What next for Henry Cavill?

“We want that cape back!” “Mr. Warner” said.

Henry Cavill may be turning in his Superman cape after “Mr. Warner” (Warner Bros.) decided to go in a new direction for its movies based on DC Comics characters. At least The Hollywood Reporter is reporting that Cavill is out. Neither side confirmed the development to the entertainment news outlet.

Cavill, 35, played Superman in three movies, Man of Steel, Batman v Superman: Dawn of Justice and Justice League. When not portraying the hero, Cavill has moonlighted playing spies: Napoleon Solo in The Man From U.N.C.L.E. and Tom Cruise’s adversary in Mission: Impossible-Fallout. And, of course, he’s a perennial name in the “Who Will Be the Next James Bond?” sweepstakes. He screen tested for Bond in his 20s for Casino Royale.

Assuming THR is correct, what’s next for the Britis actor who often plays Americans? He’s part of a Netflix project, The Witcher. But does he have prospects for other franchises?

Warner Bros. perhaps hoped U.N.C.L.E. might become a franchise. Cavill stepped into the Solo role when Tom Cruise took a pass to concentrate instead on 2015’s Mission: Impossible Rogue Nation.

That M:I film opened just two weeks before U.N.C.L.E. and was a major factor in the latter under-performing at the box office. There’s occasional chatter about doing an U.N.C.L.E. sequel despite that. Still, that would seem a long shot.

Based on the ending of Mission: Impossible-Fallout, it would seem a Cavill appearance in a seventh M:I film is unlikely. Which brings up to the inevitable Bond discussion.

Despite the fact there’s no vacancy (Daniel Craig is to star in Bond 25), the British press loves to pose the question of future Bond possibilities. And British bookies love to take bets, generating still more publicity.

Anecdotally, I’ve encountered people who love Cavill and others who decry him as a block of wood. Regardless, given the current pace of 007 film production, who knows when Cavill would even have a chance?

That’s show business, I guess.

UPDATE (12:45 p.m. New York time): Cavill’s agent says not so fast.

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UPDATE II (1:05 p.m. New York time): The io9 Gizmodo site received the Warner Bros. statement about Cavil. “While no decisions have been made regarding any upcoming Superman films, we’ve always had great respect for and a great relationship with Henry Cavill, and that remains unchanged.”

Doesn’t appear to say a whole lot.

 

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Bond 25 questions: Craig’s new movie edition

Time to hit the panic button yet?

So Daniel Craig has a new movie before Bond 25. A movie that will be filming the month before Bond 25’s scheduled start of production.

You know the drill. The blog, as usual, has some questions.

What are the chances of a delay in starting Bond 25 production? Given your leading man is starring in a mystery movie titled Knives Out, probably 90 percent or better.

If Knives Out were a TV movie, Craig could probably squeeze it in before Bond 25’s scheduled start date of Dec. 3. But, by all accounts, it’s a theatrical film. It may be a modest production, but it doesn’t seem likely Craig could complete Knives Out before Dec. 3.

What are the chances this pushes back Bond 25’s fall 2019 release date? That’s an entirely different question, at least for now.

Mission: Impossible-Fallout still met its July release date despite star Tom Cruise breaking an ankle. The production schedule was changed and the crew was kept on the payroll (so they wouldn’t take other jobs while Cruise recovered). The Christopher McQuarrie-directed movie was still doing work until virtually the last minute. But it still met the release date. That’s a lot of off-screen drama.

However, Bond 25 doesn’t have a director at the moment, much less a McQuarrie. Until it acquires one (after Danny Boyle resigned from the project last month), it’s difficult to say what will happen with the release date. It’s a Mr. Obvious observation, but until you have a director, you don’t have a movie.

So what is Daniel Craig thinking? The fact he accepted another movie suggests there’s no way he thinks Bond 25 will be ready to go by Dec. 3. But the blog doesn’t have a mind reading machine. Also, there’s no telling what the state of Bond 25’s script is after scribe John Hodge followed Boyle out the door.

What’s your verdict? No sense hitting the panic button yet. At the same time, if you’re wearing rose-colored glasses, you should take them off.

‘Hunt’ for Bond Revisited: More M:I Connections to 007

Mission: Impossible-Fallout poster

By the by, there are spoilers if you haven’t seen Mission: Impossible-Fallout. For that matter, there are spoilers if you’ve never seen the 007 films cited.

By Nicolas Suszczyk, Guest Writer

Tom Cruise’s Ethan Hunt has returned in Mission: Impossible – Fallout while 007’s next film is scheduled for a 2019 release.

Taking advantage of  Bond’s absence in theaters, many reviewers said Hunt has taken the place of Bond and criticized 2015’s SPECTRE.

Mission: Impossible – Rogue Nation adapted Bond-like settings and scenes in the story. But  Mission: Impossible – Fallout is even more Bond inspired. It has, the escapist tone of the days of Pierce Brosnan, just with a little more grit.

Tom Cruise and director-screenwriter Christopher MacQuarrie redoubled their efforts and made a more spectacular film than its predecessors. The last two M:I films are similar to how Thunderball and You Only Live Twice compared with the three first Eon 007 movies, Dr. No, From Russia With Love and Goldfinger.

In M:I-Fallout, Hunt again faces off against Solomon Lane (Sean Harris), who — like Blofeld’s SPECTRE — is the author of his pain. Lane was the main antagonist of M:I – Rogue Nation.

‘The Girl or the Mission’

The film’s starts in Berlin, where Hunt and Benji (Simon Pegg) pose as buyers of three atomic warheads. Their cover is blown and Luther (Ving Rhames) is captured. Hunt makes a risky decision: to save his friend. That leaves the case with the plutonium unattended and stolen.

This is similar to GoldenEye, where Alec Trevelyan (Sean Bean) asks Bond to choose between “the girl or the mission” while General Ourumov (Gottfried John) held Natalya (Izabella Scorupco) at gunpoint. Finally, Bond saved Natalya by gunning the Russian general down.

It’s also similar to Skyfall. M orders Moneypenny (Naomie Harris) to shoot Patrice (who stole a hard drive with data of infiltrated agents). Hunt makes a “judgment call” by shooting Luther to distract the man holding him at gunpoint and save his life. The “fallout” of M’s and Hunt’s action determines the principal threat of both films.

Also in the Berlin scene. we have another familiar Bond meme: a remote controlled car, a function available in the cars driven by Pierce Brosnan in Tomorrow Never Dies, The World Is Not Enough and Die Another Day.

HALO Jump

Coming next a HALO jump as featured in Tomorrow Never Dies. Although this time, it’s a much riskier scene when Hunt and his teammate August Walker (Henry Cavill) face a storm during the operation and Walker is hit by lightning, losing consciousness.

In a similar situation to Moonraker and Quantum of Solace, Hunt has to do a little skydiving to reach Walker, reconnect his oxygen and deploy Walker’s parachute, as well as his own.

Ilsa Faust (Rebecca Ferguson, from Mission: Impossible – Rogue Nation) returns and saves Hunt’s life after a cruel bathroom fight with one John Lark, the man he had to impersonate, warning him not to complete his mission of meeting the “White Widow” (Vanessa Kirby) to exchange the missing plutonium.

They walk across a mirrored and red-lighted room that reminds us to Die Another Day’s Álvarez Clinic in Cuba. Ilsa tells him that he’ll be a dead man if he meets the woman because Lark has a contract on him. It’s known he’s meeting the White Widow that night, so they’ll kill him on sight. In a similar context in which Bond met Severine in Skyfall, both heroes manage to beat all the assailants and escape alive.

In exchange of the plutonium spheres, the White Widow and her accomplices want Solomon Lane, who’s been transferred to a prison to another in France. Hunt forgoes the originally conceived plan (which dealt with killing every witness) and pushes the prison van into the Seine, having Luther and Benji extract Lane trough the water, the same method in which Franz Sánchez escaped in 1989’s Licence to Kill.

The breakout of Lane pits the French police against Hunt and a chase ensues through the streets of Paris, on motorbike and then on a small BMW, as he is chased by Ilsa who has been given orders from MI6 to terminate Lane.

Not only there’s a particular shot as the BMW makes a backwards spin above some steps which is very reminiscent to A View to A Kill, where Bond (Roger Moore) chased a parachuting May Day (Grace Jones) in a Renault 14, but we have Ilsa trying to do the job of any 00 agent: terminate someone who is a threat for national security.

Mole Revealed

Hunt and his team –- and the captive Lane — reunite with IMF Secretary Alan Hunley (Alec Baldwin) in a safe house, much as Bond did at the beginning of Quantum of Solace with Mr. White (Jesper Christensen) in Siena.

Stunt teased by Tom Cruise on Instagram earlier this year.

Walker is revealed as a mole and a shootout ensues, breaking Lane free again. As a result of this confrontation, Hunley is badly hurt by Walker and dies showing his trust to Hunt, much like M at the end of Skyfall.

Just like in the 23rd Bond movie, in pursuit of Walker, Hunt also holds from a scaffold in the bottom of the elevator his enemy is taking, as Bond did in Shanghai when chasing Patrice.

The film’s climax takes place in Kashmir, where Lane and Walker attempt to detonate a nuclear bomb using the plutonium spheres that have fallen into their hands. Ilsa and Benji fight Lane, Hunt goes for Walker.

A long helicopter chase ensues and that includes a few references to SPECTRE’s helicopter fight in Mexico, with Bond fighting Marco Sciarra and the pilot, pushing them away and taking control of the vehicle.

Just like Blofeld at the end of the same film, Hunt and Walker both survive the helicopter crash.

Showdown

This takes us to the final showdown between Hunt and Walker atop the cliff of a mountain, as the remains of the one of the helicopter’s cockpit hang loosely of a wire.

A shot of ice caps falling close to both men looks greatly inspired by Die Another Day, in the scene where a clinging Bond faced the power of the Icarus satellite beam in Iceland.

While this scene overall may be reminiscent of the confrontation between Hunt and rogue IMF agent Sean Ambrose (Dougray Scott) in Mission: Impossible II, but there are some links to the antenna fight between 007 and Trevelyan in GoldenEye.

In the beginning of 1995 film, Trevelyan gets half of his face burned by a chemical explosion in Arkhangelsk. In a similar way, Walker gets an acid fluid from the helicopter straight into his face, leaving him badly scarred side. At the end of GoldenEye, Bond and his former friend fight in a small platform at high altitude as both attempt to make each other fall to the vacuum.

A clapperboard from Mission: Impossible-Fallout

Finally, Bond lets Trevelyan fall and the villain, agonizing, is finally terminated when the whole antenna structure crushes him. In Walker’s case, as he’s about to get Hunt, the IMF agent forces the wire over him and the hook gets impaled into his face, making him fall to his death.

Mission: Impossible – Fallout is, of all the M:I movies, the closest to a James Bond film. While some people may feel offended for the way they ripped the Bond archive in more than a way this time, I’ll recognize the great taste Mr. Cruise has and the respect he had for 007’s legacy during his interviews promoting the movie.

Mission: Impossible-Fallout: A film Bruce Geller might love

Mission: Impossible-Fallout poster

As I watched Mission: Impossible-Fallout, I kept wondering what M:I creator Bruce Geller would think. My guess: I think he would approve.

The best episodes of the original 1966-73 series featured slick plans devised by Dan Briggs (Steven Hill) and Jim Phelps (Peter Graves). While the plans were brilliantly devised, the Impossible Missions Force would be forced to improvise when things went wrong or surprises occurred.

Previous Mission: Impossible films, which debuted in 1996, have this same feature. But in the newest installment, IMF leader Ethan Hunt (Tom Cruise) has to improvise more often, more quickly than ever before.

The new film also has a personal angle (an apsect Geller wouldn’t have been fond of) — something the 007 film series has featured constantly since 1989. But for M:I-Fallout, the personal angle doesn’t overwhelm the proceedings.

As a result, Hunt isn’t out for revenge (a la Licence to Kill, GoldenEye, Die Another Day and other 007 films). No readings of poems (a la M in Skyfall). No villain with a “personal” connection to the hero (SPECTRE’s new version of Blofeld).

The trailers for Mission: Impossible-Fallout have emphasized that evoke set pieces from 007 movies (Licence to Kill and Tomorrow Never Dies). Some fans complain that’s ripping off Bond.

But, in the end, they’re only set pieces and don’t take up that much screen time. What’s more, there are twists involved that weren’t shown in the trailers.

Mission: Impossible-Fallout still is mostly its own thing. It tips its hat to the original show via a Lalo Schifrin-inspired score by Lorne Balfe. It’s not the first time the movie series has embraced Schifrin. Joe Kreamer, composer for 2015’s Mission: Impossible Rogue Nation, also weaved Schifrin into his score. Balfe does it his own way. (CLICK HERE for a feature story Jon Burlingame did for Variety about Balfe’s work.)

Meanwhile, writer-director Christopher McQuarrie, who also worked on M:I Rogue Nation, keeps things at a frantic pace. The movie has a 147-minute running time. That’s almost as long as SPECTRE’s 148 minutes. But M:I-Fallout, overall, moves more quickly. At the same time, McQuarrie’s movie isn’t just set pieces strung together.

As a fan of the original TV show, I still don’t care for how the first movie in the Cruise series made Jim Phelps into a traitor. At this point, I just have to rationalize the film series is an alternate universe.

At 56, you’ve got to wonder how much longer Cruise can keep the Mission: Impossible film franchise going. But that’s something most viewers won’t think about until after they’re headed home from Mission: Impossible-Fallout. GRADE: A-Minus.

Henry Cavil oddities ahead of Mission: Impossible-Fallout

Henry Cavill in 2013, during filming of The Man From U.N.C.L.E.

Mission: Impossible-Fallout is about to reach theaters. There are a number of oddities concerning the movie’s co-star, Henry Cavill, during the publicity build-up.

Unasked questions: No entertainment reporter (as far as the blog can tell) has asked Cavill an obvious question. The previous Mission: Impossible movie (Mission: Impossible Rogue Nation) helped cause one of your previous movies, The Man From U.N.C.L.E., to crash at the box office. Do you find it ironic you worked on the next M:I film?

2015’s Rogue Nation originally was due to come out at Christmas 2015. But Paramount moved the fifth M:I film up five months to get out of the way of Star Wars: The Force Awakens.

As a result, Rogue Nation came out just two weeks before Cavill’s U.N.C.L.E. film. In the U.S., U.N.C.L.E. was No. 3 in its opening weekend, behind Straight Outta Compton and Rogue Nation (in its third weekend of release). The U.S. market didn’t appear interested in two spy movies the same weekend and Tom Cruise & Co. were still going strong.

It might be interesting to hear Cavill reflect on that. But it hasn’t occurred to interviewers.

But, hey, questions about Cavill playing James Bond! At least that appears to be the take Yahoo Movies UK took IN THIS STORY.

Of course, Cavill (in his early 20s) did a screen test for the role for Casino Royale before Daniel Craig (with the significant support of Eon Productions boss Barbara Broccoli) got the part. Since then, Cavill-Bond has been a case of “don’t call us, we’ll call you.”

And, after all, Craig is doing Bond 25, which doesn’t even start filming until December and won’t be out until fall 2019.

Cavill’s less-than-surprising answer: “I would love to do it of course. I think Bond would be a really fun role. It’s British, it’s cool. I think that now that I have my Mission: Impossible badge we can do real stunts and really amp it up as well…I don’t get to play a Brit very often. So yes, I would love the opportunity and if they were to ask I would say ‘yes.’”

What about an U.N.C.L.E. sequel? The 2015 U.N.C.L.E. film gets more critical love now than it did when it came out. But there have been absolutely no signs there is any real movement toward a sequel. A screenplay may have been written. But Hollywood is littered with scripts that were never filmed.

Still, that doesn’t stop the questions. Again, from the Yahoo Movies UK story:

“I don’t know when or if it will happen, I had enormous fun making that movie and it would be enormous fun playing Napoleon Solo again but I’m not too sure when that would be.”

Whatever, big guy.

Our guest writer examines differences between 007, M:I films

Mission: Impossible-Fallout poster

Guest writer Nicolas Suszczyk takes a look at the differences between the James Bond and Mission: Impossible film franchises in an article on the Spy Command Feature Story Index.

The 007 film franchise has been in operation since 1962, albeit with some interruptions in service.

The Mission: Impossible franchise, starring and produced by Tom Cruise, has six entries, beginning in 1996, with the newest installment coming out late this month.

Some Bond fans on social media have raised the question whether M:I has taken some of Agent 007’s thunder. Others say that ridiculous. Some Bond fans liken the M:I franchise to a vanity project for the star-producer.

Anyway, CLICK HERE to view this examination of the two franchises.

 

Spy fans engage in throwing bricks from glass houses

Mission: Impossible-Fallout poster

Late next week, Mission: Impossible-Fallout reaches theaters. Some 007 fans aren’t happy, feeling the movie is, well, a ripoff.

Specifically, based on trailers, there are at least two segments of M:I-Fallout that seem “inspired” from previous Bond films:

–A villain appears to make an escape similar to the way Franz Sanchez did in Licence to Kill (1989).

–Tom Cruise’s Ethan Hunt makes a HALO (high altitude, low-opening) parachute jump, similar to how B.J. Worth did one doubling for Pierce Brosnan’s James Bond in Tomorrow Never Dies (1997).

The resemblances are undeniable. In fact, the current Hawaii Five-0 series did an “homage” to the Licence to Kill sequence at the start of its third season in 2012. So Mission: Impossible-Fallout doing it wouldn’t be the first time.

On the other hand, memories may be short. So the following should be noted.

–Live And Let Die (1973) when it was released was seen as inspired by “blaxploitation” movies of the early 1970s. While Ian Fleming’s 1954 novel featured a black villain, the movie utilized a few characters but dispensed with the book’s main plot.

–The Man With the Golden Gun (1974) was seen as 007’s answer to Kung Fu movies of the 1970s. Fleming’s 1965 novel of the same name was mostly set in Jamaica and didn’t have any Kung Fu.

–Moonraker (1979) was seen as 007’s answer to Star Wars and Close Encounters of the Third Kind. Fleming’s 1955 novel concerned a rocket but no space travel was involved.

–Casino Royale (2006) and Quantum of Solace (2008) were said to be influenced by the Jason Bourne movies that were popular at the start of this century.

Javier Bardem’s Silva in a Joker-like moment in Skyfall

–Skyfall (2012) was inspired by Christopher Nolan’s The Dark Knight. Director Sam Mendes even said so. Javier Bardem’s Silva definitely seemed influenced by Heath Ledger’s Joker.

If fans want to accuse another franchise of copying, it can be a matter of throwing bricks from a glass house.

Filmmakers do this sort of thing all the time. Directors channel their inner-Alfred Hitchcock (or Stanley Kubrick, or whoever) all the time.

Christopher Nolan, who helmed The Dark Knight, channeled 007 films in his Batman trilogy. Example: Lucius Fox (Morgan Freeman) giving Bruce Wayne (Christian Bale) gadgets more than slightly resembled Bond-Q scenes from earlier 007 films.

Chances are, if you see a shot or sequence that reminds you of a famous movie sequence, chances are it’s not a coincidence.

The key difference is what does the director do with it? Does it work? Does it contribute to an entertaining film?

In the case of The Dark Knight, whatever you might think of it, Nolan delivered a memorable movie. With Skyfall, whatever was “borrowed” from Nolan, audiences found it an interesting take on a Bond film.

I can’t judge Mission: Impossible-Fallout. I haven’t seen it, other than the trailers.

The question is where M:I-Fallout writer-director Christopher McQuarrie and his star, Tom Cruise, have delivered a good movie. “Borrowing” happens all the time in film. We’ll see soon.