Bond 25 questions: The Rhythm Section/Super Bowl edition

Daniel Craig/James Bond character poster

Separate events over the weekend — the debut of a non-Bond Eon film and a Super Bowl spot for No Time to Die — have generated some questions at the blog.

Are these events related?

Yes, in one respect.

The Rhythm Section and No Time to Die will have music from the same group.

The music credit for The Rhythm Section says the score was “produced by” Hans Zimmer while the music was by Steve Mazzaro, a composer affiliated with Zimmer’s Remote Control Productions.

After the No Time to Die commercial aired on the Super Bowl, Zimmer put out a tweet that said, the spot “doesn’t have my music (still working on it with my friend Steve Mazzaro!) but you’ll hear what we come up with soon.”

So, Zimmer is working with Mazzaro on No Time to Die. Meanwhile, Mazzaro’s score for The Rhythm Section sounds very much like the Zimmer-credited scores for Christopher Nolan’s Batman films. BROOOOOOMMMMM!

Are you saying No Time to Die’s score will sound like that?

Not necessarily. But the Mazzaro (channeling Zimmer) score for The Rhythm Section didn’t break new ground. We’ll have to see what the duo come up with for No Time to Die.

What was new in the Super Bowl spot?

Actually, quite a lot. There were a few shots that appeared in the trailer released in December. But there was new material, including Daniel Craig’s James Bond and Lashana Lynch in an unusual aircraft.

That plane looked similar (but larger) compared with the mini jet seen in the pre-titles sequence in 1983’s Octopussy. The idea originally was in the first draft script of Moonraker where Bond and Holly Goodhead flew his and her mini jets.

What happened with The Rhythm Section’s box office?

The Paramount-released movie was not just a flop. It was a historic flop. It had the lowest box office (not adjusted for inflation) of any movie opening with more than 3,000 screens. The Rhythm Section broke a 14-year record in that regard.

Deadline: Hollywood published a story over the weekend about various things that went wrong, including test screenings that went over badly, financing issues and behind-the-scenes disagreements.

Movies with more problems have been hits. If Deadline is to be believed, there was a lot of bad luck involved for The Rhythm Section. Regardless, the numbers are the numbers. Numbers can be very unforgiving.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: