Minimal spoilers but pass over if you’re super adverse to spoilers.
Stylistically, Mission: Impossible Dead Reckoning Part One is like an updated 1960s James Bond movie, especially the more epic ones such as You Only Live Twice.
It has a similar structure: The seventh M:I film, directed and co-written by Christopher McQuarrie, is built around outrageous stunts punctuated by humor and some genuinely dramatic scenes. And, as usual, it borrows tropes from the original 1966-73 M:I television series.
Some M:I action sequences evoke Bond but go bigger.
A car chase in Rome tops a similar sequence in SPECTRE. And, of course, there is the much-hyped motorcycle jumping off a mountain, a la GoldenEye, except here star and producer Tom Cruise does the jump himself. Cruise performing his own stunts has emerged over the years as the big trademark of the M:I film series.
The plot has a “ripped from the headlines” feel, dealing with artificial intelligence here, similar to how Bond films evoked the space race in the 1960s as well as the end of the Cold War and media barons in the 1990s, and other issues in the 21st century.
Dead Reckoning isn’t perfect. Its 163-minute running time feels like it could have been tightened. But that’s an issue with a lot of movies these days.
There is a lot of fan debate on chatter about Bond vs. M:I. The Bond series these days likes to take extended breaks between entries. This film and 2018’s Mission: Impossible Fallout came out during such pauses for the Bond series. For now, Mission: Impossible is taking up the slack left by Bond. GRADE: A-Minus.
Filed under: James Bond Films, The Other Spies | Tagged: Christopher McQuarrie, Mission: Impossible, Mission: Impossible Dead Reckoning Part One, Tom Cruise | 4 Comments »