Stephen Kandel, versatile TV writer, dies

Stephen Kandel from an interview about The Magician television series.

Stephen Kandel, an incredibly versatile television writer, died in October, according to the Writers Guild of America website. He was 96.

Kandel, over a long career, penned episodes for shows devoted to science fiction (Star Trek), espionage (Mission: Impossible, The Wild Wild West, certain episodes of Hawaii Five-O and A Man Called Sloane) and crime drama.

Writer Harlan Ellison in 1970 referred to Kandel as “one of the more lunatic scriveners in Clown Town.” In a column reprinted in The Other Glass Teat, Ellison wrote that Kandel was assigned to write an episode of a drama called The Young Lawyers that was to introduce a new WASP character.

According to Ellison, ABC opted to tone down socially conscious stories among other changes. Kandel wasn’t a fan of the changes. He initially named the new WASP character “Christian White.”

“It went through three drafts before anyone got hip to Steve’s sword in the spleen,” Ellison wrote.

Other in-joke humor by Kandel did make it to television screens.

One was a 1973 episode of Mannix, Sing a Song of Murder. Kandel named a hitman Anthony Spinner. Kandel had earlier worked for Spinner on the QM series Dan August.

Presumably, Spinner didn’t mind. Kandel ended up working for Spinner on Cannon. Spinner died in 2020.

Another bit was Kandel’s script for A Man Called Sloane episode titled The Seduction Squad. Robert Culp played a Blofeld-like criminal, except he carried around a small dog instead of a cat.

Other Kandel credits included the 1960s Batman series. Kandel also wrote a two-part story that began on Cannon and concluded on Barnaby Jones.

Edward Hume, major QM contributor, dies

Edward Hume, who wrote the pilots to three Quinn Martin shows, died last month at the age of 87, according to the WGA website.

Hume penned the pilots for Cannon, The Streets of San Francisco, and Barnaby Jones. All three series were among QM’s biggest hits in the 1970s.

Cannon and The Streets of San Francisco originally debuted as TV movies. The Streets of San Francisco was based on a novel by Carolyn Weston. With Barnaby Jones, featuring Buddy Ebsen as a private eye coming out of retirement after the murder of his son, Hume scripted from a story by QM lieutenant Adrian Samish.

The three shows helped Quinn Martin maintain momentum from his 1960s shows such as The Fugitive, The FBI, and The Invaders.

Peter Mark Richman, who frequently played villains, dies

Peter Mark Richman in an episode of The FBI

Peter Mark Richman, a character actor who had a long career and often played villains, has died at 93, Variety reported.

He was often tapped by QM Productions for its various shows and was part of the “QM Players” of actors frequently employed by producer Quinn Martin.

Richman’s QM credits included The FBI (appearing as a guest star in eight of nine seasons), The Invaders, The Fugitive, Cannon, Barnaby Jones, and The Streets of San Francisco. The actor was part of a big cast for the QM TV movie House on Greenapple Road, which led to the Dan August series.

Richman also was called upon by casting directors for 1960s spy shows, including The Wild Wild West, The Man From U.N.C.L.E. (the show’s two-part series finale), It Takes a Thief, and Mission: Impossible.

He also was the lead in Agent for H.A.R.M. (1966), which mixed spy fi with sci fi. The cast also included Aliza Gur, who earlier appeared in From Russia With Love as one of the two gypsy fighting women.

The production was poked fun at on Mystery Science 3000, where a host and two puppets (which were supposed to be robots) provided running commentary.

Richman’s IMDB.COM ENTRY lists more than 150 credits from 1953 to 2016.

UPDATE: The Silver Age Television account on Twitter embedded a clip where Richman appears. It’s pretty typical of the characters that Richman played.

https://twitter.com/SilverAgeTV/status/1349938250543198210

La-La Land Records Introduces QM soundtrack

Cover to La-La Land’s QM soundtrack vol. 1

La-La Land Records is coming out with a soundtrack of Quinn Martin television series.

Volume 1: Cop and Detective Series starts shipping April 29.  It is priced at $24.98 and is limited to 2,000 units.

The soundtrack offers selections from four series: Barnaby Jones (1973-80), Most Wanted (1976-77), Cannon (1971-76) and Dan August (1970-71). It also includes the themes for The Manhunter (1974-75), Caribe (1975), and Quinn Martin’s Tales of the Unexpected (1977). The latter was an anthology show.

These were not the only crime dramas made by QM Productions. However, some QM shows were joint ventures. The FBI (1965-74), QM’s longest-running show, was a joint venture with Warner Bros. As a result, the latter controls that series and the show itself is sold through Warner Archive. Another QM show, Banyon, a private eye drama set in the 1930s, was also a joint venture with Warner Bros. In any event, rights to joint venture series become more complicated.

The four shows in the new soundtrack, on the other hand, weren’t joint ventures. (The TV movie pilot for Cannon originally was made “in association with the Columbia Broadcasting System,” but subsequent episodes were listed as “A QM Production” in the end titles.)

Here’s part of the description at the La-La Land Records website:

Remastered from original Quinn Martin Productions elements, this dynamic compilation showcases some of the finest television music of the 70s, from legendary composers at the top of their game. These exhilarating action/drama/mystery score tracks demonstrate the musical genius of such talents as Jerry Goldsmith, Bruce Broughton, Dave Grusin, Lalo Schifrin, John Parker, Duane Tatro, Nelson Riddle, Patrick Williams and David Shire.

Jerry Goldsmith composed the theme to Barnaby Jones, while Lalo Schifin did the theme for Most Wanted, Dave Grusin on Dan August and John Parker for Cannon. Goldsmith told TV and movie music historian Jon Burlingame (who is also producer of this new CD set) years later that he tried to get out of doing the pilot but relented. It ended up being one of Goldsmith’s most famous TV themes.

For information about ordering, CLICK HERE.

Adrian Samish: Flip side of the Harlan Ellison punchline

Adrian Samish title card for a first-season episode of The Streets of San Francisco

Another in a series about unsung figures of television.

There are some people who are destined to be remembered as the punchline of an anecdote or joke.

One such person was Adrian Samish, who had a career as a producer and television network executive.

He’s the guy who had his pelvis broken as the result of a fight with writer Harlan Ellison over a Voyage to the Bottom of the Sea script.

In the usual telling, Samish was the small-minded ABC executive who didn’t appreciate Ellison’s enormous talent.

For example, there’s this review at The New York Review of Science Fiction.

Harlan is in a conference with a “universally despised” ABC censor, Adrian Samish, discussing a Voyage to the Bottom of the Sea episode. Samish’s notes are uniformly moronic. Harlan counters them, losing patience. Samish loses patience, exclaiming, “You’ll do it! Writers are toadies!”

This anecdote was told for years, especially by Ellison himself. It even was mentioned in the obituary published by The New York Times, although Samish wasn’t mentioned by name, nor was Voyage to the Bottom of the Sea.

Rarely, however, is life so black and white. With that in mind, this post takes a closer look at Samish’s career.

For one thing, Samish did extract a bit of revenge. Ellison pitched a story for the Batman television series for a story featuring the villain Two Face.

But Samish, on his way out the door at ABC, vetoed the idea. At least that’s the gist of this 2013 Den of Geek post. In 2014, Ellison’s story was adapted by Len Wein for the Batman ’66 comic book. Wein, co-creator of Wolverine and Swamp Thing, died last year.

After his tenure at ABC ended, Samish landed at QM Productions.

“The acid-tongued, perfectionist Samish demanded scripts so tight, so in keeping with a series’ format, more than one writer assaulted him physically,” according to the preface of the 2003 book Quinn Martin, Producer.

Adrian Samish title card for an episode of The FBI during the 1966-67 season where he got top billing over Arthur Fellows.

Samish came aboard QM for shows produced for the 1966-67 season. He was given the title “in charge of production,” which Samish shared with a key Quinn Martin lieutenant, Arthur Fellows.

Samish focused on pre-production while Fellows supervised the QM editing and post-production operation. Their shared credit would appear near the conclusion of the end titles. Both names appeared separately, with the two men alternating top billing.

Thus, is would appear, “In Charge of Production Arthur Fellows | And Adrian Samish” or, “In Charge of Production Adrian Samish | And Arthur Fellows.”

According to Quinn Martin, Producer author Jonathan Etter, the two didn’t have much use for each other. Fellows thought Samish had no talent, Etter quotes Richard Brockway, a QM editor, as saying.

On the other hand, John Elizalde, a QM music supervisor and post-production supervisor, told Etter that Samish was a valuable member of the team.

“Adrian was one of the good guys,” Elizalde told Etter. Samish, he said, was “brilliant, and very creative, and a victim of his own devices…Adrian was the major-domo for Quinn in the writing department.”

One fan was actress Lynda Day George, a member of the “QM Players,” of frequently employed actors at the production company.

“Adrian was very concerned that a show maintain its integrity,” George told Etter. “He wanted to be sure that characters were understood, that what was wanted by the production was understood.” Etter wrote that Quinn Martin trusted Samish’s judgment.

However, Samish on more than one occasion aroused anger during a run of several years at QM.

Philip Saltzman and Mark Weingart, the producer of associate producer of The FBI, had written extra scenes for an episode that was running short. Samish called Saltzman, angry that the extra material hadn’t been approved in advance.

An argument ensued. “I threatened to go over to Adrian’s office and beat him up,” Saltzman told Etter. “And I’m not a physical guy.”

In this instance, no blows took place. Quinn Martin called Saltzman after seeing Samish in his office. “He’s as white as a sheet,” Saltzman quoted Martin as saying. “What happened?”

After an explanation, Martin reportedly responded, “Aw, you know. People get set in their ways.” Saltzman told Etter that after the incident “I never had any trouble with Adrian.”

Starting with the 1968-69 season, Samish was given a new title, supervising producer, while Arthur Fellows retained “in charge of production.”

Adrian Samish title card for a first-season episode of producer Aaron Spelling’s Starsky and Hutch series.

Samish, over time, also took on the task of producer of QM TV movies and pilots. Sometimes by himself (House on Greenapple Road, which resulted in the Dan August series, as well as the pilots for Barnaby Jones and The Manhunter). Sometimes with Fellows (the pilots for Cannon and The Streets of San Francisco).

Samish ended up departing QM in the 1970s to work for producer Aaron Spelling. Samish died in 1976 at the age of 66.

Bradford Dillman dies at 87

Bradford Dillman in The Man From U.N.C.L.E., The Prince of Darkness Affair Part I

Bradford Dillman, a busy actor who often played villains, died this week at age 87, according to The Hollywood Reporter.

Dillman’s career began in the 1950s. His work that decade included the 1959 film Compulsion, loosely based on the Leopold-Loeb murder case of the 1920s. He also appeared in movies such as The Way We Were, The Enforcer and Sudden Impact.

Dillman was kept busy on television. He was part of the informal group known as “the QM Players,” who frequently appeared on television shows produced by Quinn Martin.

For Dillman, that included multiple appearances on The FBI, Barnaby Jones (starting with that show’s pilot, as the man who kills Barnaby’s grown son) and Cannon. He also had appearances on short-lived QM shows such as Dan August and The Manhunter.

The actor was in demand elsewhere. He was the namesake character in the two-part The Prince of Darkness Affair on The Man From U.N.C.L.E., which aired during that show’s fourth season. Dillman also made appearances on series such as Mission: Impossible,  The Wild Wild West and The Name of the Game.

Here are the opening and end titles of the Barnaby Jones pilot.

Our modest proposal for Harrison Ford’s next movie

Barnaby Jones main title

Harrison Ford, who turns 75 in July, has had a long run playing heroic figures, principally Han Solo and Indiana Jones.

For a time, it seemed as if Ford was taking a back seat to other actors. For example, in 2011’s Cowboys and Aliens, he was clearly a supporting player to star Daniel Craig.

Then, in 2015, Ford was a big star again with Star Wars: The Force Awakens, where he got top billing playing Han Solo once more. However, Han was killed by his son who had given into the Dark Side of The Force.

Meanwhile, there’s supposed to be a fifth Indiana Jones movie but nothing scheduled for at least a couple of years. Do we want Indy pushing 80? Or is it time to retire Indy?

Which gets us to a more practical idea: How about Ford starring in a movie version of the 1973-80 television series Barnaby Jones?

Think about it for a minute. Ford already is older than Buddy Ebsen was when he filmed the Barnaby Jones pilot. (The veteran actor was 64 when the show’s first episode aired on Jan. 28, 1973.)

Barnaby Jones out-thought his opponents, assisted by his daughter-in-law Betty (Lee Meriwether) and, in later seasons, by a much-younger cousin, J.R. Jones (Mark Shera).

It would be an opportunity for Ford to use a different set of acting skills compared with Star Wars and Indiana Jones.

Plus, audiences clearly still like Ford. As a result, a Barnaby Jones movie would still get attention in the 21st century.

Just something to think about.

The FBI season 8: time of transition at QM Productions

“Sorry, Arthur, no time to talk right now. I’m ordering season eight of The FBI.”

The eighth, and next-to-last, season of The FBI is now available from Warner Archive The 1972-73 season marked a time of transition at QM Productions.

From the fall of 1967 (when The Fugitive ended a four-year run) to the fall of 1971 (When Cannon began the first of five seasons), The FBI kept producer Quinn Martin in business.

Some of Martin’s series, such as The Invaders, were cult hits but didn’t last that long. The Invaders, about an architect’s one-man battle against invading aliens, ran 43 episodes over two seasons. Banyon, a 1930s detective show, and Dan August, a contemporary police show, had short runs.

By the fall of 1972, things had begun to change. Cannon’s second season was starting and QM’s The Streets of San Francisco, was beginning a five-year run. In early 1973, QM added Barnaby Jones to the mix, which would run eight seasons.

Meanwhile, for its eighth season, The FBI continued to cruise along. It was the fourth season under producer Philip Saltzman. It would be his last work on the series. He’d be shifted to Barnaby Jones starting during that show’s second season. Eventually, Saltzman became executive producer of all of QM’s shows after Quinn Martin sold his company in the late 1970s.

Season 8 would also be the last as a regular for William Reynolds, who played sidekick Tom Colby to Efrem Zimbalist Jr.’s Inspector Lewis Erskine. Reynolds had been around The FBI even longer than Saltzman, joining the series as a regular in the third season and had been a guest star in the first and second seasons.

Season 8 hasn’t been included in previous syndication packages for The FBI. For information about ordering, you can CLICK HERE.

Hank Simms, extraordinary announcer, dies

An end titles from the first season of The FBI

Hank Simms, an announcer best known for the words “a Quinn Martin production!”, died last month at the age of 90, according to THIS OBITUARY But he did lots of other announcing work, including movie trailers and the Oscars television broadcast.

Simms first work for QM was The FBI in 1965. He went on to be the announcer for other QM hit shows including Barnaby Jones, Cannon and The Streets of San Francisco not to mention less successful series such as Dan August, Caribe and Banyon.

Simms also did “bumpers” for Mannix, as in, “Mannix…brought to you by…” followed by the name of a sponsor.

Simms worked the microphone at the Oscars, including when John Stears got his Oscar for Thunderball (explaining that Ivan Tors was picking it up in Stears’ place) and when Roger Moore and many viewers were surprised when Marlon Brando declined his Oscar for best actor.

His work could also be heard in trailers including movies edited from episodes of The Man From U.N.C.L.E. such as TO TRAP A SPY and ONE SPY TOO MANY as well as THE GLASS BOTTOM BOAT, the Doris Day spy comedy, and POCKETFUL OF MIRACLES, the final Frank Capra film.

The announcer’s voice was so distinctive when the makers of the 1982 comedy Police Squad! decided to do a QM-style opening, there was only one man for the job:

Rest in peace, Mr. Simms.

UPDATE: Here is the very first Hank Simms announcing job for Quinn Martin:

UPDATE II (Oct. 13): The Academy of Television Arts & Sciences put up an obituary for Hank Simms on its Web site on OCT. 2.