MGM may push for a Best Picture nom for NTTD

No Time to Die poster released Sept. 1.

Metro-Goldwyn-Mayer may promote a Best Picture Oscar nomination for No Time to Die, according to a newsletter by a former editor of The Hollywood Reporter.

An edition of the newsletter this week outlines various MGM Oscar hopefuls. “And don’t forget No Time to Die, Daniel Craig’s last Bond movie, which I’m told will get a best picture push a la the final Lord of the Rings,” wrote Matthew Belloni, who left THR last year. He is now part of a digital media startup.

A screen capture from the newsletter showed up on the James Bond Facebook group alt.fan.james-bond. Belloni verified on Twitter he had written on the subject of MGM’s Oscar hopefuls.

The Bond series has won five Oscars: sound (Goldfinger), special effects (Thunderball) another sound-related award (Skyfall in a tie with Zero Dark Thirty) and two for best song (Skyfall and SPECTRE). It has had other nominations, including for best song (multiple times), cinematography (Skyfall), art direction (The Spy Who Loved Me) and best score (The Spy Who Loved Me and Skyfall).

Starting with 2009-released films, the Oscars permitted as many as 10 Best Picture nominees, up from five previously. The idea was to make it easier for popular films to be among the nominated movies.

MGM is in the process of being purchased by Amazon.

Connery in Oscar In Memoriam

Sean Connery in From Russia With Love

Sean Connery, who died in October at the age of 90, was prominently featured in the “In Memoriam” segment of the 93rd Oscars.

The Scottish-born actor won a Best Supporting Actor Oscar for The Untouchables. He had a long career that included being the first screen James Bond in 1962’s Dr. No. He played the character seven times, in six movies made by Eon Productions and 1983’s Never Say Never Again in 1983, which wasn’t part of the Eon series.

Connery was shown near the end of the segment in a still from Goldfinger.

Diana Rigg, who also died in 2020, was also part of the “In Memoriam” segment. Rigg was a versatile actress who appeared in films, television and the stage. Earlier this month, the U.K.’s BAFTA left Rigg out from the “In Memoriam” segment of its movie show. The organization said Rigg would be part of its television awards show later this year.

Rigg played Tracy, James Bond’s ill-fated bride in 1969’s On Her Majesty’s Secret Service. She was also famous for playing Emma Peel on The Avengers television show in the 1960s.

Others with Bond connections featured in the segment included Yaphet Kotto (Dr. Kanaga in Live And Let Die), director Michael Apted (The World Is Not Enough) and production designer Peter Lamont.

Also, after Chloe Zhoa won the Oscar for best director (Nomadand), the theme from Live And Let Die (1973) played.

UPDATE: Others included in the segment were veteran actor Max Von Sydow, whose many roles included Blofeld in Never Say Never Again; stunt driver and performer Remy Julienne; actor Earl Cameron, who appeared in Thunderball; and actress Helen McCrory, who appeared in Skyfall.

However, Honor Blackman, who died in August at the age of 95, wasn’t included. She played Pussy Galore in Goldfinger. Also not included was actress Tanya Roberts (A View to a Kill), who died in January at age 65.

UPDATE II (April 26): Also not making the cut was French actor Michael Lonsdale, who played Drax in Moonraker.

Here is the segment:

Diana Rigg gets left out of BAFTA ‘In Memoriam’

Patrick Macnee and Diana Rigg in a publicity still for The Avengers

This weekend, the British Academy of Film and Television Arts, or BAFTA, gave out its film awards. It’s the U.K. equivalent of the Oscars.

Like the Oscars, the BAFTAs include an “In Memoriam” segment. This year’s “In Memoriam” left out Diana Rigg (1938-2020). Variety, which was covering the awards inquired why. Here’s a tweet the entertainment news outlet put out:

Rigg was known for both movies and TV shows. For spy fans, she played Tracy, James Bond’s ill-fated wife in the 1969 film adaptation of On Her Majesty’s Secret Service. On TV, she was known for The Avengers and other television series.

UPDATE (April 12): Viewers advise that Bond film veterans Honor Blackman and Earl Cameron also didn’t make the “In Memoriam” segment. THIS STORY says Prince Philip, who died last week, was included.

UPDATE II: Reader @toysofbond advises Honor Blackman was included in the 2020 BAFTA TV “In Memoriam.” So she, lie Dame Diana, was deemed a TV performer rather than a movie one. See tweet below:

1978: 007 wins 000 Oscars

James Bond has an odd history with the Oscars. The film series got two Oscar nods early in its history, then went decades with no wins.

The 1978 Oscars show, for movies made in 1977, was somewhat frustrating from a Bond fan perspective. The Spy Who Loved Me had been nominated for three awards: art direction, song and score. It walked away with….zero.

A big problem (from the Bond perspective) was that Spy was up against Star Wars in two categories. Star Wars was new and fresh and had wowed theatergoers the previous year.

Specifically, Spy’s Ken Adam-designed sets would be compared with the futuristic Star Wars sets. Another science fiction movie, Close Encounters of the Third Kind, was also nominated.

Score one for Star Wars. One of the winners was production designer John Barry (1935-1979), not to be confused with composer John Barry (Prendergast).

Marvin Hamlisch’s Spy score was up against the Star Wars score by John Williams. However, Williams was nominated twice — he also got a nomination for Close Encounters of the Third Kind.

Maybe, just maybe, Williams would split the vote and Hamlisch could sneak in.

Nope. Williams got it for Star Wars. One of the presenters was Henry Mancini. Early in his career, Williams was one of the musicians who recorded Mancini’s Peter Gunn theme in 1958.

The song category was probably Spy’s best hope. Nobody Does It Better had been very popular. Maybe it could salvage the night for 007. It was not to be. It lost to You Light Up My Life.

This wasn’t the first time a Bond song lost. Live And Let Die had done failed to win four years earlier,  with the prize going to The Way We Were (with Hamlisch doing the music.) And classic songs by John Barry (Goldfinger, Thunderball, You Only Live Twice, Diamonds Are Forever hadn’t even been nominated.

The man behind the Oscars mic

Hank Simms (1923-2013) in a rare on-camera appearance on The Invaders (a QM series where Simms didn’t announce the titles)

This weekend will include the latest Oscars show. For the occasion, the blog is noting the show’s long-time announcer, Hank Simms (1923-2013).

Simms had a 15-year association with television producer Quinn Martin, acting as announcer from the first episode of The FBI through the final episode of Barnaby Jones.

But Simms had an even longer association with the Oscars, from the early 1960s into the early 1980s. With that in mind, here are some highlights, including some James Bond moments at the Oscars.

Opening of the 1961 Oscars telecast:

1966: John Stears wins the special effects Oscar for Thunderball. Stears isn’t present. Simms informs the audience that Ivan Tors (whose company produced the underwater sequences) is accepting the award for Stears.

1973: Roger Moore, the “new James Bond,” and Liv Ullmann are on hand to present the Best Actor Oscar. The winner is Marlon Brando for The Godfather. He’s not present. Simms tells the audience that Sacheen Littlefeather will accept. But the presenters, and the audience, are in for a surprise.

1982: At the opening of the 1982 Oscars telecast, Simms refers to Roger Moore as “perhaps the most handsome man alive.” The announcer informs the audience that the actor is presenting a special award.

1982: Here is that special award. Moore introduces Albert R. Broccoli getting a lifetime achievement for a movie producer. You don’t hear Simms in this clip. However, in the commercial break just before the clip, Simms had told the audience, “We’ll be back with some great James Bond action.”

Oscars do Emily Litella impression: ‘Never mind!’

The Academy of Motion Picture Arts and Sciences may have pulled an Emily Litella. “Never mind!”

The Academy of Motion Picture Arts and Sciences has retreated from a plan of awarding four Oscars during commercial breaks, according to reports from Variety, The Hollywood Reporter and Deadline: Hollywood.

As Emily Litella (a 1970s reference you can find on Google) might say, “Never mind!”

Originally, the academy planned that Oscars for cinematography, editing, live action short and makeup and hairstyling be given out during commercials, with edited versions being shown later.

This didn’t go over well from academy members of the affected categories, especially cinematography and editing, two crucial parts of movie making.

Had the rule been in effect last year, the broadcast would haven’t included live coverage of director of photography Roger Deakins finally winning after after a long string of nominations. One of Deakins’ nominations was for the 2012 007 film Skyfall, and many Bond fans were pulling for him to finally win in 2018.

Here’s an excerpt from The Hollywood Reporter story:

In a statement on Friday afternoon, the Academy stated that it “has heard the feedback from its membership regarding the Oscar presentation of four awards – Cinematography, Film Editing, Live Action Short, and Makeup and Hairstyling.” The statement continued: “All Academy Awards will be presented without edits, in our traditional format. We look forward to Oscar Sunday, February 24.”

The move came just nine days before this year’s Oscar telecast. The academy and ABC, which airs the awards show, have been trying to keep the program to three hours.

UPDATE (9:40 p.m., New York time): The statement is on the academy’s website.

The Oscars step in it again

Oscars logo

So the Oscars show on Feb. 24 is relegating cinematography, film editing, live action short and makeup and hairstyling will be given out during commercials and not shown live, The Hollywood Reporter said.

The news came after the Academy of Motion Picture Arts and Sciences to its members today, according to THR.

The move comes as academy is trying to keep the Oscars broadcast under three hours. The group previous removed honorary Oscars and awards such as the Thalberg (honoring a producer’s career) to a separate event in November.

However, no matter what the academy does to slim down the broadcast, it finds other material and the broadcast stays around four hours. The show insists on doing including skits airing after 10 pm. eastern time when the audience is more than ready to get to find out the winners of major awards such as acting and Best Film.

Had the new rules been in effect last year, the TV audience wouldn’t have seen cinematographer Roger Deakins win an Oscar live after numerous nominations. One of those nominations was for 2012’s Skyfall.

Directors certainly think a lot of their directors of photography. In the documentary Inside You Only Live Twice, Lewis Gilbert called Freddie Young one of the great artists of British cinema. Young had photographed, among other films, Lawrence of Arabia.

Also, a number of directors leaned on their editors. Verna Fields (1918-1982) edited Steven Spielberg’s first theatrical, film, The Sugarland Express, and his first big hit, Jaws. Anne Bauchens (1882-1967) edited a number of movies for Cecil B. DeMille, including The Ten Commandments. Editors are vital to helping a director achieve his or her vision.

Well, as they say, there’s no business like show business.

Daniel Craig to be a presenter at 2019 Oscars

Oscars logo

Daniel Craig will be a presenter at this year’s Oscars show, the Academy of Motion Picture Arts and Sciences said in a statement on its website.

The academy also released the names of presenters in a series of tweets this morning. Besides the James Bond star, other presenters include Chris Evans, Jennifer Lopez and Charlize Theron. The academy said it will be making additional announcements of talent that will participate in the Oscars show.

Craig’s wife, Rachel Weisz, is a nominee for Best Supporting Actress. The Oscars ceremony is Feb. 24, shortly before Bond 25 is scheduled to begin principal photography on March 4.

Here we go again: Academy tries to streamline the Oscars

Oscars logo

If at first you don’t succeed…

The Academy of Motion Picture Arts and Sciences is — again — trying to streamline its Oscar telecast and find a place for more popular movies.

The academy sent a written message to members (this Hollywood Reporter story has the full text). Among the changes: 1) Keeping the telecast to three hours (honest!). 2) Adding a category for “outstanding achievement in popular film.”

To stick to the new time limit, the TV broadcast will show some of the 24 Oscar winners on an edited, tape-delayed basis. Which ones are seen live by the TV audience and which get the edited treatment are to be determined.

Lots of luck, academy.

The Oscars have already stripped away honorary Oscar awards and the Thalberg career award for producers from the main broadcast.

Examples of honorary Oscar moments: The dying Gary Cooper receiving an honorary award, with James Stewart accepting it on his behalf; Charlie Chaplin receiving a standing ovation while receiving his honorary award; Barbara Stanwyck likewise getting big applause when she got her honorary award.

Albert R. Broccoli , Thalberg award winner (Illustration by Paul Baack)

As for the Thalberg award, 007 fans remember Roger Moore presenting the award to Eon Productions co-founder Albert R. Broccoli. Related to that award, that Oscars show included a big James Bond musical number.

Today, however, honorary Oscars and the Thalberg (when it’s given; the last time was 2010) are now part of a separate event. Taped highlights from that are briefly shown during the main Oscars telecast. That’s show biz.

Those moves were done in the name of making the Oscars telecast shorter. Well, the telecast still goes past midnight. Various skits and such take up the time that supposedly was freed up.

Meanwhile, the academy expanded the number of best picture nominees to as many as 10. The idea was to get more popular movies into the show. It hasn’t worked out that way.

So now, potential future Oscar winners are wondering if they’ll be on TV live or an afterthought on tape delay. Will a winning cinematographer be live or taped delay? Composer? Best original screenplay? Best adapted screenplay? No way to know right now.

As for the new popular film category (or whatever it’s eventually called), it’s being criticized.

For example, here’s the take from Todd VanDerWerff of Vox: The new category “feels like a panicked move by an Academy that’s worried Black Panther won’t be nominated for Best Picture, an echo of when they expanded the Best Picture category to 10 nominees in 2009 in response to The Dark Knight and Wall-E being snubbed in that category.”

Our modest proposals for the Oscars telecast

Oscars logo

Oscars logo

“It’s just an awards show,” Oscars telecast host Jimmy Kimmel said (as quoted by Deadline: Hollywood and other outlets) about the annual telecast by the Academy of Motion Picture Arts and Sciences.

He’s right. With that in mind, here are some modest proposals to make the telecast better. It’s just an awards show, not rocket science or God’s work.

Cut back the lame jokes: A little humor goes a long way. Did we need “mean tweets” (a bit from Kimmel’s ABC late night show)? Did we need the tour bus skit, a bit that went on for what seemed like a long time.

And do we need any skits once it hits 11 p.m. in the Eastern time zone? By that point, the show had been going on for two-and-a-half hours. Yes, the show is being done in California where it’s three hours earlier. But people in the eastern time zone are starting to hit the sack (if they haven’t done so already) by 11 p.m. Time to cut to the chase and get the major awards made.

Maybe lengthen In Memoriam by a whole two minutes: It’s really hard to present all the major actors, directors, writers, etc. in less than three minutes. This year’s edition squeezed in 45 in 2:48.

If the segment were, say, five minutes, you’d still get fans upset about a favorite performer or director being left off. But the audience — it’s just an awards show, remember — really are invested emotionally. Maybe you should throw them a bone.

You remember the audience, don’t you academy? In case you forgot, they are the ones who buy the movie tickets and home video releases that keep your members employed.

With all of the montages and skits, this year’s telecast could easily have filled up five minutes for In Memoriam. If it had been five minutes, you might have been able to note, say, the passing of the director of Goldfinger, or the last surviving star of The Magnificent Seven.

Keep the envelopes with the winners organized: That’s a Mr. Obvious observation but on Monday morning the show — sorry, the “just an awards show” — was mostly being discussed for announcing the wrong Best Picture. Not the kind of publicity one wants, right PricewaterhouseCoopers?

Drop the claim that 1 billion people worldwide watch the Oscars: One, it’s not true. Two, it comes across as particularly silly with all the news accounts about the show’s declining ratings.