 2015’s Ant-Man wrote, also in a Twitter post. “SPY was the first Bond film I saw in the theater. (And I have a tiny homage to MOONRAKER in ANT-MAN AND THE WASP.) Rest in Peace.”

Lewis Gilbert, director of three 007 epics, dies

Lewis Gilbert

Lewis Gilbert (1920-2018)

Lewis Gilbert, who directed three of the biggest, most spectacular James Bond films, has died at 97, according to a tweet by the James Bond fan website From Sweden With Love.

Gilbert helmed You Only Live Twice (1967), The Spy Who Loved Me (1977) and Moonraker (1979). The three epics contained more less the same basic plot, where a villain is going to wipe out huge parts of mankind.

The films also utilized production designer Ken Adam to the fullest, including a SPECTRE headquarters inside a volcano, a tanker that swallowed atomic submarines and a space station.

Gilbert wasn’t the most obvious choice to supervise such massive, escapist movies. The director’s first films in the 1940s were documentaries. During the 1950s and ’60s, he directed dramas or comedies such as The Good Die Young, Sink the Bismarck!, The 7th Dawn and Alfie.

The latter, released in 1966, was critically acclaimed. According to the documentary Inside You Only Live Twice, Gilbert initially turned down directing Bond but producer Albert R. Broccoli remained insistent until he got his man.

Twice was the first 007 film to totally dispense with the plot of an Ian Fleming novel as it instead tried to top its 1965 predecessor, Thunderball, for spectacle. It turned out not to be as big a hit as Thunderball but was still popular. The movie was overshadowed, to an extent, by star Sean Connery announcing he was through as Bond.

Gilbert directed other films until Broccoli came calling again. The producer had split with partner Harry Saltzman. This time, Broccoli only had a Fleming title with The Spy Who Loved Me.

By the mid 1970s, some questioned how much life was left in 007. The Man With the Golden Gun’s global box office had slid almost 40 percent compared with Live And Let Die. The Spy Who Loved Me would test both Broccoli and Bond’s box office appeal.

The Spy Who Loved Me poster

The Spy Who Loved Me poster

The 10th James Bond film proved to be a big hit. Gilbert was brought back for Moonraker while Broccoli sought to make an even more extravagant film where Bond would go into outer space.

“Bond is just a huge entertainment, it isn’t just a normal film,” Gilbert told the BBC during filming of Moonraker in Rio. “It isn’t meant meant to be a great drama…It is pure escapism.”

Moonraker also delivered at the box office, although some fans complained the movie had strayed far beyond Fleming. Broccoli opted to bring Bond back to earth for For Your Eyes Only and the budget would be scaled back. Rather than retain Gilbert, Broccoli promoted editor-second unit director John Glen to the director’s chair.

Gilbert, though, didn’t lack for things to do. He directed six post-007 films, remaining active into the early 2000s. He wrote an autobiography, All My Flashbacks, that was published in 2010.

UPDATE (2 p.m. New York time): Barbara Broccoli and Michael G. Wilson of Eon Productions issued a statement on the official James Bond website: “It is with great sadness that we learn of the passing of our dear friend Lewis Gilbert. Lewis was a true gentleman. He made an enormous contribution to the British film industry as well as the Bond films, directing YOU ONLY LIVE TWICE, THE SPY WHO LOVED ME and MOONRAKER. His films are not only loved by us but are considered classics within the series. He will be sorely missed.”

“That’ll bring tears to your eyes”

From the game show Jeopardy. You answer in the form of a question.

Category: Novels of the 1960s. The answer is (via The Jeopardy Fan website): “The line ‘once when you are born & once when you look death in the face’ follows this title of a 1964 novel & an action-packed 1967 film.”

Close, but no, etc.

UPDATE: Two of  the contestants got it right. THIS STORY in the Milwaukee Journal Sentinel has details about the winner of the game.